Shuriken Cadaveric Entwinement - Resuscitating The Vile
Sevared Records CD 2013
http://www.myspace.com/shurikencadavericentwinement
01 Resuscitation of the Vile 06:55
02 Besiegement of the Souls 06:08
03 Entwined in the Webs of Suffering 06:17
04 Cold Kiss of the Steel 04:52
05 The Blade of Gogandantees 05:13
06 Insatiable Thirst for Retribution 03:29
07 Silencing the Voice of Doom 03:42
08 Into the Jaws of the Fortinbras 04:50
Jordan Varela - Guitars, Bass, Drums
Jay Barnes - Vocals
North Carolina's own Shuriken Cadaveric Entwinement is probably the least repulsive act I've found flying the Sevared flag AGAIN !!!. could actually be a compliment since I'm sure the over-the-top brutality and thick slams that punctuate most of the records are entirely the aim, ignoring songwriting, memorability, technical skill, and everything involved in music making. You always know what you're going to get it !! semakin ga menyurutkan semangat sedikitpun untuk Seniman berbadan kekar bak Atlit Gulat, Jordan Varela yang terkenal sebagai drummer Dasyat dipenampilannya bersama Lust Of Decay era " Infesting the Exhumed " Album, penampilan Jordan mulai populer di scene kampung halamannya, North Carolina sehingga dirinya banyak terlibat di beberapa band seperti Domination Through Impurity, Symphony in Acrimony, Cesspool of Vermin, ex-Carcinogenic, ex-Debodified, ex-Epic of Empyrea, dan ex-Lividity, ternyata ga berhenti sampai disitu saja, Jordan masih memiliki satu ambisi full pribadinya bersama Sobat kentalnya di Jay Barnes, yang juga Vokalisnya Lust Of Decay untuk melancarkan kembali Obsesinya membentuk Shuriken Cadaveric Entwinement dengan mengusung tema yang jarang mungkin dibawakan oleh band death metal lainnya, tema tentang adaptasi Legenda Samurai, Harakiri dan Tradisional Negeri jepang yang berbungan juga dengan sebuah Kematian dan kekejamannya. Perfunctory Wingnut Calamity may be aiming for stupid, but this is mind numbing. And while I'm focusing on the flash as opposed to the substance, I must applaud the band for focusing their imagery on feudal Japan. This is a brutal time in history, rife with tales of battle and savagery that seems strangely untouched by much of metal. The burning of Honno-ji, the battle of Mikatagahara, the... resurrection of the undead Genma forces? The demonic plaguewielding supervillian Nobunaga Oda? Oh, I see. This band learned everything it knows about Japan from the Onimusha videogames, nevermind. Jordan ternyata ga cuman Jago nge-drum aja, Doi juga Gape Banget Maenin Instrumen Guitar, dan Bass, en buktinya Jordan membentuk band ini urusan itu juga dijabanin sendiri loh ckckckckckck .... bener2 seorang Musisi Metal dengan Multitalenta yang menyukai sebuah Kerja Keras. Goodjob Jordan !! Rilisan Pertamanya " As the Shroud of Suffering Suffocates the Land " Tahun 2007 via Sevared Records lumayan membuka mata Reputasi band ini dikancah Extreme Metal Internasional, dan masih bersama Sohib kentalnya, Jordan masih mengajak Vokalis Jay Barnes untuk melanjutkan Obsesi ke-2 ini di Lexington Studio, South Carolina masih menggandeng Produser dan Enjiner Bob Moore yang sukses menggarap album2nya Nile, Lecherous Nocturne, dan hampir semua band2 di Roster Brutal Label Comatose Music. Langsung saja untuk materi baru ini seperti sebuah Peningkatan Konsep sejak Materi pertama " As the Shroud of Suffering Suffocates the Land " yang bagi gw lebih terkesan sentuhan Death Metal Cantiknya, meskipun Semua orang tau gimana Musikalitas Jordan sendiri untuk memainkan konsep musik yang cepat dan Dinamis seperti di Lust Of Decay atau Domination Through Impurity, di Shuriken Cadaveric Entwinement ini lebih tampil Rilex gaya Death Metal-nya, namun tetap tidak menghilangkan Art Technical part dan Blastbeat Rapatnya. There are a few slams and breakdowns here and there that attempt to spice up the mix but they don't do much help. The thing that makes this album so confusing to me is the drumming. It's fast, it's prominent, but it's also weak at the same time. The production is partially at fault for this anomaly, as the drums are pushed to the front of the mix, yet the bass drum sounds like somebody slapping a basketball and the snare sounds like it's covered in Ritz crackers. It entirely decimates the power they clearly intend to highlight. The other huge problem is the man's playing style in the first place. Double bass is pounding about 85% of the time, but his upper half seems stuck in half time. This gives the illusion that the song is moving at half the speed, despite what the riffs and bass drum are doing. perpaduan gaya Deicide, Cannibal Corpse dan Deeds Of Flesh Era " Trading Pieces " lebih kental aroma-nya dengan sentuhan Dark Riffing Harmonization layers ! membuka gebrakan awal " Resuscitation of the Vile " tanpa basa basi langsung meledak dengan Raungan Growling Jay Barnes yang powerfully. The two riffing styles on display are fast, atonal tremolo picking, and relentless pinch harmonic punctuation. The former style is much more interesting, as the stop-start dweedling of the pinching is extremely noticeable to the point of it being detrimental. Most of the time it doesn't fit, whereas the tremolo attack keeps the pace up and actually crafts interesting lines from time to time (the main riff of Ascension of Nobunaga is a prime example). Struktur musikal yang lebih menekankan gaya Primary Power Dark Riffing ini selalu didominasi dengan hentakan twin pedal super rapat dengan sound Triggering yang menjadi Karakteristik seorang Jordan. sayatan Riffing Jordan juga banyak melempar teknik Chugging Ciamik serta Gaya Rolling Harmony in The Vein Morbid Angel. sementara Deep Growling Jay Masih terdengar Jelas Pattern Vokalnya membawakan lirik lagu terkadang kerap diselingi dengan screamin Vokal sehingga lebih mengajak ke karakter Deeds Of Flesh masih bertemu dengan Lust Of Decay style. meskipun tidak terlalu didominasi dengan fast part, Hentakan setiap lick komposisi Track lagu disini terasa kian cepat dari materi sebelumnya. " Besiegement of the Souls " tetap Powerfully hentakan twin pedal rapat Jordan menghiasi Death Metal style In The Vein Deicide-nya. memang hampir setiap lagunya selalu dimulai dengan Twin Pedal rapat dan pukulan snare Drum Standard, sehingga kurang menonjolkan Kesan Brutal Beat-nya, dan Track " Cold Kiss of the Steel ", Jordan sempat memainkan sentuhan Melodic Riffing bergaya Epic dan Hitam walau kadang sentuhannya rada Nge-thrash. total 8 lagu berdurasi waktu 41:26 cukuplah untuk meredakan Pikiran yang jenuh. gempuran Old School Death Metal tampil lebih Modern dan Dinamis tetap menjadi Idealisme seorang Jordan sebagai Mastermind menciptakan Komposisi ini. Tema Konsep Kover masih seperti pada album pertama, ksatria Shogun sebagai Penjagal dari Negeri jepang tetap bisa menggambarkan sadis dan kejamnya musikalitas Shuriken Cadaveric Entwinement. fans Deicide, Cannibal Corpse hingga Deeds Of Flesh Lama, gw sarankan untuk mencoba sendiri aroma pembantaian duo Project idealis ini. Despite the complaints, Phantasmal Blinkering Squeegee isn't all that bad. Resuscitating The Vile is an enjoyable, if bland and somewhat weak, romp through bloody battlegrounds and demonic carnage.
North Carolina's own Shuriken Cadaveric Entwinement is probably the least repulsive act I've found flying the flag Sevared AGAIN!!!. could actually be a compliment since I'm sure the over-the-top brutality and thick slams that punctuate most of the records are entirely the aim, ignoring songwriting, memorability, technical skill, and everything INVOLVED in music making. You always know what you're going to get it!! ga dampen the spirit at all for Artists Athletes Wrestling burly tub, Jordan Varela is known as a drummer with terrible his act at Lust Of Decay era "infesting the Exhumed" album, the appearance of Jordan became popular in his hometown scene, North Carolina so he was heavily involved in several bands like Domination Through Impurity, Symphony in acrimony, cesspool of Vermin, ex-carcinogenic, ex-Debodified, ex-Epic of Empyrea, and ex-Lividity, apparently ga stop there, Jordan still had a full personal ambition with Buddy kentalnya Jay Barnes, who is also vocalist Lust Of Decay to relaunch obsession Shuriken Cadaveric Entwinement form the theme is rarely likely brought by other death metal bands, the theme of adaptation Legend of Samurai, Harakiri and Traditional Affairs japanese berbungan also with a death and cruelty . Calamity Wingnut Mljet national park may be aiming for stupid, but this is mind numbing. And while I'm focusing on the flash as opposed to the substance, I must Applaud the band for their imagery focusing on feudal Japan. This is a brutal time in history, Rife with tales of battle and savagery that seems strangely untouched by much of the metal. The burning of Honno-ji, the battle of Mikatagahara, the ... resurrection Genma forces of the undead? The demonic plaguewielding supervillian Nobunaga Oda? Oh, I see. This band learned everything it knows about Japan from the Onimusha videogames, nevermind. Jordan turned Not only Smarties wrote about playing, Jordan also can Play too Instruments Guitar, and Bass, en evidence Jordan formed the band was also witherd own affairs ckckckckckck loh .... Metal with Really a multitalented musician who likes a hard work. Goodjob Jordan!! His first release "As the Shroud of Suffering suffocates the Land" in 2007 via Sevared Records Reputation fairly eye opening band Extreme Metal International arena, and still with the strong Sohib, Jordan was invited vocalist Jay Barnes to continue this obsession 2nd in Lexington Studio , South Carolina is still holding Producer and Engineer Bob Moore who successfully worked album2nya Nile, Lecherous Nocturne, and almost all band2 in Brutal Label Roster Comatose Music. Direct course for this new material as a concept since the first material increase "As the Shroud of Suffering suffocates the Land" is the more impressed i touch Cantiknya Death Metal, though Musicality Everyone knows how to play the concept of Jordan himself fast and dynamic music as in Lust Of Decay or Domination Through Impurity, in this Entwinement Shuriken Cadaveric more Rilex perform his style of Death Metal, but still does not eliminate the Technical Art and Blastbeat meeting's part. There are a few slams and breakdowns here and there that attempt to spice up the mix but they do not do much help. The thing that makes this album so confusing to me is the drumming. It's fast, it's prominent, but it's also weak at the same time. The production is partially at fault for this anomaly, as the drums are pushed to the front of the mix, yet the bass drum sounds like somebody slapping a basketball and the snare sounds like it's covered in Ritz crackers. It decimates the power entirely Clearly they intend to highlight. The other huge problem is the man's playing style in the first place. Double bass is pounding about 85% of the time, but his upper half seems stuck in half-time. This gives the illusion that the song is moving at half the speed, despite what the riffs and bass drum are doing. blend style Deicide, Cannibal Corpse and Deeds Of Flesh Era "Trading Pieces" over her thick aroma with a touch of Dark riffing Harmonization layers! opened the grand opening of "Resuscitation of the Vile" no strings attached exploded with a roar Growling Jay Barnes powerfully. The two dueling styles on display are fast, atonal tremolo picking, pinch harmonics and Relentless punctuation. The former style is much more interesting, as the stop-start dweedling of the pinching is extremely noticeable to the point of it being detrimental. Most of the time it does not fit, whereas the tremolo attack keeps the pace up and actually crafts interesting lines from time to time (the main riff of Ascension of Nobunaga is a prime example). Musical structure that emphasizes style riffing Dark Primary Power is always dominated by the twin pedal pounding super tight with triggering sound that became characteristic of a Jordan. Jordan is also a lot of riffing incision technique throws Chugging ciamik and Harmony Style Rolling in The Vein Morbid Angel. Jay Deep Growling while still sounding clear vocal Pattern brings lyrics sometimes often interspersed with Vocal screamin so much character invites to Deeds Of Flesh still met with Lust Of Decay style. though not overly dominated by the fast part, the beat every lick Track song composition here was growing faster than the previous material. "Besiegement of the Souls" Powerfully pounding twin pedal remains tightly Death Metal style adorn Jordan In The Vein Deicide her. indeed almost every song always starts with a Twin Pedal meetings and blow Standard snare drum, making it less accentuate his impression Brutally Beat and Track "Cold Kiss of Steel", Jordan had played a touch of style Epic Melodic riffing and Black with an occasional touch rada Nge -thrash. 8 tracks total time 41:26 duration sufficient to relieve the saturated mind. Old School Death Metal onslaught appear more modern and dynamic remains the idealism of Jordan as a Mastermind create this composition. Concept theme Kover still like the first album, Shogun warrior as The Butcher of State japan can still describe the sadistic and cruel Shuriken Cadaveric Entwinement musicality. fans of Deicide, Cannibal Corpse to Deeds Of Flesh Lama, I would suggest to try his own fragrance duo massacre Project idealistic. Despite the complaints, Phantasmal Blinkering Squeegee is not all that bad. Resuscitating The Vile is an enjoyable, if somewhat bland and weak, Romp through bloody battlegrounds and demonic carnage. 
