Corpseflesh - Tattooed By A Blowtorch CD 2013

Corpseflesh - Tattooed By A Blowtorch
Ungodly Ruins Productions CD 2013
http://www.myspace.com/corpseflesh666
http://www.reverbnation.com/corpseflesh
http://www.facebook.com/corpseflesh666
http://corpseflesh.bandcamp.com/album/corpseflesh
http://sexbeergrindcore.blogspot.com.br/2012/05/corpseflesh.html?zx=e103fa0924cba326
http://www.triplejunearthed.com.au/CORPSEFLESH

01 Raped by a Carcass 03:50    
02 Grave Excavations and Great Expectations 03:39    
03 Diesel Cleaver 03:24    
04 Chainsaw Masturbation 03:20    
05 Anal Vomitorium 03:21    
06 Tattooed by a Blowtorch 02:49    
07 Psychotic Dismemberment 04:39    
08 Oral Disembowelment 02:49    
09 Festering Gash 02:59

Ewza Flesh-Grinder - Guitars, Vocals
Sambo Marwick - Guitars, Bass
Paul Wachla - Drums

Brutal death metal mixed with a chainsaw sound of grind about the undead, perverted violence, murder and necro-sodomy, adalah kalimat yang bikin gw Interest saat pertama kali membaca dari Official Situs trio band Brutal asal Mandurah, Western Australia yang eksis sejak Tahun 2005 memang cukup mengejutkan juga dengan typical berdarahnya memuntahkan sentuhan sadis ala Suffocation, Gorgasm, Dying Fetus, Devourment, Hate Eternal, Cryptopsy, dan Pathology dengan sentuhan yang lebih kejam lagi dengan amazing Grinding Insanity-nya !!! Permainan Twin Pedal Intense drummer Paul Wachla bagi gw selalu mendominasi Sounding Band ini terdengar FAST and FAST !! dan ini seperti perpaduan konsep antara " Bleeding Profusely "nya Gorgasm, " Unspoken King " nya Cryptopsy dengan " Stop At Nothing " nya Dying Fetus. It's a herculean task to inject subtlety and originality into a genre like brutal death metal. The genre requires certain elements to be present for nearly every bar of every song, or else the band risks falling into some other sub-sub-genre: downtuned palm-muted riffs, low growls, violent lyrics, and blast beats !! " Raped by a Carcass " adalah Tumbal pertama yang dimulai dengan sebuah Intro Horror Thriller selama 38 Detik dan setelah itu langsung Rasakan siksaan berat dengan Gempuran Rapat Twin Pedal Amazing Drumming-nya. Masih begitu kuat elemen gaya bermain Brutal Death Metal dengan sentuhan karakter 90-an sekali, beberapa Lick nya memang begitu terasa pada sayatan sound Riff yang tipis dan terlalu didominasi dengan Blastbeat yang High level ! and on-beat/off-beat grindcore-style blasts, and he's an expert at flipping that switch. Deep Growling saling bersahutan menjadi beban tersendiri bagi gitaris dan bassisnya untuk jabanin sendirian, dan kayaknya pas banget buat kalian fans brutal death metal era 90-an akhir, beberapa sentuhan klasik Suffocation Style era " effigy Of The Forgotten " bisa kita nikmati lagi dah sebelum kita terlalu terjerumus dengan gaya Brutal Death Metal Guttural yang membooming era milenium ini, The riffs are very forgettable. In fact, I can't recall any specific riff from memory. I am going through the pain of listening to this as I type, so you don't have to. If I were judging by songwriting alone, this album would get a 0%. However, though songwriting is the single most important factor in determining an album's quality, to me anyways, it is not the only one. Skill matters too. I have heard albums that would've sounded better if they were executed better, but were held to mediocrity by inept musicians unable to carry out their own creation in a viable manner. dan 9 track berdurasi total 30:50 ini cukuplah untuk membombardir irama detak jantung kita menjadi Semrawutan hehehe, Especially for the Grinding Sound Part ! The aforementioned bands are usually much more difficult to follow, while this remains very straight forward and blunt with more of a malicious battery and barrage of riff storms. The melodies are more subtle than the brutality that reigns; they emerge from the shadows of the night and cut the throats of the non believers to pieces. Oh yeah, this is brutal all right!

Brutal death metal mixed with a chainsaw sound of grind about the undead, perverted violence, murder and Necro-sodomy, is a sentence that makes gw Interest first time reading from the Official Site trio band Brutal origin Mandurah, Western Australia that existed since the year 2005 is surprisingly enough also with a touch of typical sadistic bloody vomit ala Suffocation, Gorgasm, Dying Fetus, Devourment, Hate Eternal, Cryptopsy, and Pathology with a touch more ruthless again with his amazing Grinding Insanity!!! Games Twin Pedal Intense drummer Paul Wachla for gw band Sounding always dominated this sounds FAST and FAST!! and is like a mix between the concept of "Bleeding Profusely" her Gorgasm, "unspoken King" Cryptopsy her to "Stop At Nothing" Her Dying Fetus. It's a herculean task to inject subtlety and originality into a genre like brutal death metal. The genre requires certain elements to be present for nearly every bar of every song, or else the band risks falling into some other sub-sub-genre: downtuned palm-muted riffs, low growls, violent lyrics, and blast beats! "Raped by a Carcass" is the first Tumbal that starts with an intro Horror Thriller for 38 seconds and after that immediately strikes Feel ordeal with Twin Pedal Amazing Drumming meeting her. Still so strong element of style of play Brutal Death Metal with a touch of the 90's all the characters, some of it is so pronounced Lick of the incision Riff sound is thin and too dominated by Blastbeat a high level! and on-beat/off-beat grindcore-style blasts, and he's an expert at flipping that switch. Deep Growling shouted to each other a burden for guitarist and bassist for jabanin alone, and I think fits really make you fans of brutal death metal era of the 90's end, some classical touches Style era Suffocation "Effigy Of The Forgotten" dah we can enjoy again before we too mired in the style of a Guttural Brutal Death Metal Boom era of this millennium, the riffs are very forgettable. In fact, I can not recall any specific riff from memory. I am going through the pain of listening to this as I type, so you do not have to. If I were judging by songwriting alone, this album would get a 0%. However, though songwriting is the single most important factor in determining an album's quality, to me anyways, it is not the only one. Skill matters too. I have heard albums that would've sounded better if they were executed better, but were held to mediocrity by inept musicians unable to carry out their own creation in a viable manner. and 9 tracks 30:50 total duration is sufficient to bombard our heart rhythms become Semrawutan hehehe, Especially for the Grinding Sound Part! Usually the aforementioned bands are much more difficult to follow, while this remains very straight forward and blunt with more of a malicious battery and barrage of riffs storms. The melodies are more subtle than the Brutality that reigns; they emerge from the shadows of the night and cut the throats of the non-believers to pieces. Oh yeah, this is brutal all right!

