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Minggu, 27 Desember 2015

Tahanan Neraka - Senyap EP 2015



























Tahanan Neraka - Senyap
Independent EP 2015
https://www.facebook.com/Tahanan-Neraka-152301268157623/
https://www.reverbnation.com/tahananneraka

01 Intro 01:00    
02 Bahan Bakar Manusia 03:37    
03 Reparasi Moral 03:23    
04 Bankku 02:19    
05 Senyap 04:13


Rahman - Vocals
Dadank - Gitar
Budi - Gitar
Adya - Bass
Kevin - Drum


Agresi Mematikan Masih termuntahkan dari Padang, Sumatra Barat Scene ! 1 lagi, perkenalkan Invasi mengerikan dari TAHANAN NERAKA (TN) ! meski sempat melambat dalam Produksi, akhirnya inilah EP pertama yang menjadi Jawaban paling ditunggu metal head, Especially for BDM Stuff ! ini adalah Kemajuan yang sangat luar biasa dalam kesempatan Gw mengenal Potensi-potensi menjanjikan dari Eksistensi baru ketika seperti biasa kita terlalu didominasi dengan Arus cepat informasi segelintir band saja. Kehadiran TN ini bagi Gw seperti mengobati kerinduan dengan Band pendahulu scene mereka, yes Total Rusak ! sosok BDM band yang mampu menghipnotis kegilaannya diera 90-an era album " Exploding the Cranial ", walau TN sendiri lebih menyederhanakan lagi dengan Komposisi yang Manusiawi meski pembantaian Musikal tetap merajalela hebat. Deep Gurgling Vokill, Intense Blastbeat and Heaviest Chugging Riff Still Awesome combination ! Sentuhan Signifikan Cannibal Corpse, Disgorge serta Infernal Torment mungkin dapat menjadi rujukan Gw mendeskripsikan sepintas apa yang usung TN. setelah diawali dengan sebuah Intro, saatnya " Bahan Bakar Manusia " menjadi Eksekutor Pertama dengan sajian sangat Mengganyang ! rasanya seperti mendengarkan kembali 2 materi Total Rusak Era " Exploding the Cranial " dan " The Bleeding Stump " yang diblend Aroma-nya. and TN Succeeded, and Created an Absolutely Chaotic, Brutal, and Well-written Death Metal album that remains one of their greatest Energetic ! meski rasanya Faktor balancing sound-nya masih perlu sedikit Koreksi lagi, tentang Level Riffing sound yang hampir menenggelamkan Level Drum, meski kadang sepintas ini menjadi Efek Brutalisme Sound TN. Struktur Riffing yang lebih tertata rapi sehingga Easy Progres-nya, Deep Gurgling Vokal keren serta Skill Manifesto Drumming yang lebih membunuh. yang pasti menarik tentu adalah Kualitas " Natural " sound masih tetep jadi andalan Gw menikmati sebuah Kualitas. Jika TN adalah Potensi yang Berbahaya buat scene nantinya, karena apa yang mereka tawarkan sesungguhnya memang Tamparan yang luar biasa berat. " Reparasi Moral " tetep Ganas menyiksa selanjutnya, a High Amount of Variability up feeling too Complicated or Disharmonic. Kekejaman yang berasa seperti era " Man's True Nature " dengan " The Bleeding " nya Cannibal Corpse yang kemudian Dirajam dengan Horrific Disgorge Tempo menjadi Kombinasi yang sangat tepat disini. Aransemen musikal tertata lebih baik, sehingga pada setiap Licking-nya Gw sangat begitu menikmatinya. Despite its Rawness and some Sense of Insanity it sounds more Pleasant and Harmonic than Most Brutal Death Metal material if you really get into it. kemudian pada Track " Bankku ", TN menampilkan Cuplikan Rekaman Kesaksian dalam sidang tentang Pembantaian PKI di era-nya, setelah itu sajian membantai adalah menu kedua yang harus siap kalian Antisipasi lagi. a Staunch Refusal to Conform to Death n' roll Verse-chorus Structures is Pseudo-Complex music made by well-trained Dilettantes. dan " Senyap " menjadi Track Pamungkas untuk EP independent ini. Talenta Baru yang wajib kalian Waspadai Ancaman berikutnya, Penyajian Karakter Musikal yang bener-bener diperhitungkan sekali demi membentuk Kekuatan Hebat tentu menjadi Rekomendasi kembali Jika EP ini patut kalian Coba sendiri tradisi Buasnya. the Sheer Number of Parts means there are also Many Groove Free blastbeats and Straight-up Metal Beats are Throughout.











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Proximaglotis - Demo Live 2014



























Proximaglotis - Demo Live 2014
Barbaric Order Records CD-R 2014
https://www.facebook.com/PROXIMAGLOTIS-205215816164582/timeline
https://www.reverbnation.com/proximaglotis666

01 Nurani Terganti Belati 03:16
02 Murka Darah Timur 04:25
03 Skull Full of Maggots (Cannibal Corpse Cover) 02:17


Apip - Vocals
Ami - Guitar
Diko - Bass
Dede - Drums


Meskipun Rada menjadi begitu terlambat untuk menulis Materi Demo Brutal Death Metal Band asal Sawah Lunto, Padang, Sumatra Barat, PROXIMAGLOTIS, yang komposisi Aransemennya memberi Shock Therapy ketika pertama kali mendengarnya. Band yang kurang mengekspos eksistensi-nya ini sejak awal memainkan Konsep yang masih terbilang ke Deathcore/Hardcore kemudian mulai melakukan Evolusi lebih tepat ketika DM menjadi Opsi terbaik, Yes, In Terms of Straightup Death Metal Frenzied Shredding and Whammy Morbid Insanity ! tahun 2014 adalah tahun yang berarti ketika Demo Live 2014 menjadi Awal perjalanan nyata. meski hanya direkam secara live, Demo yang memuat 3 track ini begitu nyata pula mengenalkan eksistensi tajam taring sebuah band yang mengedepankan kualitas bermainnya. salah satu alasan pula bagi Gw memberikan Apresiasi lebih, jika Proximaglotis siap menjadi sesuatu yang diperhitungkan. seperti sedang mendengarkan sendiri pada Movement Scene Musik metal lokal pada era 90-an, dimana Kualitas memang seperti menjadi sebuah Komoditas untuk menilai sebuah karya band dengan sesungguhnya disamping teknologi di era tersebut memang masih mendukung demikian. namun justru dari sinilah sampai saat ini masih terkadang cukup menjadi acuan sebuah karya itu dapat gw katakan Bagus atau sebaliknya, dimana Keringat dan Kerja keras menjawab segalanya. dikerjakan di 3AM studio didaerah mereka pada tahun 2014, Proximaglotis mampu menampilkan Progres maksimal eksistensinya. dimulai dengan " Nurani Terganti Belati ", Gw langsung ditampar dengan Distorsi Kasar yang tanpa basa basi menyerang begitu Intens dengan tempo yang cepat dan Berat. its Violent, Chugging intro riffs that Relapse into a Wild Flurry of Icepick Riffing and then a Pair of Subsequen with a Homicidal DM Maniac to Smashed ! Karakter musik yang menjadi Kombinasi nama segar dan wajib mendasar antara Cannibal Corpse, Suffocation serta Siksakubur periode Album awal. duet kompak dan menarik pula untuk Gitaris Ami dan Pergerakan powerfully drummer Dede adalah Konspirasi terbaiknya dalam band. bagaimana mereka mampu Mengkomposisi DM yang renyah menendang hampir disetiap progres-nya. Especially Gw terlalu menikmati hampir pada ketukan Stabil drummer Dede dengan skill terbaik-nya. Selanjutnya begitu memeras keringat dan otak ketika " Murka Darah Timur " langsung menghantamkan kembali Sajian BDM yang cepat lagi, at the Most and the Rest is a relatively Extreme Breed of BDM Type. Meski kualitas Sound-nya masih kurang terdengar clean, hampir setiap aransemennya jelas terdengar mantap. they were on the Verge of Something more Brutal Capacity and Purely Death Metal and were Aware of it, but didn't know Exactly how to do it and so Reverted back to last Standards. dan Menjadi bagian paling menarik bagi gw ketika mendengar track ke-3 saat Proximaglotis membawakan kembali " Skull Full of Maggots " nya The Mighty Cannibal Corpse, bagaimana Kekuatan sebenarnya Band yang loyal dengan salah satu pendahulunya termainkan secara Mulus dan Menampar sekali ! Meski pada Segi karakter Vokal Gw masih menambahkan beberapa Kekurangannya, sepertinya Vocalis Apip harus lebih berani Eksploratif dan Lepas dari Stereotype DM Vocal dengan mengembangkan lagi kepercayaan dirinya. Overall, Pasti Gw sangat menantikan kejutan Proximaglotis berikutnya. Perhaps it was the Pressure of Competing in a genre Exploding with Great new bands, or maybe they just got so Fixated on being Smash and more Shocking than Everyone else that they Simply Lost sight of the Music itself.