Illusoria - Illusory World
Self Released CD 2013
http://www.illusoriamusic.com
http://www.facebook.com/pages/Illusoria/525647340798143
https://twitter.com/IllusoriaMusic
https://www.youtube.com/user/IllusoriaMusic
illurosia@gmx.de
01 Clandestine Lovestory 06:23
02 White Light 05:02
03 300 - Side by Side 05:42
04 Icarus - Rise High 03:57
05 Ray of Hope 05:00
06 Illusory World 06:44
07 Black Sails 04:11
08 Snow White 05:21
Vincent Bechthold - Drums
Falko Schulze - Guitars, Vocals
Michael Raible - Keyboards, Vocals
Eva Kreuzer - Vocals
Menikmati suasana yang lebih fresh dengan sajian yang memekakkan sebelumnya, kayaknya gw butuh angin segar untuk menikmati genre menarik faforite gw hehehe, Symphonic/Power Metal dengan Balutan kental gaya Melodius dandanan khas dari konsep yang dimainkan oleh Sonata Arctica, Nightwish, Epica, Kamelot, hingga Oratory mungkin bisa gw tangkap kesan pertama kalinya diband ini yang menempatkan Female Fronted sebagai icon Karakter Musikal band-nya. ILLUSORIA, band Symphonic/Melodic Power Metal asal Rockenberg, Hesse, Jerman meskipun masih terhitung Newcomer ini telah menunjukkan bakat hebatnya bermain musik ini. yang tentunya menarik perhatian gw adalah penampilan powerfully female vokalis Eva Kreuzer tentu Illusoria ini bukan karir pertamanya berolah vokal enerjik, sebelumnya sudah dikenal main dibeberapa band seperti DreamReaver, A.Death.Experience, Arven, Heresy ( Progressive Thrash/Death Metal Asal Jerman ), dan Misfit ( Melodic Heavy Metal Jerman, dan Bukan Band Punk terkenal asal New Jersey itu loh .ed ), cukup mengantarkan karir berikutnya sebagai Female Vokal Berbakat Next !! karakter vokalnya adalah perpaduan antara gaya bernyanyi Floor Jansen ( Ex. After Forever ), Anette Olzon ( Ex. Nightwish ) dengan gaya Bernyanyi Lita Ford ! powerful female rock voice could easily push the limits of every, leaves a permanent impression with their combination of fast riffs, harmonic keyboard arrangements and fulminating drums. Mystical, historical and fantastic elements unite textual and musical elements to form Illusoria. karena menjadi sesuatu yang tentu menarik disini, makanya langsung gw tulis aja tentang materi perdana karir mereka selang 1 tahun terbentuk, band ini dapat melahirkan karya yang keren !! " Clandestine Lovestory ", Karakteristic Sonata Artica dan Nightwish sedang mengawali Opening Track dengan Sentuhan yang begitu Epic dan Symphonic yang kemudian disambut dengan gaya Vocal Rockin si cantik Eva Kreuzer sudah menampilkan bakatnya tersebut. showed a newfound appetence for simpler more direct songs, more versed in rock structures and catchy choruses than on heavily layered symphonic arrangements and film score atmosphere. Aransemen musik yang lebih cenderung bergaya Middle beat antara konsep metal dengan Rockin masih begitu utuh menjadi penampilan Powerfully. " White Light " bahkan sentuhan lebih menantang gantian drummer Vincent Bechthold dengan Gitaris Falko Schulze lebih terus tertantang lagi dengan Lengkingan Enerjik Eva Kreuzer. although it may strike too simplistic and down to earth for many who try to catch up with it. Bear in mind that this isn’t a complicated concept album in the vein of progressive metal acts, but rather a simple story of the easiness of life’s derailment and all the pain adjacent to those events. This may strike as personal to many and mainstream appealing to many more, but the fact is that this is a mature and pertinent idea and more so a factual event that takes place more often than we would like to think it does. " 300 - Side by Side " terdengar lebih simpel dan Moderat bagaimana sebuah Komposisi musik lebih ditampilkan dengan enerji luar biasa pada Sesi Vokal ! The song revolves around a mid-tempo riff played with this weird distortion on the guitar and soothing piano passages, with the grunts complimenting the theatrical approach given to the lyrical content. The progression by the third minute with the vocal lead is quite enthralling in its delivery and we see a slight return to some of the rhythms found. kemudian pada " Icarus - Rise High ", karakteristik vokal Eva Kreuzer semakin lebih menantang dengan lebih bergaya Rockin banget ala Lita Ford dengan esensi lebih liar berkoar menjiwai setiap bait lagunya. agak sedikit menenangkan enerji mereka, track " Ray of Hope " lebih dihadirkan sebagai Slowly Ballad Track menawan bergaya Gothic Orchestral punya, walau penampilannya harus tidak se Epic Atmosfirnya, track ini mampu mendinginkan suasana berikutnya. sentuhan Power Rock yang lebih Kalem adalah lagu " Illusory World ", banyak mengajak kita kedimensi Epic yang membangkitkan attitude perubahan sikap. showing the characters as more than simple bits of the lyric sheet and instead transposing them to the music and showing them directly to the listener. The duality of vocals is now more than beauty meets beast. lalu " Black Sails " lebih menekankan balutan Folky lengkap dengan instrumen akordian yang Kental mengingatkan gw dengan gayanya Koorpiklani sekali, sebuah komponen track berbeda dari lainnya cukup apik ditampilkan dengan Middle Growling Vokal dan sentuhan Melodius part seperti yang dimainkan oleh Ensiferum ! dan Track Terakhir adalah " Snow White " menutup performa penampilan mereka dialbum perdana yang menurut gw ini cukup untuk menjadi teman setia pas posisi Bete sekalipun, sayatan aroma Epic nan melodius memang menjadi kekuatan tersendiri untuk Illusoria berkarya dimateri berikutnya. is it the most impressive concept album ever, but it also doesn’t fall into the other side of the spectrum by being an over the top or even pretentious attempt on something great. It lies somewhere in a middle ground where it is clearly an attempt at a complex idea that works most of the time, but ends up lacking on some points. And as I said above, given the sensitive nature of its concept it isn’t something you’ll be able to enjoy every day, as this story feels all too real and feasible to be experienced firsthand on a daily basis. It does have enough musical value to warrant a decent amount of exposure.
Enjoy more fresh atmosphere with deafening dish before, I think i need a breath of fresh air to enjoy the exciting genre faforite gw hehehe, Symphonic / Power Metal with a thick bandage style melodic ornamentation typical of the concepts being played by Sonata Arctica, Nightwish, Epica, Kamelot, to Oratory may be the first time i caught diband impression is that places an icon Female Fronted Character Love her band. Illusoria, band Symphonic / Melodic Power Metal Rockenberg origin, Hesse, Germany although still comparatively Newcomer has shown great talent playing this music. which of course attracted the attention of me is powerfully appearance female vocalist Eva Kreuzer's certainly not the first career Illusoria exercise energetic vocals, formerly known as DreamReaver played in several bands, A.Death.Experience, Arven, Heresy (Progressive Thrash / Death Metal Origin Germany), and Misfit (Melodic Heavy Metal Germany, and not well-known punk band from New Jersey that loh. ed), enough to deliver the next career as a Talented Female Vocal Next!! vocal character singing style is a blend of Floor Jansen (After Forever Ex.), Anette Olzon (Nightwish Ex.) Lita Ford singing style! powerful female rock voice Easily could push the limits of every, leaves a permanent impression with their combination of fast riffs, harmonic keyboard arrangements and fulminating drums. Mystical, historical and fantastic elements unite textual and musical elements to form Illusoria. because that would be something interesting here, so immediately I wrote wrote about their career prime material 1-year interval is formed, the band was able to give birth to works that cool!! "Clandestine Lovestory", Karakteristic Nightwish and Sonata Artica Opening Track are starting to touch so Epic and Symphonic were then greeted with the beautiful style of Vocal Rockin Eva Kreuzer is already showing his talent. Showed A Newfound appetence for more direct songs Simpler, more versed in rock structures and catchy choruses than on Heavily layered symphonic film score arrangements and atmosphere. Musical arrangements are more likely to beat the Middle stylish metal concept with Rockin still so intact into Powerfully appearance. "White Light" even a touch more challenging turns drummer to guitarist Vincent Bechthold Falko Schulze constantly challenged over again with a shriek of Energetic Eva Kreuzer. although it may strike too simplistic and down to earth for many who try to catch up with it. Bear in mind that this is not a complicated concept album in the vein of progressive metal acts, but rather a simple story of the easiness of life's derailment and all the pain adjacent to those events. This may strike as personal to many mainstream and more appealing to many, but the fact is that this is a mature and pertinent ideas and more so a factual event that takes place Often more than we would like to think it does. "300 - Side by Side" sounds more simple and moderate how a musical composition be displayed with incredible energy on Vocal Session! The song revolves around a mid-tempo riffs played with this weird distortion on the guitar and soothing piano passages, with the grunts complimenting the theatrical approach given to the lyrical content. The progression by the third minute with the lead vocal is quite Enthralling in its delivery and we see a slight return to some of the rhythms found. then on "Icarus - High Rise", Eva Kreuzer vocal characteristics progressively more challenging with more dressy style Lita Ford really Rockin with the essence of wild boasting over animating each stanza song. a little bit of energy to calm them, track "Ray of Hope" Ballad be presented as Slowly Track charming Gothic Orchestral got, though his appearance had not se Epic The atmosphere, this track is able to cool the atmosphere next. Power Rock touch more soft is the song "Illusory World", we invite many other Epic dimension attitude that evokes an attitude change. showing the characters as more than simple bits of the lyric sheet and instead transposing them to the music and showing them directly to the listener. The duality of vocals is now more than beauty meets beast. and "Black Sails" more emphasis folky bandage complete with instruments reminiscent Condensed akordian the my with style Koorpiklani once, a different component of the other tracks quite nicely displayed with a touch of Middle Growling vocals and melodic parts as played by Ensiferum! Track and last is "Snow White" shut their performance dialbum inaugural appearance in my opinion is enough to be a loyal friend Bete though fitting position, incision nan Epic melodic scent has become its own power for the next dimateri Illusoria work. is it the most impressive concept album ever, but it also does not fall into the other side of the spectrum by being an over the top or even pretentious attempt on something great. It lies somewhere in a middle ground where it is Clearly an attempt at a complex idea that works most of the time, but ends up lacking on some points. And as I said above, given the sensitive nature of its concept it is not something you'll be Able to enjoy every day, as this story feels all too real and feasible to be experienced firsthand on a daily basis. It does not have enough musical value to warrant a decent amount of exposure.
