Burden Of Life - The Vanity Syndrome CD 2013

Burden Of Life - The Vanity Syndrome
Self Released CD 2013
http://www.burdenoflife.de
http://www.myspace.com/burdenoflifemetal
http://www.facebook.com/burdenoflife
http://soundcloud.com/burden-of-life
http://burdenoflife.bandcamp.com/

01 Vanity's Overture 00:48    
02 Delusive Egomania 03:46    
03 Cardiac Catharsis 04:44    
04 Praise the Loss 07:05    
05 Dead Inside - the Severance Cantata Pt. I 04:30    
06 Our Union's Eulogy - the Severance Cantata Pt. II 04:47    
07 Dissolutio Vanitatis 01:04    
08 Enslaved by Liberty 05:30    
09 Beyond the Breaking Point 04:58    
10 Rightful Salvation 09:38    
11 Vanity's Crown 05:30

Karl Arnold Bodarwé - Bass
Tobias "Haimi" Haimerl - Keyboards
Christian "Kötti" Kötterl - Guitars, Vocals
Michael "Schafi" Schafberger - Guitars
Mathias Babl - Drums

Citra dan Kharisma Besar Children Of Bodom rupanya masih begitu Berkuasa dibeberapa Attitude Melodic Death Metal Scene Generasi Berikutnya. sentuhan Gaya Melodic yang merupakan perpaduan gaya Power Metal yang intense dengan kemasan Nge-Death Metal-nya menjadi kiprah tak tergantikan sejak Nama Children Of Bodom Muncul dari Finlandia Scene. disamping itu sentuhan Kuat Norther, Kalmah hingga gaya Ensiferum menjadi Kiblat kokoh bagi Eksistensi Band asal Regensburg, Bavaria, Jerman yang eksis sejak tahun 2002. meski tidak ada kesan " baru " yang ditawarkannya, gw masih tetap menikmati setiap Jemari Riffing Brilian untuk menciptakan Resonansi dan Intonasi Riffing yang begitu Melodius seperti ini. Meski menawarkan beberapa sentuhan berbeda di karakternya, band ini coba masih menawarkan gaya Clean Vokal emosional-nya dibeberapa part, Harsh Vokal Gitaris/Vokalis Christian "Kötti" Kötterl masih mencuatkan imej seorang Alexi Laiho banget pula sejak mengenalkan track pertama " Delusive Egomania " setelah sebuah Intro " Vanity's Overture " a fittingly bleak title to an album largely built of somber, fatalistic anthems of woe and misery. the more macro-societal sort that wishes the whole world to share in the misery as one violent section leads to the next, all the while conforming to most of the established harmonic clichés of traditional heavy metal. This is basically a darker, more hate filled version of those more thrash oriented power metal bands who sing of the coming end of the world rather than dragons and heroism. komposisi musik serta sound-nya masih ga begitu setajam COB, bahkan band ini terdengar lebih Softly karakternya. perpaduan antara Konsep COB dengan Folk Metal-nya Ensiferum adalah menjadi anggapan lain Gw selain gaya baru Kalmah. Don't get me wrong, there is definitely potential here, especially as far as musicianship goes. With the only major problem being the god-awful, heard them a million time vocals and some of the guitar solos feel a little uninspired and considering the guitar work can be a main draw for some – particularly in the solo department. " Praise the Loss " Track Keren yang menghanyutkan dinginnya malam hehehe, sebuah sentuhan Sporadis kompleks banget pada tiupan beberapa nada improvisasi hidup yang begitu epic ! beda dengan " Dead Inside - the Severance Cantata Pt. I ", warna Modern Metallic Riffing menjadi Komposisi Part yang Begitu Gahar menjadi Beat ritmik lick demi lick apalagi sentuhan Standard blastbeat-nya sedikit mewarnai. Sayatan dan Kekuatan Melodius begitu maksimal pada track " Enslaved by Liberty ". Sangat mengingatkan Karisma COB sekali adalah " Beyond the Breaking Point ". into the equation with a mid-ranged baritone vocal line to complement the garbled grunts of the principle vocalist, but still largely sticks to a faster, riff based format. The only song on here that sort of regresses a bit back into cliché Gothenburg style songwriting ! 10 lagu berdurasi hampir 1 jam an ini juga menghadirkan Orkestra Heartchor Regensburg yang dikonduktori oleh Markus Dankesreiter menjadikan nuansa Epic Album full ke-2 ini semakin megah saja kehadirannya. Fans COB banget !! atau Kalmah, Norther hingga Ensiferum, sangat Gw rekomendasikan untuk mencicipi Nuansa Folky Melodius Album ini. should fall in love with this quite easily, though apart from the flashy solos and busy riffing it doesn’t really bring much new to the table. This is a fun little listen which also happens to be pretty depressing at the same time, as neurotic and bizarre as that may sound.

Great image and charisma Children Of Bodom apparently still so ruling Attitude several Melodic Death Metal Scene Generation Next. a touch of style that is a blend of style Melodic Power Metal is intense with NGE-Death Metal packaging it into an irreplaceable gait from Children Of Bodom name comes from the Finnish Scene. Strong touch besides Norther, Kalmah to Ensiferum style into sturdy Qibla for the existence Band from Regensburg, Bavaria, Germany which existed since 2002. although there is no impression of "new" it offers, I was still enjoying every riffing Brilliant fingers to create resonance and intonation are so melodic riffing like this. Despite offering several different touch in character, this band is still trying to offer emotional vocal style Clean it in several parts, Harsh Vocals Guitarist / Vocalist Christian "Kotti" Kötterl still raises the image of an Alexi Laiho really well since introducing the first track "Delusive egomania" after a Intro "Vanity's Overture" a fittingly bleak title to an album largely built of somber, fatalistic anthems of woe and misery. the more macro-societal sort that wishes the whole world to share in the misery as violent one section leads to the next, all the while conforming to most of the established harmonic clichés of traditional heavy metal. This is basically a darker, more hate filled version of those more oriented thrash power metal bands who sing of the coming end of the world rather than dragons and Heroism. musical compositions as well as his sound is so sharp COB ga, this band sounds even more Softly character. COB concept blend with its Folk Metal Ensiferum is a different assumption than the new style Kalmah Gw. Do not get me wrong, there is definitely potential here, especially as far as musicianship goes. With the only major problem being the god-awful, heard them a million time vocals and some of the guitar solos feel a little uninspired and considering the guitar work can be a draw for some play - particularly in the solo department. "Praise the Loss" Cool Track hehehe a sweeping cold night, a very complex Sporadic touch on a few puffs live improvised tone is so epic! different from the "Dead Inside - the Severance Cantata Pt. I", color Modern Metallic riffing that soon became Composition Part Gahar a rhythmic Beat lick by lick Standard blastbeat let alone touch her a little coloring. Incision and melodic strength so maximum on track "Enslaved by Liberty". Charisma is very reminiscent of COB once was "Beyond the Breaking Point". into the equation with a mid-ranged baritone vocal line to complement the garbled grunts of the principle vocalist, but still largely sticks to a faster, riff-based format. The only song on here that sort of regresses a bit cliché Gothenburg back into songwriting style! 10 tracks lasts almost 1 hour late is also present Heartchor Orchestra Regensburg which dikonduktori by Mark Dankesreiter make shades Epic 2nd full album is more majestic presence. COB fans really!! or Kalmah, Ensiferum Norther up, so Gw recommended to sample Nuance's folky melodic album. should fall in love with this quite Easily, though apart from the flashy solos and busy riffing it does not really bring much new to the table. This is a fun little listen roomates also happens to be pretty depressing at the same time, as neurotic and bizarre as that may sound.

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Milking the Goatmachine - Stallzeit CD 2013

Milking the Goatmachine - Stallzeit
NoiseArt Records CD 2013
http://goatmachine.com
http://www.myspace.com/milkingthegoatmachine
http://www.facebook.com/milkingthegoatmachine
http://twitter.com/milkingthegoat
http://www.youtube.com/mtgoatmachine

01 Only Goat Can Judge Me 03:36    
02 Goatriders in the Sky 02:34    
03 Stallzeit 03:21    
04 3 Room Shed 01:37    
05 Goatpainter 02:37    
06 The Day I Lost My Bell 02:13    
07 Salt Lick City 02:44    
08 Milk 'Em All 03:55    
09 Hornbreaker 03:16    
10 Whoola Hoove Groove 02:53    
11 Strawless 02:33    
12 Look @ These 02:11    
13 When a Goat Loves a Woman 02:44    
14 Udder Infection 01:58    
15 In 10 Years We Are Old School 02:26    
16 Ace of Spades (Motörhead cover)

Goatfreed Udder - Guitars, Bass
Goatleeb Udder - Vocals, Drums

Finest Grind'n'Crust from Goat E Borg, Berlin, Jerman ini adalah bentukan Mantan Gitaris band Death Metal Lay Down Rotten, Daniel Jakobi dengan Nickname nya sebagai " Goatfreed Udder " mengajak serta Sohib Karibnya Goatleeb Udder ( nama aslinya ga tau hehehe .ed ) walau hanya mematenkan diri sebagai Duo Band saja, Milking the Goatmachine tetep eksis dengan 4 Full album saat ini mengusung Typical Grindcore dengan Sentuhan Crustpunk yang enerjik. melalui gaya lirik dan Imej band yang Humoric bak seorang " pemabuk " saja, band ini selalu menulis Titel lagu yang kontroversial dengan apa yang mereka lihat dan Rasakan. hal itu bisa kalian rasakan pada setiap penulisan kata-nya, seperti menyindir ato Parodi saja, duo band ini tetap konsisten dengan idealisme bermusiknya hehehe .... Coz Banyolan Orang Bule sono memang beda dengan Negeri kita, takutnya ada salah persepsi aja, mending kita dengerin aja karakteristik musik yang mereka mainkan disini. meski ga ada yang terlalu baru dan mencolok, ini adalah perpaduan Konsep Klasik Death/grind yang mendapat suntikan pengaruh kuat Konsep Sodom, Motorhead, Napalm Death, Lay Down Rotten dan masih banyak lagi Style klasik yang coba mereka hadirkan dalam konsep yang lebih modern. struktur lagu yang simple dan Catchy masih dipenuhi dengan beberapa Ledakan Grinding Snare dan Beat yang cepat, Konsepsional Milking the Goatmachine masih terhitung Cadas dan Serius. They came to planet Earth to spread the word of Goatgrind is pursuing grinding world domination Yeahhh ! 16 lagu berdurasi total hampir 40:38 ini masih terlalu rilex untuk menemani kita dalam suasana nyantai dan butuh hiburan musik yang ga terlalu berat.  Nice enjoy GoatGrinding Attack !!!