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The Kill - Make 'em Suffer CD 2012

The Kill - Make 'em Suffer
Blastasfuk Grindcore 2012
http://www.myspace.com/thekillgrind
http://www.facebook.com/pages/The-Kill/139892842732903
http://www.blastasfuk.blogspot.com
thekill@aapt.net.au

01 Cactus 01:52      
02 Extreme Little Big Man Syndrome 00:48      
03 Mowed 01:34    
04 Another Weirdo in the Mosh 01:24    
05 Fuck the Olympics 01:05    
06 Die Hards in Denim 00:47      
07 Fuckin Doyle 01:08    
08 Shower of Bricks 01:11    
09 Second to None 01:13      
10 Blastasfuk 01:44    
11 Exercising the Demon 01:18    
12 Red Rager 01:28      
13 Necrophobic (Slayer) 01:41      
14 Top Notch Stab Job 00:43    
15 Face Off 01:22    

Roby - Guitars
Jay Jones - Drums
Nik - Vocals

Terbentuk sejak tahun 2000 di Melbourne, Victoria, Australia, Grindcore Blaster THE KILL akhirnya bisa bernafas lega untuk mengapresiakan keinginan mereka untuk bisa memuntahkan full album setelah sekian lama hanya banyak merilis Demo, Ep, Split dan Kompilasi. " Make 'em Suffer " sendiri sebenarnya sudah terekam sejak tahun 2011 di Goatsound Studios bersama Jason PC dan di Toyland bareng Adam Calapzis. The Kill play relentless high-tempo gore-ish Grindcore with a technical edge, packed with disorienting time changes employing a fairly original razor-sharp riffing style with the occasional subtly blackened melodies and Goregrind mid-tempo breakdowns. The drumming is suprisingly varied and intense, and I was totally baffled when I learned that their skinsman didn't even utilize a double bass pedal for the recording. Exactly why I'm having trouble grasping, but whatever the reason, it gives the album an unorthodox feel, probably upping the general novelty - thus listenability - even more than I've realized. Shut up, I know it's not a gimmick, the concept just intrigues me. dan kini menggandeng Frontman Scott Hull -nya Pig Destroyer untuk mengerjakan proses mastering final untuk 15 Grindpunch facedown ini ! dan kali ini masih tetap mengusung keganasan grinding era album Ep terbaik mereka sepanjang Karir " The Soundtrack to Your Violence ", dengan pengaruh2 kuat dari Nasum, Pig Destroyer, Leng'che, Phobia dan era Napalm Death, The Kill lebih ingin menanamkan serangan mematikan melalui Extra Grinding beat-nya. There are no samples. There are no build-ups. There are no effects. There are no epic passages. There is no touchy-feely emotional crap. Put simply ladies and gentlemen, this is one of the absolute most unrelenting, unmerciful, and just downright maniacal compact discs ever to circulate CD stores and distros. This is Australian straight-up grindcore with BALLS. seperti halnya esensi Musikal Pig Destroyer yang tidak terlalu mengingankan Low Surround Sound yang lebar, sehingga tidak memutuskan untuk menggunakan Instrumen Bass didalamnya, The Kill pun melalukan hal yang demikian, sehingga elemen Noisefreak distortion tetap menjadi harapan terbesar penciptaan Chaotic Grinding music ! pukulan ganas drummer Jay Jones yang juga eksis di band sejenis Fuck I'm Dead sepertinya masih tidak dapat dipisahkan karakter grinding snare-nya, Crunchy Fast Roll distortion On Riff gitaris Roby memang ga banyak melakukan Teknik dan Lick yang sulit selain tetap menggeber Distorsi yang Tajam, sementara Vokalis Baru band ini yang tergabung sejak 2008 menggantikan Vokalis sebelumnya Neil dan Tony cukup memberikan Suntikan Powerfully juga dengan High Pitching Middle Scream. dan buat yang pengen memecahkan keheningan suasana dan membunuh perlahan tetangga elo yang sentimen dengan Nada2 keras metal, kayaknya pas banget kalo gw tawaran keganasan Australian Grinder ini sebagai Eksekutornya hahahahhaa ! Speeding, blasting, thrashing, never relenting pace unless he is supposed to. It’s not constant blasting though, there is some variation on the beats he uses, though it is quite fast basically the entire way through.

IN ENGLISH (Sorry, Use This Google Translate)

Formed in 2000 in Melbourne, Victoria, Australia, KILL THE Grindcore Blaster can finally breathe for mengapresiakan their desire to be able to regurgitate full album after so long only widely released Demo, Ep, Split and Compilation. "Make 'em Suffer" itself has actually been recorded since 2011 in Goatsound Studios with Jason PC and in Toyland with Adam Calapzis. The Kill play a high-tempo Relentless gore-ish Grindcore with a technical edge, packed with disorienting time changes employing a fairly original razor-sharp riffing style with the occasional Goregrind subtly blackened melodies and mid-tempo breakdowns. The drumming is surprisingly varied and intense, and I was totally baffled when I learned that their skinsman did not even utilize a double bass pedal for the recording. Exactly why I'm having trouble grasping, but whatever the reason, it gives the album an unorthodox feel, probably upping the general novelty - thus listenability - even more than I've Realized. Shut up, I know it's not a gimmick, the concept just intrigues me. and now frontman Scott Hull took his Pig Destroyer for doing the final mastering for 15 Grindpunch facedown this! and the time is still carrying the grinding ferocity era best albums throughout their career Ep "The Soundtrack to Your Violence", with strong pengaruh2 Nasum, Pig Destroyer, Leng'che, Phobia and era Napalm Death, The Kill more deadly attacks to instill through Extra Grinding beat her. There are no samples. There are no build-ups. There are no effects. There are no epic passages. There is no touchy-feely emotional crap. Put simply ladies and gentlemen, this is one of the absolute most unrelenting, unmerciful, and just downright Maniacal ever compact discs to CD stores and distros Circulate. This is straight-up Australian grindcore with BALLS. as well as the essence of Love Pig Destroyer is not too mengingankan Low Surround Sound is wide, so it decided to use the instruments therein Bass, The Kill was put through such things, so the element of distortion Noisefreak creation remains the greatest hope Chaotic Grinding music! drummer Jay Jones ferocious punch that also exists in a kind of Fuck I'm Dead band seems to still not be separated character grinding his snare, Crunchy Roll Fast On Riff guitar distortion ga Roby was doing a lot of technique and Lick hard while still menggeber distortion Sharp , while the band's new vocalist joined since 2008, replacing the previous vocalist Neil and Tony enough to give injections powerfully well with Middle High Pitching Scream. and create a mood and want to break the silence slowly killing neighbor Nada2 elo that sentiment with hard metal, fits really think if i bid Grinder Australian malignancy as executor Hahahahaha! Speeding, blasting, thrashing, never relenting pace unless he is supposed to. It's not constant blasting though, there is some variation on the beats he uses, though it is quite fast basically the entire way through.