Black Therapy - Symptoms of a Common Sickness
Revalve Records CD 2013
http://www.blacktherapy.it
http://www.myspace.com/blacktherapyband
http://www.facebook.com/blacktherapyband
http://soundcloud.com/blacktherapyband
http://www.youtube.com/user/blacktherapyband
http://blacktherapy.bigcartel.com
blacktherapyband@gmail.com
01 From High 03:33
02 Black Therapy 03:54
03 Advance 03:20
04 The Time Is Dead 05:49
05 Symptoms of a Common Sickness 03:29
06 The Last Soul 04:01
07 The Night Is Mine 04:03
08 Path to Hell 05:53
09 Desert Blood 04:25
10 Melancholy 05:14
11 Still Black Beyond the Light 02:01
Luca Soldati - Drums
Giuseppe Massimiliano Di Giorgio - Vocals
Daniele Rizzo - Guitars
Lorenzo "Kallo" Carlini - Guitars
Marco Cattaneo - Bass
Kebetulan Banget menjadi kesempatan gw disaat sedang Boring dan Muntah harus menulis stuff tentang Brutal Death Metal, ada waktunya sekarang harus mendengarkan salah satu genre faforite gw, Melodic Death Metal !! coz gw banyak menerima stuff genre ini juga hehehehe, diantaranya seperti dari band asal Rome, Lazio, Italy ini, yang konsep musiknya merupakan perpaduan panjang antara Dark Tranquillity, Death, Dissection, At The Gates, Insomnium, Omnium Gatherum, Amon Amarth, Amorphis, Novembre, Lahmia, hingga Lunarse menjadi sebuah komposisi yang asli melodius banget sentuhannya. " Symptoms of a Common Sickness " menjadi debut perdana full albumnya setelah cukup sukses mengenalkan diri dengan demo " Through this Path " tahun 2010 jarak 1 tahun band ini terbentuk. meskipun dari Italy, Band ini lumayan memberikan sentuhan ala Sounding Gothenburg banget, ga ayal banget karakteristik ala Dark Tranquillity, In Flames hingga Amon Amarth sangat terasa sekali. seperti biasa membuat penasaran dalam rangka masih tahap foreplay, track pertama " From High ", band ini masih belum menampakkan sebuah terapi hitamnya pada sentuhan musiknya, lebih cenderung bergaya Melodic Doom Metal yang begitu kental ala Amorphis serta Novembre banget. namun baru terasa karakteristik mereka begitu masuk track ke-2 " Black Therapy ", spontan enerji mereka menjadi lebih meledak2 dengan beat musik yang cepat dan tajam. Sounding Old School Death Metal Raw gaya lamanya Entombed dan Dismember cukup menjadi dasar awal pemilihan Gothenburg sounding band. style death metal-nya bahkan lebih mendapat sentuhan kental Thrash metal ala Kreator sehingga memang acap kali membawa gw ke nuansa headbang ! sementara konsep melodic Riffing-nya juga ga terlalu berat selain kerap menampilkan sentuhan melodius part aja. atau secara simple dan easy listening kalo gw gambarkan, kayak gaya Betrayer dari jakarta itu hehehe .... The songwriting here isn't technically that bad, and the band is unquestionably talented, it's just that they're trying to do too much at once, cramming too many unnecessary elements into each song and making them kind of unmemorable, despite sounding cool sometimes. God, even In Flames could construct a more memorable song than most of the shit on here, and that isn't exactly a high compliment! Gaya Middle Screaming Vocalis Giuseppe Massimiliano Di Giorgio bahkan lebih mengingatkan banget dengan gaya bernyanyi Night In Gales Era " Towards the Twilight " banget, walo sentuhan melodiusnya ga sekental Band asal Jerman ini, bisa gw katakan konsepsionalnya band ini mendekati gaya lama Night In Gales. This album left me craving more, and more, and more. I could listen again, and again, and again and never get bored. It might be a stretch to call it the greatest album of all time, but it is surely my favorite. And it is definitely the greatest of the Gothenburg/Melodeath genre. I would surely suggest it for any melodeath fan, and anyone who really craves a perfect epic blend of melody and aggression. 11 lagu berdurasi total 45:42 memang lebih akan melepaskan kita dalam jerat boring terhadap rutinitas kehidupan sehari hari. humming the melody, and feeling every message the song is attempting to convey. Through all this they close it out with about five seconds of an acoustic melody that just really lets your mind take in the album you just listened to.
Incidentally gw Banget a chance while being Boring and Vomiting should write stuff about Brutal Death Metal, there are times now have to listen to one genre faforite me, Melodic Death Metal!! coz i received a lot of this stuff too hehehehe genre, such as the origin of the band Rome, Lazio, Italy, which is the concept of music is a fusion between Dark Tranquillity length, Death, Dissection, At The Gates, Insomnium, Omnium Gatherum, Amon Amarth, Amorphis, Novembre, Lahmia, until Lunarse be an original composition that really melodic touch. "Symptoms of a Common Sickness," a debut album full debut after successful enough acquaint yourself with the demo "Through this Path" in 2010 within 1 year the band was formed. though from Italy, this band gives a touch of style tolerable Gothenburg Sounding very, very characteristic style ga Surefire Dark Tranquillity, In Flames to Amon Amarth are felt at all. as usual in order to still intriguing foreplay stage, the first track "From High", the band still has not revealed a touch of music therapy on the black, more likely styled Melodic Doom Metal Amorphis style is so thick and really Novembre. but we feel their characteristics so enter the 2nd track "Black Therapy", they become more spontaneous energy meledak2 with a fast beat music and sharp. Sounding Raw Old School Death Metal old style Entombed and Dismember early enough to be the basis of the selection of Gothenburg sounding band. His style death metal even got a touch of thrash metal ala Education viscous so that it often brings gw shades to headbang! while the concept of melodic riffing is also too heavy ga besides often displays a touch of melodic part aja. or by simple and easy listening if i draw, kayak style Betrayer of jakarta it hehehe .... The songwriting here is not technically that bad, and the band is Unquestionably talented, it's just that they're trying to do too much at once, cramming too many unnecessary elements into each song and making them kind of unmemorable, despite sounding cool sometimes . God, In Flames could even construct a more memorable song than most of the shit on here, and that is not exactly a high compliment! Screaming Middle style vocalist Giuseppe Massimiliano Di Giorgio even more reminiscent of the style of singing really Night In Gales Era "Towards the Twilight" really, walo touch melodic ga thick as this German band, can i say this band approached conception old style Night In Gales. This album left me craving more, and more, and more. I could listen again, and again, and again and never get bored. It might be a stretch to call it the greatest album of all time, but it is surely my favorite. And it is definitely the greatest of the Gothenburg / Melodeath genre. I would surely suggest it for any melodeath fan, and anyone who really craves a perfect epic blend of melody and aggression. 11 songs that lasted a total of 45:42 was more to rescue us in the meshes of the boring routine of daily life. humming the melody, and feeling every message the song is Attempting to Convey. Through all this they close it out with about five seconds of an acoustic melody that just really lets your mind take in the album you just listened to.