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Sabtu, 05 Desember 2015

Nature Depravity - Ripping, Mangling The Fresh Cadaver ' Demo 2015



























Nature Depravity - Ripping, Mangling The Fresh Cadaver
Dismembered Records ' Demo 2015
https://www.facebook.com/Nature-Depravity-836763723076452/
https://www.reverbnation.com/naturedepravity

01 Gerbang 01:30    
02 Mentari Belati 02:46    
03 Neraka Belantara 02:50


Dismembered Records tidak akan pernah berhenti melumuri singgasana-nya dengan Darah segar pembantaian Musikal. Roster yang masih dipenuhi dengan The Mega Blaster tempo, masih menjadi Acuan Referensi Produk tersendiri ketika Irama Detak jantung harus terpompa lebih cepat dengan sajian nada berat. Apalagi Package Produksi yang dikerjakan tidak asal asalan memang akan memberi kepuasan titik terbaik for the True BDM Kolektor tanah air. Nama NATURE DEPRAVITY telah menjadi Katalog fresh yang siap meluluh lantakkan Indera Dengar fans musik berisik dengan Gempuran Dominasi Blastbeat dari Kota Palangkaraya, Kalimantan tengah, Especially for fans Liturgy, Cinerary, Disgorge, Orchidectomy hingga Warna Bombardir Brodequin diblend menjadi Amunisi perdana Berdarah yang mereka goreskan secara Kejam lewat Debut Demo Profesional dengan 3 track didalamnya. Celestial Excruciations and a Prelate Attrition are a Slicing example. Also add the Raw Sound and the loud bell Cymbal sound and you have a Chaotic Atmosphere going on. Sebuah sajian yang akan mengiris perlahan denyut nadi dengan Sound tajam. Aransemen yang lebih Kompleks serta dinamis kayaknya sedikit banyak akan membikin Adem Kuping meski terjangan Puting beliung beat-nya seperti akan memecahkan gendang telinga. Konspirasi kental gaya riffing Disgorge dengan Dentum hyperblast snare ala Brodequin memancar cukup signifikan pada karakter Role-nya. Achieving massive amounts of brutality with heavy as fuck riffs and catchy melodies, adding some insane note bending once in a while and adding Hundreds of Characteristic guitar Screeches that keep you listening all the time, Intense High and Crunchy ! mencici hidangan pembuka adalah " Gerbang ", Intensitas Blastbeat yang kemudian meledak hebat secara langsung tanpa ba-bi-bu seperti kekuatan hebat sang eksekutor dari Neraka Jahanam. Pummeling and Chugging Riffing tertata apik berjalan kompak dengan Kombinasi drumming yang tepat, meski Level Heavy-nya sendiri kurang tertunjang pada Level Bass drum yang tenggelam dan kering, sehingga Gw lebih hanya mendengar Bunyi Snare Drum dan Cymbal saja, padahal Sound style Riffing andalan banget Komposisi-nya. Absolutely Definitely Brutal and Punishing to the Ears. pada Part akhirnya (Pada detik ke 53), Band memadukan Permainan alat petik musik Tradisional Etnis Suku Dayak yang kental. dan " Mentari Belati " adalah track selanjutnya yang pecah hebat membabi buta dan sangat menyiksa. masih dominasi Blastbeat tempo, Slicing Riffing Tajam dan Deep Guttural Gurgling Vokill-nya cukup berbahaya untuk terlewatkan. dengan Pattern Vokal yang rapat, seperti Mengikuti terus Skema Riffing serta Beat-nya, jelas Karakternya ini Powerfully dan ber-stamina banget. Kind of nearly Improvising some Crushing Brutal riffs in between other Catchier and more Rhytmically Structured Sections. memang secara detail gw mendengar Aransemen Band yang tersusun adalah Partisi BDM Guttural yang Berat, Matang dan Berbahaya ! terutama ketika gw mencermati banget Draft Riff Sophisticate dengan sound yang Crunchy sekali mencoba berpadu kompak dengan Drum Skill yang selalu memberikan tempo tepat dan cepat. dan Track " Neraka Belantara " kemudian mau tak mau harus menyudahi Demo BDM Bagus ini. Progres mengerikan memang yang ditawarkan band asal Palangkara ini jika kita menengok perkembangan BDM 10 Tahun yang lalu, ternyata ga salah jika perkembangan Indonesian BDM menjadi Incaran Aktifitas Produksi hingga mancanegara. Meski sayang, Gw cuman bisa mencicipi 3 track yang tidak sampai menelan Durasi 8 menit, Sample produk berbahaya untuk Fans BDM dengan Guttural Vokill untuk tidak melewatkannya. it's Definitely a Good Starting place for the Genre, along with Heaps of Awesome Riffs. Artwork Gory Karya Aghy R. Purakusuma masih menambah Poin Keren rilisan demo yang dengan Package Profesional with CD Pro-nya. Well, rasakan sendiri Instrumen Penyiksa Intens Trio Pembantai Harmonisasi akan sekejab Melumat hancur lewat Distorsi sangat Memekakkan. This Constant Barrage of Fast and Aggressive playing makes listening to Ripping, Mangling The Fresh Cadaver a very Intense and Brutal Experience and I'd Describe it as a Deeply Primal, Testosterone Drenched Adrenaline thrill Ride. Urrrrghhhhhhhh !!!!!!!!!!!!!!!

ENGLISH VERSION (Sorry, for use Google Translate here)

Dismembered Records will never stop smearing his throne with fresh blood Musical slaughter. Roster is still filled with the Mega Blaster tempo, still the Reference Product Reference heartbeat rhythm of its own when it should be pumped more quickly with a dish heavy tone. Moreover Package Production is done not random origin will indeed give satisfaction for the best point BDM Collector True homeland. Name NATURE Depravity has been a catalog of fresh ready devastated Sense Hearing music fans noisy with strikes Dominance Blastbeat from Palangkaraya, Central Kalimantan, Especially for fans Liturgy, cinerary, Disgorge, Orchidectomy until hives bombardment Brodequin blend be Ammunition prime Dengue they scratched in Cruel passing Debut Demo Professionals with 3 tracks therein. Celestial Excruciations and a Prelate Attrition are a Slicing example. Also add the Raw Sound and the loud bell cymbal sound and you have a Chaotic Atmosphere going on. A dish that will slice slowly pulse with a sharp sound. Arrangements are more complex and dynamic seems a bit much will make cooling Ear although lunge Putting pickaxe beat her like will break the eardrum. Disgorge conspiracy thick riffing style with boom-style snare hyperblast Brodequin radiate significantly in character Role her. Achieving massive amounts of brutality with heavy as fuck riffs and catchy melodies, adding some insane note bending once in a while and adding Hundreds of Characteristic guitar screeches that keep you listening all the time, Intense High and Crunchy! mencici appetizer is the " Gerbang ", which later exploded Intensity great Blastbeat directly without ba-bi-bu as the executor of the great powers of Hell Hell. Pummeling and chugging riffing arranged beautifully run compact with the combination of drumming right, although Level Heavy its own less indigrement at Level Bass drum sunken and dry, so that I only heard sounds Snare Drum and Cymbal alone, whereas Sound style riffing mainstay really Composition -his. Definitely Absolutely brutal and punishing to the Ears. in Part eventually (In seconds to 53), Band combines traditional musical string instrument Dayak Ethnic thick. and "Mentari Belati " is the next track great who broke blindly and excruciating. domination still Blastbeat tempo, Slicing sharp riffing and Deep Guttural its gurgling Vokill dangerous enough to be missed. with Vocal Pattern dense, such as continued Scheme Following riffing and Beat her, this character is obviously Powerfully and air-stamina buildup. Kind of nearly improvising some Brutal Crushing riffs in between other catchier and more Rhytmically Structured Sections. indeed in detail gw hear Arrangement Band is composed Partition Guttural the weight BDM, Mature and Dangerous! especially when i look really Draft Riff Sophisticate with sound Crunchy once tried to chime compact with Drum Skill always provide precise and fast tempo. and Track " Neraka Belantara " then inevitably have to finish this Good BDM Demo. Progress terrible indeed offered Palangkara band from this if we look at the development BDM 10 Years ago, it was not wrong if the Indonesian development BDM be Coveted production activity to foreign countries. Although unfortunately, I can only taste the 3 tracks that were not up to swallow Duration 8 minutes, Sample harmful products for Fans BDM with Guttural Vokill to not miss it. it's Definitely a Good Starting place for the genre, along with Heaps of Awesome riffs. Artwork Gory work Aghy R. Purakusuma still add so cool points to release a demo CD Pro Package Professional with her. Well, feel yourself Intense Torture Instruments Trio Butchers Harmonization will instantly crushed destroyed through distortion is deafening. This Constant Barrage of Fast and Aggressive playing makes listening to Ripping, mangling The Fresh cadaver a very Intense and Brutal Experience and I'd Describe it as a Deeply Primal, Testosterone Drenched Ride Adrenaline thrill. Urrrrghhhhhhhh !!!!!!!!!!!!!!!