Finest Grind'n'Crust from Goat E Borg, Berlin, Germany The band was formed by former Death Metal Guitarist Lay Down Rotten, Daniel Jakobi with his nickname as "Goatfreed Udder" brought along her best Sohib Goatleeb Udder (do not know his real name hehehe. Ed ) though only patented self as Duo Band alone, Milking the Goatmachine tetep exist with 4 full-length album is currently carrying Typical Crustpunk Grindcore with an energetic touch. The image through the band's lyrics and style are Humoric like a "drunkard" alone, this band is always writing a controversial song titles with what they see and Feel. can you feel it in every word of his writing, such as the satirical parody ato course, this band duo remained consistent with his musical ideals hehehe .... People joke coz Bule Interior sono really different to us, fear no wrong perception aja, aja characteristics mending we listen to the music they play here. although there's nothing too new and flashy, this is a blend of Classical Concepts Death / grind that received an injection of the powerful influence Concept Sodom, Motorhead, Napalm Death, Lay Down Rotten and many more classic style they are trying to present in a more modern concept. simple song structures and Catchy still filled with some explosion Grinding Beat Snare and fast, Concepts Milking the Goatmachine still counted Rocks and Serious. They came to planet Earth to spread the word of Goatgrind is pursuing world domination grinding Yeahhh! 16 tracks total duration of almost 40:38 this is still too rilex to accompany us in the mood nyantai and musical entertainment took too heavy ga. Nice enjoy GoatGrinding Attack!!!

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Atrocity - Okkult CD 2013

Atrocity - Okkult

Napalm Records CD 2013

http://www.atrocity.de

http://www.myspace.com/atrocitypage

http://www.facebook.com/AtrocityOfficial

http://www.twitter.com/atrocitypage

http://www.youtube.com/user/AtrocityOfficial

01 Pandaemonium 06:12    

02 Death by Metal 03:28    

03 March of the Undying 03:50    

04 Haunted by Demons 03:49    

05 Murder Blood Assasination 05:41    

06 Necromancy Divine 06:48    

07 Satan's Braut 03:17    

08 Todesstimmen 02:03    

09 Masaya (Boca Del Infierno) 03:02    

10 When Empires Fall to Dust 04:16    

11 Beyond Perpetual Ice 03:39    

12 La Voisine 08:08

Alexander Krull - Vocals, Keyboards

Thorsten Bauer - Guitars

Sander van der Meer - Guitars

Joris Nijenhuis - Drums

Seperti sudah menemukan sebuah titik jenuh-nya, opsi ending harus memojokkan band ini mungkin harus seperti kembali ke " selera " asal saja. sejak Menjelang materi album terakhir mereka " After The Storm " Tahun 2010, To my surprise, this new release sounds much better than I expected. Alexander Krull still can't sing very well and the ethnic "hey ya, hey ya hey" sing alongs still sound completely bland. Musically, the band surely improved. The tracks are more thought out and diversified and build up some meditative new age atmosphere that fits to the natural topics. The record is easy to digest and works well as a very harmonic and inspiring background music Back. There are still better combinations of rock and metal music with ethnic folk into Extreme Death Metal sounds but I give this record a few spins from time to time and see it as a big improvement from the first release. Nevertheless, the chapter should now be closed and the band should continue with something new and try to get back on track. yeah Atrocity seperti telah akan mencoba langkah baru untuk kembali ke konsep dasar mereka yang mulai hilang sejak band ini memutuskan mengubah konsep mereka menjadi Folk Metal, Gothic/Industrial Metal dari Konsep Dasyat 2 album pertama Terbaik sepanjang Karir mereka memberi kontribusi Untuk Death Metal Movement sepanjang masa untuk Album bergaya sentuhan pertama Band veteran asal Ludwigsburg, Baden-Württemberg, jerman yang eksis sejak Tahun 1985 sebagai penyebar gaya Technical Death Metal di Jerman Scene Khususnya, tetap beri Hormat untuk Album " Hallucinations ( 1990 ) dan Todessehnsucht ( 1992 ) " tetap disebut sebagai album Death Metal paling berpengaruh sepanjang Masa ! ... dan Untuk pertama kalinya gw merasa terkejut sekali untuk materi Gress ini ditahun 2013, Atrocity melempar debut " Okkult ", yang oleh beberapa media Musik Internasional langsung mendapat Pujian, dan Frontman Alex Krull sempat berkoar Kalo album ini " the “OKKULT” series is also brutal, bombastic and dark. These will not only be the heaviest and most brutal albums of ATROCITY since years, but also the darkest works of our band’s history. Lovers of our harder material like “Hallucinations”, “Todessehnsucht”, “Blut” or “Atlantis” will surely be delighted with the “OKKULT” series at their expense, although the “OKKULT” songs have their own trademarks, of course.” dan benar saja ketika Gw mendengar Track pertama " Pandaemonium " setelah Intro selama menit ke 01:40, hentakan hebat Hyperblast seperti telah membangkitkan Spirit Awal Band ini menjadi kental sentuhan Death Metal !!! Atrocity has Back to Beginning style !! The new ATROCITY opus “OKKULT” is the kickstart to an album trilogy, as it has not been seen before in the metal scene! Musically ATROCITY show an enormous tension width, and deliver a very powerful, homogeneous and atmospheric album: On the one hand with much bombast and big choirs a la “March Of The Undying”; on the other hand ATROCITY deliver equally purist, brutal metal songs, which get under your skin just as intensely, closely and authentically.The overall sound is perfectly harmonized. The earthy, brilliant production sounds intoxicating and gives the musical pieces the necessary energy, atmosphere and roughness to dive immediately into the lyrical concept. This is anything but one-dimensional. Alex Krull lebih menggunakan Gaya Harsh dan Growl Vokal mencoba tetap mendominasi permainan mantap dan  Dinamis Drummer baru mereka, Joris Nijenhuis telah memaksa Atrocity harus kembali Tampil Nge-Death dan membuang Jauh Kesan Trance-Disco Atrocity yang mengecewakan itu hehehe ...  Dark Harmonization Riffing dan Atmospheric Orchestral-nya pula semakin menambah elemen gelap Track-nya. There's barely any guitars on here, but when they do show up they do even less than in Leaves' Eyes, just blaring along shapelessly beneath the vocals and twanging folk instruments. Gempuran Hyperblast Snare Manis tetap membawa kembali Atrocity tampil lebih sadis lagi. " Death by Metal " tetap Nge-Death Metal banget sentuhannya. despite the cheesy growls this is a rare interesting moment. another "metal" song is a total bore, by this point the flutes aren't even entertaining me to the same extent they do on say. meskipun ga terlalu memainkan Aransemen musik yang dinamis, Gebrakan kali ini banyak mengingatkan perpaduan antara Konsep Era " Hallucination " serta Gaya Malevolent Creation sekali. Death Headbang Riffing Modern memang kerap bikin Gw Headbang !! ini bener2 The new ATROCITY album “OKKULT” is in every sense a real treat! So let’s start the occult treasure hunt with ATROCITY !! " March of the Undying " Sentuhan Epic Orchestral-nya megah semakin membuat suasana mencekam dengan paduan Death Metal Style cool, permainan Lingua Mortis Orchestra pimpinan Victor Smolski memang asli keren coy !! Besides all harshness and bombast ATROCITY again show their excellent sense of very good, catchy songs. sekali lagi Atrocity bener2 kembali Tampil Nge-Death Metal banget sekali di album gress ini !! meski tidak banyak melepas sentuhan modernnya yang membosankan itu, Atrocity jelas memainkan komposisi musik yang lebih bagus dan dewasa setelah memutuskan " Comeback Root " ini dalam 12 Track berdurasi Total 54:13 menitan. Sebagai seorang Istri Yang berkecimpung sama di Bidang Musik, Pasangan Setia hidupnya, Liv Kristine ( Kita kenal sebagai Mantan Vokalis Theatre Of Tragedy .ed ) masih setia mengisi Female Vokal disini. Rasanya Fans Lama Atrocity harus bisa coba membuktikan sendiri Album Keren Atrocity ini. As a culmination the poisoner and witch “La Voisine” does her mischief in the Paris of the 17th Century: What could fit better than a smashing, furious metal song of the brand ATROCITY !!!