Persefone - Spiritual Migration
ViciSolum Productions CD 2013
http://www.persefone.com
http://www.myspace.com/persefoneband
http://www.facebook.com/persefoneband
http://www.reverbnation.com/persefoneband
http://www.purevolume.com/persefone
http://www.twitter.com/persefoneband
http://www.youtube.com/persefoneband
http://www.last.fm/music/Persefone
http://www.cdbaby.com/cd/persefone
info@persefone.com
01 Flying Sea Dragons 01:48
02 Mind as Universe 04:41
03 The Great Reality 06:27
04 Zazen Meditation 03:53
05 The Majestic of Gaia 08:38
06 Consciouness Pt.1 : Sitting in Silence 03:21
07 Consciouness Pt. 2 : A Path to Enlightenment 05:43
08 Inner Fullness 07:32
09 Metta Meditation 03:48
10 Upward Explosion 02:55
11 Spiritual Migration 08:47
12Returning to the Source 09:06
13 Outro 03:55
Toni Mestre - Bass
Jordi Gorgues - Guitars
Carlos Lozano - Lead Guitars
Miguel Espinosa - Keyboards, Vocals
Marc Martins - Vocals
Marc Mas - Drums
AMAZING !!!!!!!!!!!!!!!!!, Apa jadinya jika Dream Theatre Bertemu dengan Children Of Bodom kemudian bertarung dengan Arsis lalu Melebur lagi dalam Konsep Opeth, Borknagar, Arcturus, Symphony X dan Cacophony??? Gileeeee !!! Jawabannya tentu Ada diband Progressive/Melodic Death Metal keren asal Andorra la Vella, Andorra, Andorra sendiri adalah Negara kecil yang terletak di Eropa bagian barat daya, di timur bantaran Sungai Pirenea dan berbatasan dengan Perancis dan Spanyol. Negara mewah ini terkenal dengan sektor pariwisata dan status bebas cukai. Andorra merupakan sebagian dari negara-negara Katalan. seperti halnya Negara United Kingdom, yang dipimpin oleh Sebuah Kerajaan dengan Demokrasi parlementer, memiliki Seorang Pangeran Kerajaan, Negara ini masih dipimpin oleh seorang perdana menteri. PERSEFONE Sendiri adalah dari Sekian band paling gw banggakan dari scene negara kecil ini, terbentuk sejak tahun 2001 memiliki konsep musik mengagumkan dan selalu gw tunggu masterpiece albumnya, " Spiritual Migration " ini menjadi full album ke-4 nya setelah " Truth Inside the Shades " (2004), " Core " (2006), dan " Shin-Ken " (2009). This About the crazy shredding There isn't exactly anything spectacular about them and nothing incredibly memorable to make you specifically want to listen to that song, but when you actually ARE listening to them at the moment, you are absorbed in the sound. Bagaimana jikalau Dinamika Perkembangan Musikal mereka menjadi semakin lebih gila disini, sehingga Gw sudah beberapa kali mendengarkannya sebelum gw tulis review disini, masih begitu terpana dengan Komposisi Dasyatnya ! such as a WONDERFUL song, Purity. It has a great solo, still some metal-like riffs, but stays true to its calm nature. speaks for itself, staying away from metal and just delivering a rainy day next to the looking out upon a gorgeous landscape. Honestly, that's how I felt while listening to it. sound perfectly fitting and there is nothing wrong with it, and might I add that they sound much better than the lyrics off of the pounding, yet great metal songs !!! Ok kayaknya Gw bakalan ga sabar untuk berbagi cerita bagaimana Sintingnya Komposisi yang ditawarkan dalam 13 Track berdurasi hampir 01:10:34 ini bakalan membuat suasana kacau dikamar elo tapi cukup untuk menenangkan syaraf otak kita saat lagi kacau hahahaha ..... " Flying Sea Dragons " sebuah Intro Instrumental berdurasi 01:48 cukup menjadi Foreplay ciamik buat mereka membuka alam kegelapan dengan dimensi Kematiannya. terasa begitu megah dan epic atmosfir yang mereka ciptakan mulai dari sini, permainan Shredd Guitar mencengangkan dari Carlos Lozano memang paling menjadi daya tarik hebat bersama keyboardis Miguel Espinosa untuk karakteristik Persefone ! dan " Mind as Universe " menjadi sebuah gebrakan hebat mematikan, bagaimana Konsep Progresive-nya Dream Theathre menjadi lebih cepat dengan karakter Children Of Bodom dilengkapi dengan Gaya Virtuoso Permainan Riffing yang serba cepat ala Jason Becker pun harus terpana mendengar skill permainan Carlos hehehe, aransemen musik yang matematika tapi tetap indah untuk dinikmati dan tidak asal njlimet ! AWESOME riffs, great shredding, cool piano, nice melodies, and then the lyrics come around. I can't for the life of me understand what they are saying. Although in its defense it's screamo, so I'm not exactly supposed to, right? But that's besides the point. There are two types of screaming on this album: growly and actual SCREAMING. The screaming portions are fairly good, usually accompanied by the lesser part of the music, the ones with the crazy fast, pounding drum beat that I have always stoutly believed is not needed in any song. Then the pounding would stop and you're back to normal growly lyrics with a fantastic sound playing around it. Harsh Vokal Marc Martins lebih mengingatkan Gw dengan Alexei Laiho-nya COB dan disertai dengan Soprano Male Vokal yang lumayan Clean dari Keyboardis Miguel Espinosa. dan tentunya disini menjadi SANGAT menarik perhatian adalah tentunya permainan Sinting Gitaris Carlos yang begitu Cepat memainkan jemarinya di lick Musik dan progres yang cepat kerap mengikuti jemari Keyboardis Miguel, gw rasa Permainan Rhapsody Of Fire bakalan kurang lebih cepat dari band ini kayaknya hehehe ... permainan drummer Marc Mas semakin prima dan Powerfully mengimbangi kegilaan Gitaris dan Keyboardis dengan lebih menonjolkan permainan yang dinamis serba menendang pula ! From basic metal riffs from Kusanagi to the super-crazy-insane-mega-awesome shred-tastic soloing off of The Endless Path ! " The Great Reality ", More Powerfull !!! lagi2 konsentrasi Gw masih terjerat oleh Instrumen musik antara Gitar, Keyboard dan Drums ! that's how I felt while listening to it. For all the non-metal songs on here, the lyrics sound perfectly fitting and there is nothing wrong with it, and might I add that they sound much better than the lyrics off of the pounding, yet great metal songs. Gw masih ga habis pikir bagaimana mereka dapat mengkomposisi sedemikian Berkualitas seperti ini, sehingga gw sempat kehabisan kata dan istilah untuk menggambarkan Sintingnya permainan band ini, ckckckckck .... " Zazen Meditation ", tepat dengan Tema Meditasinya, Persefone masih mengadopsi karakteristik tradisi Negeri Jepang seperti yang banyak dituangkan dalam album ke-3 " Shin-Ken ", agak lebih tampil Slowdown Progressive ala Opeth, track ini lebih tampil sebagai Instrumental saja dengan sambutan solo Gitar melodius Carlos yang ciamik itu. Persefone appears to have changed up their sound to accommodate the less underground approach, and while it may lack the same strength. " The Majestic of Gaia ", kembali dipart awal kita sudah dipamerin dengan gaya Shredding Riff gila sebagai opening-nya, karakteristik Vokalis Marc Martins kian beringas saja mendekati gayanya Trevor-nya The Black Dahlia Of Murder, namun sedikit didinginkan aromanya dengan gaya vokal middle soprano Miguel, sehingga terasa memang masih sentuhan Kompleksitas gaya bermusiknya. I mentioned earlier that I still cannot name. You can headbang, you can air guitar, you can pretend to sing along, you can dance, you can do whatever you want with the actual MUSIC of this album because its just that great. kemudian 2 track berikutnya menjadi sebuah chapter Story " Consciouness Pt.1 : Sitting in Silence " dan " Consciouness Pt. 2 : A Path to Enlightenment " menjadi sebuah Perjalanan Kilas balik Dimensi Hitam dengan karakteristik lebih mengajak kita kenuansa Dream Theatre banget, mulai dari tempo pelan, sedang dan akhirnya kembali ngebut, dan inilah memang ajang Unjuk taring skill 3 frontman band, NICE !!!!!!!!!!!! memang secara keseluruhan materi disini adalah materi yang sangat matang dan super dinamis, dan gw berani jamin, biarpun elo puter berulang ulang, album ini ga ada kunjung kesan Boring sedikitpun !! apalagi buat kalian fans Progresif dan teknikal disertai sentuhan Shredd riffing dan Melodic ! although they are fairly great on SOME portions of SOME of the metal songs. Other than that, it's merely tolerable with the lyrics off of the mellow songs being pretty sick. All in all, I would say get it. Hasil Produksi Sounding bertangan dingin dari Jacob Hansen, Musisi Populer Denmark scene yang dikenal sebagai Frontman band sejenis Persefone, Invocator, juga eksis di band Pyramaze dan Beyond Twilight menjadi Nilai Plus Berhasil terciptanya masterpiece dasyat ini, dan Jacob Hansen ini sudah banyak sekali menggarap album2nya Aborted, Amaranthe, Blotted Science, Communic, Destruction, Fear My Thoughts, dan masih banyak lagi. untuk sebuah karya keren berkualitas Mengagumkan ini tunggu apalagi untuk segera kalian koleksi ??? Persefone created their own little niche, through the original, complex, melodic and at times even aggressive metal that floated out of the speakers! BUY OR DIE !!!!!!!!!
AMAZING!!!!!!!!!!!!!!!!!, What happens if Dream Theatre Meets with Children Of Bodom and then fight with Arsis and then fused again in the concept of Opeth, Borknagar, Arcturus, Symphony X and Cacophony?? ? Crazyyyy!!! The answer of course There band Progressive / Melodic Death Metal cool origin Andorra la Vella, Andorra, Andorra itself is a small country located in southwestern Europe, on the eastern banks of the River Pirenea and bordered by France and Spain. The country is famous for its luxury tourism sector and tax-free status. Andorra is part of the Catalan countries. Countries like United Kingdom, led by the Kingdom with a parliamentary democracy, has A Prince of the Kingdom, the State is still led by a prime minister. Persephone of So Alone is the band's most gw proud of this little country scene, established since 2001 has the concept of awesome music and i always wait masterpiece album, "Spiritual Migration" is a full album of his to-4 after "Truth Inside the Shades" ( 2004), "Core" (2006), and "Shin-Ken" (2009). About the shredding this crazy There is not exactly anything spectacular about them and nothing incredibly memorable to make you speci want to listen to that song, but when you actually ARE listening to them at the moment, you are Absorbed in the sound. What if the dynamics of development of their mobile phones become increasingly more insane here, so Gw've listened to a few times before I wrote a review here, was so struck with the composition dasyatnya! such as a WONDERFUL song, Purity. It has a great solo, still some metal-like riffs, but stays true to its calm nature. speaks for itself, staying away from metal and just delivering a rainy day next to the looking out upon a gorgeous landscape. Honestly, that's how I felt while listening to it. fitting perfectly sound and there is nothing wrong with it, and might I add that they sound much better than the lyrics off of the pounding, yet great metal songs!!! Ok I think Gw going ga wait to share the story of how nutty compositions offered in a duration of almost 13 01:10:34 Track is going to create a chaotic atmosphere your bedroom but enough to calm the nerves of the brain we now again screwed hahahaha ..... "Flying Sea Dragons" a duration Instrumental Intro 01:48 Foreplay nice enough to make them open nature of darkness with death dimension. feels so grand and epic atmosphere that they create from here, Shredd Guitar astonishing game of Carlos Lozano is best to be a great fascination with keyboardist Miguel Espinosa to the characteristics of Persephone! and "Mind as Universe" to be a great buzz off, how his concept of Progressive Dream Theathre become faster with Children Of Bodom character equipped with Virtuoso Style Games fast paced riffing a la Jason Becker had to be stunned by Carlos hehehe skill games, music arranger the math but still beautiful to be enjoyed and origin difficult! AWESOME riffs, great shredding, cool piano, nice melodies, and then the lyrics come around. I can not for the life of me understand what they are saying. Although in its defense it's screamo, so I'm not exactly supposed to, right? But that's besides the point. There are two types of screaming on this album: growly and actual SCREAMING. The screaming portions are fairly good, usually accompanied by the lesser part of the music, the ones with the crazy fast, pounding drum beat that I have always stoutly believed is not needed in any song. Then the pounding would stop and you're back to normal with a growly lyrics sound fantastic playing around it. Harsh vocals more reminiscent of Marc Martins Gw with his Alexei Laiho COB and accompanied by a Male Soprano Vocals hefty Clean from keyboardist Miguel Espinosa. and of course here be VERY interesting concern is certainly a game that is so Crazy Guitarist Carlos fingering lick Fast music and faster progress is often followed fingers keyboardist Miguel, I think Rhapsody Of Fire game going more or less rapidly than the band I think hehehe ... games drummer Marc Mas getting primed and Powerfully offset madness guitarist and keyboardist with further highlight the dynamic all-round kicking game too! From basic metal riffs from Kusanagi to the super-crazy-insane-mega-awesome-tastic shred soloing off of The Endless Path! "The Great Reality", More Powerful!!! lagi2 concentration Gw still entangled by the musical instruments Guitar, Keyboard and Drums! that's how I felt while listening to it. For all the non-metal songs on here, the lyrics sound perfectly fitting and there is nothing wrong with it, and might I add that they sound much better than the lyrics off of the pounding, yet great metal songs. I still do not believe it how they can be composed in such a quality like this, so i had run out of words and terms to describe this band nutty game, ckckckckck .... "Zazen Meditation", precisely the theme of meditation, Persephone still adopting traditional Japanese Foreign characteristics as outlined in many 3rd album "Shin-Ken", appear somewhat more Progressive Slowdown ala Opeth, this track is more featured as tantamount to welcome Instrumental solo Carlos melodic guitar ciamik it. Persephone Appears to have changed up their sound to a accommodate the less underground approach, and while it may lack the same strength. "The Majestic of Gaia", returning early dipart we've dipamerin Shredding style riff as the opening of his crazy, characteristics increasingly violent Vocalist Marc Martins just approaching his style Trevor Of The Black Dahlia Murder, but slightly cooled scent with middle soprano vocal style Miguel, so it still feels a touch of style musical complexity. Earlier I Mentioned that I still can not name. You can headbang, you can air guitar, you can pretend to sing along, you can dance, you can do whatever you want with the actual MUSIC of this album because its just that great. then 2 the next track to be a chapter Story "Consciouness Pt.1: Sitting in Silence" and "Consciouness Pt. 2: A Path to Enlightenment" into a flashback ride Black dimensions with more characteristics kenuansa Dream Theatre invites us really, from the tempo slow, medium, and finally re-speeding, and this is indeed the arena show of canine skill 3 band frontman, NICE!!!!!!!!!!!! indeed the whole matter here is very mature material and super dynamic, and i can assure you, despite repeated elo puter, this album go ga slightest impression Boring!! especially for you fans with a touch of Progressive and technical riffing and melodic Shredd! although they are fairly great on SOME portions of SOME of the metal songs. Other than that, it's merely tolerable with the lyrics off of the mellow songs being pretty sick. All in all, I would say get it. Sounding Production of cold-handed Jacob Hansen, Danish Popular Musicians scene known as a kind of band frontman Persephone, Invocator, also exist in the band Beyond Twilight Pyramaze and a Value Plus Successful creation of this terrible masterpiece, and Jacob Hansen has been a lot of work on album2nya Aborted , Amaranthe, blotted Science, Communic, Destruction, Fear My Thoughts, and much more. for a work of this Astonishing quality cool waiting for you guys soon collection??? Persephone created their own little niche, through the original, complex, melodic and at times even aggressive metal that floated out of the speakers! BUY OR DIE!!!!!!!!! 