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Rabu, 02 Desember 2015

Altarscream - Merah Putih CD 2015



























Altarscream - Merah Putih
Radeath Kingdom CD 2015
htttp://www.altarscream.com
https://www.facebook.com/ALTARSCREAM6666
https://twitter.com/ALTARSCREAM
https://www.reverbnation.com/altarscream

01 Merah Putih 04:10
02 Kemerdekaan Semu 03:57
03 Badut Tua 03:53
04 Amarah Terpendam 04:46
05 Total Rusuh 03:42
06 Halusinasi 04:50
07 Pesta Trash 03:43
08 Revolusi 04:25


Nakem - Guitar/Vocal
Accho - Lead Guitar
Jaya - Bass
Alvay - Drums


Mempertahankan Eksistensi hampir selama 20 Tahun adalah sesuatu yang berat dan berarti dalam sebuah kebersamaan keluarga kecil menjaga idealisme bermusik. pasang surut serta bongkar pasang formasi adalah fenomena umum yang terjadi ketika 4 pemuda dari pinggiran timur jakarta sama sama memiliki Hobby dan Keinginan Memainkan lagu-lagunya Metallica, Sepultura serta Kreator menjadi motivasi terbesar mengapa Altarscream bisa dilahirkan sejak tahun 1996 dan mulai menjajah beberapa panggung, saat dimana Genre musik Cadas mulai berkembang pesat di era hangat-nya. Melalui Perjalanan yang pelik dan rumit telah mengantar eksistensi Altar Scream teruji hingga saat ini, ketika band dari Generasi mereka harus mulai Bertumbangan 1 per 1 karena sikon yang memaksa mereka berubah fikiran. Menjadi salah satu Pioner Thrash Metal, Altarscream akhirnya berhasil Menjemput mimpi panjang selama ini dalam Perjalanan karir band. Setelah tertunda dari tahun 2003, materi " Merah Putih " ini menyimpan sejuta Memori yang akan berbicara lewat Musikal mereka. sehingga apa yang kita nikmati disini adalah Diorama " Nyata " ketika Tangis, Tawa dan Canda menjadi sebuah cerita. kemudian inilah juga yang mereka tuliskan secara lengkap dengan Booklet Biografi Tambahan yang diselipkan pada Booklet Cover utama. tidak selalu sepakat dengan perkembangan Musik, ini seperti bagaimana Idealisme yang kuat hampir selama 20 tahun itu. The Enthusiastic band had too much Potential to Deliver a Penetrative Power to Shock the Audience at all costs with Uncompromising debut Appealing Manner. Gw seperti mendengar kembali apa yang Menjadi warna awal menampar dari Betrayer era " Grand Voice Society ", Sarcastic, dengan bentuk simple Old Kreator, Old Sepultura hingga Old Slayer. ya, Thrash Metal Easy Listening dengan Sentuhan Melodic Element pada beberapa Riffing, warna Thrash Metal yang masih " Indonesia " banget di telinga Penikmatnya. " Merah Putih " akan sedikit mengajak kita Flashback jauh sebelum Invasi Old School Thrash Bay Area Thrash menjadi Epidemi saat ini dan dimana Patriotisme Feel adalah Spirit Thema yang mendominasi penulisan lirik. the song Delivered Violent Straight guitars as well as a Haunting Guitar line during the Harsh Overall Appearance of the song. This is Delivered a Big portion of Customary Thrash Metal !

The Constantly Aggressive Barking Create any kind of Suspense on " Merah Putih ", dimulai dengan Hymne Kebangsaan wajib " Padamu Negeri " mengawali tendangan sistematis awal lewat sentuhan kental Melodic Riffing. Aransemen yang lebih menonjolkan Karakter Easy listening tersusun secara rapi dengan kematangan Materi yang mengalami Progres beberapa tahun belakang. is well Reflected in the music, because you can feel madness, Despair and Hate in these songs: Schizophrenic Melodic riffs, Harsh Emotion vocals and Intense Violent drums. memang aransemennya ga akan terlalu banyak menyita Konsentrasi selain menawarkan part yang lebih mudah tercerna dan Sangat Ternikmati meski baru pertama kali mendengarnya. mengingatkan bagaimana pada awal Betrayer Sukses menawarkan Booming materi " Grand Voice Society " dapat sedikit menjadi deskripsi Gw disini. Karakter Vocalis/Gitaris Nakem antara Harsh dengan Middle Growl menampilkan Faktor emosional tersendiri meneriakkan Lirik tentang Protes dan Ketidak Puasannya dengan Sikon nyata Masyarakat. Ketukan Beat yang tersusun teratur Naik turun tetap mengantarkan pada Klimak Otomatis dengan Tune Harmonisasi yang memang tepat Altarscream Komposisi. Begitu pula untuk track " Kemerdekaan Semu ", akan lebih banyak menawarkan Partisi Beat yang seketika melebur Adrenalin pendengar untuk Keep Headbang ! secara Komposisi memang apa yang ditawarkan oleh Altar scream adalah : Catchy, Melodic serta Powerfully, sehingga ketika mendengar sendiri materi keseluruhan, kesan 3 kata tersebut menjadi begitu kental ketika menjawabnya. Sentuhan Solo Ciamik dengan Tune listenable Melodius dari Accho beberapa kali membuat lebih lembut pergesekan Rythym Tune pada " Badut Tua ". sementara " Amarah Terpendam " menggambarkan sekali Pembawaan Lagu secara Emosional menjadi Alur yang menyatu, More searching for a Great Violent Schizophrenic Assault ! dan " Total Rusuh " telah mencapai Titik Maksimalnya sebuah karya yang menjadi Momentum sejak Tahun 2000 dan lebih dikenal sejak dikontribusikan untuk Kompilasi Metallik Klinik # 4. telah melalui proses penyempurnaan matang dan berulang, Puncaknya telah menjadi Anthemic Altarscream Song. Complexity to get something Complicated, Avoiding Simplicity and Mediocrity Deserves some Recognition and credits for that Great job. solo melodius Accho akan sering menjebak Imaji kita dalam Dimensi alam sadar bagaimana Indahnya menikmati Harmonisasi ketika Distorsi Beat kerap memecahkan. Sepertinya Lagu " Halusinasi " akan lebih Menyita lagi konsentrasi Komposisi yang lebih Dalam dan menonjok. jelas ini bukan Karya yang Instan, karena lebih meninggalkan kesan memorable sekali meski Perkembangan era terus menghadang. Pengemasan Sound yang lebih Generik menampilkan Kelas nyata Band dengan menikmati setiap Nafas dan tetesan Keringat kerja keras. " Pesta Trash " menunjukkan sisi Enerjik sebuah Lagu yang sanggup membakar Persepsi, jika adrenalin mulai menyatu dengan Harmonisasi. still very Crushing Moments, has more Notable Catchy Riffs including some Killer filler Moments. dan " Revolusi " kemudian harus menyudahi Agresi Destruktif ini tetap dengan Komposisi Thrash Metal Generik yang menjadi Pangkal Dominasi bagaimana leher kepala ini ga akan pernah berhenti berputar ketika Jerat aransemennya terus menjadi Bius yang mematikan. Spikes of Unexpected, Clinical Melody before the Trampling of the Actual Chorus.

Patut mendapat Aplaus tersendiri ketika mendengarkan hampir keseluruhan aransemen 8 track-nya tidak pernah berlari jauh ke karakter atau Konsep lain, adalah bukti Idealisme Altarscream mampu mempertahankan Konseptual band hampir selama 20 tahun. Harmonisasi Komposisi yang tetap memprovokasi dengan Lick serta Bar enerjik, seperti mendengarkan kembali Gairah panas dari Vulkanik Obsesi ketika Genre ini berkembang subur dan memulai Era-nya di Scene Tanah air. Sementara Kualitas rekaman ditunjang dengan Poin Plus dari Gitaris Band Rock Populer Iram-nya U'Camp yang menggarap materi ini telah banyak mewujudkan Idealisme Band tidak terlepas dari pakem kuat-nya mempertahankan Warna Historik Altarscream terjaga sampai hari ini. ada kalanya kita akan menjadi terlalu bosan dengan Nuansa yang mengalami Stereotype konsep, sehingga menuntut otomatis Feel Konsumtif kita menikmati kembali Roots Genre menjadi Refresh yang Menyegarkan ! Represents the Perfect Dynamic Bridge Surgical Precision and High-Technology Torture Devices calculated to Inflict the Maximum Amount of Thrash Metal Touching to Bang Your Head !!!












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Kamis, 19 November 2015

Humanure - Harsh EP 2015



























Humanure - Harsh
Subnoise Production EP 2015

01 Revelation (instrumental) / Heretic Existence 03:23       
02 War, Death, Unrest 01:32
03 Victim of the Grind 01:43   
04 Enslavement 02:25
05 Pulverize the Truth 01:09        
06 Annihilated to Death 01:51   
07 The Hounds / All Out War 01:45