As has already found a saturation point her, ending option should discredit this band might be like returning to the "taste" perfunctory. Toward material since their last album "After The Storm" in 2010, To my surprise, this new release sounds much better than I expected. Alexander Krull still can not sing very well and the ethnic "hey ya, hey ya hey" sing alongs still sound completely bland. Musically, the band surely improved. The tracks are more thought out and diversified and build up some new age meditative atmosphere that fits to the natural topics. The record is easy to digest and works well as a very harmonic and inspiring background music Back. There are still better combinations of rock and metal music with ethnic folk sounds into Extreme Death Metal but I give this record a few spins from time to time and see it as a big improvement from the first release. Nevertheless, the chapter should now be closed and the band should continue with something new and try to get back on track. yeah Atrocity as a new step has been to try to get back to the basic concept of those who begin to disappear since the band decided to change their concept into Folk Metal, Gothic / Industrial Metal of Concept terrible first 2 albums Best contribute throughout their career to Death Metal Movement of all time The first touch of style to Album Band veteran Ludwigsburg, Baden-Württemberg, Germany which existed since 1985 as a disseminator of style in German Technical Death Metal Scene In particular, it remains to give Yours Album "Hallucinations (1990) and Todessehnsucht (1992)" would be referred to as Death Metal album throughout the period of the most influential! ... and for the first time i was shocked once for Gress this material in 2013, Atrocity throws debut "Okkult", which by some media immediately got Praise International Music, and frontman Alex Krull had boasted If this album "the" OKKULT "series is also brutal , Bombastic and dark. these will not only be the heaviest and most brutal albums of Atrocity since years, but also the darkest works of our band's history. Lovers of our harder material like "Hallucinations", "Todessehnsucht", "Blut" or " Atlantis "will surely be delighted with the" OKKULT "series at their expense, although the" OKKULT "songs have their own trademarks, of course." and sure enough when Gw heard the first track "Pandaemonium" after the intro for minutes to 01:40 , terrific pounding Hyperblast like Spirit raised Beginning Band is a touch lumpy Death Metal!!! Atrocity has Back to Beginning styles! The Atrocity new opus "OKKULT" is the kickstart to an album trilogy, as it has not been seen before in the metal scene! Musically Atrocity width show an enormous tension, and deliver a very powerful, homogeneous and atmospheric album: On the one hand with much Bombast and big choirs a la "March Of The Undying"; Atrocity on the other hand deliver Equally purist , brutal metal songs, roomates get under your skin just as Intensely, closely and authentically.The overall sound is perfectly harmonized. The earthy, brilliant production Intoxicating sounds and gives the musical pieces the Necessary energy, atmosphere and roughness to dive immediately into the lyrical concept. This is anything but one-dimensional. Alex Krull be using Growl Vocal Style Harsh and try to dominate the game remains steady and the dynamic of their new drummer, Joris Nijenhuis has forced Atrocity must return Shown NGE-Death and throw away-Trance Disco Atrocity impression that hehehe ... it's disappointing Harmonization Dark riffing and Atmospheric Orchestral also adds to the darker elements of his track. There's barely any guitars on here, but when they do show up they do even less than in Leaves' Eyes, just blaring along shapelessly beneath the vocals and twanging folk instruments. Onslaught Hyperblast Sweet Snare keep bringing back Atrocity appear more sadistic. "Death by Metal" remains NGE-Death Metal really touch. despite the cheesy growls interesting this is a rare moment. another "metal" song is a total bore, by this point the flutes are not even entertaining me to the same extent they do on say. though ga Arrangement plays music too dynamic, breakthrough time is much reminiscent of a blend between the concept Era "Hallucination" and Malevolent Creation Style once. Death Headbang riffing Modern indeed often make Gw Headbang!'s bener2 The new Atrocity album "OKKULT" is in every sense a real treat! So let's start the occult treasure hunt with Atrocity!! "March of the Undying" Touch Epic Orchestral His magnificent increasingly make the atmosphere tense with a blend of Death Metal Style cool, game Lingua Mortis Orchestra leader Victor Smolski is genuine cool coy!! Besides all harshness and Bombast Atrocity again show their excellent sense of very good, catchy songs. bener2 back once again Atrocity Shown NGE-Death Metal album really all in this gress!! although not much off the boring modern touches, Atrocity clearly plays better music composition and adults after deciding "Comeback Root" is the total duration of 12 Track menitan 54:13. As a working wife the same thing in the field of music, his Faithful Couple, Liv Kristine (we know as the former vocalist Theatre Of Tragedy. ed) still loyal fill Female Vocals here. feels Atrocity Older Fans should be able to try to prove himself this Atrocity Cool album. As a culmination the poisoner and witch "La Voisine" does her mischief in the Paris of the 17th Century: What could fit better than a smashing, furious metal song of the brand Atrocity!!!

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Sodom - Epitome Of Torture CD 2013

Sodom - Epitome Of Torture
Steamhammer CD 2013
http://www.sodomized.info
http://www.myspace.com/sodom
http://www.facebook.com/sodomized
http://twitter.com/sodomized
http://sodometal.createforumhosting.com

01 My Final Bullet 04:40    
02 S.O.D.O.M. 03:46    
03 Epitome of Torture 03:31      
04 Stigmatized 02:56      
05 Cannibal 04:19    
06 Shoot Today - Kill Tomorrow 04:01    
07 Invocating the Demons 04:25      
08 Katjuscha 03:43    
09 Into the Skies of War 03:51    
10 Tracing the Victim 04:46

Tom Angelripper - Bass, Vocals
Bernemann - Guitars
Makka - Drums, Percussion      

Tua Tua Keladi, MakinTua Makin Menjadi aja nih Trio Thrasher Legendaris asal Gelsenkirchen, North Rhine-Westphalia, Jerman yang sudah eksis sejak tahun 1981 band pimpinan Bassis/Vocalis Tom Angelripper yang menjadi satu2nya member asli tersisa dalam Tubuh Sodom yang sejak awal mencoba memadukan beberapa gaya klasik Motörhead, Tank, Raven, dan Venom menjadi komposisi musik yang lebih cepat dan extreme lagi. Interestingly enough, a few of the bands whom I would throw into that "elite" catagory have failed miserably in releasing anything worth a shit over the past few years. The solos on World Painted Blood were laughable, to say the least. In that sense, Sodom is somewhat unique. Regardless of what I expect from the band, they've never put out an album that didn't have its great moments. Band yang sering disebut2 membawa pengaruh kuat Genre metal di pertengahan tahun 80 an ini namanya masih begitu karismatik yang menjadikan Formasi Trio sebagai Keabadian Thrash Metal Formation ini. tema2 peperangan dan Kematian menjadi titik nadir kuat band ini menjadi pelopor penting Jerman metal scene dan Internasional ! meski Frontman Tom Angelripper sudah bukan sosok muda lagi dengan usia yang menginjak 50 Tahun, Tom Angelripper awalnya lebih dikenal sebagai pemain Bassis yang menggunakan Kuku Jari-nya sebelum akhirnya menggunakan Pick, rupanya Bener2 Seorang Metal Diehard to Till Dead !!!!, masih begitu powerfully untuk meraungkan Growling-nya yang sekarang ini lebih terdengar bak Mille Petrozza-nya Kreator banget lengkingan kerongkongannya. is still a Sodom-style thrash record through and through. Tom's vitriolic vocals haven't lost their bite and are in fact noticeably improved, as he has added some subtle melodic touches to his still omnipresent proto-death metal growl ! NOW Sodom would come through and release an entire album with songs full of non-stop, make-me-want-to-punch-soccer-moms-in-the-face-while-I'm-running-by-them-in-the-park type of shit. sejak pertama kali mempostingkan tentang album baru ini, Fans Sodom sudah bersiap2 menerima Angin segar ini, jika sang Kakek Thrash Metal Wahid ini terus Produktif di album full ke-14 nya ini yang diproduseri oleh Waldemar Sorychta, member Grip Inc. yang berkebangsaan Polandia terus Hijrah ke Jerman sukses menjadi Produser dan enjiner untuk band2 terkenal dan legendaris seperti Asphyx, Samael, Moonspell, etc dan ini adalah kerjasama ke-2 nya setelah album terakhir " In War and Pieces " tahun 2010 lalu. selain itu turut berperan juga nama enjiner Dennis Koehne yang pernah menggarap materi " In War and Pieces " juga. sodom masih tetap membawa sentuhan kuat karakter era " In War and Pieces ", dimana Masuknya Power fresh dari Drummer Makka yang reputasinya terangkat setelah dirinya beberapa kali membantu penampilan Rotting Christ. kualitas bermainnya memang sangat mengingatkan gw banget dengan Mendiang drummer enerjik Chris Witchhunter Era " Agent Orange ", sebuah album yang hingga kini masih menjadi Album Sodom Klasik terbaik yang pernah gw dengar ! I feel like the man must have been taking some pretty eclectic meals lately, because album #14 from his mainstay takes a potpourri of ideas spanning the last 30 years of his career and then jumbles them together into a surprisingly fluid, if not entirely resonant or impressive concoction of classic and contemporary thrash metal which places a heavier than usual emphasis on arrangement. Perhaps as the band pushes onward into its golden years, the studio wizardry is beginning to supplant some of the raw thrashing energy once asserted, but I can't exactly fault Tom and company for trying to piece together their past into some new puzzle, and there is ample technicality and intensity here to at least run with the younger crowd. Langsung " My Final Bullet " yang diawali dengan Clean Guitar Opening menjadi foreplay yang begitu enerjik sentuhannya. masih membawa karakter kuat Sodom Style, Konsepsional Sodom masih tetap ga berubah, bahkan gw mendengarkan karakter Vocal Angelripper lebih mengarah ke Mille-nya Kreator banget deh hehehehe .... There are rock riffs spliced through various points of the album that recount their later 90s fare, and some pure tremolo picking progressions dated back to Tapping the Vein; and at the same time, spiffy speed/thrash patterns one could date to Persecution Mania or Agent Orange !! rhythms pursue a punchy tone during the mid-paced, palm-muted muggings, but once opened up into blinding speeds, they summon up Sodom's first forays into the more structural thrash post-Obsessed by Cruelty; like the six-string projectile bursts! " S.O.D.O.M. " the latter of which serves as a throwback to classic cuts like "Nuclear Winter" or "Sodomy & Lust". memang seperti lebih mengajak kita kembali ke era 2 album Spektakuler " Persecution Mania " & " Agent Orange " banget kayaknya " Epitome Of Torture " ini. dan Track " Epitome Of Torture " sentuhannya begitu Modern banget pada lick Riffing-nya.  which resemble modern Exodus, but then sadly devolve into some brickhouse, predictable groove thrash with amateur, primitive, uninteresting notation. I think, though, that while Epitome of Torture offers much variation on the whole, listeners will be quick to point out its more melodic tendencies, suffused with hints of traditional speed and traces of melodeath similar to Kreator's experiments on " Violent Revolution " or " Phantom Antichrist ". lalu " Stigmatized "masih terus tiada lelah bagi sodom menawarkan terus beat2 yang cepat, beberapa sentuhan riffing aransemennya " Agent Orange " banget ! denger bagaimana Refrain Track " Stigmatized " seperti " Agent Orange " banget Pattern nya hehehe ... While I wouldn't say they feel excessively processed, it seems like they've been cut & pasted, panned and scanned so that each rusted bark, rasp or straight up death growl is meant to deliver some maximum belligerent impact. The man still sounds good, but unfortunately the actual choruses themselves never feel as poignant or memorable as I'd hoped. " Cannibal " lebih mendinginkan suasana dengan sajian middle beat yang enerjik dan simple riffing memorable with Rockin Thrash In vein ! kemudian " Shoot Today - Kill Tomorrow ", kembali telinga gw terus digerinda dengan serangan cepat yang membabi buta, Sodom choruses have never been incredibly dramatic or complex, often rendered to a mere bludgeoning of the song title, but the riffs were often good enough that they'd stick with you for decades. Despite the fact that his voice is being so fully fleshed out, even the most moody and melodic arrangements ! " Invocating the Demons " part awalnya lebih memainkan Downtempo yang asyik sebelum serangan bertubi tubi menyiksa telinga kita lagi. track dengan Melodius riffing coba ditampilkan pada part awal track " Katjuscha ", yang aslinya memang sebuah Nada Melodi dari Negara Soviet sewaktu terjadinya perang dunia ke II yang ciptakan pertama kali oleh Matvei Blanter tahun 1938 menjadi karakter Unik tersendiri bagi sodom untuk menggubahnya. 10 Track Album ini memang 80% akan lebih banyak mengajak kita sedikit bernostalgia dengan era album kejayaan Sodom " Persecution Mania " & " Agent Orange " sekali, sisa-nya beberapa sentuhan progresif Sodom dalam berkarir saat ini yang terkontaminasi dengan beberapa sentuhan baru. tetap bernyawa terus Sodom dalam ekspansinya menciptakan nada2 Thrash Metal klasik, cepat dan dengan sentuhan tajam modernisasi Konsepsional Music memasuki era Millenium. dan untuk pertama kalinya juga Sodom kali ini menggunakan jasa pelukis Meran Karanitant. wajib banget album ini buat Fans Diehard sodom miliki ! selain memiliki materi yang keren, sajian Mengagumkan masih menjadi debutan setia label Steamhammer untuk album2 nya Sodom ! a more direct approach with the aggressive melodies and yet there are moments of groove in those rhythms that keep the deliciously honest dark ‘Sodom’ humour alive. If you are by now alarmed at the lack of mention of traditional teutonic thrash chaos !!