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Death Artery - Chapter of Human End
Torn Flesh Records CD 2012
http://www.deathartery.co.nr
http://www.facebook.com/deathartery
http://www.reverbnation.com/deathartery
http://www.myspace.com/deatharteryslam
infernalcorpse@gmail.com
01 Message from Gaza (Intro) 02:43
02 Anjing Berkalung Sorban 02:50
03 Putrefaction Defilement 02:28
04 Kebisingan Padang Mashar 04:13
05 Hirup Tanpa Jiwa 02:59
06 Vomiting Humanity Mutilation 02:58
07 Jahiliyyah 02:33
08 Chapter of Human End 02:44
09 Rafaah 04:00
Lay - Drums
Pupun - Vocals
Toni - Guitars
Yukie - Guitars
Membaca dari beberapa titel tracklist-nya aja Gw sudah bisa memahami Isi Pesan ada yang mereka tuangkan dalam setiap lagunya adalah bentuk sebuah kebencian tentang apa yang mereka lihat dan rasakan sendiri tentang Isu Agama Islam khususnya dalam kontek konflik dan peperangan, Death Artery menuangkan semua ini dengan sajian gaya Brutal Death Metal cepat yang diselipi dengan gaya Slamming Death Metal kental. Gaya Vokal Guttural Gurgling menjadi Ornamen wajib bagi karakter bermusiknya, tanpa terdengar pattern yang begitu jelas lafal pengucapan Baik Syair lagu selain hanya terdengar Urrghh Irrghhh Erghhh aja, dengan konsep hyperblast yang mengingatkan akan kekejaman " Desecrate the Vile " nya Condemned, Brodequin, Animal Killing People, Purulent dan kemudian dibumbui dengan Slamming Parau ala Cephalotripsy, Devourment hingga Vulvectomy. Sounding Drumming-nya terdengar banget Kemasan Programming Loop Track -nya, hal ini terdengar pada sound Cymbal yang begitu Digitalized. gaya Downtuned Riffing yang Lowend style semakin menambah kejam elemen slamming-nya. memuntahkan 8 lagu dengan sentuhan kejam tanpa mengenal lelah membombardir dengan serangan Hyperblast sana sini dan dipermanis dengan kemasan slamming Groovy-nya, tapi koq lama lama bagi gw kog bikin boring ya? disamping belum ada sesuatu yang " Baru " ditonjolkan disini, komposisi musiknya seperti sesuatu yang diulang2. dan seandainya lebih menambahkan poin variasi yang menantang, gw jamin aransemen track disini menjadi lebih hidup tanpa merasa harus terjebak dalam Trend Slamming di Scene Indonesia. Produksi Sound yang Clean cukup menarik perhatian label asal Amrik, Torn Flesh Records untuk dirilis dalam format CD dan kemudian label asal jerman, Rebirth the Metal Productions, merilis kembali dalam format pro-printed CD-R terbatas hanya 150 hand-numbered copies. Anyway the drums are really intense on this release. Furious blast beating at least 80% of the time and then dry aggressive pounding whiplashing beats. The guitars do sound quite a bit muddy indeed, but this doesn’t inhibit your ability to distinguish the guitar riffs. Regardless, I think it was exactly their intention to have the guitar riffing low and subtle in some parts, and in fact, there are many parts that give a very catchy and melodic vibe, if you listen closely. They throw in a lot of squeals and even some solo sounding sections for variety. I believe this album is underrated and gets a lot of criticism for the wrong reasons.
Reading of some of his titles tracklist wrote Gw can understand there Msgbody they pour in every song is a form of hatred of what they see and feel yourself on the Issue of Islam especially in the context of conflict and war, Death Artery pour all of this with Brutal Death Metal style dish that diselipi quickly slamming Death Metal style thick. Guttural Vocal Style Ornaments gurgling become mandatory for musical character, without sounding pattern is so clear pronunciation pronunciation Neither poem song besides just sounding Urrghh Irrghhh Erghhh wrote, with the concept of a reminder of the atrocities hyperblast "Desecrate the Vile" his Condemned, Brodequin, Animal Killing People , purulent and then peppered with raucous style slamming Cephalotripsy, Devourment until Vulvectomy. Sounding it sounded really Drumming Programming Packaging Loop Track it, it sounds the cymbal sound is so digitalized. downtuned lowend style riffing style that adds to its ruthlessly slamming element. spew 8 songs with a touch cruel tirelessly bombarded with Hyperblast attacks here and there and sweetened with Groovy slamming her packing, but i long for the old scar OK to make a boring huh? yet there is something besides "New" highlighted here, musical compositions like something diulang2. and if adding more challenging variation points, i guarantee arrangements became more lively track here without feeling to be stuck in Trend Scene slamming in Indonesia. Production Sound Clean enough attention Amrik origin label, Torn Flesh Records to be released in CD format and then label German origin, Rebirth the Metal Productions, released back in the form of pro-printed CD-R limited to 150 hand-numbered copies. Anyway the drums are really intense on this release. Furious blast beating at least 80% of the time and then dry whiplashing aggressive pounding beats. The guitars do sound quite a bit muddy indeed, but this does not inhibit your ability to distinguish the guitar riffs. Regardless, I think it was exactly their intention to have the guitar riffing low and subtle in some parts, and in fact, there are many parts that give a very catchy and melodic vibe, if you listen closely. They throw in a lot of squeals and even some solos sounding sections for variety. I believe this album is underrated and gets a lot of criticism for the wrong Reasons. 
Vulvectomy - Abusing Dismembered Beauties
Sevared Records CD 2013
http://www.myspace.com/vulvectomyslam
http://www.facebook.com/pages/Vulvectomy-OFFICIAL/204151729598757
http://www.reverbnation.com/vulvectomy
01 Split-Thickened Vulvar Skin 03:36
02 Dirty Rotten Infibulation 03:27
03 Azoospermic Infertility 04:12
04 Deformed Tits Collection 03:40
05 Grotesque Prosthetic Prolapse 04:53
06 Abdominal Ectopic Pregnancy 03:51
07 Involuntary Manorexia 04:09
08 Orgasmic Sensation Through Fecal Ingestion 04:40
Mario Di Giambattista - Guitars, Drum programming
Diego Fanelli - Vocals
Giorgio Cavaliere - Bass
On their sophomore Vulvectomy are as stupid as they ever where. Their track titles are still silly, their album art is still tiresome sexualized gore that is supposed to be offensive, yet gets nothing more than an eye-roll. And the name of the album, I mean come on, a completely inane attempt at being offensive and brutal. And lets be honest - their music doesn't exactly sound intelligent. The difference is on their previous releases they were stupid and irritating. Here their stupidity translates into fun. Slamming Stuff... URGGGHHHH IRGGHHHHH ERRRGHHHHH !!!!!!!!!!!! sepertinya mo muntah saja jikalau hari ini harus terus menulis Stuff tentang genre yang satu ini hehehehe .... Album Gress ke-3 Slamming Brutal Death Metal asal Rome, Lazio, Italy masih melanjutkan pembantaian kejam sejak 2 albumnya dikenal oleh slamming Freak, " Putrescent Clitoral Fermentation " (2007) dan " Post-Abortion Slut Fuck " (2010) seperti menjadi Anthemic saja Genre Berdarah ini terus mem-Booming di Kancah extreme music Internasional. While the drums often play at lightning fast speeds, they are programmed. While the guitar work is not very intricate, the guitar player has a good sense of rhythm and his style of playing is fun. There are plenty of slams, a decent amount of memorable riffs and a fair amount of grindcore sections. The slam sections are well executed and always fun (and this is coming from a guy who isn't exactly slam death's biggest fan). The grindcore sections, while not badly done, can occasionally grow a bit tiresome. They aren't played excessively often and are not long in duration, so this doesn't grow to be an overwhelming problem. The songwriting is very straightforward and to the point. While not complicated, it is pretty consistent in its catchiness. The vocals are another big change for this record. Pengaruh Kuat Dasyatnya Album fenomenal " Molesting ... " Devourment, menjadi virus awal pertumbuhan subur genre ini, ga terelak kan juga karir band dengan nama Vulvectomy yang mendapat Big Influence dari Dedengkot-nya Slamming asal Texas tersebut. Downtune Slam Breakdown menjadi Anthemic Part wajib selain serangan blastbeat meledak2 dan Guttural Gurgling Pig Snoring jadi Ornamen khas musik mereka. 8 Syair Berdarah penuh dengan aroma bangkai pembunuhan keji menjadi salah satu pemandangan umum genre ini juga. Pretty much what you expect from every other slam band out there today: Guttural vocals, crunchy guitars, blast beats, audio samples and lots of slams. For those who are unaware, a "slam" is essentially brutal death metal's version of a breakdown, except that a slam offers a lot more groove, and a lot less shame to the listener. Bands like Vulvectomy are defined by how good their slams are. Gitaris Mario Di Giambattista menjadi motor tetap setiap penulisan karakter Vulvectomy sejak terbentuk tahun 2007, dengan karir segudangnya digenre ini, Mario sudah malang melintang dibeberapa band sejenis, Coprophiliac, Devangelic, Stench of Dismemberment, ex-Demonian, ex-Disfigured, ex-Endaemona, ex-Putrid Dismemberment, dan ex-Perfidy Biblical, sepertinya tidak mengenal kata cukup bagi mario untuk terus eksis menebar Jiwa Psycho Musikalnya di Vulvectomy juga bersama Vocalis Diego Fanelli sebagai Partner Kuat Trio Penjagal ini. Balutan Drum Programming dengan nuansa Human Machine menjadi kelebihan tersendiri band ini terdengar tidak monoton atau bikin boring, tapi lama2 juga gw kurang respect en tertantang untuk mendengarkan aroma slamming ini, karena kebanyakan masih belum bisa menciptakan sesuatu " Baru " yang menendang mungkin, sehingga timbul stereotype dibenak gw terhadap genre Slamming ini. Not that this is one of the things slam fans generally care too much about while listening, but the grind-ish death metal riffs in between slams are only up to par on this album. While some credit can be given, especially to the drummer, for musical talent during these passages, all of the riffs just kind of meld together, and can really throw you off as to what track your on. All I'm saying is that this aspect of the album doesn't compliment it as well as it could have. It's not exactly a bad thing, since they don't suck, but it isn't exactly a good thing since they aren't extraordinary by any means. masih merangkul enjiner Giuseppe Dentamaro untuk penggarapan materi ini dengan harapan Vulvectomy dapat sukses mengulang sukses album ke-2 " Post-Abortion Slut Fuck ". I do enjoy " Abusing Dismembered Beauties " a bit, but not nearly enough to vouch for. It passes by only a very slim margin and, while certainly not terrible, is not nearly up to par with bands like Cephalotripsy, Artery Eruption or Devourment. I'd recommend looking elsewhere for great slam death metal. Slamming Fans, This Is For You aja Dahhhh !!!