Wino - Vocals
Pndx - Guitars
Tom - Bass   
Fadly - Drums

Menjadi Hal yang makin Menyenangkan ketika sesuatu yang menjadi Bagian dari Movement Musik Cadas karakteristiknya harus tergerus dengan Perkembangan Era telah merindukan banyak Musisi untuk kembali menampilkannya saat ini, saat Invasi Modern Sound menjadi sesuatu yang Out of Date. Meski tidak sepenuhnya kembali, sedikit banyak Era yang " hilang " itu Hadir nyata lagi, salah satunya adalah Old " Swedish Sound " Style ! pada lembaran pertamanya Dedengkot seperti Entombed, Dismember, Carnage hingga Grave menjadi Icon para Pioner yang berjasa lebih dulu mengenalkan serta Sunlight Studio menjadi Dapur Produksi  historus yang mengabadikannya. kemudian tidak ber-Evolusi pada Genre Death Metal saja, Karakter Swedish Sound mulai merambah pada beberapa Genre termasuk Grindcore. Mengenal nama seperti Nasum, Rotten Sound, Exhumed hingga Nails, Crawled out of the Woodwork to keep the Quality Grind Churning out of Speakers throughout the World ! Setelah Gw mendengar materi Ancaman, Geram, Genocide, Bersimbah Darah, Etc kayaknya sekarang Playlist Rekomendasi Gw tambah dengan nama HUMANURE !, Morbid Grind Bastard Asal Surabaya yang di EP ke-3 ini Menawarkan Sound Orisinil " Swedish Old Death Metal " dalam racikan Blaster Grinding Insanity-nya. Seperti mendengar amukan renyah menggampar muka sekali dengan membayangkan Entombed kembali berjiwa muda untuk mengkomposisi Idealis serta Power-nya lagi lewat Hantaman telak Rotten Sound yang Meliar ! Thrilling Brutality and most Importantly Essential for that Gaping hole in any Grinding Freaks Aggression! ... " Harsh " akan menjadi Materi yang lebih menambah Perfect Karir band sejak 2 EP menempa-nya. Penyusunan Komposisi dengan Sound yang lebih matang dan diperhitungkan telah terjawab dalam durasi total hampir 14 Menitan. meskipun tidak mengusung warna yang Unik dan Menantang, Humanure akan membuktikan Kreatifitas dilalui dalam kerja keras yang selama ini menjadi bagian dari Impian Band. " Harsh " akan membangkitkan Memorability kita akan Era Kejayaan Entombed era " Left Hand Path " dan " Clandestine " yang mendadak meledakkan Blastbeat Grinding Snare destruktif ala Rotten Sound.

Setelah Opening War Intro track " Revelation " pada menit 01:29 langsung disambut dengan Sengatan Liar " Heretic Existence ", Damn! Humanure which Created the whole real Fuckin Swedish Sound! Chance to hear this Fat, Crunchy, Powerful and so Characteristic Guitar tone, very low Tune and Rough. Partisi Bar serta Beat yang teratur perlahan Mengantar seketika Klimaks dengan Gempuran Blastbeat Snare. Karakter Vokalis Wino sangat mengingatkan sekali Gw dengan In The vein L.G.Petrov-nya Entombed. Yeahh, are kind of Unique and Different to the Typical Death Grunts! Aroma Entombed yang kental banget tiba tiba meledak cepat menjadi Rotten Sound. So, dapat banyangkan sendiri bagaimana khan? It sounds Damn Vicious, it is Dark and Aggressive, often fast with lots of Diversity and it has this Classic D-beat. Karakter musikalnya memang tidak sepenuhnya Pure konsep Grindcore, karena sentuhan Old DM hingga D-Beat memang menjadi Akar Komplikasi mencekam aransemennya. " War, Death, Unrest " menggambarkan sekali Mood serta Emosional band dengan pembawaan yang Meluap luap sekali Power-nya. Pukulan Drummer Fadly rupanya bercokol menjadi Mata musik bersama cabikan Riff Distortif Pndx, sementara Vocalis Wino tetap Parau meraung. beat tempo yang menyesuaikan sekali progres Komposisi sepertinya tidak tersusun asal asalan, karena Humanure tetap menyeduhnya dengan Akurat Pesona Death/Grind yang Mengerikan, it Still sounds so Damn Fresh, so Damn Awesome and is still so Influential ! begitu pula menghantam hebat " Victim of the Grind " dengan durasi yang singkat, padat dan cepat. lalu Track yang gw Jagoin " Enslavement " memiliki Karakter Keren pada Part awalnya menjamin Siapa aja yang mendengarnya akan Mengayunkan Kepalanya untuk headbang sejenak dengan Middle Tempo Dramatis Ciamik banget ! Eschewing the Formalism of Death/Thrash and Focusing on a more Raw and Traumatic Experience go Bang your Head ! Salah satu track yang utuh punya durasi lebih diantara lainnya. Menghantam D-Beat tempo ala Amebix atau Disrupt di awal part " Pulverize the Truth ", persepsi kita memang tidak akan terus terkungkung dengan Aransemen yang serba Menggerus, karena Pattern Beat nya tersusun secara dinamis dan tidak membosankan meski kita Replay berulang-ulang. Jangan lewatkan juga " Annihilated to Death " semakin mengajak kita tenggelam pada era Enerjik-nya Entombed sekali rasanya meski beberapa Blastbeat Snare kerap menyiksa telinga. ga terasa karena gw lagi Nostalgic banget dengan Dedengkot Swedish Old DM, track penghabisan " The Hounds / All Out War " harus menyudahi semuanya. Suffuse so much Adrenaline in so much Gloom as well, Cause many of the songs Featured here have Wild Patterns of Ascending and Descending Riffs, Abrupt Transitions, and a General Tendency to not Dwell in one place for too Long.

Meski tidak menampilkan sesuatu yang baru atau Berbeda, Syalut banget atas usaha keras Humanure berhasil menampilkan sekali karakter yang tengah menjadi Kerinduan Sejuta Umat Death Metal untuk berenang kembali dalam pusaran Death Metal era 90-an dengan Karakter Kuat Swedish Sound. Brings us Straight to the Eponymous Pretty much Exactly the Material Production. Pembawaan Emosional dan Skill yang tertata sangat apik menjadi Poin Plus Berikutnya EP " Harsh " menjadi Materi Rekomendasi wajib buat Metalhead yang ingin mencicipi kembali Soul Death Metal diera ke-emasannya. Penggarapan Sound Enjiner Frans di Musical Studio mungkin menjadi salah satu " Dream Come True " band, kemudian memutuskan Menambah Serius Subnoise Production mengemas Profesional untuk package-nya. Like a tracks are the corner Stone of the Classic Swedish Death Metal sound, and are not only Catchy but Extremely Dark and Sinister in both Concept and Music. Especially Mixture Beast old Entombed, Dismember Between Rotten Sound meet in One Grindfucking Ass Direction. THIS IS MORE INTERESTING MORBID CRUELTY FOR YOU !!!













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Rabu, 04 November 2015

Amon Amarth - Deceiver of the Gods CD 2013



























Amon Amarth - Deceiver of the Gods
Metal Blade Records CD 2013

01 Deceiver of the Gods 04:19    
02 As Loke Falls 04:38    
03 Father of the Wolf 04:19    
04 Shape Shifter 04:02    
05 Under Siege 06:17    
06 Blood Eagle 03:15    
07 We Shall Destroy 04:25    
08 Hel 04:09    
09 Coming of the Tide 04:16    
10 Warriors of the North 08:12

Ted Lundström - Bass
Olavi Mikkonen - Guitars
Johan Hegg - Vocals
Fredrik Andersson - Drums
Johan Söderberg - Guitars