Tua Tua Keladi, MakinTua Makin aja nih Become Legendary Trio Thrasher origin Gelsenkirchen, North Rhine-Westphalia, Germany, which has existed since 1981 led band bassist / vocalist Tom Angelripper who became satu2nya original member remaining in the body of Sodom that since the beginning try to combine several styles classic Motörhead, Tank, Raven and Venom became musical composition that is faster and more extreme. Interestingly enough, a few of the bands Whom I would throw into that "elite" catagory have failed miserably in releasing anything worth a shit over the past few years. The solos on World Painted Blood were laughable, to say the least. In that sense, Sodom is somewhat unique. Regardless of what I expect from the band, they've never put out an album that did not have its great moments. Bands are often disebut2 brings a strong influence on the metal genre's mid 80's so charismatic that his name still makes Formation Eternity Thrash Metal Trio as this Formation. tema2 war and death become powerful nadir point the band became an important pioneer and International German metal scene! Frontman Tom Angelripper although the figure is not young anymore with age stepping 50 Years, Tom Angelripper formerly known as the bassist player who uses his finger nails before using Pick, apparently to bener2 A Diehard Metal Till Dead!!!!, still so Growling powerfully to blare his now more audible tub Education Mille Petrozza her throat really wail. is still a Sodom-style thrash record through and through. Tom's vitriolic vocals have not lost their bite and are in fact noticeably improved, as he has added some subtle melodic touches to his still omnipresent proto-death metal growl! NOW Sodom would come through and release an entire album with songs full of non-stop, make-me-want-to-punch-soccer-moms-in-the-face-while-I'm-running-by-Them- in-the-park type of shit. since first posting about this new album, Sodom Fans already bersiap2 accept this fresh breeze, if his grandfather's Thrash Metal Wahid continued full album Productive in his 14th this was produced by Waldemar Sorychta, Grip Inc. members. Polish nationality from Germany continues to be a successful Hijrah Producer and Engineer for band2 famous and legendary as Asphyx, Samael, Moonspell, etc and this is the 2nd collaboration after his last album "In War and Pieces" in 2010. but it also contributed to Engineer Dennis Koehne name ever worked on material "In War and Pieces" as well. Sodom still bring a touch of strong character era "In War and Pieces", where the influx of fresh Power from Makka Drummer whose reputation rose after him a few times to help the appearance of Rotting Christ. quality of play is very reminiscent of the late i really energetic drummer Chris Witchhunter Era "Agent Orange", an album which is still a best Classical Album Sodom gw ever heard! I feel like the man must have been taking some pretty eclectic meals lately, Because the album # 14 from his mainstay takes a potpourri of ideas spanning the last 30 years of his career and then jumbles them together into a surprisingly fluid, if not entirely resonant or impressive concoction of classic and contemporary thrash metal roomates places a heavier than usual emphasis on arrangement. Perhaps as the band pushes onward into its golden years, the studio Wizardry is beginning to supplant some of the raw energy thrashing once asserted, but I can not exactly fault Tom and company for trying to piece together their past into some new puzzle, and there is ample technicality and intensity here to at least run with the younger crowd. Direct "My Final Bullet" which begins with a Clean Guitar Opening foreplay so energetic touch. still bring strong character Style Sodom, Sodom Concepts remained unchanged ga, gw even listen Vocal Angelripper character leads to his Mille Education deh hehehehe .... There are rock riffs spliced ??through various points of the album later that recount their 90s fare, and some pure tremolo picking progressions dated back to Tapping the Vein; and at the same time, spiffy speed / thrash patterns one could date to Persecution Mania or Agent Orange!! rhythms pursue a punchy tone during the mid-paced, palm-muted muggings, but once opened up into blinding speeds, they summon up Sodom's first forays into the more structural thrash post-Obsessed by Cruelty; like the six-string projectile bursts! "SODOM" the latter of roomates serves as a throwback to classic cuts like "Nuclear Winter" or "sodomy & Lust". indeed as more invites us back to the era of 2 Spectacular album "Persecution Mania" and "Agent Orange" really seems "Epitome Of Torture" is. and Track "Epitome Of Torture" Modern touch so really riffing on his licks. Exodus resemble modern roomates, but then sadly devolve into some brickhouse, predictable groove thrash with amateur, primitive, uninteresting notation. I think, though, that while Epitome of Torture offers much variation on the whole, listeners will be quick to point out its more melodic tendencies, suffused with hints of traditional speed and traces of melodeath similar to Author's experiments on "Violent Revolution" or " Phantom Antichrist ". and "stigmatized" still not tired to continue beat2 Sodom offers fast, some touch of riffing arrangements "Agent Orange" really! Refrain Track hear how "stigmatized" as "Agent Orange" its really Pattern hehehe ... While I would not say they feel excessively processed, it seems like they've been cut and pasted, panned and scanned so that each rusted bark, rasp or straight up death growl is meant to deliver some belligerent maximum impact. The man still sounds good, but unfortunately the actual choruses Themselves never feel as poignant or memorable as I'd hoped. 'Cannibal' more cool atmosphere with an energetic beat middle dish simple and memorable riffing with Rockin Thrash in vein! then "Shoot Today - Kill Tomorrow", back ear i kept grinding with fast attacks blindly, Sodom choruses have never been incredibly dramatic or complex, Often rendered to a mere bludgeoning of the song title, but the riffs were good enough Often that they'd stick with you for decades. Despite the fact that his voice is being so fully fleshed out, even the most moody and melodic arrangements! "Invocating the Demons" part initially played a fun Downtempo before insistent barrage attack again torturing our ears. try track with melodic riffing displayed on the initial part track "Katjuscha", which originally was a tone melody of the Soviet state during World War II that was first created in 1938 by Matvey Blanter into its own unique character to Sodom to compose them. This 10 track album is 80% more will take us a little nostalgic for the era of the triumph of Sodom album "Persecution Mania" and "Agent Orange" once, the rest of the few progressive touches Sodom in a career now contaminated with some new touches. animate still continues in its expansion creating nada2 Sodom Thrash Metal classic, fast and with a sharp touch of modernization Concepts Music entered the era of the Millennium. and for the first time as well this time using the services of Sodom Meran Karanitant painter. This album really mandatory for Sodom Diehard Fans have! besides having a cool material, grain Astonishing still be loyal debutant label Steamhammer for his album2 Sodom! a more direct approach with the aggressive melodies and yet there are moments of groove in those rhythms that keep the honest deliciously dark 'Sodom' humor alive. If you are by now alarmed at the lack of mention of traditional Teutonic thrash chaos!!

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Heaven Shall Burn - Veto CD 2013

Heaven Shall Burn - Veto
Century Media Records CD 2013
http://www.heavenshallburn.com
http://www.myspace.com/officialheavenshallburn
http://www.facebook.com/officialheavenshallburn
http://twitter.com/officialhsb

01 Godiva 04:19      
02 Land of the Upright Ones 04:08    
03 Die Stürme Rufen Dich 03:59    
04 Fallen 04:29      
05 Hunters Will Be Hunted 05:59    
06 You Will Be Godless 03:10      
07 Valhalla (Blind Guardian cover) 05:29    
08 Antagonized 03:33      
09 Like Gods Among Mortals 04:20    
10 53 Nations 04:06      
11 Beyond Redemption (Killing Joke cover) 05:46

Eric Bischoff - Bass
Marcus Bischoff - Vocals
Alexander Dietz - Guitars
Maik Weichert - Guitars
Matthias Voigt - Drums