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Intense Hammer Rage - DeathChunkGoreGrind CD 2014

Intense Hammer Rage - DeathChunkGoreGrind
Fresh Blood Management CD 2014
http://www.intensehammerrage.com
https://www.facebook.com/IntenseHammerRage
http://www.reverbnation.com/intensehammerrage

01 Selwyn 03:27    
02 Anal Backyard 04:50    
03 Logic Flanders 06:56    
04 Leprous Flesh of the Others 06:21    
05 Maggot Gargler 05:03    
06 Tender Chunk 05:23    
07 Carve a Cunt 03:35    
08 Oscar the Grind 03:29

Spills - Vocals
Ricey - Guitars, Vocals
Chris - Bass, Vocals
A.B. - Drums, Vocals

Tentunya Gw ga akan pernah lupa akan kegilaan Tasmanian Brutal Death Metal with Heavy Goregrind Touching INTENSE HAMMER RAGE (IHR) sejak " Devogrindporngorecoreaphile " yang kemudian disusul dengan EP " Gory B " ! bagaimana Band Sinting ini menyuguhkan warna Musik yang " Unik " dan begitu Menendang secara aransemen dan Sound-nya, Yess, 2 Poin yang menjadikan mereka adalah Karakter yang Berani dan Menantang bagi penikmat-nya. Jika Screaming Afterbirth lebih Menyentuh dengan Basic Chaotic-nya, IHR menawarkan Style yang mereka akui sebagai Brutal Twisted Death/Grind Slam ! permainan drum " Natural " dengan Bar ketukan yang tidak beraturan (Lebih ke teknikal Mungkin skill-nya) dari seorang Allan Byard aka " A.B. " dan Downtuning Riff Ricey tetap menjadi begitu Karakteristik ditambah dengan Multiple Chaotic Vocal, sulit memang kadang jika dihadapkan pada Sebuah Tebakan awal, meski IHR adalah salah satu pengusungnya. masih dengan Lirik-lirik yang Bikin Mual, Amis darah, serta menjijikkan, IHR masih tampil Enjoy banget untuk dikatakan sebagai Musisi yang Frontal dengan Pemikiran Kontroversial, yang ending-nya band ini pernah terkena Denda $500 dinegara-nya sendiri karena tersandung masalah terlalu " Extreme " Cover Album " Avagoyamugs ". So pretty friggin' rare, and chances are keep find here, Yeach We are Intense Hammer Rage ! telah Menghasil beberapa rilisan yang bagus sejak Band terbentuk tahun 1990 tentu bukan hal yang singkat untuk mengemas Materi yang Keren. dan " DeathChunkGoreGrind " bisa dikatakan album Pertama dengan Formasi Ber-4 setelah beberapa Rilisan terlalu Asyik tampil Trio yang semuanya juga " Bernyanyi ", memasukkan kembali Vocalis asli IHR, Spills ! namun seperti kenyataannya kalo " DeathChunkGoreGrind " memang adalah Materi yang pernah " hilang " dari tahun 1997 yang telah dikemas dengan sound lebih Menggerus !!! (Meski masih terdengar " Raw " sana sini .ed) inilah Debut paling " Rare " IHR yang beruntung Fresh Blood Management  telah menghadirkan kembali, dimana kegilaan IHR masih diperhitungkan ! This is very, very bizzare stuff with song structures almost impossible to follow at first.

" Selwyn " langsung menghantam Hebat dengan Gempuran Mantap, Raw serta Unik ketika IHR mengkomposisi aransemen penuh kejutan dengan eksperimental Track melalui sentuhan Jazz, Death, Thrash hingga Grind ! Multiple 4 Karakter Vokal-nya seperti tidak menyisakan sama sekali Terhadap Konsentrasi Utama di Instrumen masing2-nya. Meski begitu IHR tetap memperhitungkan Konsep dasar Musik, sehingga ini menjadi Suguhan paling " Menarik " yang pernah gw denger. They actually have no real vocalist. They Are " The Vocalist " Combined. Weird shrieks and growls and burps and gurgle shooting around everywhere, and get this, actually carry the music. Oh! And there are no harmonizers! dibalik riuh berat komposisi-nya, selalu kita akan dapat menikmati Partisi musik yang menantang untuk bisa mengatakan karakter band ini " GILA ! ". seperti dikendalikan dengan " Mood " yang ga menentu dari sikap bermusik-nya, kadang kita akan terheran-heran ketika mendengar eksperimen edan-nya di " Anal Backyard " hehehe .... being brutal, music, musicians, brutality, mind blowing guitar/bass/drum solos, excelling at brutality and long walks on the beach under a full moon on a warm summers eve... selalu dimulai dengan intro2 yang Aneh, IHR terus membuat kejutan kejutan yang lebih mematikan saja, seperti pada " Leprous Flesh of the Others ", Ntah ini Parodi atau Apa, yang pasti Intro-nya dicomot dari American psychological horror Film tahun 1986 karya Robert McNaughton, " Henry: Portrait of a Serial Killer " yang juga sebelumnya pernah dipake di Intro Track " Eve of the Apocalypse " Malevolent Creation era " Retribution " hehehe .. dan Menarik Ketika Mendengarkan " Oscar the Grind ", adalah pertemuan Skill Konyol yang sama sekali ga terpikirkan Tapi Templat Musiknya Edan !!!memang mendengarkan selama 40 menit kita akan begitu dihadapkan dengan tantangan bagaimana menikmati sajian Musikal Bombastis dengan kegilaan Skill para Musisi-nya, mungkin jika hanya di ulang-ulang, elo akan menemukan esensi paling menarik-nya untuk IHR. Sebuah Kaledoskop Karir yang telah hilang akhirnya dapat direpresentasikan menjadi bagian dari Konseptual Band yang sangat Menggaruk biji peler dan memecahkan Mosphit ! Dig Up from the Grave ready to Abuse your senses, Smoke Some Weed, have a few beers, turn it up loud and Enjoy ! GRAP IT FAST NOW !!!

ENGLISH VERSION (UseGoogle Translate)

I'm Not a certainly will never forget the madness Tasmanian Brutal Death Metal with Heavy goregrind Touching INTENSE HAMMER RAGE (IHR) since "Devogrindporngorecoreaphile" which was followed by the EP "Gory B"! how the band is presenting colors Crazy Music "Unique" and so Kicking in his arrangements and Sound, Yess, two points that make them are characters that Dare and Challenging for his audience. If Screaming Afterbirth more touching with its Basic Chaotic, IHR offers Style which they recognize as Twisted Brutal Death / Grind Slam! drumming "Natural" with Bar irregular beats (More to technical Perhaps his skills) of an Allan Byard aka "AB" and Downtuning Riff ricey remain to be so characteristic coupled with Multiple Chaotic Vocal, hard to do sometimes when faced with a Guess early, although IHR is one of the poles. still with lyrics that Make Nausea, Amis blood, as well as disgusting, IHR still appearing Enjoy really to be regarded as musicians Frontal with Thought Controversial, the ending of his band was never exposed Fines $ 500 country of its own due to tripping problem too "Extreme "Cover Album" Avagoyamugs ". So pretty friggin 'rare, and chances are keep the find here, Yeach We are Intense Hammer Rage! Menghasil had some great releases from Band was formed in 1990 is certainly not short for packing material is Cool. and "DeathChunkGoreGrind" can be said first album with the formation Ber-4 after a few too Asyik Releases Trio perform all of which are also "Singing", reinserting the original vocalist IHR, Spills! but as reality if "DeathChunkGoreGrind" indeed is a material that is ever "lost" from 1997 which has been packed with a sound more grind !!! (Although it still sounds "Raw" there here .ed) this is the most Debut "Rare" lucky IHR Fresh Blood Management has presented the back, where madness IHR still count! This is very, very bizzare stuff with song structures almost impossible to follow at first.