Akhirnya Materi paling Fresh milik Viking Melodic Death Metal Populer asal Stockholm Swedia yang eksis sejak 1992 ini termuncratkan juga setelah gw cukup terpukau dengan track " Deceiver of the Gods " yang mereka Luncurkan lebih dulu sebagai Single Pertama album full ke 9 mereka ini masih bareng Metal Blade Records, adalah Track Fantastic dengan gaya Khas melodius Amon Amarth cukup bikin gw interest Menunggu Full album " Deceiver of the Gods ". Amon Amarth is, and has been, undoubtedly one of the iconic Melodeath bands, the band has pioneered the use of their lyrical theme; they’re one of the first bands to write lyrics that revolve around the Norse mythology (having been preceded by Bathory). The guys deserve credit for converting many metal fans to die-hard melodic death-metal fans. secara resmi dilempar di kepasaran pada 24 Juni untuk Eropa dan 25 Juni untuk Amerika. selain tersedia dalam format CD, Pihak label juga merilis dalam Jewelcase CD, 2 CD digipak, Boxset includes, Picture LP dan LP yang versi 500 Kopi warna Biru dilisensi ke Nuclear Blast Records. 10 lagu Fresh Melodic Death Metal ini dikerjakan di Backstage Studios di Derbyshire, U.K untuk pertama kalinya bersama Produser dan Enjiner terkenal Andy Sneap yang sudah mengantar sukses album2 band top seperti Arch Enemy, Accept, As I Lay Dying, Benediction, Caliban, Cradle of Filth, Chimaira, DevilDriver, Dimmu Borgir, Exodus, Killswitch Engage, Kreator, Lock Up, Machine Head, Megadeth, Napalm Death, Testament dan masih banyak sekali hasil tangan dinginnya sukses dipasaran. menambah poin plus untuk kredit album ini, Amon Amarth berharap sekali album ke-9 ini bakalan sukses ditangannya. an album that sadly remains much underappreciated among fans due to its admittedly simple, yet in my opinion, amazingly catchy compositions. When it came out I thought it was their strongest offering so far, well balanced and with zero point zero filler tracks. However, even though I was confident the Vikings would release a worthy successor, I didn’t expect it to blow away the preceding album like dust upon a sleeve. Masih tangguh dengan Konsep dan Skill yang mengedepankan elemen melodius-nya, Amon Amarth masih untuk kesekian kalinya eksis dengan konsep musik sejak materi album awal. This is pretty much the most cookie-cutter modern metal you can ask for, with little that is creative or interesting about it. The lyrics are pretty simple Viking gimmick-stuff and are delivered by the rather restrained and bland growls of Johan Hegg, worshiped the world over for reasons I’ll never get. He doesn’t have a bad voice but he just never lets loose and really puts his whole self into the performance, making it sound like he’s just restraining himself so as to not scare anyone. He’s very listenable in general, but why bother having harsh vocals if you’re going to do it so tamely and unimpressively? I think this stuff would work just fine with clean vocals. It’s not like this is really that extreme or anything, and the growls are just boring as it is. " Deceiver of the Gods " masih menjadi andalan Kuat di album ini sehingga pantas memang dipajang di urutan terdepan Album ini, bagaimana Amon Amarth masih memukau dengan gaya Catchy headbang nang Melodius itu. beberapa sentuhan klasik Heavy Metal melodius ala Iron Maiden serta gaya Power metal yang begitu kuat masih menjadi elemen kuat pada struktur bermusiknya. dan tentunya masih membawa Aroma fresh album sebelumnya era " Surtur Rising " atau " Twilight of the Thunder God ", namun bagi Gw ga ada yang banyak berubah dengan konsep band sendiri. Gw suka track ini saat memasuki part Refrain " Asgard's always been my home / But I'm of different blood / I will / overthrow their throne / Deceiver of the gods " Middle Screamin Vokalis Johan Hegg seperti menyatu dan meresapi feel -nya, dan beberapa part Thrash Ryhtym-nya Johan Söderberg memang mantap mengiring beberapa solo Gitar Olavi Mikkonen. memang menjadi sesuatu yang teramat sulit bagi seorang musisi untuk menciptakan pembawaan lagu dengan lirik yang begitu menyatu sehingga menjadi komposisi yang " Masuk " banget feel-nya. "  As Loke Falls " masih tetap terus duet gitarus Olavi dan Johan kerja keras menciptakan Melodic Riffing yang mendayu dayu menjadi Bius yang mematikan dari para Kesatria Viking ini. mungkin juga banyak yang mengenal jika Karakter Musikal Amon Amarth ini adalah perpanjangan gaya lama " Heartwork " nya Carcass hingga Gaya lama In Flames masih dengan Gothenburg sound sebagai sajian tak terpisahkan. The music itself is also very tame, with mostly midpaced songs that occasionally lapse into ‘fast’ sections, though never anything truly unhinged or passionate-sounding like they actually give a crap about the music they're playing. The songs are all well written and contain some decent riffs and melodies, but none of them ever break out of the stodgy and unimpressive restraint they have going. There’s very little, if any, atmosphere on this, and that’s largely due to the dry production job, but the rather redundant songwriting also plays a part. The riffs are tightly played, but they're also pretty unexciting on the whole. " As Loke Falls " probably have the highest quotient of riffs that didn't bore me, but even those are only decent, not really any more than that. lalu " Father of the Wolf " sentuhan hangat Gaya Heavy dan Power metal padat masih menjadi komposisi yang mengalir deras dalam setiap aransemennya. begitu juga dengan " Shape Shifter ", " Under Siege " yang Melodius sekali sejak track awal, dan " We Shall Destroy " semakin mantap terus mengajak kita untuk Headbang dan headbang !! menjadi yang lebih Fresh lagi pada track " Hel ", Vokalis Messiah Marcolin ( nama aslinya " Bror Jan Alfredo Marcolin " ) ikut bernyanyi ditrack keren ini, selain menikmati gaya Rythym yang Headbanging abis, kita akan merasakan gaya agak2 Power dan Soprano vokal Messiah Marcolin menjadi bagian " Hidup " track ini terdengar Epic sekali ! Messiah Marcolin tentunya sudah ga asing lagi jika kalian pernah mendengarkan lagu2nya Candlemass, Colossus, Memento Mori, Mercy hingga Requiem adalah Penampilan sebelumnya selain sebagai seorang Komedian di Mini TV seri di Swedia " V som i viking " tahun 1991 lalu. 10 lagu berdurasi 47:52 ini masih menjadi teman yang asyik kala sore menjelang dengan segelas Teh Panas dan sebungkus rokok Mild hehehe ... spesial banget buat kalian fans gitar musik melodius yang berceceran mendominasi hampir semua part musik. apalagi sajian tema lagu tentang Mitologi Bangsa Viking menjadi pelengkap karakteristik band sudah sejak awal band ini terbentuk. Everything about this just sounds so small and average. I'm not asking for ornate prog-isms and complex songwriting, but With Deceiver of the Gods just sounds meager. The songs' scope is small, the melodies are small, the riffs are small, the vocals are small. Nothing here aspires to greater heights; it is all very by-the-numbers and stale. The songwriting does not inspire me to bang my head or sing along, which is what it was going for, so I guess that makes it kind of a failure to me. The band seems very much content to just keep marching along and achieving only the barest minimum of quality possible, which isn't a good thing. They never do anything wrong on this, but very little right, either, and mostly I was just bored as hell listening to this. Amon Amarth have a lot of fans, and I'm sure no matter what I say, those fans won't be deterred, but me, this isn't my kind of thing, and I find it too unimaginative and uncreative to really get into. This album is great because it appeals to basically anyone, including those who have never heard of death metal. If you haven’t heard of Amon Amarth yet this is the ideal album to start with, and if you have you probably already own a copy.

Fresh material eventually owned most Melodic Death Metal Viking origins Popular Stockholm Sweden that existed in 1992, after gw termuncratkan also quite impressed with the track "Deceiver of the Gods" that their Launches as First Single first full album to 9 they are still with Metal Blade Records, is a Fantastic Track melodic style typical Amon Amarth enough interest to make gw Waiting Full album "Deceiver of the Gods". Amon Amarth is, and has been, Undoubtedly one of the iconic Melodeath bands, the band has pioneered the use of their lyrical theme; they're one of the first bands to write lyrics that revolve around the Norse mythology (having been preceded by Bathory ). The guys deserve credit for converting many metal fans to die-hard melodic death-metal fans. officially thrown in to the market on June 24 and June 25 for Europe to America. than is available in CD format, Party Jewelcase label also released in CD, 2 CD digipak, includes boxset, LP and Picture LP 500 Coffee Blue color version licensed to Nuclear Blast Records. 10 Fresh Melodic Death Metal song was performed at Backstage Studios in Derbyshire, UK for the first time with renowned Producer and Engineer Andy Sneap who has led successful album2 top bands like Arch Enemy, Accept, As I Lay Dying, Benediction, Caliban, Cradle of Filth , Chimaira, DevilDriver, Dimmu Borgir, Exodus, Killswitch Engage, Kreator, Lock Up, Machine Head, Megadeth, Napalm Death, Testament, and still a lot of success in the market results of cold hands. add plus points to the credit of this album, Amon Amarth hope all 9th ??album is going to hit his hand. an album that sadly remains much underappreciated among fans due to its simple Admittedly, yet in my opinion, amazingly catchy Compositions. When it came out I thought it was their strongest offering so far, well balanced and with zero point zero filler tracks. However, even though I was confident the Vikings would release a worthy successor, I did not expect it to blow away the dust upon the preceding album like a sleeve. Still tough with Concept and Skill that puts its melodic elements, Amon Amarth still exist for the umpteenth time with the concept of music since the beginning of the album material. This is pretty much the most cookie-cutter modern metal you can ask for, with little that is creative or interesting about it. The lyrics are pretty simple-Viking gimmick stuff and are delivered by the rather restrained and bland growls of Johan Hegg, worshiped the world over for but could be better I'll never get. He does not have a bad voice but he just never lets loose and really puts his whole self into the performance, making it sound like he's just restraining himself so as to not scare anyone. He's very listenable in general, but why bother having harsh vocals if you're going to do it so tamely and unimpressively? I think this stuff would work just fine with clean vocals. It's not like this is really that extreme or anything, and the growls are just boring as it is. "Deceiver of the Gods" is still a mainstay Strong in this album so it deserves is displayed in the forefront of this album, how Amon Amarth still amaze with headbang nang Catchy melodic style it. a touch of classic Heavy Metal Iron Maiden's melodic style and the style is so strong Power metal is still a strong element in the musical structure. and of course it still brings fresh scent of the previous era album "Surtur Rising" or "Twilight of the Thunder God", but for Gw ga there are a lot of changes with the concept of the band itself. I like this track while entering the part Refrain "Asgard's always been my home / But I'm of different blood / I will / overthrow their throne / Deceiver of the gods" Screamin Middle Vocalist Johan Hegg as fused and impregnating her feel, and some Thrash her part Ryhtym Johan Söderberg was steady mengiring some solo guitar Olavi Mikkonen. indeed be something very difficult for a musician to create a song with lyrics that nature is so fused that into the composition of the "Log" really feel it. "As Loke Falls" still continues duet gitarus Olavi and Johan Melodic riffing hard work creating the mendayu dayu a deadly anesthetic from the Viking Warriors. may also plenty who know if this character Amon Amarth musical style is an extension of the old "Heartwork" by Carcass his old style with In Flames still Gothenburg sound as an integral dish. The music itself is also very tame, with mostly midpaced songs that occasionally lapse into 'fast' sections, though never anything truly passionate-sounding unhinged or like they actually give a crap about the music they're playing. The songs are all well written and contain a some decent riffs and melodies, but none of them ever break out of the stodgy and unimpressive restraint they have going. There's very little, if any, atmosphere on this, and that's largely due to the dry production job, but the rather redundant songwriting also plays a part. The riffs are tightly played, but they're also pretty unexciting on the whole. "As Loke Falls" probably have the highest quotient of riffs that did not bore me, but even those are only decent, not really any more than that. and "Father of the Wolf" warm touch of style Heavy and Power is still a solid metal composition flowing in any arrangements. as well as the "Shape Shifter", "Under Siege" is melodic track once since the beginning, and "We Shall Destroy" continues to bring us more determined to Headbang and headbang!! become more Fresh again on track "Hel", vocalist Messiah Marcolin (real name "Alfredo Marcolin January Bror") ditrack sing this cool, besides enjoying the style Rythym Headbanging abis, we will feel the force agak2 Power and Soprano vocal Messiah Marcolin be the "Life" this track sounds so Epic! Messiah Marcolin ga course, already familiar if you've ever listened to lagu2nya Candlemass, Colossus, Memento Mori, Requiem is a Mercy to look earlier than as a comedian in the TV mini series in Sweden "V som i viking" 1991 years ago. 47:52 10 song length is still a friend a fun time with a late afternoon glass of hot tea and a pack of cigarettes Mild hehehe ... really special for you fans scattered melodic guitar music dominates almost all parts of music. theme song let alone presentation on Viking mythology to complement the characteristics of the band has been since the beginning of the band was formed. Everything about this just sounds so small and average. I'm not asking for ornate prog-isms and complex songwriting, but With Deceiver of the Gods just sounds meager. The songs' scope is small, the melodies are small, the riffs are small, the vocals are small. Nothing here aspires to greater heights; it is all very by-the-numbers and stale. The songwriting does not inspire me to bang my head or sing along, roomates is what it was going for, so I guess that makes it kind of a failure to me. The band seems very much content to just keep marching along and Achieving only the barest minimum of quality possible, roomates is not a good thing. They never do anything wrong on this, but very little right, either, and mostly I was just bored as hell listening to this. Amon Amarth have a lot of fans, and I'm sure no matter what I say, those fans will not be deterred, but me, this is not my kind of thing, and I find it too unimaginative and uncreative to really get into. This album is great Because it appeals to basically anyone, Including those who have never heard of death metal. If you have not heard of Amon Amarth yet this is the ideal album to start with, and if you have you probably already own a copy.