On their sophomore Vulvectomy are as stupid as they ever where. Their track titles are still silly, their album art is still tiresome sexualized gore that is supposed to be offensive, yet gets nothing more than an eye-roll. And the name of the album, I mean come on, a completely inane attempt at being offensive and brutal. And lets be honest - their music does not exactly sound intelligent. The difference is on their previous releases they were stupid and irritating. Here their stupidity translates into fun. Stuff slamming ... URGGGHHHH IRGGHHHHH ERRRGHHHHH!!!!!!!!!!!! mo like vomiting only if today should continue to write about the genre Stuff this one hehehehe .... Album Gress to-3 Brutal Death Metal slamming origin Rome, Lazio, Italy is still continuing brutal massacre known since the second album by slamming Freak, "Putrescent Clitoral Fermentation" (2007) and "Post-Abortion Slut Fuck" (2010) as being the anthemic first Dengue continues her genre-boom in the world of extreme music International. Often while the drums play at lightning fast speeds, they are programmed. While the guitar work is not very intricate, the guitar player has a good sense of rhythm and his style of playing is fun. There are plenty of slams, a decent amount of memorable riffs and a fair amount of grindcore sections. The slam sections are well executed and always fun (and this is coming from a guy who is not exactly a slam death's biggest fan). The grindcore sections, while not badly done, can occasionally grow a bit tiresome. They are not played Often and are not excessively long in duration, so this does not grow to be an overwhelming problem. The songwriting is very straightforward and to the point. While not complicated, it is pretty consistent in its catchiness. The vocals are another big change for this record. Strong influence dasyatnya phenomenal album "molesting ..." Devourment, a virus lush early growth of this genre, it is also a career terelak ga band with a name that gets Vulvectomy Big Influence of slamming his lord these Texan. Downtune Slam Breakdown Part shall be in addition to the attack anthemic blastbeat meledak2 and Guttural gurgling Snoring Pig Ornament so typical of their music. 8 Bloody Poetry full aroma heinous murder carcass into one genre is also a common sight. Pretty much what you expect from every other slam bands out there today: Guttural vocals, crunchy guitars, blast beats, audio samples and lots of slams. For those who are unaware, a "slam" is Essentially brutal death metal's version of a breakdown, except that a slam offers a lot more groove, and a lot less shame to the listener. Bands like Vulvectomy are defined by how good their slams are. Guitarist Mario Di Giambattista a motor fixed every character writing Vulvectomy since forming in 2007, this digenre segudangnya career, Mario has been in existence in some kind of band, Coprophiliac, Devangelic, Stench of Dismemberment, ex-Demonian, ex-Disfigured, ex-Endaemona, ex-Putrid Dismemberment, and ex-Perfidy Biblical, does not seem to know the word enough for Mario to continue to exist spread Psycho musical soul in Vulvectomy also with Vocalis Diego Fanelli as Strong Partners Butcher's Trio. Dressing Drum Programming with shades Human Machine to its advantage this band sounding monotonous or boring to make, but i also lacking respect lama2 en challenged to listen to this slamming scent, as most are still not able to create something "new" that may kick, which raised the stereotype gw minds slamming against this genre. Not that this is one of the Things slam fans generally care too much about while listening, but the grind-ish death metal riffs in between slams are only up to par on this album. While some credit can be given, especially to the drummer, for musical talent during these passages, all of the riffs just kind of melded together, and can really throw you off as to what track your on. All I'm saying is that this aspect of the album does not compliment it as well as it could have. It's not exactly a bad thing, since they do not suck, but it is not exactly a good thing since they are not extraordinary by any means. Giuseppe Dentamaro still embrace engineers for the cultivation of this material in the hope of repeating the success Vulvectomy be successful second album "Post-Abortion Slut Fuck". I do enjoy "Abusing dismembered Beauties" a bit, but not nearly enough to vouch for. It passes by only a very slim margin and, while certainly not terrible, is not nearly up to par with bands like Cephalotripsy, Artery Eruption or Devourment. I'd recommend looking elsewhere for great slam death metal. Slamming Fans, This Is For You wrote Dahhhh!!!
Hatebreed - The Devinity Of Purpose
Nuclear Blast Records CD 2013
http://www.hatebreed.com
http://www.facebook.com/hatebreed
http://www.youtube.com/user/hatebreedofficial
http://www.lastfm.de/music/Hatebreed
http://twitter.com/hatebreed
http://www.instagram.com/hatebreedofficial
http://www.youtube.com/user/HatebreedVEVO
01 Put It To The Torch
02 Honor Never Dies
03 Own Your World
04 The Language
05 Before The Fight Ends You
06 Indivisible
07 Dead Man Breathing
08 The Divinity Of Purpose
09 Nothing Scars Me
10 Bitter Truth
11 Boundless (Time To Murder It)
Jamey Jasta - vocals
Chris Beattie - bass
Wayne Lozinak - guitar
Matt Byrne - drums
Frank Novinec - guitar
Relentless reliability is intrinsic to longevity in the music business - or any other business for that matter. No giving up is allowed. No promise can go unfulfilled. If people can depend on you, they'll believe in you and stick with you until death Legacies become forged through consistency. Four years is a long time to go between albums, but when you're working from a relatively unchanging, traditionalist template it's probably not a bad idea to step away for a few years and allow things to freshen up again; it's certainly possible to overstay one's welcome. Hatebreed have historically managed to give the fans what they want while avoiding the impression of repeating themselves, and The Divinity of Purpose definitely maintains the band's slugging percentage. Menjadi BEST LIVE BAND at the 2013 REVOLVER Magazine Golden Gods Awards! bagi salah satu band Metalcore populer asal Connecticut, Amrik yang eksis sejak 1994 lalu terkenal dengan memadukan gaya heavy metal dengan sentuhan crossover thrash plus hardcore punk, yang akhirnya lebih dilebur menjadi Konsep sebagai Metalcore dengan pengaruh band seperti Earth Crisis, Integrity dan Converge. masih eksis dan idealis membawa konsep musik sejak 3 album pertama " Satisfaction Is the Death of Desire " (1997), " Perseverance " (2002) dan " The Rise of Brutality " (2003) menjadi semakin modern lagi sentuhannya hingga album terakhir " Hatebreed " Tahun 2009, Hatebreed tetap konsisten dengan musikalitas Icon pentingnya masih dengan frontman Jamey Jasta, simbol hidup band ini sejak awalnya. so tentunya fans Hatebreed bakalan bisa bayangkan sendiri aja gimana konsep mereka dialbum baru ini yang ditangani oleh Produser dan enjiner kondang dengan tangan dinginnya, Zeuss ! serta Josh Wilbur. "We didn't want to reinvent the wheel, but we wanted to make something heavy and aggressive with an old school vibe. We've faced an unusual amount of toxic energy over the past couple of years. It's important that you turn that negativity into a positive. That's always been the message of the band from day one. We can bottle that negative energy and use it as fuel. Sometimes, it gives you that push." menjadi salah satu Konfirmasi resmi dari Jamey sendiri memberikan komentar tentang album baru ini sebelumnya. Hatebreed lovers rejoice, you have another album to add to your collection. You’ll sing along to the choruses, praise Jasta for his lyrical truths and remain a staunch member of the Hatebreed army. For those who have no interest in Hatebreed, " The Divinity Of Purpose " will not be a game changer. The Hatebreed formula remains well intact here and while it holds no personal interest for me, I know this will set moshcore kids heads’ on fire. track pertama " Put It To The Torch " menjadi Penyala api Obor dasyat diawal perjumpaan untuk senantiasa mengajak kita untuk larut terpecah dalam moshpit circle kayaknya, apalagi bawaan Bernyanyi Jamey yang emang Provokatif banget untuk audience. This is the Hatebreed ethos in a nutshell: fight back, life's too short for compromise, two fists are better than one. The band largely get by on an enthusiastic, bootstrapping "can do" attitude although, granted, there's probably a case of diminishing returns with vague, rallying cry lyrics such as "sometimes standing for what you believe / means standing alone"… you know, seeing as how this is roughly the subject of every Hatebreed song ever written; but if nothing else even hard-to-please old codgers like me can agree upon the upwardly mobile, ascendant energy of Jasta's conviction. This is music for visceral release, not armchair pontificating. komposisi musikalitas yang semakin matang eksis dengan idealisme bermusik sebelumnya menjadi karakter kuat Band untuk terus dipertahankan hingga titik darah penghabisan tanpa terlukai oleh Trend musik yang ada. seemingly written with the self conscious purpose of maintaining a tightly flowing concert experience, this stuff by intent isn't exactly multifaceted. Fans Berat Biohazard, Madball, Earth Crisis, Strife hingga Converge, semakin paham akan kelakar konsep Hatebreed, dengan beberapa sentuhan riffing melodius semakin tetap menambah elemen Epic tersendiri gaya penulisan Lirik Jamey yang terkenal " Hidup " itu. "Who's got more heart than you?" Jamey Jasta asks at the beginning of "Own Your World", a battle hardened alternative to those smarmy daily affirmations you're used to seeing on your Facebook wall every morning. The answer? "NO ONE!". Of course. " The Language " Lebih Nge-thrash Pada Riffing part awalnya, melumatkan adrenalin kita dalam belenggu Enerji cetar membahana kayaknya untuk melakukan Moshpit party ! serves exactly the function it was intended for, which is to keep the fists pumping and the spirits high. A ballad would almost seem like a betrayal at this point. At the same time, there's a uniformity of both quality and sound in the band's catalog that thwarts preference, although such uniformity should never be mistaken for coasting. 12 lagu Provokatif untuk memporak porandakan Moshpit Circle bisa kita nikmati selama 37:06 tanpa henti. Khabarnya Album ini telah menembus Posisi #20 di Billboard 200 dengan angka penjualan 17,400 kopi terjual pada minggu pertamanya. " The Divinity Of Purpose " isn’t a particularly interesting record mainly because it relies on repetition of aggression to connect with the audience. If you’re not angry in the way Hatebreed speaks to, chances are this album will do nothing for you. There's positivity to releasing that energy. It has a cyclical power. The fans that really vibe off it created everything we have. We’ve done things we dreamt of as kids because of our hard work and because the fans have gotten us to this global level. Intensity, aggression and an unshakable dedication to hardcore power !!!