"Selwyn" Terrific directly hit by strikes Steady, Raw and Unique when composing arrangements IHR full of surprises with experimental Track through the touch of Jazz, Death, Thrash to Grind! Multiple 4 Character Vocal its like not leaving altogether Against Major Concentration in its every Instruments. Even so IHR fixed taking into account the basic concept of music, so it becomes Suguhan most "Interesting" i've ever heard. They actually have no real vocalist. They Are "The Vocalist" Combined. Weird shrieks and growls and burps and gurgle shooting around everywhere, and get this, actually carry the music. Oh! And there are no harmonizers! behind the weight of the composition of his boisterous, always we will be able to enjoy the music partition that can be challenging to say the character of this band "CRAZY!". as controlled by "Mood" ga uncertain of his musical attitude, sometimes we'd be surprised when he heard his crazy experiments in "Anal Backyard" hehehe .... being brutal, music, musicians, brutality, mind blowing guitar / bass / drum solos, excelling at brutality and long walks on the beach under a full moon on a warm summers eve ... always begins with the Strange intro2, IHR continue to make surprise surprise any more deadly, as in "Flesh of the Leprous Others ", this Ntah Parody or What, is certain his Intro picked from the American psychological horror film in 1986 by Robert McNaughton," Henry: Portrait of a Serial Killer "who also previously been using that in Intro Track" Eve of the Apocalypse "Malevolent Creation era "Retribution" hehehe .. and Attractive When Listening "Oscar the Grind", is meeting Silly Skill completely ga unthinkable But Crazy Template !!! indeed listen to music for 40 minutes we will once faced with the challenge of how to enjoy the bombastic musical offerings Musicians with the madness Skill her, perhaps if only repeated, You will find the essence of his most interesting for IHR. A Career Kaleidoscope has been lost can eventually become part of the Conceptual represented a very Scratching Band peler seeds and solve Mosphit! Dig Up from the Grave Abuse ready to your senses, Smoke Some Weed, have a few beers, turn it up loud and Enjoy! GRAP IT FAST NOW !!!

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Thy Art Is Murder - Hate CD 2012

Thy Art Is Murder - Hate
Halfcut Records 2012
http://www.thyartismurder.com
http://www.myspace.com/thyartismurder
http://www.facebook.com/TAIMMETAL
http://twitter.com/THYARTBAND
http://www.youtube.com/user/TAIMOFFICIAL

01 Reign of Darkness 03:35      
02 The Purest Strain of Hate 03:25    
03 Vile Creations 03:32    
04 Shadow of Eternal Sin 04:06    
05 Immolation 03:22    
06 Infinite Forms 04:32    
07 Dead Sun 03:40    
08 Gates of Misery 02:55    
09 Defective Breed 03:40    
10 Doomed from Birth 04:24

Lee Stanton - Drums
Sean Delander - Bass
Chris McMahon - Vocals
Andy Marsh - Guitars
Tom Brown - Guitars

Dengan Tampilan Artwork Kover yang semakin menarik karya Brent Elliott White, langsung saja Gw sabet nih rilisan baru dari band Brutal Technical Deathcore Thy Art Is Murder asal Sydney, New South Wales, Australia dengan album full ke-2nya " Hate ", ini menjadi sebuah kebencian nyata baru dari mereka. You can hear right from the start the amazing work that Lee Stanton has done on the drums, fast and aggressive, the whole album progresses like this, with technical guitaring, fast drumming, and brutal growls. Another thing to mention about the new and improved Thy Art Is Murder is that they actually have PROPER Music Structure ! semakin mantap dan matang konsep bermusik fantastis dialbum gress ini. walau gw bukanlah seorang penikmat fanatik genre Deathcore, Gw lebih bisa meyakinkan Fans deathcore Freak, jika album baru ini memang menawarkan sesuatu yang Killer dari sebelumnya ! Starting off great, to ending great; the whole song is technical and brutal from start to finish. Chris McMahon vocals speed up and down, suiting the music perfectly. Lee pulls off some more amazing work with his drumming, and makes this song even more aggressive. Again, with the guitars, aggressive and technical, changing from your occasional to your more technicality with the higher strings instead of the lower strings. balutan tajam dan dinamis komposisi musiknya memang variatif serta kompleks, dari slow, fast and Heavy memang menjadi salah satu Konsep utama band ini, sehingga para fans bisa menikmati kesan dinamis band ini untuk menyuguhkan permainan Deathcore yang " sebenarnya ". memang banyak band2 dari Genre Deathcore yang terlalu Poser banget, namun tidak demikian untuk band yang sudah eksis sejak Tahun 2005 ini lebih menampilkan Progresi Bermusik Death Metal yang Kental dan relevan sehingga gw menjadi tertarik untuk menulisnya disini. album yang kali ini diproduseri oleh Will Putney, Produser amerika yang sudah beberapa kali menjadi Produser band2 Deathcore terkenal seperti Molotov Solution, After the Burial, Upon a Burning Body, etc memang hasil kerja kerasnya juga selain sebagai Enjiner rekamannya. track awal " Reign of Darkness " tetap memberikan citra sadis bagi Thy Art Is Murder semakin tetap menyajikan permainan yang variatif. gempuran drummer Lee Stanton memang tetap yang terbaik bagi partner gitaris Sean Delander yang kini pindah posisi ke Bass dan mempercayakannya kepada Andy Marsh dan Tom Brown sejak tahun 2011 memang memberikan sentuhan Baru yang lebih melodius dengan beberapa part solo-nya, memang akan terasa berbeda nuansanya dengan album pertama " The Adversary " tahun 2010 lalu. Thy Art Is Murder has done a MASSIVE change from your generic deathcore to some technical death metal/deathcore. The lyrics are the best they’ve written and the vocals bring out the brutality they have put down on their paper. Personally, Thy Art Is Murder done one of the greatest changes I’ve noticed. Nuansa Deathcore semakin terasa kental dengan " The Purest Strain of Hate ", band ini kerap menghujamkan Slam Breakdown Part Intense dengan pukulan2 mantapnya. Karakter Vokalis Chris McMahon masih memberikan suntikan warna segar sejak band ini terbentuk dengan Multiple Vokalnya. enjoy headbang memang sebuah kesan yang tak tergantikan saat kita mengkonsumsi sajian Deathcore musik begini. The riffs themselves are slightly melodic tech-death numbers, and they're usually made faster by a constant snare beat behind them. Sometimes the band even combines deathcore chugs with these fast riffs. There are also brutal death metal-esque gurgles every now and then, often used on dual-track vocals on this album to accent whatever other vocals are going on at the time. Sadly, they're rather weak-sounding (but what was I to expect from a deathcore band?), but I suppose they make the cut. His screams are deathcore shrieks, but they shed away most of their whiny -core tone, and instead opt for a rather black metal-esque rasp. Neither the growls or screams are mindblowing. komposisi musik yang dinamis lebih membawa kesan Karakter Enjoyable Headbanging itulah yang coba dibawa di album fresh ini dan ga ada ruginya untuk elo cicipi sendiri kesadisannya.