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The Black Dahlia Murder - Everblack CD 2013




























The Black Dahlia Murder - Everblack
Metal Blade Records CD 2013
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01 In Hell Is Where She Waits for Me
02 Goat of Departure
03 Into the Everblack
04 Raped in Hatred by Vines of Thorn
05 Phantom Limb Masturbation
06 Control
07 Blood Mine
08 Every Rope a Noose
09 Their Beloved Absentee
10 Map of Scars


Brian Eschbach - Guitars
Alan Cassidy - Drums
Max Lavelle - Bass
Ryan Knight - Guitars
Trevor Strnad - Vocals


Michigan Melodic Death Metal Sadistic Has Back !!!!!!!!!!! ... never reaching true death metal brutality throughout the album's 44 minute run time, although to be fair to the band that's not their intention at all. The band have never been about being the most brutal or craziest band in death metal; they've always put legible, interesting songwriting first and instrument gymnastics a far, far second, a trend that has thankfully continued on Everblack and, thankfully, does not seem like it'll be going away anytime soon. Salah satu Melodic Death Metal Modern Kesohor dan menjadi Trending Genre meledak saat ini, The Black Dahlia Murder yang mulai eksis dari tahun 2001 memang mengusung gaya musik mengejutkan ini memang sebagai perpanjangan tangan dari Karakteristik band sebelumnya seperti At The Gates yang dikomposisikan lagi dengan evolusi gaya bermain yang lebih cepat dan cerdas lagi ! Gothenburg-style riff work !!. mengambil nama dari Kisah nyata tentang pembunuhan paling terkenal tahun 1947 di Hollywood menimpa artis muda Elizabeth yang ditemukan Terbunuh secara mengerikan dimana bagian tubuhnya terbelah menjadi 2 bagian dan ditinggalkan begitu saja dipinggir jalan. sedikit flesbek ajah dengan Perjalanan karir bermusik awal band ini saat merilis Demo Tahun 2001 " What a Horrible Night to Have a Curse " secara Independen, The Black Dahlia Murder mendapat respon yang luar biasa sebagai The Next At The Gates more Fast And Extreme Powerfully style ! Some people praise Black Dahlia back when their music was more along the lines of Metalcore fused with Death Metal. Some people wonder why Black Dahlia's fan base is pretty much half metalheads and half hardcore kids. I personally think it is because of this style of music they played on this demo. They pleased both metalheads and hardcore kids. I think that this is a decent demo, but I like their newer stuff better. I only say this because Death Metal is my favorite style of music and I hate Hardcore and Metalcore. memang menjadi Kontroversi panjang pada awal mula banyak editor musik menyebut genre band ini memang sebagai band Metalcore ! namun khabarnya, Album Demo ini yang diinspirasikan dari sebuah Game Berjudul " Castlevania 2 " sekejab sold out dan masih terus diburu oleh para Kolektor hingga saat ini. Kemudian tahun 2002 kembali merilis EP " A Cold-Blooded Epitaph " lewat Lovelost Records yang 1 tahun kemudian " Unhallowed " Menjadi Album full pertamanya Tahun 2003 bersama Metal Blade Records yang sudah lama mengincar band ini untuk masuk dirosternya. Track seperti " Funeral Thirst, Elder Misanthropy, Contagion serta The Blackest Incarnation " menjadi Track Wajib mereka diatas panggung dengan Respon Audience yang luar biasa berbuntut sukses luar biasa album ini. dengan Konsep melodius yang cepat, Raungan high and low pitch vocal styles dan Lirik Horror serta Pembunuhan, menjadi Trademark kuat yang melekat dalam Karakteristik band ini hingga sekarang. meskipun saat ini masih menyisakan 2 member aslinya saja, Gitaris Brian Eschbach dan Vokalis Trevor Strnad masih melaju kencang dengan Konsepsional utama Band tetep terjaga. dan " Everblack " ini menjadi Album pertama untuk 2 member baru, Bassis Max Lavelle ( ex-Compost Pile, ex-Despised Icon, ex-Goratory, ex-Twisted Sacrifice, ex-Trauma Concept, ex-Burn in Silence, ex-Lecherous ) serta Drummer Alan Cassidy ( Cryptic Abuse, Unbodied, ex-Abigail Williams, ex-The Breathing Process ) diharapkan akan memberikan Kekuatan baru tersendiri untuk karakter album ini. As for the music, it is very well put together for an early release. It is more technical than your average Metalcore band, but it seems to be right along the lines of melodic Death Metal as well. Each song has its parts of being fast and being slow and always trades off Death Metal riffs with Metalcore riffs. There are more breakdowns on this demo than anything else they have put out. Even though I hate Metalcore, these guys put these two genres of music together very well. dikerjakan di beberapa tempat berbeda seperti Take Drum di Rustbelt Studios, Royal Oak, MI yang ditangani oleh Eyal Levi dan Steve Stetson, Gitar dan Bass di Regal Fecal, Warren, MI oleh Ryan Williams, tapi untuk Vokal dan Lead Guitarnya di Audiohammer Studios oleh Mark Lewis dan Jason Suecof yang kebagian juga untuk melakukan Mixing materi ini dan Endingnya di Mastering di West Westside, New Windsor, NY oleh Alan Douches memang telah kembali melahirkan masterpiece dasyat untuk " Everblack " ini dinikmati Oleh Metalfans ! constantly alternates between mid tempo and lightning fast beats... not for the of heart! They also bring a surprising element of terror to all of their songs... imagine velvet covered riffs hiding massive spike pits... you never know what to expect! And I love it... they could have gone for the usual, classically predictable method of writing metal songs, but they ignored a lot of the rules, and in fact wrote their own. Pertama kali Gw mendengar single " Into the Everblack " yang lebih dulu dikenalkan oleh Metal Blade records Pada 10 April lalu sebagai strategi Dagang-nya, Begitu sukses memikat Fans band untuk menanti Rilisan Full ini beredar ! akhirnya 10 lagu berdurasi Total 44:33 menitan ini menampilkan komposisi matang, sadis dan pastinya tetap membunuh !!! Building their songs around mostly traditional structures as they always have, there's also a very noticeable black metal undercurrent coursing throughout much of the record. dibuka oleh " In Hell Is Where She Waits for Me ", kita menikmati dulu alunan Epik Megah yang terasa Anthemic banget sebagai Opening Track yang hitam dan Mencekam pada menit ke 01:07 sebelum kita akan dicincang dengan sayatan berdarah darah saat High Picth dan Lown Grol Vokill Fenomenal Trevor Strnad menjadi Serangan pembuka-nya ! The tracks mostly have their own identity and are distinguishable from one another, which is all the more good since many death metal albums tend to have numerous tracks that just run together no matter how many spins you give them. masih membawa karakter materi sebelumnya, Gw rasakan pukulan drummer baru mereka Alan Cassidy lebih memainkan skill yang terdengar simple jika gw bandingkan dengan gaya bermain liar drummer sebelumnya seperti Shannon Lucas, Pierre Langlois atau Zach Gibson. Bahkan bagi Gw skill improving Alan Cassidy kurang memberikan sentuhan Liar disini, padahal Gitaris Brian Eschbach masih tampil memukau dengan sayatan melodius riffing Briliannya. The guitars being more melodic has caused a lot of that edge to be lost, and while the songs are still quite good, it does feel like a little bit of a letdown considering just how ruthless Ritual could be. Beat Musik yang masih terjaga fast part-nya memainkan bar demi bar dengan perfect. meski Bagi Gw Track awal ini kurang begitu menusuk dengan konsep fresh-nya, namun agak terbayar kemudian dengan " Goat of Departure " yang cepat, Brilian dan Hitam banget atmospheric-nya. High Pitch Vokal Trevor masih mengingatkan banget dengan gaya Thomas-nya At The Gates. tentunya " Into the Everblack " tetap menjadi andalan album ini dengan enerji meledak pada setiap part-nya. using the brutality of death metal with the melodic passages and vocals of metalcore, sure to get you thrashing, headbanging, and bleeding as you hack yourself up in sheer excitment. Gaya Heavy Metal Melodic in the Vein Iron Maiden lumayan terasakan pada part awal " Raped in Hatred by Vines of Thorn ", sayatan Sweep Picking dengan sentuhan Arpheggio Style masih begitu menawan diolah dengan Speed Fingering Brian Eschbach dan Ryan Knight yang Kompak ! .. " Phantom Limb Masturbation " membakar Adrenalin dengan Komposisi musik yang semakin ngebut ! Despite my still preferring Ritual at the end of the day, Everblack shows that the band are still evolving, still shifting ever so slightly with each album, and, most importantly, still making great extreme metal. mengumbar beat speed dengan emosi yang meledak2 menjadikan Album ini masih yang tercepat di Genre-nya. Bagi Gw, Materi kali ini sebenarnya masih mengulang konsep Album " Ritual " dengan " Deflorate " banget. I will also say that the album's production is, for the most part, fantastic. It has a very natural tone to it, the drums in particular sounding like actual drums and not samples pulled from an electronic kit's module. It's never too loud and everything is at the proper volume, save the bass which, as mentioned, could be turned up a little bit. meski ga banyak memberi kejutan, Band ini masih menyuguhkan materi fresh yang brilian pada setiap Lick-nya. menampilkan Lukisan pada artwork Kover dari seniman Nicholas Keller aka " Nick Keller " asal New Zealand yang bisa membuat Lukisan Poster untuk Beberapa Film New Zealand post-apocalyptic drama Existence. dirilis dalam beberapa format berbeda dan terbatas untuk beberapa region sebagai langkah memanjakan The Black Dahlia Murder ! I expect their future offerings to show them continuing to evolve and making slight adjustments to their music with each passing album. As mentioned many words ago, I still overall prefer Ritual to Everblack when all is said and done, but this in no way significantly diminishes the great music found on this album, and it is a must have for any extreme metal fan. The man knows how to properly balance showing off and reigning it in, something becoming all the less common in modern death metal.