Heaven Shall Burn is a German melodic death metal band with metalcore tendencies !!! First things first, the vocals are, more or less, an excellent combination of a scream and a melodeath growl. The riffs are, no doubt, Gothenburg riffs with breakdowns here and there, although the execution of those breakdowns are certainly not messy. Don't expect guitar solos though, you won't hear any of them here. This album is a balanced combination between melodic death metal and metalcore, which, I think, is a mixed bag of sorts. The rhythm of the songs are usually mid-tempo, as what you will hear here. Album Full Ke-7 Melodic Death Metal dengan sentuhan Padat elemen Metal Hardcore Intens ini akhirnya  pada 19 April 2013 kemaren masih Via Century Media Records, masih berbeda dengan Band2 Genre Metalcore lainnya, Heaven Shall Burn (HSB) tetap konsis mengusung Tema tentang Kehancuran Kejayaan Romawi Kuno serta tentang Ikonoklasme, sebuah gerakan memusnahkan ikon atau gambar-gambar religius yang dihormati khususnya dalam Gereja Kristen Timur. seperti yang nyata mereka usung dalam album " Iconoclast " tahun 2008, sebagai wujud implementasi album sebelumnya " Deaf to Our Prayers " tahun 2006, padahal sebelumnya HSB lebih banyak menulis tentang Kemanusiaan, Kehidupan Sosial Masyarakat sekarang hingga Perlindungan Binatang. Konsepsional yang mereka tawarkan dialbum ini juga masih tetap bergaya Metalcore dengan sentuhan melodius yang agresif ! is carefully constructed and does not sound like sappy, second rate Gothenburg cloned riffs. The band’s music can be summed up with one word; uncompromising. The music is uncompromising in its heaviness and relentlessness, seeing Heaven Shall Burn reach an intensity level that is unmatched in the metalcore realm. I use the metalcore term loosely and for convenience when describing them to others, but Heaven Shall Burn are a lot more metal than core, and much heavier than the other bands that they’re generally associated with. " Godiva " track awal ini HSB mencoba menggambarkan kembali sosok Lady Godiva, adalah seorang bangsawati Anglo-Sakson. seperti Terdapat pada legenda yang mengatakan bahwa Lady Godiva berkuda sambil telanjang bulat melalui jalanan di Coventry, Inggris. Ia melakukan hal demikian agar suaminya Leofric dari Mercia menurunkan pajak terhadap kawulanya. dan hal inilah yang memutuskan HSB menggunakan Lukisan Naturalist karya John Maler Collier yang dibuat sekitar tahun 1897 sebagai Cover album baru ini, sebagai sebuah bentuk Protes atas segala bentuk ketidak adilan terhadap rakyat miskin yang tertindas oleh penguasa. " No Truth will ever reach them. No Word will ever touch him. A Life beyond all Sympathy... ", Raungan Harsh Vokalis Marcus Bischoff tetap menjadi Icon Penting HSB, Sayatan Tajam Melodic Riffing yang masih mengusung Swedish Sound Kental ! combined their burly sound with a refined sense of melody, resulting in songs that were aggressive and catchy at the same time. The implied catchiness does not mean softening their sound, but rather heavy, well-written parts that you can remember after hearing it one time. which was a little less melodic than its predecessor but heavier and more aggressive. Now comes Iconoclast, which sounds like a combination of the two, but sees the band evolving into a metal band with a noticeable decrease in the “core” sound. Yes, there are still plenty of breakdowns and Gothenburg-inspired riffage to go around, but Heaven Shall Burn have delivered their heaviest and most uncompromising disc yet, with a sonic effect akin to using a Panzer tank to crush an egg is a constant sledgehammer to your skull, persistently pounding and driving forward with no sign of letting up. dan menurut Gw konsep bermusik HSB ga banyak memang mengalami perubahan yang begitu mendasar, hanya mungkin komposisi-nya penuh dengan aransemen yang begitu Dewasa melalui Penghayatan musisi yang begitu maksimal ! pertemuan antara In Flames, At The Gates, Children Of Bodom dengan Arch Enemy jika gw gambarkan! sebenarnya saat ini gw lebih setuju jika band ini gw masukkan dalam Genre Melodic Death Metal saja, namun beberapa attitude member-nya lebih mencoba terus eksis di Hardcore Pride Style ! " Die Stürme Rufen Dich " terjangan dinamisnya akan lebih membuat kita untuk terus Headbang dan terhanyut dalam kekacauan Musikal. comes in with Middle blast beats and screams, the strings begin an ascending melody that provides a beautiful yet devastating start to a steamroller of a track. After the blasting stops, the band begins to crush all with their heavy, powerful grooves, incessant bass drums, and multilayered vocal attack. " Fallen " terasa lebih Cadas dengan segala sentuhannya. dan uniknya lagi track " Valhalla " milik Power Metal Blind Guardian HSB tampilkan aransemen barunya menjadi lebih Metalcore melodius banget !! dan Hansi Kürsch-nya Blind Guardian turut bernyanyi pula disini masih menggunakan karakter Vokal Epic Power-nya pada Refrain. bisa bayangkan kalo " Valhalla " nya Blind Guardian menjadi tambah semakin keras lagi ??? Buktikan saja disini hehehehe, apalagi balutan solo Gitar cantiknya akan semakin menghayutkan kita saja hahaha ... ga itu saja, diakhir Track, HSB juga meng cover " Beyond Redemption " Milik English post-punk, Killing Joke, walo masih mempertahankan Orisinilitas versi-nya, HSB seperti agak terjebak sulit keluar banyak dari sentuhan Trance Beat-nya, karena beberapa sentuhan elektronika-nya. tetap secara keseluruhan Komposisi dalam materi album baru ini, HSB tidak banyak mengalami penurunan konsep yang begitu berarti, karena tetap masih kita nikmati sentuhan kental Melodius Death Metal Hardcore mereka yang Intense digarap oleh Enjiner kondang Denmark, Tue Madsen dari band Grope dengan banyak masterpiece band2 terkenal hasil tangan dinginnya. Everything about “Veto” is perfect; the seamless intro, many tempo changes, fast, catchy melodies, vocals, and overall heaviness and intensity combine well and come across as a natural sound. This song offers nothing new sound or stlyewise, but Heaven Shall Burn are able to pull off these attributes common of modern metal bands better than most of their contemporaries. This track sets the tone of unrelenting heaviness for the rest of the album. more calm and melodic than the first half, easing up on the tempo and constant pounding but not on intensity. The guitar melodies are highlighted along with Marcus’ vocal attack. The fast double bass returns again towards the end of the track with a soft piano line appearing in the mix, giving the listener a brief rest before the metal assault continues on the following tracks !! sekedar informasi saja kalo album " Veto " ini hadir dalam 4 rilisan berbeda, dari CD, Double CD, limited deluxe boxset dan Vinyl. sementara gw mendapat yang versi limited deluxe boxset, dengan tambahan 15 lagu rekaman konser mereka di Saalfeld, Germany pada 21 Desember 2012 lalu serta CD ke-3 nya adalah alternative mix Album " Veto " ini menjadi "Blizzard over England mix" yang di Mixing oleh Colin Richardson. sehingga gw mendengar versi lain Mixing album ini versi Colin Richardson yang juga ga kalah Keren dari Garapan Tue Madsen ! songwriting is also excellent, with the songs sounding better and more inspired than on similar style albums that are half of Iconoclast’s length. This is their best album yet, being heavier than Antigone and more melodic than Deaf to Our Prayers. If you are one of the people who think the heavier the metal the better !!!

Heaven Shall Burn is a German melodic death metal band with metalcore tendencies!!! First things first, the vocals are, more or less, an excellent combination of a scream and a growl melodeath. The riffs are, no doubt, Gothenburg riffs with breakdowns here and there, although the execution of those breakdowns are certainly not messy. Do not expect guitar solos though, you will not hear any of them here. This album is a balanced combination between melodic death metal and metalcore, roomates, I think, is a mixed bag of sorts. The rhythm of the songs are usually mid-tempo, as what you will hear here. Full album to-7 Melodic Death Metal with a touch of Hardcore Intense Solid Metal element is finally on 19 April 2013 yesterday still Via Century Media Records, was different from other metalcore genre band2, Heaven Shall Burn (HSB) remained consistent theme brings about destruction of the Roman Triumph Ancient and about Iconoclasm, a wiping motion icons or religious images revered especially in the Eastern Christian Church. real as they stretcher in the album "iconoclast" in 2008, as a form of implementation of the previous album "Deaf to Our Prayers" in 2006, whereas previously HSB write more about Humanity, Social Life Animal Protection Society is now up. Conceptional dialbum they offer is also still with a touch of melodic metalcore style is aggressive! is carefully constructed and does not sound like sappy, second rate cloned Gothenburg riffs. The band's music can be summed up with one word; uncompromising. The music is uncompromising in its heaviness and relentlessness, seeing Heaven Shall Burn reach an intensity level that is unmatched in the metalcore realm. I use the term loosely metalcore and for convenience when describing them to others, but Heaven Shall Burn are a lot more metal than core, and much heavier than the other bands that they're generally associated with. "Godiva" This early track HSB tried to describe the figure of Lady Godiva, was an Anglo-Saxon bangsawati. There is the legend as saying that Lady Godiva as she rode naked through the streets of Coventry, England. He did so in order that her husband Leofric of Mercia lowering taxes on kawulanya. and it is this which decides HSB uses Naturalist Paintings by John Maler Collier made around 1897 as a new album cover, as a form of protest on all forms of injustice to the poor people who are oppressed by the authorities. "No Truth will ever reach them. No. Word will ever touch him. A Life beyond all Sympathy ...", roar Harsh Vocalist Marcus Bischoff remains Icon Important HSB, Sharp Dissection Melodic riffing that still carries the Swedish Sound Lumpy! their combined burly sound with a refined sense of melody, resulting in songs that were aggressive and catchy at the same time. The implied catchiness does not mean softening their sound, but rather heavy, well-written parts that you can remember after hearing it one time. which was a little less melodic than its predecessor but heavier and more aggressive. Now comes the iconoclast, roomates sounds like a combination of the two, but sees the band evolving into a metal band with a noticeable Decrease in the "core" sound. Yes, there are still plenty of breakdowns and Gothenburg-inspired riffage to go around, but Heaven Shall Burn have delivered their heaviest and most uncompromising disc yet, with a sonic effect is akin to using a Panzer tanks to crush an egg is a constant sledgehammer to your skull, persistently pounding and driving forward with no sign of letting up. and according to musical concepts Gw ga HSB is experiencing many changes that are so fundamental, just maybe her compositions are full of such arrangements through the Adult Living the musicians who are so up! meeting between In Flames, At The Gates, Children Of Bodom with Arch Enemy if i draw! i actually now more in favor if this band i enter the Melodic Death Metal genre alone, but several members of his attitude over trying to continue to exist in Hardcore Pride Style! "Die Stürme Rufen Dich" dynamic lunge will be making us to continue Headbang and lost in the chaos Musical. comes in with Middle blast beats and screams, the strings begin an ascending melody that provides a beautiful yet Devastating start to a steamroller of a track. After the blasting stops, the band begins to crush all with their heavy, powerful grooves, incessant bass drums, and multilayered vocal attack. "Fallen" was more Cadas with every touch. and more unique track "Valhalla" Power Metal Blind Guardian belongs HSB show his new arrangement became more melodic metalcore really!! and his Kürsch Hansi Blind Guardian sang along anyway here still use the characters Epic Power Vocal Refrain her on. can imagine if "Valhalla" added his Blind Guardian became increasingly hard again??? Prove it here hehehehe, let alone a beautiful guitar solo bandage will be menghayutkan we only hahaha ... ga that's it, the end of the track, clicking HSB also cover "Beyond Redemption" Whose English post-punk, Killing Joke, walo still maintains its originality version, HSB difficult kind of stuck out like a lot of Trance Beat his touch, because some electronic touches her. fixed overall composition of the new album's material, HSB did not experience any significant decline in the concept that is so, because we still enjoy a touch of creamy melodic Death Metal Hardcore Intense those produced by the famous Danish Engineer, Tue Madsen from Grope band with many famous masterpiece band2 result of cold hands. Everything about "Veto" is perfect; the seamless intro, many tempo changes, fast, catchy melodies, vocals, and overall heaviness and intensity combine well and come across as a natural sound. This song offers nothing new sound or stlyewise, but Heaven Shall Burn are Able to pull off these common attributes of modern metal bands are better than most of their contemporaries. This track sets the tone of unrelenting heaviness for the rest of the album. more calm and melodic than the first half, easing up on the tempo and constant pounding but not on intensity. The guitar melodies are highlighted by along with Marcus' vocal attack. The fast double bass returns again towards the end of the track with a soft piano line Appearing in the mix, giving the listener a brief rest before the metal assault continues on the following tracks!! just information only if the album "Veto" comes in 4 different releases, from the CD, Double CD, limited deluxe boxset and Vinyl. while i got the deluxe limited edition boxset, with an additional 15 tracks recorded their concert in Saalfeld, Germany on December 21, 2012 and as well as his 3rd CD is an alternative mix album "Veto" is a "Blizzard over England mix" which in Mixing by Colin Richardson. so i heard another version of this album Mixing version ga Colin Richardson who also lost Keren of Garapan Tue Madsen! songwriting is also excellent, with the songs sounding better and more inspired than on Similar style albums that are half of iconoclast's length. This is their best album yet, being heavier than Antigone and more melodic than Deaf to Our Prayers. If you are one of the people who think the heavier the metal the better!!!