IN ENGLISH (Sorry, Use This Google Translate)

Artwork Display Coverage With an increasingly attractive work of Brent Elliott White, just Gw Sabet nih new release of Brutal Technical deathcore band Thy Art Is Murder origin of Sydney, New South Wales, Australia with a full album to-2nya "Hate", is becoming a hatred new real of them. You can hear right from the start the amazing work that Lee Stanton has done on the drums, fast and aggressive, the whole album progresses like this, with technical guitaring, fast drumming, and brutal growls. Another thing to mention about the new and improved Thy Art Is Murder is that they actually have PROPER Music Structure! more stable and mature musical concept is fantastic dialbum gress. even though i was not a fanatic lover deathcore genre, Gw more convinced Fans Freak deathcore, if this new album does offer something that Killer than ever! Starting off great, great ending to; the whole song is a technical and brutal from start to finish. Chris McMahon vocals speed up and down, suiting the music perfectly. Lee pulls off some more amazing work with his drumming, and makes this song even more aggressive. Again, with the guitars, aggressive and technical, changing from your occasional to your more technicality with the higher strings instead of the lower strings. dressing sharp and dynamic composition of the music is varied and complex, from the slow, fast and heavy indeed be one of the main concept of this band, so the fans can enjoy a dynamic impression of the band was to present the game deathcore "real". indeed many of band2 too Poser deathcore genre really, but not so for a band that has existed since the year 2005 are more display Progression Death Metal music that Lumpy and relevant so i became interested in writing here. the time the album was produced by Will Putney, the American producer who has several times become known as deathcore band2 Producer Molotov Solution, After the Burial, Upon a Burning Body, etc is hard work too besides the Engineer tape. initial track "Reign of Darkness" still gives the image of a sadist to Thy Art Is Murder further still presents a varied game. onslaught drummer Lee Stanton is still the best for the guitarist Sean Delander partner who has now moved to the position of Bass and entrusted to Andy Marsh and Tom Brown since the year 2011 is a touch more melodic new with some of his solo part, it will feel different nuances with The first album "The Adversary" in 2010. Thy Art Is Murder has done a MASSIVE change from your generic deathcore to some technical death metal / deathcore. The lyrics are the best they've written and the vocals bring out the Brutality they have put down on their paper. Personally, Thy Art Is Murder done one of the greatest changes I've noticed. Nuance deathcore increasingly feels thick with "the purest strain of Hate", the band was often thrust Slam Breakdown Part Intense with pukulan2 solid. Vocalist Chris McMahon character still give a shot of color and since the band was formed with multiple vocal. enjoy headbang indeed an irreplaceable impression when we consume music deathcore dish like this. Themselves The riffs are slightly melodic tech-death numbers, and they're Usually made faster by a constant snare beat behind them. Sometimes the event combines deathcore band chugs with these fast riffs. There are also brutal death metal-esque gurgles every now and then, Often used on dual-track vocals on this album to accent whatever other vocals are going on at the time. Sadly, they're rather weak-sounding (but what was I to expect from a deathcore band?), But I suppose they make the cut. His screams are deathcore shrieks, but they shed most of their away-core whiny tone, and instead opt for a rather black metal-esque rasp. Neither the growls or screams are mindblowing. dynamic musical compositions over the impression that headbanging Enjoyable characters who try to carry on this fresh album and ga hurt to taste their own Devastation !!

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Beyond Terror Beyond Grace - Nadir CD 2012

Beyond Terror Beyond Grace - Nadir
Willowtip Records 2012
http://www.facebook.com/beyondterrorbeyondgrace
http://beyondterrorbeyondgraceofficial.bandcamp.com
http://www.youtube.com/beyondterror
beyondterrorbeyondgrace@gmail.com

01 Dusk 08:21    
02 Requiem for the Grey 08:44      
03 Throatless Sirens 08:52    
04 Nadir 03:31    
05 Embracing Null 06:21      
06 The Blood of Time 05:16    
07 Pathea 02:30

Blake Simpson - Vocals
Scott Heldorf - Guitars
Steve Smith - Drums
Alex Nicholson - Bass, Vocals

Sejak mengenal 2 album mereka sebelumnya " Extinction|Salvation " Tahun 2007 dan " Our Ashes Built Mountains " Tahun 2010, Band asal Sydney, New South Wales, Australia yang eksis sejak tahun 2004 memainkan elemen Grindcore/Death Metal yang signifikan banget menjadi Gw sangat terkejut dengan Statement mereka di materi terbarunya sekaligus menjadi album ke-3 nya " The end result is the bands most ambitious, atmospheric and realised effort yet. Cold, climactic and expansive, Nadir is a consuming experience of monolithic bleakness and dense majesty. ", yupz album ke-3 " Nadir " ini lebih membawa pergeseran konsep bermusik menjadi lebih ke elemen Atmospheric Death/Black Metal. Aroma Hitam dan Kelam kerap ditawarkan pada setiap komposisi Grinding dan cepatnya dengan blackened Riffing ! These guys have created a black/post-metal sound at once brutal and transcendent – full of terror, full of grace and yet beyond both. “Nadir” pulverizes you with bestial screams and rasps, chaotic drumming and cold, mechanical riffs that blend into an oddly hypnotic wall of sound; Anaal Nathrakh‘s hyperblack attack all blunted and muffled out into an apocalyptic and atmospheric Neurosis-like roar. yang dimulai dengan " Dusk ", Beyond Terror Beyond Grace tampil powerfully dengan Ganas dan cepat melalui Atmosfir Hitam yang ciptakannya, sebuah pertemuan antara Behemoth lama dengan Gaya Neurosis. karakter vokalis Blake Simpson dengan Growlingnya memang kerap menciptakan nuansa Kelam bersama High Pitch Scream Bassis Alex Nicholson. serangan Drumming cepat Steve Smith tetap menjaga stamina-nya untuk mengusung konsepsional musikalitas band. dengan durasi yang panjang ( hampir 9 Menit ) track ini lebih menyuguhkan Komponen Atmospheric Death/Black Metal super cepat. kontribusi elemen Electronic noise dari Dave Coen-nya band electronic metal Encircling Sea, Ivens dan Whitehorse lebih menciptakan nuansa Industrialnya. Plodding doom and deep guttural roars crest into shuddering, black metal paroxysms ! " Requiem for the Grey " tetap menawarkan aransemen musik yang gloomy hitam dengan blastbeat yang cepat. hingga Track " Throatless Sirens ", Beyond Terror Beyond Grace masih mengusungnya dalam rata rata durasi waktu 9 menitan ! with roiling clouds reflected in the churn. It’s strictly late-night or headphones listening, well-suited for introspection and slow, cathartic build-ups, but despite all that, it’s not a monotonous listen. dan yang menarik perhatian adalah Track " The Blood of Time ", Jason Netherton-nya Misery Index menyumbangkan Raw growl Cool-nya disini bersama Vokalis Rob Allen dari band Encircling Sea dan Vaiya. sebuah track Doomy banget Nuansa Kuat yang gw tangkap ini, Ritme kegelapan semakin Hitam tercipta di track ini. walau sayang banget gw bukan penikmat Atmospheric Death/Black Metal, tapi gw tetap menyukai gaya Blastbeater band ini yang Intense abis dan powerfully ! Beyond Terror Beyond Grace have managed to paint an enveloping and enthralling experience with all those blacks and grays, so color me impressed.. is a phenomenal work of atmospheric blackened death metal. Nadir captures the band completely in its natural element, defying genre categorisation and ignoring all current musical trends.