Michigan Has Melodic Death Metal Sadistic Back!!!!!!!!!!! ... never reaching true death metal brutality throughout the album's 44 minute run time, although to be fair to the band that's not their intention at all. The band have never been about being the craziest or most brutal bands in death metal; they've always put legible, interesting songwriting and instrument first gymnastics a far, far second, a trend that has thankfully continued on Everblack and, thankfully, does not seem like it'll be going away anytime soon. One of the famous Modern Melodic Death Metal genre exploded and became Trending today, The Black Dahlia Murder are starting existed from 2001 was carrying was indeed surprising musical style as an arm of the characteristics of previous bands such as At The Gates to be composed again with the evolution of the style of play faster and more intelligent! Gothenburg-style riff work!!. takes its name from the real story about the most famous murder in 1947 in Hollywood befall a young artist Elizabeth found it horrible Killed in which part of his body split into 2 parts and left for dead alongside a road. Travel a little flesbek Ajah with the band's early music career when released Demo 2001 "What a Horrible Night to Have a Curse" is an Independent, The Black Dahlia Murder got tremendous response as At The Gates The Next Fast And Extreme Powerfully more style! Some people praise Black Dahlia back when their music was more along the lines of metalcore fused with Death Metal. Some people wonder why Black Dahlia's fan base is pretty much half half metalheads and hardcore kids. I personally think it is because of this style of music they played on this demo. They pleased both metalheads and hardcore kids. I think that this is a decent demo, but I like their stuff better newer hotel. I only say this Because Death Metal is my favorite style of music and I hate hardcore and metalcore. indeed a long controversy on the beginning of many genres of music editors call this band is a metalcore band! however khabarnya, this demo album inspired from a Game Titled "Castlevania 2" instantly sold out and still continue to be hunted by collectors today. Later re-released 2002 EP "A Cold-Blooded Epitaph" by Lovelost Records are 1 year later "Unhallowed" Being his first full album of 2003 with Metal Blade Records, the band was eyeing to enter dirosternya. Tracks like "Funeral Thirst, Elder Misanthropy, Contagion and The Blackest Incarnation" into their Mandatory Track on stage with Audience Response incredible success led to this remarkable album. with a fast melodic concept, high and low pitch roar vocal styles and lyrics Horror and Murder, a powerful Trademark characteristics inherent in this band until now. even though it still leaves only 2 original members, guitarist Brian Eschbach and vocalist Trevor Strnad still go fast with primary Concepts tetep Band awake. and "Everblack" became the first album to two new members, bassist Max Lavelle (ex-Compost Pile, ex-Despised Icon, ex-Goratory, ex-Twisted Sacrifice, ex-Trauma Concept, ex-Burn in Silence, ex-Lecherous ) and drummer Alan Cassidy (Cryptic Abuse, Unbodied, ex-Abigail Williams, ex-The Breathing Process) is expected to give new strength to its own character this album. As for the music, it is very well put together for an early release. It is more technical than your average metalcore band, but it seems to be right along the lines of melodic Death Metal as well. Each song has its parts of being fast and being slow and always trades off Death Metal riffs with metalcore riffs. There are more breakdowns on this demo than anything else they have put out. Even though I hate metalcore, these guys put these two genres of music together very well. worked in several different places like Take Drum at Rustbelt Studios, Royal Oak, MI is handled by Eyal Levi and Steve Stetson, Guitar and Bass in fecal Regal, Warren, MI by Ryan Williams, but for Vocal and Lead Guitarnya at Audiohammer Studios by Mark Lewis and Jason Suecof who also gets to perform this material Mixing and Mastering ending at West Westside, New Windsor, NY by Alan Douches indeed been re-birth for the terrible masterpiece "Everblack" is enjoyed by By Metalfans! constantly alternates between mid-tempo beats and lightning fast ... not for the of heart! They also bring a surprising element of terror to all of their songs ... imagine velvet covered riffs hiding massive spike pits ... you never know what to expect! And I love it ... they could have gone for the usual, classically predictable method of writing metal songs, but they ignored a lot of the rules, and in fact wrote their own. Gw first heard the single "Into the Everblack" were first introduced by Metal Blade Records On 10 April, as his Commerce strategy, so successful lure fans waiting for the band to release the full outstanding! Total length 10 song finally menitan 44:33 showing mature composition, sadistic and certainly still kill!!! Building their songs around mostly traditional structures as they always have, there's also a very noticeable black metal undercurrent coursing throughout much of the record. opened by "In Hell Is Where She Waits for Me", we enjoyed the first rhythm that feels anthemic epic Magnificent Opening Track is really as black and gripping at minute 1:07 before we will be chopped with an incision bleeding time blood and Lown High picth Grol Phenomenal Vokill Trevor Strnad into his opening attack! The tracks mostly have their own identity and are distinguishable from one another, is all the more roomates good since many death metal albums growing niche to have numerous tracks that just run together no matter how many spins you give them. was brought before the material character, Gw feel punch their new drummer Alan Cassidy plays a skill that sounds more simple if i compare with previous drummer playing style wild like Shannon Lucas, Pierre Langlois or Zach Gibson. Even for improving skill Gw Alan Cassidy lacking a touch of the Wild here, but guitarist Brian Eschbach incision still look stunning with brilliant melodic riffing. The guitars being more melodic by the caused has a lot of that edge to be lost, and while the songs are still quite good, it does feel like a little bit of a letdown considering just how ruthless ritual could be. Beat music is still maintained his fast part played by the perfect bar for bar. although Gw Track For less initial stab with its fresh concept, but rather pays off later with the "Goat of Departure" rapid, Brilliant Black and its really atmospheric. High Pitch Vocals Trevor was very reminiscent of the style of his Thomas At The Gates. of course, "Into the Everblack" remains a mainstay of the album with a burst of energy in every part of his. using the brutality of death metal with the melodic passages and vocals of metalcore, sure to get you thrashing, headbanging, and bleeding as you hack yourself up in sheer excitment. Style Melodic Heavy Metal in the vein of Iron Maiden fairly be felt in the early part "raped in Hatred by Vines of Thorn", incision with a touch Sweep Picking Style Arpheggio still so charming processed with Speed ??Fingering Brian Eschbach and Ryan Knight Compact! .. "Phantom Limb Masturbation" burn Adrenalin with music composition is increasingly speeding! Despite my still preferring ritual at the end of the day, Everblack shows that the band are still evolving, still shifting ever so slightly with each album, and, most importantly, still making great extreme metal. indulgence beat with emotion meledak2 speed makes this album still the fastest in its genre. For Gw, The material is still repeating the concept album "Ritual" with "Deflorate" really. I will also say that the album's production is, for the most part, fantastic. It has a very natural tone to it, the drums in particular sounding like drums and not actual samples pulled from an electronic kit's module. It's never too loud and everything is at the proper volume, save the bass roomates, as mentioned, could be turned up a little bit. though not much of a surprise, this band is still present fresh material is brilliant on every Lick her. Paintings on display artwork from artist Nicholas Keller Kover aka "Nick Keller" from New Zealand which can make for some Movie Poster Painting New Zealand's post-apocalyptic drama Existence. released in several different formats and limited to a few regions as a step pampering The Black Dahlia Murder! I expect their future offerings to show them continuing to evolve and making slight adjustments to their music with each passing album. As mentioned many words ago, I still overall prefer Ritual to Everblack when all is said and done, but this in no way diminishes the great Significantly music found on this album, and it is a must have for any fan of extreme metal. The man knows how to properly balance and showing off Reigning it in, something becoming less common in all the modern death metal.