Relentless reliability is intrinsic to longevity in the music business - or any other business for that matter. No giving up is allowed. No. Unfulfilled promise can go. If people can depend on you, they'll believe in you and stick with you until death Legacies Become forged through consistency. Four years is a long time to go between albums, but when you're working from a relatively unchanging, traditionalist template it's probably not a bad idea to step away for a few years and allow of things to freshen up again; it's certainly possible to overstayed one's welcome. Hatebreed have historically managed to give the fans what they want while Avoiding the impression of repeating Themselves, and The Divinity of Purpose definitely maintains the band's slugging percentage. Being BEST LIVE BAND at the 2013 Revolver Magazine Golden Gods Awards! for one of the popular metalcore band origin Connecticut, Amrik which exists since 1994 and is famous for its blend of style heavy metal with a touch of crossover thrash plus hardcore punk, which eventually merged into a concept more as a metalcore band with influences such as Earth Crisis, Integrity and Converge. still exist and idealistic bring the concept of music since the first 3 albums "Satisfaction Is the Death of Desire" (1997), "Perseverance" (2002) and "The Rise of Brutality" (2003) to the more modern touch to the last album "Hatebreed" In 2009, Hatebreed consistent with the importance of musicality Icon frontman Jamey Jasta was with, a living symbol of the band since the beginning. Hatebreed fans going so surely can imagine how their concept dialbum wrote recently handled by famed producer and engineers with cold hands, Zeuss! and Josh Wilbur. "We did not want to reinvent the wheel, but we wanted to make-something heavy and aggressive with an old school vibe. We've faced an unusual amount of toxic energy over the past couple of years. It's important that you turn that negativity into a positive. That's always been the message of the band from day one. negative We can bottle that energy and use it as fuel. Sometimes, it gives you that push. " be one of the official confirmation of Jamey himself to comment on the new album before. Hatebreed lovers rejoice, you have another album to add to your collection. You'll sing along to the choruses, Jasta praise for his lyrical truths and REMAIN a staunch member of the Hatebreed army. For those who have no interest in Hatebreed, "The Divinity Of Purpose" will not be a game changer. The formula remains well intact Hatebreed here and while it holds no interest for me personally, I know this will set moshcore kids heads' on fire. The first track "Put It To The Torch" a flame torch igniter terrible early encounter to continually invites us to dissolve split the moshpit circle seems, especially congenital Singing Jamey that weve really provocative to audiences. This is the Hatebreed ethos in a nutshell: fight back, life's too short for compromise, two fists are better than one. The band largely get by on an enthusiastic, bootstrapping "can do" attitude although, granted, there's probably a case of diminishing returns with vague, rallying cry lyrics such as "sometimes standing for what you believe / means standing alone" ... you know, seeing as how this is roughly the subject of every Hatebreed song ever written; but if nothing else even hard-to-please old codgers like me can agree upon the upwardly mobile, Ascendant energy of Jasta's conviction. This is music for the visceral release, not armchair pontificating. musical composition that exist with more mature musical ideals before a strong character Band to be maintained until the death without unharmed by Trend existing music. seemingly written with the self-conscious purpose of maintaining a tightly flowing concert experience, this stuff by intent is not exactly multifaceted. Fans Weight Biohazard, Madball, Earth Crisis, Strife to Converge, increasingly aware of the joke concept Hatebreed, with some melodic riffing touches the Epic still add an element of its own style of writing lyrics Jamey's famous "Life" was. "Who's got more heart than you?" Jamey Jasta ACKs at the beginning of "Own Your World", a battle hardened alternative to those smarmy daily affirmations you're used to seeing on your Facebook wall every morning. The answer? "NO ONE". Of course. "The Language" More Nge-thrash riffing In the first part, adrenaline crush us in bondage Energy cetar formations seems to do a moshpit party! serves exactly the function it was intended for, roomates is to keep the fists pumping and the spirits high. A ballad would almost seem like a betrayal at this point. At the same time, there's a uniformity of both quality and sound in the band's catalog that thwarts preference, although such uniformity should never be mistaken for Coasting. 12 tracks Provocative for Circle moshpit brought disorder that we can enjoy during the 37:06 without stopping. Khabarnya album has reached position # 20 on the Billboard 200 with sales of 17.400 copies sold in its first week. "The Divinity Of Purpose" is not a particularly interesting record Because it mainly relies on repetition of aggression to connect with the audience. If you're not angry in the way Hatebreed speaks to, chances are this album will do nothing for you. There's positivity to releasing that energy. It has a cyclical power. The fans that really vibe off it created everything we have. We've done Things we dreamed of as kids Because of our hard work and Because The fans have gotten us to this global level. Intensity, aggression and an unshakable dedication to hardcore power!!!
Humiliation - Savior Of Human Destruction
Extreme Soul Production CD 2012
http://www.myspace.com/humiliationdeath
http://www.facebook.com/pages/HUMILIATION/257085653991
http://soundcloud.com/humiliationgoreina
http://www.rootmusic.com/humiliation
http://www.reverbnation.com/humiliation
humiliationdeathmetal@gmail.com
humiliationhuman@yahoo.com
01 Intro
02 Paradigma
03 Sabda Murka
04 Hamba Sahaya
05 Sinopsis Patah Sayap Tuhan
06 Judgement For N.G ( Narration Grave )
07 Savior Of Human Destruction
08 Ceremony Burial Of Defamation
09 Instruksi Kematian
10 Bangkai Para Pendosa ( Bleeding Corpse Cover )
Adam Ardhandy - Vocals
Agy - Guitars
Vman - Bass
Lutfy Lo - Drums
Bandung Keep Has Attacking !!! Surprise banget dengan konsep yang ditawarkan oleh Barudak asal Bandung ini, sempat gw masih terjebak dalam Stigma Progres Musick Style Band2 Brutal Bandung yang selalu bakalan didominasi dengan Hyperblaster yang diusung oleh pendahulunya tanpa memberi kesempatan gw menikmati stagnasi yang ada. dengan menampilkan permainan yang " cool " memang Humiliation lebih mencoba mengingatkan banget dengan konsep " Melted " nya Disinfected diera 90-an yang hingga kini en selamanya menghipnotis Enjoy gw menikmatinya, sebuah Konsep musik fantastis bagi gw dilakukan oleh 4 barudak Killer bandung ini, apalagi band ini mencoba menambahkan elemen Tradisional asli Sunda banget dalam sentuhan musiknya yang asli variatif. mungkin bagi yang penasaran sekali dengan Humiliation ( termasuk Gw .ed ), dan Ini Bukan Humiliation, Metalcore asal Pekanbaru, Riau atau Humiliation Band Death Metal asal Kuala Lumpur, Malasya loh, ada baiknya gw coba menulis tentang Debutan berbahaya " Beda " dari Bandung Roster ini. menggandeng Enjiner Toteng-nya Forgotten menjadi sebuah Keharusan tersendiri bagi band2 bandung untuk menjaga kualitas sounding-nya di Masterplan Studio dan Dialog Studio pada bulan Februari 2012 yang kemudian proses mixing dan Masteringnya ditangani oleh Kang Dadi Beerat di Dialog Studio Pada Bulan Juni Hingga September telah melahirkan kembali the best masterpiece keren ini. track pertama dimulai oleh sebuah Intro Instrumen yang menyuguhkan Foreplay asyik sebagai Opening Track Humiliation berdurasi hanya 1:29 menit sebelum kita merasakan sebenarnya siksaan berikut " Paradigma ", hentakan blastbeat mantap dan Rapat seakan tidak memberi kesempatan kita untuk bernafas panjang, tapi ga melulu blastbeat yang ditawarkan, serangan groovy part ala Dying Fetus menjadi komposisi yang excelent, apalagi sayatan downstroke Gitaris Agy memang atraktif banget dengan sentuhan dinamisnya untuk menari bebas dengan segala bentuk Ekspresi Khas John Gallager Cs di Dying Fetus sebagai salah satu Motivator utamanya menulis lagu disini. It's not that they're clusterfucked and constantly changing like many contemporary death metal acts; it's that they just don't bring enough catchiness, groove, or shear technicality to be memorable. But they're not bad in the last bit, they just don't stick in the end. permainan drummer Lutfi Lo juga ga bisa disangsikan lagi kedasyatannya mengolah skill dengan begitu menendang !! dan menjadi sesuatu yang berbeda pada menit ke 02:14, Zimbot dari Karinding Attack memberikan sentuhan Suling dan Kecapi-nya di Track ini, begitu juga Addy Gembel " Forgotten " dan Man " Jasad " mengkontribusikan Growling-nya, Man juga Menyuarakan Narasi Rajah Sunda-nya menjadi menambah semakin " Unik " dan berbeda-nya Track ini dengan alunan etnis sunda yang kental abis ! This is Amazing Nice Track !!! ... " Sabda Murka " masih terus membabi buta dengan hentakan surprising brutal death metal yang enerjik ! sayatan Riffing Agy semakin lebih liar eksplorasinya mengutak atik fantastic riffing-nya. sentuhan Karakter kuat " Melted " Disinfected dileburkan dalam gaya Technical Riffing Necrophagist Mungkin dengan beberapa Neoclassical Shredd part mendera setiap titik jemari-nya. bagi gw mendengar aransemen cerdas band ini semakin yakin akan potensi berbahaya band ini kedepannya. meski tidak melakukan sesuatu yang " Baru ", setiap komposisi yang mereka lahirkan selalu membawa " Kejutan ". " Hamba Sayaha ", tetap terdengar karakter khas dan Kuat Band2 Death Metal bandung, dan yang lebih keren, pada menit ke 01:03, drummer Lutfi melakukan Drumming solo ciamik walo hanya hingga ke menit ke 01:14, amazing !!! He may throw in a drum filll here and there, but then the music slows down and gets some what groovy. During the groovy parts he could provide more double bass patterns to enhance and follow the guitars, but he just usually rolls the double bass, sometimes fast other times like at 120 bmp. He could also throw in gravity blast beats to enhance the sound. He sounds pretty polished as he has his moments. Pummeling Downstroke Arphegio Riffing tetap menjadi Part yang mengagumkan karakternya. As I mentioned before, the riffs are certainly more technical than I remember and they're even very catchy with little bits of groove thrown in for good measure. There's also the occasional hardcore riff thrown in there to slow down the