IN ENGLISH (Sorry, Use This Google Translate)

Since recognize two of their previous albums "Extinction | Salvation" in 2007 and "Our Ashes Built Mountains" By 2010, the Band from Sydney, New South Wales, Australia that existed since 2004 plays elements of Grindcore / Death Metal significant Gw really be very surprised Statement them with new material as well as being his 3rd album "The end result is the bands most ambitious, atmospheric and realized effort yet. Cold, climactic and expansive, Nadir is a consuming experience of monolithic bleakness and dense majesty.", yupz 3rd album "Nadir" is more a shift in the concept of music to bring more to the element of Atmospheric Death / Black Metal. Aroma Black and Dark often offered at each composition Grinding and fast with blackened riffing! These guys have created a black / post-metal sound at once brutal and transcendent - full of terror, full of grace and yet beyond both. "Nadir" pulverizes you with Bestial screams and rasps, chaotic drumming and cold, mechanical riffs that blend into an oddly hypnotic wall of sound; Anaal Nathrakh's hyperblack attack blunted and muffled all out into an apocalyptic and atmospheric Neurosis-like roar. that starts with "Dusk", Beyond Terror Beyond Grace performing powerfully with Ferocious and fast through the atmosphere Black create it, a meeting between old Behemoth Style Neurosis. character vocalist Blake Simpson Growlingnya indeed often create the feel of the Dark with High Pitch Scream bassist Alex Nicholson. Steve Smith Drumming attack quickly while maintaining his stamina to carry the conceptual musical band. with a long duration (nearly 9 minutes) is more present track component Atmospheric Death / Black Metal super fast. Electronic noise contribution element of Dave Coen its electronic metal band encircling the Sea, Ivens and more to create the feel Industrialnya Whitehorse. Plodding doom and deep guttural roars into Shuddering crest, black metal paroxysms! "Requiem for the Grey 'still offers musical arrangements gloomy black blastbeat fast. to Track "Throatless Sirens", Beyond Terror Beyond Grace was still carrying him in the average duration of 9 menitan! with roiling clouds reflected in the churn. It's strictly late-night or headphones listening, well-suited for introspection and slow, cathartic build-ups, but despite all that, it's not a monotonous listen. and interest is the Track "The Blood of Time", Jason Netherton his growl Misery Index Raw Cool donate it here with vocalist Rob Allen of the band encircling the Sea and Vaiya. a doomy track that i really Feel Strong catch this, the darkness of the black rhythm created in this track. although i really love not lovers Atmospheric Death / Black Metal, but i still like the style of this band Intense Blastbeater abis and powerfully! Beyond Terror Beyond Grace have managed to paint an enveloping and enthralling experience with all those blacks and grays, so color me impressed .. is a phenomenal work of atmospheric blackened death metal. Nadir completely captures the band in its natural element, defying genre categorization and ignoring all current musical trends.

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The Amenta - Chokehold EP 2012

The Amenta - Chokehold
Listenable Records EP 2012
http://www.theamenta.com
http://www.myspace.com/theamenta
http://www.facebook.com/pages/The-Amenta/25205971411
http://twitter.com/theamenta
http://www.youtube.com/theamenta

01 Chokehold 04:35    
02 Christ Bait (Godflesh cover) 06:54    
03 Vo1d (remix) 03:41    
04 Sekem (live) 04:40    
05 Vermin (Live) 03:53

Cain Cressall - Vocals
Erik Miehs - Guitars
Dan Quinlan - Bass
Timothy Pope - Samples, Programming
Robin Stone - Drums

Well debutan Digital Release ini tentunya akan banyak mengejutkan fans mereka sebelumnya, karena apa yang diharapkan ga bakalan terjadi disini. maksudnya? menurut informasi, Selama menunggu materi terbaru full-nya, Industrial Death Metal asli Sydney, New South Wales, Australia ini merilis Eksistensinya lewat Ep secara Digital Release, dan disini The Amenta malah lebih banyak menampilkan elemen Industrial ala Godflesh lebih kuat eksperimen, jadi buat yang ga terlalu biasa dengan sajian genre Industrial, gw jamin pasti akan bingung mencerna-nya. sentuhan Remix dan beberapa sampling adalah komponen utama gaya Industrial, Track " Chokehold " memang menjadi yang paling baru dari The Amenta, yang semoga ini bukan menjadi Kualitas Permainan Materi baru di album mendatang saja, karena Gw juga yang lainnya masih menaruh harapan kuat dasyat era materi " Occasus " dan " n0n " sekali. terbentuk sejak tahun 2002 dengan nama pertama sebagai Crucible of Agony, yang kemudian dipilihlah nama The Amenta yang berarti " underground " dalam Bahasa Egyptian sebagai Imej penting Karir Band serius selanjutnya. memadukan gaya Death Metal extreme dengan sentuhan Industrial memang rada mengingatkan dengan Karakter Kuat Fear Factory, walau tidak menekankan gaya Sounding Riff yang fantastis, The Amenta lebih menampilkan permainan Dasyat Death metal yang liar ! sejak kemunculan pertamanya lewat Ep " Mictlan " tahun 2002, The Amenta sudah menyita pandangan dunia dengan konsep musik yang mereka tawarkan ini. punishing, flawless, inspiring, sinisterly beautiful and intense !! punishing, flawless, inspiring, sinisterly beautiful and intense. walau 3 Track awal sangat bikin Boring karena memang gw bukan seorang penikmat Genre Industrial dengan sentuhan Ambient dan Noise, gw lebih menyukai 2 lagu berikutnya yang diambil dari rekaman panggung The Amenta yang diambil dari 2 album sebelumnya. masih menampilkan komposisi Death Metal brutal yang Gelap dan sentuhan Industrial yang kental. playing a highly potent fusion of black metal, death metal, grind, all drenched in an industrial pool of ambience. Chaotic, yet controlled, its very clear that The Amenta isnt a band that wants just anyone to listen. fluid collective, utilizing any instrument, technique or musician to carve out hymns of decay and disgust. karakter musik The Amenta sebenernya memang tergolong Barbaric untuk mengusung konsep yang banyak mengingatkan dengan band senegaranya, The Berzerker ! The concept, imagery, sound and overall direction of n0n is emblazoned in The Amenta's conception, with the overall theme being a solid, nihilistic and barbaric rebellion to modern society. The sound itself being a complete antithesis to most of the carbon-copy shit streaming through speakers. walau ga terlalu Istimewa banget, Rilisan Pengisi luang sambil menunggu Full album mereka selanjutnya, lumayanlah buat menambah koleksi The Amenta. Whether industrial or death metal is your thing, give this one a try.

IN ENGLISH (Sorry, Use This Google Translate)

Well debutant Digital Release will certainly surprise many of their fans before, because of what is expected ga going to happen here. mean? According to the information, while waiting for the material of her full, Industrial Death Metal native Sydney, New South Wales, Australia released its existence is through a Digital Ep Release, and here The Amenta even more display elements ala Industrial stronger Godflesh experiment, so make a ga so familiar with a dish of Industrial genre, i guarantee you have trouble digesting it. Remix touch and some sampling is a major component styles Industrial, Track "Chokehold" has become the most recent of The Amenta, which hopefully this is not a quality game in the upcoming album of new material, because Gw the others still have strong hopes terrible era material "Occasus" and "N0N" once. established since 2002 with the first name as the Crucible of Agony, which was then chosen the name The Amenta which means "underground" in the Egyptian language as a serious band The image next important career. blends style with a touch extreme Death Metal Industrial indeed remind rada Strong Character Fear Factory, although not emphasized Sounding Riff fantastic style, The Amenta more terrible game show genre's wild! since the first appearance by Ep "Mictlan" 2002, The Amenta has seized the world view the concept of music they offer this. punishing, flawless, inspiring, sinisterly beautiful and intense! punishing, flawless, inspiring, sinisterly beautiful and intense. despite the very start to make 3 Track Boring because i was not a connoisseur of the genre Industrial and Ambient Noise touch, i prefer the next 2 tracks taken from the stage of The Amenta footage taken from the two previous albums. still showing the composition of the dark brutal Death Metal and Industrial touch thick. playing a highly potent fusion of black metal, death metal, grind, all drenched in an industrial pool of ambience. Chaotic, yet controlled, its very clear that The Amenta is not a band that just wants anyone to listen. fluid collective, utilizing any instrument, technique or musician to carve out hymns of decay and disgust. The musical character Amenta Barbaric actually is quite a lot to promote the concept reminiscent of the band's compatriot, The Berzerker! The concept, imagery, sound and overall direction of N0N is emblazoned in The Amenta's conception, with the overall theme being a solid, nihilistic and Barbaric rebellion to modern society. The sound itself being a complete antithesis to most of the carbon-copy shit streaming through speakers. Exceptional ga too though really, Fillers Releases Full spare while waiting for their next album, okay make add to the collection The Amenta. Whether industrial or death metal is your thing, give this one a try.