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Revel In Flesh - Manifested Darkness CD 2013

Revel In Flesh - Manifested Darkness
F.D.A. Rekotz CD 2013
http://revelinflesh.jimdo.com
http://www.myspace.com/revel_in_flesh
http://www.facebook.com/pages/Revel-in-Flesh/304228902958414
http://www.reverbnation.com/revelinflesh
http://www.fda-rekotz.com
revel-in-flesh@gmx.de

01 Revel in Flesh 04:04    
02 Dominate the Rotten 04:26    
03 Deathmarch 06:01    
04 Manifested Darkness 03:36    
05 Torment in Fire 05:10    
06 The Maggot Colony 02:44    
07 Operation Citadel 06:44    
08 Warmaster 03:56    
09 Rotting in the Void 06:02

Maggesson - Drums, Lead Guitars
Haubersson - Guitars, Bass, Vocals

the incessant Swedish-style death metal revival of the 21st century !! Yeahhh ... Meskipun Band ini sendiri asli berasal dari Schwäbisch Gmünd, Baden-Württemberg, Jerman yang eksis sejak 2011 lalu lebih mencoba condong untuk mempopulerkan kembali gaya Old School Death Metal dengan Sentuhan Kuat Gothenburg Sound In the Vein Dismember era " Like an Ever Flowing Stream ", Entombed, Carnage, Grave hingga sentuhan Doomy Death Metal-nya Autopsy. hanya di motori oleh 2 frontman saja pada proses rekamannya, ada Maggesson yang memainkan posisi Drum dan Lead Guitar serta Haubersson yang merangkap 3 alat musik Guitars, Bass, dan Vocals. " Manifested Darkness " ini menjadi Full album ke-2nya sejak Album pertama " Deathevokation " Tahun 2012 lalu. On an atmospheric level, Manifested Darkness is actually quite successful, and this comes largely through the contrast of the churning low end guitar patterns and the economy of melody which hovers alluringly below the monolithic crush. Leads are minimalistic zips and zags that often erupt over a groove, but I did not feel as if anything were missing by leaving out the impulse to shred ceaselessly. meskipun tidak mengalami kesulitan pada proses rekamannya yang ditangani oleh Enjiner kawakan dan kondang, Dan Swanö, Revel in Flesh kembali melahirkan masterpiece mereka di tahun 2013 ini dengan konsis mengusung irama Old School Death Metal awal 90-an dalam komposisi sound yang lebih modern. " Revel in Flesh " menjadi Hit Anthemic untuk diluncurkan pada urutan awal lagu langsung tampil cepat pada elemen beat yang dipadukan dengan Gothenburg Sound kental pula dengan sentuhan melodiusnya. Low Growl Haubersson mendominasi hampir menjadi karakter Growling tajam dan sesekali Melengkingkan Middle Scream Insane-nya. Pukulan Drummer Maggesson yang mengkomposisi Aransemen Guitar Utama-nya cukup menjalankan tugasnya dengan baik pula. The atmosphere worked for me, and occasionally I found my neck trembling against the voluminous force of the production, but little outright headbanging ensued. Ultimately, while I think this is a marginal improvement over Deathevokation, it still doesn't have the songwriting chops to really make a difference. walau tidak banyak melakukan permainan riffing yang menantang, Band ini cukup sukses menampilkan kembali era kemegahan Old School Death Metal era 90-annya..... beberapa elemen piano semakin menambah atmosfir kegelapan mencekam hadir dibeberapa track. beat musik yang rancak tetap memberikan kontribusi tersendiri bagaimana band ini idealis meramu apa yang menjadi Konsep dasar band. It's an album content to forever dwell in the mighty shadows of those that have come before it, and suited best to those who love their old school death metal steeped in a saucier, contemporary production. I've heard this stuff before, and while Revel in Flesh don't make a mockery of their influences by any means, they'd do well to loosen their grasp on those festering coattails and fly free. 9 lagu berdurasi total 42:43 ini lebih akan membawa kita ke dimensi Root Death Metal 90-an pokoknya. sehingga buat kalian yang mulai menggemari kembali Komposisi era Death Metal awal, bisa mencicipi sendiri sajian menyenangkan ini. the chord progressions don't often feel like ripoffs of anyone in particular; simply average and lacking the inspiration that their forebears so clearly felt when they were issuing discs like Fans Dismember, Entombed, Nihilist, Grave, Carnage, Enthrails hingga Autopsy, layak gw rekomendasikan konsepsional band ini dah. is a near-flawless album that tops any death metal that came before it. For a music genre governed by core instruments, there is no better example of pushing the genre beyond its limitations. With perfection reached, the band surpassed even that to create the most dejected, dynamic death metal album. The production is fantastic, with thickness ripe from the pounding double bass to the bubbling bass booms to the coarse, frenzied riffs. It's a beastly album in nature and classy in execution while remaining doomy without sacrificing the compositional strength. 90ies Death Metal Styled - The way it was meant to be!!!

the incessant Swedish-style death metal revival of the 21st century!! Yeahhh ... Although the original band itself comes from Schwäbisch Gmünd, Baden-Württemberg, Germany which exists since 2011 and is more inclined to try to popularize back Old School Death Metal style with a touch of Gothenburg Sound Strong In the Vein era Dismember "Like an Ever Flowing Stream", Entombed , Carnage, Grave to touch his doomy Death Metal Autopsy. only 2 hatched by frontman just in the process of recording, there Maggesson who plays the position of Lead Guitar and Drum and Haubersson musical instrument that doubled 3 Guitars, Bass, and Vocals. "Manifested Darkness" is a full-length album to-2nya since the first album "Deathevokation" 2012 last year. On an atmospheric level, manifested Darkness is actually quite successful, and this comes largely through the contrast of the churning low end guitar patterns and the economy of melody roomates alluringly hovers below the monolithic crush. Leads are minimalistic Often Zips and zags that erupt over a groove, but I did not feel as if anything were missing by leaving out the impulse to shred ceaselessly. although no difficulty in recording process is handled by a seasoned Engineer and famous, Dan Swanö, Revel In Flesh gives birth to their masterpiece in the year 2013 with a consistent rhythm brings Old School Death Metal in the early 90's a more modern sound compositions. "Revel in Flesh" a Hit for the anthemic song launched at the beginning of the sequence immediately appear quickly in the elements that combined to beat Gothenburg Sound too thick with a touch melodiusnya. Low Growl Haubersson dominated almost become characters and occasional sharp Growling Middle sharpen his Insane Scream. Punch Drummer Guitar Arrangement Maggesson who composed his main duties quite well too. The atmosphere worked for me, and occasionally I found my neck Trembling voluminous against the force of the production, but little outright headbanging ensued. Ultimately, while I think this is a marginal improvement over Deathevokation, it still does not have the songwriting chops to really make a difference. although not many do the game challenging riffing, this band successful enough to show the splendor of the era back Old School Death Metal 90 of his era ..... some elements of the piano adds to the dark atmosphere of tense is present in some tracks. beat music that smart how to keep a separate contribution to this band gathering idealistic what the basic concept of the band. It's an album content to dwell forever in the mighty shadows of those that have come before it, and best suited to those who love their old school death metal steeped in a saucier, contemporary production. I've heard this stuff before, and while Revel In Flesh do not make a Mockery of their Influences by any means, they'd do well to grasp their Loosen festering on those coattails and fly free. 9 tracks 42:43 total duration of this more will bring us to a dimension Root 90's Death Metal anyway. so for you who started back fond Death Metal Composition earlier era, could taste this delightful dish itself. the chord progressions do not often feel like ripoffs of anyone in particular; simply average and lacking the inspiration that their forebears so Cleary felt when they were issuing discs Fans like Dismember, Entombed, Nihilist, Grave, Carnage, Enthrails to Autopsy, worth gw dah conceptual recommend this band. is a near-flawless album that tops any death metal that came before it. For a music genre governed by core instruments, there is no better example of pushing the genre beyond its limitations. With perfection reached, the band surpassed even that to create the most Dejected, dynamic death metal album. The production is fantastic, with thickness ripe from the pounding double bass to the bubbling bass booms to the coarse, frenzied riffs. It's a beastly album in nature and classy in execution while remaining doomy without sacrificing the compositional strength. Styled Death Metal 90ies - The way it was meant to be!!!