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Necrotic Disgorgement - Documentaries Of Dementia CD 2013



























Necrotic Disgorgement - Documentaries Of Dementia
Comatose Music CD 2013
http://www.myspace.com/necroticdisgorgement
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01 Intronitiation 02:55    
02 Pincushion Pussy 03:24    
03 Conceived for Incest 02:34    
04 Postmortem Fluid Evacuation 03:14    
05 Crack Whore Compost 04:05    
06 Anal Trauma 03:32    
07 Icepick Ear Sodomy 06:11    
08 Grotesque Skeletal Reconstruction 03:43    
09 Defecation Delicacy 04:17    
10 He Wears the Flesh 06:10


Ben Deskins - Guitars
Jimmy Javins - Vocals
Jason Trecazzi - Drums
Tony Tipton - Guitars
Phil Good - Bass


Sejak memutuskan untuk memasukkan Nama Regurgitation dalam Peti Mati, Gitaris Ben Deskins yang pernah menjadi Pioner di band Brutal asal Ohio bersama Brian Baxter membentuk nama baru sebagai Necrotic Disgorgement bersama dengan Gitaris Tony Tipton dan Drummer Jason Trecazzi yang juga sama2 Alumni bersamanya di Regurgitation pada tahun 2003 yang kemudian selang 1 tahun langsung meluncurkan album pertama " Suffocated in Shrinkwrap " Tahun 2004 oleh Comatose Music yang sudah berkawan sejak lama. dengan mengusung konsep musik yang lebih cepat, agresif dan liar lagi, Necrotic Disgorgement berkibar semakin matang dengan konsep barunya ini. the total lack of a respectable bottom end for the sound or the very flat, thin drum sound. setelah mengenalkan " Promo 2012 ", Band ini kemudian dikontrak kembali oleh Comatose untuk merilis full album ke-2nya yang semakin dasyat saat dimulai dengan " Pincushion Pussy " setelah melewati Intro " Intronitiation " selama 02:55, langsung tanpa ba bi bu langsung menerjang dasyat ! Arrrrghhhhhhhhhhhhhhhhhh !!! Fast Grinding I have rarely, nay possibly even never, heard such jaw-dropping brutality and technicality as this whilst all along witnessing a band somehow keep things in check and worth listening to. Prepare to be battered, bloodied and bruised and then severely beaten again for good measure as we enter one of 2013 Extreme Metal records of the year !!! sebuah sajian yang begitu mengejutkan sekali jika gw bandingkan dengan album pertama mereka, dialbum yang terhitung super matang dalam musikal dan Komposisinya ini Necrotic Disgorgement telah melengkapi formasinya dengan Kehadiran Vokalis enerjik Jimmy Javins dan Bassis Phil Good, Komposisi sadis beatnya begitu mengingatkan sekali dengan keganasan tanpa ampun gaya bermain Origin, Brain Drill hingga Beneath The Massacre !, meski masih terhitung simple riffing-nya, namun mengandung kekuatan Teknikal riffing yang extra signifikan pada setiap lick-nya. Awesome !! Apalagi Sounding Drummer Jason Trecazzi terdengar semakin Powerfully luar biasa walo Terdengar Triggering Banget karakter-nya, namun bisa dipastikan sekali kalo Gempuran dasyatnya ini menjadi Poin utama Karakter Brutalitas yang serba meledak ledak !!, sayatan Solo Gitar melodius Ciamik Tony Tipton juga ga bisa dilupakan begitu saja. struktur musik yang cepat, rapat dan padat memang menjadi konsep luar biasa band ini semakin terdengar KEJAM !!! the need to make each song sound different when played at 1000mph against maintaining a consistently high overall level of destruction !! Sound Album yang Sophisticated ini masih dikerjakan sendiri oleh Gitaris Tony Tipton dari Engineering, Producer, Mixing, hingga Mastering -nya memang tetap menciptakan karakter masterpiece tiada ampun untuk " Documentaries Of Dementia " layak menjadi Hives Tercepat sepanjang karir band. 10 Track berdurasi 40:05 cukup untuk memporak porandakan seisi kamar elo deh kayaknya dengan level maximum-nya hehhee ... bagaimana setiap jengkal nafas kita akan selalu di jejali dengan fast part yang intens dan membungkam irama normal detak jantung. Karakteristik Vokalis baru mereka Jimmy Javins lebih memberikan sentuhan warna baru yang sesuai dengan apa yang menjadi sikap bermusik Band semakin dinamis. Apalagi kemasan artwork keren karya J.L. Rey aka Phlegeton yang kita kenal sebagai Vokalis Band Brutal Spanyol, Wormed semakin memberikan Poin Plus kembali untuk rilisan ini semakin terkemas sadis bagi Brutal Death Metal Fans ! As for the album itself, it stands as the current high-water mark for the mixture of brutal heaviness with instrumental proficiency. Obviously, none of the tracks are slow, but they do feature some very headbangable melodies and are catchy in their own right, if not exactly whistleable. Every cut on this album is designed to punish your ears at any volume, though your first instinct is to turn it up since you can't get enough. BUY OR DIES !!!

Since deciding to enter the name in the Coffin regurgitation, guitarist Ben Deskins who was a Pioneer in Brutal band from Ohio with Brian Baxter formed a new name as Necrotic disgorgement along with guitarist Tony Tipton and drummer Jason Trecazzi who was also with him at the Alumni sama2 regurgitation in 2003 1 year later the hose immediately launched her first album "Suffocated in shrinkwrap" of 2004 by Comatose Music who had befriended long ago. with the concept of the music faster, more aggressive and wild, fluttering disgorgement Necrotic more mature with this new concept. the total lack of a respectable bottom end for the sound or the very flat, thin drum sound. after introducing the "Promo 2012", The band then hired back by Comatose to release a full album all the more terrible when 2nya that begins with "Pincushion Pussy" after passing the Intro "Intronitiation" during the 2:55, directly without ba bi bu lunged dasyat ! Arrrrghhhhhhhhhhhhhhhhhh!!! Fast Grinding I have rarely, nay possibly even never, heard such jaw-dropping brutality and technicality as this whilst all along witnessing a band somehow keep things in check and worth listening to. Prepare to be battered, bloodied and bruised severely beaten and then again for good measure as we enter one of 2013 Extreme Metal records of the year!!! a dish that is so surprising at all if i compare with their first album, which counted dialbum super mature in musical composition and the Necrotic disgorgement has completed formation with energetic frontman Jimmy presence Javins and bassist Phil Good, Composition sadistic beatnya so reminded once with merciless ferocity style of playing Origin, Brain Drill to Beneath The Massacre!, although still accounting for its simple riffing, but contains the extra strength significantly Technical riffing on his every lick. Awesome!! Moreover Sounding Drummer Jason Trecazzi sounding increasingly Powerfully triggering sounds incredible walo Banget his character, but we can be sure at all if this dasyatnya incursions into the main character points paced explosive Brutality!!, Melodic Guitar Solo incision ciamik Tony Tipton also can not be forgotten only. musical structure that allows it to be tight and solid concept of the band was incredible sounds MEAN!!! the need to the make each song sound different when played at 1000mph against maintaining a consistently high overall level of destruction!! Sophisticated Sound album itself is still done by guitarist Tony Tipton of Engineering, Producer, Mixing, Mastering her to create the character masterpiece is still no mercy for "Documentaries Of Dementia" worthy of being a career band's Fastest Hives. 40:05 10 Track sufficient duration to wreak havoc on the whole room seems to deh elo its maximum level hehhee ... how every inch of breath we will always be on the fast part jejali intense and silencing the normal rhythm of the heartbeat. Characteristics of their new vocalist Jimmy Javins more give a touch of color in accordance with what the attitude of the band musically dynamic. Especially cool masterpiece artwork packaging J.L. Rey aka Phlegeton which we know as the lead singer Brutal Bands Spain, wormed Points Plus more give back to this release for further packed sadistic Brutal Death Metal Fans! As for the album itself, it stands as the current high-water mark for the mixture of brutal heaviness with instrumental proficiency. Obviously, none of the tracks are slow, but they do feature some very headbangable and melodies are catchy in their own right, if not exactly whistleable. Every cut on this album is designed to Punish your ears at any volume, though your first instinct is to turn it up since you can not get enough. BUY OR DIES!!!














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