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Infinitum - The Sixth Extinction CD 2012

Infinitum - The Sixth Extinction
Obsidian Records CD 2012
http://www.infinitum.us
http://www.myspace.com/infinitumoz
http://www.facebook.com/pages/Infinitum/135165699839188
http://www.reverbnation.com/infinitumoz

Dan Marsden - Bass
Dan Nahum - Drums
Nathan Youngberg - Guitars
Geoff Bailey - Guitars
Andy Annand - Vocals

01 From the Cradle to a Plague 06:29    
02 Vexing the Progenitor 04:20    
03 Upheaval of the Elements 04:27    
04 With Expansion Comes Expulsion 04:10    
05 The Great Dying 04:06    
06 Regurgitating the Core 03:51    
07Chicxelub - Spawn of the Invader 04:33    
08 The Rise of Man 03:54    
09 To His Undoing

Dari Canberra, Australian Capital Territory, Australia yang semakin berkembang pesat band2 metal-nya untuk lebih tampil Go Internasional, Sejak album Pertama " Behold Eradication " Tahun 2008 dengan Gaya Technical Death Metal-nya ala Band Sekampung mereka, Psycroptic ! band ini semakin tampil mantap dan matang dengan karakter bermainnya yang semakin kuat dengan Gaya bermain yang serba Komplek dan Brutal ! tetap menjadikan band ini sebagai as a new death metal firestorm of Australian extremity ascends ! dan memang jika kita dengar materi baru ini tentu ada sesuatu yang baru ditawarkan oleh Mereka, Adanya pergantian Vokalis sebelumnya, Damian Ferrari yang banyak kalangan menyebut karakter Vokalnya lebih mirip dengan Frank Mullen-nya Suffocation sekali, dan dialbum ini menjadi debut perdana Vokalis baru mereka, Andy Annand yang resmi bergabung sejak tahun 2011 dengan karakter Vokal yang berbeda, Emosional Growl banget, Andy Annand yang pernah bermain diband Aeon of Horus, Darkim, dan Templestowe ini telah sedikit banyak merubah beberapa Konsep Bermain Infinitum yang blistering, and pustulating with Infinitum branded across your body !! Track awal di awali oleh " From the Cradle to a Plague " terdapat sebuah Intro Clean Guitar yang digabungkan dengan Epic Atmosfir selama 45 detik yang kemudian disambut dengan Gaya Dark Metal lengkap dengan Dark Riffing yang memiliki Elemen Kegelapan yang cukup kuat dimainkan melalui Middle Part yang Epic sekali nuansanya, sebuah pertarungan Riffing sengit antara Gitaris Nathan Youngberg dan Geoff Bailey untuk Foreplay Part selama 2 menit yang kemudian barulah kita digempur dengan siksaan kejam Blastbeat mantap Drummer berbakat Dan Nahum yang kedasyatan skill-nya telah teruji dibanyak band sebelumnya. Beberapa Struktur musik yang kerap menampilkan permainan yang dinamis bisa Gw buktikan pada Track awal ini, ini seperti Perpaduan antara Gaya Bermain Psycroptic dengan Aeon of Horus juga Neuraxis lama. Melodic Riffing juga begitu banyak tercipta disini lengkap dengan beberapa solo Gitar yang cantik semakin menambah Nuansa Epic Mencekam bagi Infinitum. Permainan Drummer Dan Nahum memang lebih terasakan bermain Progresif metal yang Intens dengan Trik dan Skill yang mumpuni. " From the Cradle to a Plague " bisa jadi adalah Track yang paling Panjang disini, butuh 06:29 untuk menikmati keganasannya, kemudian " Vexing the Progenitor " kembali tetap menghentak dengan beberapa Part yang Extra Kejam dan Hitam ! lagu2 Indera Gw tetap Terusik dengan beberapan Gaya Riffing Progressif dan Drummer yang Dinamis, dan karakter Vocalis Andy Annand tetap terdengar Emosional walau beberapa Pattern-nya terdengar Monoton gayanya tetap memberikan aroma dan suntukan segar dialbum ini dengan high pitch, low pitch, and even lower pitch. soundscape Melodic Riffing Attack ! Memang secara keseluruhan materi album ini adalah pertarungan Skill antar Member-nya, sehingga kadang memang seperti kita dipaksa mendengar beberapa " Ego " Bermain seorang musisi menurut karakter yang tercipta dan mereka inginkan saat meng-komposisi lagunya, jelas butuh Waktu berkali kali untuk bisa mencerna apa yang mereka mainkan disini. Struktur musik diciptakan secara Brilian dan Mumpuni tengah dipamerkan Gerombolan Musisi death metal ini, dan coba sendiri Kedasyatannya selama durasi 42:10. It's the best composition of music I've ever heard, something extraordinary that has moved me deeply, a true masterpiece. 

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Be'lakor - Of Breath and Bone CD 2012

Be'lakor - Of Breath and Bone
Rockstar Records CD 2012
http://www.belakorband.com
http://www.myspace.com/belakor
http://www.facebook.com/belakorband
http://www.reverbnation.com/belakor
http://www.youtube.com/user/belakorband
http://twitter.com/#!/belakorband
http://www.last.fm/music/Be%27lakor
http://www.ultimatemetal.com/forum/belakor-490
belakor-admin@hotmail.com

John Richardson - Bass
Jimmy Vanden Broek - Drums
Shaun Sykes - Guitars
George Kosmas - Guitars, Vocals
Steve Merry - Keyboards, Piano

01 Abeyance 08:04      
02 Remnants 06:14      
03 Fraught 06:46      
04 Absit Omen 06:06    
05 To Stir the Sea 01:29    
06 In Parting 09:21      
07 The Dream and the Waking 09:17    
08 By Moon and Star 08:58    