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Illusoria - Illusory World CD 2013

Illusoria - Illusory World
Self Released CD 2013
http://www.illusoriamusic.com
http://www.facebook.com/pages/Illusoria/525647340798143
https://twitter.com/IllusoriaMusic
https://www.youtube.com/user/IllusoriaMusic
illurosia@gmx.de

01 Clandestine Lovestory 06:23    
02 White Light 05:02      
03 300 - Side by Side 05:42    
04 Icarus - Rise High 03:57    
05 Ray of Hope 05:00    
06 Illusory World 06:44    
07 Black Sails 04:11    
08 Snow White 05:21

Vincent Bechthold - Drums
Falko Schulze - Guitars, Vocals
Michael Raible - Keyboards, Vocals
Eva Kreuzer - Vocals

Menikmati suasana yang lebih fresh dengan sajian yang memekakkan sebelumnya, kayaknya gw butuh angin segar untuk menikmati genre menarik faforite gw hehehe, Symphonic/Power Metal dengan Balutan kental gaya Melodius dandanan khas dari konsep yang dimainkan oleh Sonata Arctica, Nightwish, Epica, Kamelot, hingga Oratory mungkin bisa gw tangkap kesan pertama kalinya diband ini yang menempatkan Female Fronted sebagai icon Karakter Musikal band-nya. ILLUSORIA, band Symphonic/Melodic Power Metal asal Rockenberg, Hesse, Jerman meskipun masih terhitung Newcomer ini telah menunjukkan bakat hebatnya bermain musik ini. yang tentunya menarik perhatian gw adalah penampilan powerfully female vokalis Eva Kreuzer tentu Illusoria ini bukan karir pertamanya berolah vokal enerjik, sebelumnya sudah dikenal main dibeberapa band seperti DreamReaver, A.Death.Experience, Arven, Heresy ( Progressive Thrash/Death Metal Asal Jerman ), dan Misfit ( Melodic Heavy Metal Jerman, dan Bukan Band Punk terkenal asal New Jersey itu loh .ed ), cukup mengantarkan karir berikutnya sebagai Female Vokal Berbakat Next !! karakter vokalnya adalah perpaduan antara gaya bernyanyi Floor Jansen ( Ex. After Forever ), Anette Olzon ( Ex. Nightwish ) dengan gaya Bernyanyi Lita Ford ! powerful female rock voice could easily push the limits of every, leaves a permanent impression with their combination of fast riffs, harmonic keyboard arrangements and fulminating drums. Mystical, historical and fantastic elements unite textual and musical elements to form Illusoria. karena menjadi sesuatu yang tentu menarik disini, makanya langsung gw tulis aja tentang materi perdana karir mereka selang 1 tahun terbentuk, band ini dapat melahirkan karya yang keren !! " Clandestine Lovestory ", Karakteristic Sonata Artica dan Nightwish sedang mengawali Opening Track dengan Sentuhan yang begitu Epic dan Symphonic yang kemudian disambut dengan gaya Vocal Rockin si cantik Eva Kreuzer sudah menampilkan bakatnya tersebut. showed a newfound appetence for simpler more direct songs, more versed in rock structures and catchy choruses than on heavily layered symphonic arrangements and film score atmosphere. Aransemen musik yang lebih cenderung bergaya Middle beat antara konsep metal dengan Rockin masih begitu utuh menjadi penampilan Powerfully. " White Light " bahkan sentuhan lebih menantang gantian drummer Vincent Bechthold dengan Gitaris Falko Schulze lebih terus tertantang lagi dengan Lengkingan Enerjik Eva Kreuzer. although it may strike too simplistic and down to earth for many who try to catch up with it. Bear in mind that this isn’t a complicated concept album in the vein of progressive metal acts, but rather a simple story of the easiness of life’s derailment and all the pain adjacent to those events. This may strike as personal to many and mainstream appealing to many more, but the fact is that this is a mature and pertinent idea and more so a factual event that takes place more often than we would like to think it does. " 300 - Side by Side " terdengar lebih simpel dan Moderat bagaimana sebuah Komposisi musik lebih ditampilkan dengan enerji luar biasa pada Sesi Vokal ! The song revolves around a mid-tempo riff played with this weird distortion on the guitar and soothing piano passages, with the grunts complimenting the theatrical approach given to the lyrical content. The progression by the third minute with the vocal lead is quite enthralling in its delivery and we see a slight return to some of the rhythms found. kemudian pada " Icarus - Rise High ", karakteristik vokal Eva Kreuzer semakin lebih menantang dengan lebih bergaya Rockin banget ala Lita Ford dengan esensi lebih liar berkoar menjiwai setiap bait lagunya. agak sedikit menenangkan enerji mereka, track " Ray of Hope " lebih dihadirkan sebagai Slowly Ballad Track menawan bergaya Gothic Orchestral punya, walau penampilannya harus tidak se Epic Atmosfirnya, track ini mampu mendinginkan suasana berikutnya. sentuhan Power Rock yang lebih Kalem adalah lagu " Illusory World ", banyak mengajak kita kedimensi Epic yang membangkitkan attitude perubahan sikap. showing the characters as more than simple bits of the lyric sheet and instead transposing them to the music and showing them directly to the listener. The duality of vocals is now more than beauty meets beast. lalu " Black Sails " lebih menekankan balutan Folky lengkap dengan instrumen akordian yang Kental mengingatkan gw dengan gayanya Koorpiklani sekali, sebuah komponen track berbeda dari lainnya cukup apik ditampilkan dengan Middle Growling Vokal dan sentuhan Melodius part seperti yang dimainkan oleh Ensiferum ! dan Track Terakhir adalah " Snow White " menutup performa penampilan mereka dialbum perdana yang menurut gw ini cukup untuk menjadi teman setia pas posisi Bete sekalipun, sayatan aroma Epic nan melodius memang menjadi kekuatan tersendiri untuk Illusoria berkarya dimateri berikutnya. is it the most impressive concept album ever, but it also doesn’t fall into the other side of the spectrum by being an over the top or even pretentious attempt on something great. It lies somewhere in a middle ground where it is clearly an attempt at a complex idea that works most of the time, but ends up lacking on some points. And as I said above, given the sensitive nature of its concept it isn’t something you’ll be able to enjoy every day, as this story feels all too real and feasible to be experienced firsthand on a daily basis. It does have enough musical value to warrant a decent amount of exposure.

Enjoy more fresh atmosphere with deafening dish before, I think i need a breath of fresh air to enjoy the exciting genre faforite gw hehehe, Symphonic / Power Metal with a thick bandage style melodic ornamentation typical of the concepts being played by Sonata Arctica, Nightwish, Epica, Kamelot, to Oratory may be the first time i caught diband impression is that places an icon Female Fronted Character Love her band. Illusoria, band Symphonic / Melodic Power Metal Rockenberg origin, Hesse, Germany although still comparatively Newcomer has shown great talent playing this music. which of course attracted the attention of me is powerfully appearance female vocalist Eva Kreuzer's certainly not the first career Illusoria exercise energetic vocals, formerly known as DreamReaver played in several bands, A.Death.Experience, Arven, Heresy (Progressive Thrash / Death Metal Origin Germany), and Misfit (Melodic Heavy Metal Germany, and not well-known punk band from New Jersey that loh. ed), enough to deliver the next career as a Talented Female Vocal Next!! vocal character singing style is a blend of Floor Jansen (After Forever Ex.), Anette Olzon (Nightwish Ex.) Lita Ford singing style! powerful female rock voice Easily could push the limits of every, leaves a permanent impression with their combination of fast riffs, harmonic keyboard arrangements and fulminating drums. Mystical, historical and fantastic elements unite textual and musical elements to form Illusoria. because that would be something interesting here, so immediately I wrote wrote about their career prime material 1-year interval is formed, the band was able to give birth to works that cool!! "Clandestine Lovestory", Karakteristic Nightwish and Sonata Artica Opening Track are starting to touch so Epic and Symphonic were then greeted with the beautiful style of Vocal Rockin Eva Kreuzer is already showing his talent. Showed A Newfound appetence for more direct songs Simpler, more versed in rock structures and catchy choruses than on Heavily layered symphonic film score arrangements and atmosphere. Musical arrangements are more likely to beat the Middle stylish metal concept with Rockin still so intact into Powerfully appearance. "White Light" even a touch more challenging turns drummer to guitarist Vincent Bechthold Falko Schulze constantly challenged over again with a shriek of Energetic Eva Kreuzer. although it may strike too simplistic and down to earth for many who try to catch up with it. Bear in mind that this is not a complicated concept album in the vein of progressive metal acts, but rather a simple story of the easiness of life's derailment and all the pain adjacent to those events. This may strike as personal to many mainstream and more appealing to many, but the fact is that this is a mature and pertinent ideas and more so a factual event that takes place Often more than we would like to think it does. "300 - Side by Side" sounds more simple and moderate how a musical composition be displayed with incredible energy on Vocal Session! The song revolves around a mid-tempo riffs played with this weird distortion on the guitar and soothing piano passages, with the grunts complimenting the theatrical approach given to the lyrical content. The progression by the third minute with the lead vocal is quite Enthralling in its delivery and we see a slight return to some of the rhythms found. then on "Icarus - High Rise", Eva Kreuzer vocal characteristics progressively more challenging with more dressy style Lita Ford really Rockin with the essence of wild boasting over animating each stanza song. a little bit of energy to calm them, track "Ray of Hope" Ballad be presented as Slowly Track charming Gothic Orchestral got, though his appearance had not se Epic The atmosphere, this track is able to cool the atmosphere next. Power Rock touch more soft is the song "Illusory World", we invite many other Epic dimension attitude that evokes an attitude change. showing the characters as more than simple bits of the lyric sheet and instead transposing them to the music and showing them directly to the listener. The duality of vocals is now more than beauty meets beast. and "Black Sails" more emphasis folky bandage complete with instruments reminiscent Condensed akordian the my with style Koorpiklani once, a different component of the other tracks quite nicely displayed with a touch of Middle Growling vocals and melodic parts as played by Ensiferum! Track and last is "Snow White" shut their performance dialbum inaugural appearance in my opinion is enough to be a loyal friend Bete though fitting position, incision nan Epic melodic scent has become its own power for the next dimateri Illusoria work. is it the most impressive concept album ever, but it also does not fall into the other side of the spectrum by being an over the top or even pretentious attempt on something great. It lies somewhere in a middle ground where it is Clearly an attempt at a complex idea that works most of the time, but ends up lacking on some points. And as I said above, given the sensitive nature of its concept it is not something you'll be Able to enjoy every day, as this story feels all too real and feasible to be experienced firsthand on a daily basis. It does not have enough musical value to warrant a decent amount of exposure.