music just a tad, but there's no breakdowns in sight! The musicianship is very professional, making it look as if the band has been fine-tuning these songs. " Sinopsis Patah Sayap Tuhan " dimulai dengan permainan Piaono mencekam oleh Bassis Vman selama menit ke 01:25 kemudian dihajar kembali dengan gempuran hyperblast Rapat menghantam ! " Sinopsis Patah Sayap Tuhan " menjadi Track dengan durasi panjang setelah " Paradigma " di album ini banyak menguras skill dan energi Humiliation untuk memainkannya, sentuhan harmonisasi riffing gelap menambah suram atmosfir track, terdengar jelas banget Raungan Growling emosional Addy Gembel ikut menghanyutkan hitam ditrack ini meneriakkan refrain " Sinopsis Patah Sayap Tuhan " !!!! pada menit ke 04:26, Gitaris Agy mencoba menambahkan clean Guitar emotional dengan diiringi solo drum Lutfi mengakhiri durasi lagu ini pada menit 05:15. selanjutnya kekejaman diserahkan pada " Judgement For N.G [Narration Grave] " menghajar cepat selama menit ke 02:33 ! " Savior Of Human Destruction " tanpa ampun menyiksa dengan sajian Hyperblast Snare dan Groovy part everywhere fantastic ! " Ceremony Burial Of Defamation " diawali dengan sebuah Sampling Intro yang dibuat oleh Jay Eye Feel Sick yang didalamnya kembali Gitaris Agy memainkan gaya Akustik Clean Gitar di part awal kemudian disambut gempuran rapat drummer Lufty yang semakin liar enerjik menyapa ! ga melulu dijejali dengan gempuran blastbeat, senandung Akustik Gitar kian menambah variatif aransemen lagu ini dengan lick riffing cantik dan kelamnya. " Instruksi Kematian ", lagi2 Gitaris Agy memainkan Slapdownstroke Riffing awesome ! partisi musik yang simple namun tetap terdengar " Berkualitas " hampir disetiap Komposisinya menjadi hal paling menarik dalam story penulisan lagu, bagaimana Menciptakan Struktur musik dinamis tapi tetep sinkron dengan ritme nada yang ada, sehingga kita ga akan dibelenggu oleh rasa boring tentang dinamisme itu sendiri. dan track pamungkas-nya, Humiliation mempersembahkan sebuah penghargaan untuk salah satu Blastbeater Kontroversial Bleeding Corpse dengan memainkan kembali " Bangkai Para Pendosa " masih dengan karakter Humiliation sendiri, yang Jelas akan semakin berbeda jika Gw merasakannya kembali. well, secara keseluruhan, materi ini sangat menarik sekali untuk kalian konsumsi juga, karena memang menawarkan komposisi musik fantastis dan jauh dari kesan boring, apalagi didukung dengan kemasan sounding yang menonjok abis ! ditambah lukisan keren karya Seniman kebanggaan Bandung Scene, sapa seh yang ga kenal kang Gustav Injected Sufferage, karyanya banyak menghiasi artwork band2 metal selama ini. terdapat juga narasi lirik lagu pada artwork Booklet Cover CD ini. mungkin bagi elo yang masih merindukan kembali penampilan " Melted " Disinfected yang kental dengan sentuhan kuat Gaya Dying Fetus dan ga selalu didominasi dengan part2 Blastbeat, kayaknya sangat gw rekomendasikan untuk mencicipi langsung masterpiece dasyat ini !! The overall sound is still heavy, fast, and groovy like albums of the past. the guitars are catchy, but there is still little-to-no element of impovement. I must rank this album just on past Dying Fetus works, but with all metal works. As far as the newer and more extreme metal out there, is falling back in terms of aggressiveness, speed, and overall ferociousness. They will always have a hand in extreme metal but for now they are part. BUY OR DYING !!!!!!!!!!!!
Has Bandung Keep Attacking!!! Surprise really with the concept offered by Barudak from Bandung, could I still get stuck in Progress Stigma Musick Brutal Style Band2 Bandung is always going to be dominated by Hyperblaster promoted by his predecessor without giving a chance i enjoy stagnation there. the game show that "cool" is really trying to remind humiliation over the concept of "Melted" Disinfected diera his 90's which until now en forever hypnotizing Enjoy gw enjoyed, a fantastic concept for gw music performed by 4 Barudak Killer bandung, let alone band This tries to add elements of native Sundanese traditional music is really in touch of the original variety. possible for the curious once with humiliation (including Gw. ed), and It's Not humiliation, metalcore origin Pekanbaru, Riau or humiliation Death Metal Band origin Kuala Lumpur, Malasya loh, it's good i try to write about Debutant dangerous "Different" from Bandung Roster this. Engineer took his Forgotten Toteng be a separate requirement for band2 bandung to maintain its quality sounding in Masterplan Studio and Studio Dialogue in February 2012 that the process of mixing and then handled by Kang Dadi Masteringnya Beerat at Dialog Studio In June To September has given birth re the best masterpiece this cool. The first track begins by presenting an Intro Instruments Foreplay fun as Opening Track humiliation lasted just 1:29 minutes before we actually feel the torment following "paradigm", and the steady beat of blastbeat Meeting if not give us a chance to breathe long, but only blastbeat the ga offered, part groovy style attack Dying Fetus be an excelent composition, let alone downstroke Guitarist Agy incision is very attractive with a touch of dynamism to dance freely with all forms of expression in typical John Gallager Cs Dying Fetus as one of the main motivator here songwriting. It's not that they're constantly changing clusterfucked and like many contemporary death metal acts; it's that they just do not bring enough catchiness, groove, or shear technicality to be memorable. But they're not bad in the last bit, they just do not stick in the end. Lutfi drummer Lo game also can not doubt kedasyatannya process so kicking skills! and become something different at minute 02:14, Zimbot of Karinding Attack gives a touch of his flute and harp in this Track, as well as Addy Gembel "Forgotten" and the Man "bodies" contribute Growling her, Man is also voicing Sunda Rajah Narrative him into adding more "unique" and its distinct rhythm track with a strong ethnic Sundanese abis! This is Amazing Nice Track!!! ... "Word of Wrath" continues blindly to the beat surprising energetic brutal death metal! incision riffing Agy getting more wild exploration work especial his fantastic riffing. Strong characters touch "Melted" Disinfected melted in style riffing Technical Necrophagist Perhaps with some parts Shredd Neoclassical whack every point his fingers. i hear intelligent arranging for the band's increasingly convinced of the potential for future dangerous band. though not doing something "new", they reveal every composition always bring "surprise". "Servant Sayaha", still sounding a distinctive character and Strong Band2 Bandung Death Metal, and more cool, at minute 01:03, Lutfi drummer doing a solo Drumming ciamik walo only up to 01:14 minutes, amazing!!! He may throw in a drum filll here and there, but then the music Slows down and gets some what groovy. During the groovy parts he could provide more double bass patterns to enhance and follow the guitars, but he just rolls Usually the double bass, sometimes fast other times like at 120 bmp. He could also throw in gravity blast beats to enhance the sound. He sounds pretty polished as he has his moments. Downstroke pummeling Part Arphegio riffing remains an awesome character. As I Mentioned before, the riffs are certainly more technical than I remember and they're even very catchy with little bits of groove thrown in for good measure. There's also the occasional hardcore riffs thrown in there to slow down the music just a tad, but there's no breakdowns in sight! The musicianship is very professional, making it look as if the band has been fine-tuning these songs. "Broken Wings Synopsis of God" begins with a gripping game Piaono by Vman Bassist for minutes to 01:25 and then beaten back by the onslaught hyperblast Meetings hit! "Broken Wings Synopsis God's" Track to the long duration after the "Paradigm" on this album much skill and energy drain humiliation to play, adding a touch of dark riffing harmonization gloomy atmospheric track, very audible roar Growling Gembel take away the emotional Addy's black ditrack shout chorus "Broken Wings Synopsis Lord"!!! at minute 04:26, Agy try adding clean Guitarist Guitar emotional Lutfi accompanied by a drum solo to end the song's duration at 05:15 min. further atrocities handed on "Judgement For NG [Narration Grave]" fast beat for minutes to 02:33! "Savior Of Human Destruction" mercilessly torturing a grain Hyperblast Snare and Groovy part everywhere fantastic! "Burial Ceremony Of Defamation" begins with a sampling Intro made by Jay Eye Feel Sick that inside back Guitarist Agy Clean Acoustic guitar playing style in the early part and then welcomed the onslaught of meeting the increasingly wild drummer Lufty energetic hello! ga merely overwhelmed by the onslaught of blastbeat, chanting Acoustic Guitar increasingly add varied arrangements of this song with a beautiful and kelamnya lick riffing. "Instruction Death", lagi2 Agy Guitarist plays Slapdownstroke riffing awesome! music is simple partition but still heard "Qualified" in almost every composition is a most interesting thing in the story songwriting, how to create a dynamic musical structure but still in sync with the rhythm tones are there, so we think it will not shackled by boring on it's own dynamism. and its final track, humiliation presents an award to one of Blastbeater Controversial Bleeding Corpse by playing back "Wreck of The Sinner" is the character of humiliation itself, which would obviously be more different if Gw feel it again. well, overall, this is very interesting material for your consumption as well, because it offers fantastic musical compositions and far from being boring, especially supported by packing a punch sounding abis! plus a cool painting artist works Bandung Scene pride, sapa know seh a ga kang Gustav Injected Sufferage, his artwork graced many metal band2 far. There are also narrative song on this CD Cover artwork booklet. possible for elo who still yearn for return appearances "Melted" Disinfected strong with a strong touch of style Dying Fetus and ga is always dominated by part2 Blastbeat, I think so i recommend for this terrible masterpiece taste right! The overall sound is still heavy, fast, and groovy like albums of the past. the guitars are catchy, but there is still little-to-no element of impovement. I must rank this album Dying Fetus just on past works, but with all metal works. As far as the newer and more extreme metal out there, is falling back in terms of aggressiveness, speed, and overall ferociousness. They will always have a hand in extreme metal but for now they are part. BUY OR DYING!!!!!!!!!!!! 