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Helloween - Straight out of Hell CD 2013

Helloween - Straight out of Hell
Sony Music Entertainment Germany GmbH CD 2013
http://www.helloween.org
http://www.myspace.com/helloween
http://www.facebook.com/helloweenofficial
http://twitter.com/helloweenorg
http://www.youtube.com/user/helloweenorg
http://www.soundcloud.com/helloween

01 Nabataea 07:03    
02 World of War 04:56    
03 Live Now! 03:10
04 Far from the Stars 04:41    
05 Burning Sun 05:33    
06 Waiting for the Thunder 03:53      
07 Hold Me in Your Arms 05:10      
08 Wanna Be God 02:02      
09 Straight Out of Hell 04:33      
10 Asshole 04:09    
11 Years 04:22    
12 Make Fire Catch the Fly 04:22      
13 Church Breaks Down 06:06

Markus Grosskopf - Bass
Dani Löble - Drums
Sascha Gerstner - Guitars
Andi Deris - Vocals
Michael Weikath - Guitars

Tetap Menyimpan Great Spirit dan Attitude untuk Tampil Powerfully, begitulah kesan pertama yang gw tangkap dari materi CD terbaru Legendaris Power/Speed Metal terbaik Jerman, Helloween ! meski perjalanan panjang dan berliku telah dilalui oleh mereka, jatuh hingga bangun untuk tetap mempertahankan Citra dan Konsep utama band, Helloween tetap terlihat terbaik dikelas-nya ! Puluhan album telah dilahirkan setiap tahunnya menuai pro dan Kontra ditengah produktifitas dan berkarya yang tinggi, inilah bukti tetap eksis dan serius-nya mereka di kancah metal internasional ! Terbentuk sudah sejak lama tahun 1983 setelah mengalami Evolusi formasi dan berganti nama dari Gentry (1981-1982), Second Hell (1982-1983),  Iron Fist (1983) Kemudian Lebih mantap dengan nama HELLOWEEN !! Genre Power/Speed Metal sepanjang masa masih tetap mengakui Formasi terbaik band ini adalah pada kumpulan album the best " The Best, the Rest, the Rare " tahun 1991 dimana sosok Kai Hansen, Michael Kiske dan alm Drummer Ingo Schwichtenberg masih menjadi bagian penting Helloween di awal karir dengan menciptakan aransemen musik yang memorable :) ... dan kini setelah mengalami perombakan generasi dan formasi masih meninggalkan Gitaris Michael Weikath dan Bassis Markus Grosskopf untuk mempertahankan citra dan Eksistensi Helloween sejak 1983 menjadi Tantangan tersendiri tentang betapa beratnya menjaga Reputasi. saat ini masih diperkuat oleh Vokalis Andi Deris bergabung sejak tahun 1994 masih bisa mempertahankan karakter kuat yang menggantikan sosok Michael Kiske, kemudian mantan Gitaris band Freedom Call, Sascha Gerstner bergabung sejak 2002 disusul oleh Drummer Dani Löble bergabung tahun 2005 untuk kembali menyambung nafas attitude Sejak album Terakhir " 7 Sinners " tahun 2010 lalu, band ini kembali bertapa menggarap materi baru dan disibukkan dengan rangkaian tour panjang. Thankfully 2013 has answered every Helloween fan's prayers with the latest chapter in their story Straight Out Of Hell which corrects many of the mistakes made by the numerous mediocre albums the band has put out in recent years. sebelum mendapatkan CD baru ini, gw sudah lebih dulu dikenalkan dengan hadirnya Video Klip Promo " Nabataea " yang mengangkat tema Sebuah Kerajaan Purba di Arab Utara, dengan konsep clip yang menarik didukung dengan konsep musik mantap, gw menjadi salah satu dari sekian fans Helloween yang nungguin full album ini dirilis hehehe, lagu dengan durasi 7 menit pun memang menjadi Track andalan ditaruh urutan teratas memang lebih membangkitkan adrenalin kita menikmati sajian Heavy/Power Metal yang enerjik dengan sounding cool modern abis. This could not last, however, as Helloween have shown over the years with the quality of their releases slowly dipping, meeting an all time low with the stretch from Chameleon to Rabbits Don't Come Easy and the subsequent two releases. yup masih mengandung karakter bermain musik seperti 2 album diatas. kualitas bermain yang enerjik dan Powerfully, mungkin kurang begitu digemari oleh Old Fans mereka, tapi feedback baru band mendapatkan fans baru dengan konsep seperti ini. Karakter Vokal Kuat Andy Derris masih mendominasi Konsep Musik dan ketukan drummer Dani Löble masih bertenaga full untuk menciptakan improvisasi bermain yang lebih modern ! The drumming on this release is perhaps the finest thing about it with some really quick double bass work but also some extremely varied fills thrown in for good measure. Far from just creating a rhythm and keeping a solid beat the drums add another dimension to this album that can not go ignored with the constantly changing beats that are so fun to listen to. track " Live Now! " kental banget Gaya Bermain Modern Konsep pada Part2 awal yang menghentak! " Waiting for the Thunder " lebih mudah kita cerna Kekuatan Heavy Metal kentalnya untuk anthemic Refrain Song. is certainly a solid enough power metal releases that shows the band to be still alive and kicking. This album is a big screw you to those who wrote the band off after they began to go downhill and each one of the thirteen songs has at least one moment of awesomeness to blow such pessimistic claims out of the water. The riffing is enjoyable and fast paced. " Hold Me in Your Arms " lebih terdengar sentuhan balada dengan dominasi Akustik Gitar. " Straight Out of Hell " terasa begitu kental Nuansa Melodic nya ! This is also a song that has a really fantastic riff-set to it being both fast paced and yet cramming in a huge variety of riffs that are very well written. The crisp production job merely adds to the amazing sound that some of the songs on here achieve with its decent mixing job aside from the bass and the fantastic tone the guitars have. lama2 juga mengingatkan ma track Fenomenal mereka " Power " hmmm .... pada Versi Terbatas pasaran Jerman, Pihak label menambahkan 2 Bonus Track " Another Shot of Life " dan 1 lagu yang didedikasikan untuk sosok Mendiang Jonathan Douglas Lord atau yang lebih akrab dikenal sebagai Jon Lord, mantan Keyboards, Organ Legenda Rock Deep Purple yang wafat pada 16 Juli 2012 karena Kanker Pankreas. 13 lagu berdurasi 1 jam ini memang lebih memberikan power dan spirit kita menjalani Kehidupan ini dengan tatapan optimisme saja kayaknya hehehe... Straight Out Of Hell is a mixed bag of an album that succeeds at what it aims to do in numerous places but is very flawed at other times. Were the bass mixed a little higher and had Waiting For The Thunder been cut from the album as well as the soloing been a little better then this would have been an even better release than it already is. I recommend this to those just looking to kill an hour with an enjoyable release that has little to no replay value due to the fact it does nothing new whatsoever.

Keep Saving Great Spirit and Attitude to Show powerfully, that's the first impression that i catch the latest CD from the material Legendary Power / Speed ??Metal best German, Helloween! despite a long and winding road has been traversed by them, fell by up to maintain image and concept of the band, Helloween still look its best in class! Dozens of albums have been born each year in the middle reap the pros and cons of high productivity and work, here's the evidence still exist and it seriously their international metal scene! Have long formed in 1983 after experiencing the formation and evolution of the renamed Gentry (1981-1982), Second Hell (1982-1983), Iron Fist (1983) then more firmly as Helloween!! Genre Power / Speed ??Metal of all time still admit the band's best formation is the best album in the collection "The Best, the Rest, the Rare" in 1991 in which the figure of Kai Hansen, Michael Kiske and drummer Ingo Schwichtenberg alm still an important part in Helloween early career creating memorable musical arrangements :) ... and now after a reshuffle of generation and formation still leave Guitarist Michael Weikath and bassist Markus Grosskopf to maintain the image and Helloween existence since 1983 to challenge its own about how hard maintaining reputation. is still confirmed by vocalist Andi Deris joined since 1994 are still able to maintain a strong character that replaces the figure of Michael Kiske, and former Freedom Call guitarist, Sascha Gerstner joined in 2002, followed by drummer Dani Löble joined in 2005 to re-connect the breath attitude Since album last "7 Sinners" in 2010, the band re-imprisoned busy working on new material and the length of the tour. Thankfully 2013 has answered every Helloween fan's prayers with the latest chapter in their story Straight Out Of Hell roomates corrects many of the mistakes made by the numerous mediocre albums the band has put out in recent years. before getting this new CD, i had already been introduced by the presence of Video Clips Promo "Nabataea" is the theme of An Ancient Empire in the North Arabian, with an interesting clip concept is supported by the concept of steady music, i became one of the fans were waiting for Helloween hehehe full album was released, the song with a duration of 7 minutes was indeed a mainstay Track put it over the top of us enjoy a dish of stir adrenaline Heavy / Power Metal energetic with a modern sounding cool abis. This could not last, however, as Helloween have shown over the years with the quality of their releases slowly dipping, meeting an all time low with the stretch from Chameleon to Rabbits Do not Come Easy and the subsequent two releases. yup still contains characters playing music like 2 albums above. quality plays an energetic and powerfully, perhaps less so loved by their fans Old, but new feedback bands get new fans with a concept like this. Strong Character Vocal Andy Derris still dominate Concept Music and beats drummer Dani Löble still powerful full play to create a more modern improvisation! The drumming on this release is perhaps the finest thing about it with some really quick double bass work but also some extremely varied fills thrown in for good measure. Far from just creating a rhythm and keeping a solid beat the drums add another dimension to this album that can not go ignored with the constantly changing beats that are so fun to listen to. track "Live Now!" really thick Playing Style Modern Concepts in Part2 start stomping! "Waiting for the Thunder" be easier to digest Strength Heavy Metal Song Refrain kentalnya to anthemic. is certainly a solid enough power metal releases that shows the band to be still alive and kicking. This album is a big screw you to those who wrote the band off after they Began to go downhill and each one of the thirteen songs has at least one moment of awesomeness to blow such pessimistic claims out of the water. The riffing is enjoyable and fast paced. "Hold Me in Your Arms" better sounding ballad with a touch of Acoustic Guitar domination. "Straight Out of Hell" was so thick Melodic Feel it! This is also a song that has a really fantastic riff-set to it being both fast-paced and yet cramming in a huge variety of riffs that are very well written. The crisp production job merely adds to the amazing sound that some of the songs on here Achieve with its decent job mixing aside from the bass and the fantastic tone of the guitars have. lama2 also reminded them ma Phenomenal track "Power" hmmm .... Limited version of the market in Germany, The label added 2 Bonus Track "Another Shot of Life" and the first song dedicated to the figure of late Jonathan Douglas Lord or more familiarly known as Jon Lord, former Keyboards, Organ Rock legends Deep Purple, who died at 16 July 2012 due to Pancreatic Cancer. Duration 1 hour 13 songs are more giving power and spirit we live this life with a look of optimism just think hehehe ... Straight Out Of Hell is a mixed bag of an album that Succeeds at what it aims to do in numerous places but is very flawed at other times. Were the bass mixed a little higher and Waiting For The Thunder had been cut from the album as well as the soloing been a little better then this would have been an even better release than it already is. I recommend this to those just looking to kill an hour with an enjoyable release that has little to no replay value due to the fact it does nothing new whatsoever.

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