Be'lakor adalah sebuah nama Setan yang diambil dari Karakter tabletop Game " Warhammer ", secara resmi dipakai oleh Band Melodic Death Metal bagus asal Melbourne, Victoria, Australia yang eksis sejak 2004 dan Hingga kini telah mempunyai 3 Album, sukses dengan album sebelumnya " Stone's Reach " tahun 2009, 5 anak muda Bertalenta Negeri Kanguru ini kembali mencoba mengulang suksesnya kembali di album baru yang masih menjanjikan kalau band ini adalah salah satu dari sekian band yang menyukai lagu2nya Amon Amarth, Amorphis, Paradise Lost, Opeth, Before The Dawn Hingga Dark Tranquillity banget ! There are a few cases of the familiar and throwaway melodies, but these are vastly overshadowed by the overall quality of the release. This is also one of those albums you want to listen straight through, it's quite a moody journey. " Abeyance " menggebrak di awal Track masih dengan sentuhan Death Metal Standard yang Mengkultus-kan Melodic Gitar secara utama dalam setiap Aransemen lagunya, yup sentuhan Mantap dan Tajam yang menjadi karakteristik Amon Amarth Masih sangat begitu terasa disini, Duet Gitaris Shaun Sykes dan George Kosmas memang kerap melahirkan part2 Epic Riffing yang melodius dan kemudian dibungkus rapi oleh alunan Merdu keyboardis Steve Merry, pada menit ke 01:43 Lagu bisa Kita Jumpai Rythym Guitar yang Folky banget nuansa-nya digeber dengan gaya Speed Metal Riffing, kereen !!! sayatan melodius dari gitaris Shaun Memang begitu Melarutkan suasana Menjadi Hitam. selanjutnya " Remnants " masih meluncur dengan Irama yang terasa Doomy Metal banget ala Amorphis dan Paradise Lost dan Dimainkan lagi dengan Middle Downstroke tempo headbang. Sentuhan Melodius memang menjadi Amunisi Utama dalam setiap Penciptaan lagu Band ini, sehingga Menjadikan lagu2nya memiliki Durasi yang panjang, total  selama Hampir 1 jam kita bisa jelas menikmati Sajian lagu2 disini. One guitar is always counterbalancing the other with the proper string of chords, or plucky melody, and this persists throughout the album has some nice progressive death flourishes, the pianos well integrated with the chords. sepertinya gw dibawa ke alam Fantasi begitu serius menikmati Sajian Karya ini, sebuah Fatamorgana Hitam Kerap menyelubungi Fikiran dan Benak gw cieeeee !!! Komposisi Musik yang Bagus apalagi Karakter bermain Band ini begitu menyatu dengan suasananya, sehingga Rilisan ini sangat Gw rekomendasikan melumatkan Malam elo yang khususnya pada Kena Imsonia hahahaha, Rilisan ini Dieropa di Rilis oleh Kolony Records dan tersedia juga special edition digipack yang menawan. Be'lakor have crafted the very best melodic Australian death I have heard to date. The lyrics and titles are introspective and interesting, and the band sounds like they've been at this for a decade minimum.

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Hunt The Haunted - The Forsaken Spawn EP 2012

Hunt The Haunted - The Forsaken Spawn ' Ep
Self Produce / Indiependent MCD 2012
http://www.facebook.com/HuntthehauntedAU
huntthehaunted@hotmail.com

Zac Atkinson - Drums
Troy Noble - Vocals
Jake Rakose - Guitar
Blake Dickson - Guitar
Kane Giordano - Bass

01 Exiled
02 Enigmatic Daydream
03 Forcefed
04 Products Of Imperfection
05 The Forsaken Spawn
06 Holy Abesement

Western Sydney, Australia Brutal Death Metal Bagus nihh !! memang ga sengaja gw menemukan Band ini sewaktu Browsing, awalnya memang melihat artwork cool dari band ini, gw kira maenin Deathcore yang membosankan, namun begitu Gw coba sendiri, 5 gerombolan Busuk ini memang memiliki Konsep Musik yang Ganas dengan berbagai Typical Extreme dipadukan menjadi sebuah Komposisi musik dengan beat2 Brutal as Fuck !! beberapa sentuhan tajam ala Oceano, Behemoth, Whitechapel, Aversions Crown, Boris the Blade, Despised Icon, Thy Art Is Murder, The Acacia Strain dipadukan lagi dengan gaya Bengis Cannibal Corpse dan Suffocation menjadi sebuah aransemen yang mematikan terasakan dalam 6 lagu super Ngebut ini. Karakter Vocalis Troy memang Enerjik walau parau Kerongkongannya kurang begitu terdengar maksimal namun cukup membuat Konsep band ini menjadi lebih Menghantam ditambah lagi dengan Emosional Vokal disela2 Raungannya ! dentuman maha Dasyat Drummer Zac memang tidak bisa dianggap sebelah mata dengan gempuran Hyperblast yang kerap dilancarkannya, lalu duet maut Gitaris Jake dan Blake memang tidak serta merta dapat dipisahkan dalam alur Struktur band ini yang kejam, menusuk dan Menendang ! Pokoknya siap siap menjadi Band berbahaya dimasa mendatang !

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Ne Obliviscaris - Portal of I CD 2012

Ne Obliviscaris - Portal of I
Code666 Records CD 2012
http://www.myspace.com/neobliviscaris
http://www.facebook.com/pages/Ne-Obliviscaris/8216149897
http://neobliviscaris.com/forum

Brendan "Cygnus" Brown - Bass
Daniel "Mortuary" Presland - Drums
Matt Klavins - Guitars
Benjamin Baret - Guitars (lead)
Tim Charles - Violin, Vocals (clean)
Xenoyr - Vocals (lead)

01 Tapestry of the Starless Abstract 12:01      
02 Xenoflux 10:01    
03 Of the Leper Butterflies 05:52    
04 Forget Not 12:04    
05 And Plague Flowers the Kaleidoscope 11:35    
06 As Icicles Fall 09:24
07 Of Petrichor Weaves Black Noise 10:43    

Progressive Black/Melodic Extreme Metal Asal Melbourne, Victoria, Australia, Ne Obliviscaris ( Baca : Nay Ob-li-vis-kar-is ) yang dalam Bahasa Latin-nya adalah " Lest We Forget " kembali membuat kejutan setelah cukup memukau melalui Demo " The Aurora Veil " Tahun 2007 band ini memang dikenal memiliki gaya bermain Yang Bagus dalam aransemen Musik, ini seperti perpaduan Tidak wajar antara Dimmu Borgir, Dream Theatre, Opeth dan Amorphis menjadi sebuah Komponen musik yang lebih Hitam dan gelap ! apalagi band ini selalu membuat lagu dengan Durasi yang Panjang 6 - 12 menit dialbum ini wew ! di album ini pertarungan beberapa skill member band memang saling di Uji sehingga kesan Progressive memang tidak bisa dikesampingkan begitu saja, karena memang banyak sekali proses eksperimen bermusik telah terjadi. Dimulai dengan " Tapestry of the Starless Abstract ", Gaya Blackened Black Metal yang dipenuhi oleh Fast Blastbeat membuat kegelapan seperti sedang membuka lebar Dimensi-nya selama Durasi 12 menit dengan teknik2 bermain Musik yang serba mengejutkan, Melodius, Dark, dan Fast !! gw sampai Terngantuk mendengar Durasi lagu-nya yang Memang Fantastis hehehe, sebuah kekuatan dari Kegelapan di hadirkan dengan sangat Baik oleh band ini, Total 01:11:40 kita cuman dipaksa mendengar 7 lagu saja disini. album ini memang akan menambah referensi Kasanah Musik Metal yang lebih Luas lagi dengan berbagai Eksperimen yang dilakukan tidak setengah2, sehingga apabila elo membutuhkan sebuah tantangan yang lebih, debut full album yang selain dirilis oleh Code666 Records juga di rilis oleh label se-negaranya, Welkin Records untuk pasaran Australia ini bisa menjadi sebuah Pilihan yang Bijaksana lagi hehehehe ... containing even more aggressive moments without losing that sense of melody and emotional rollercoaster in the transitions between different moods that made the band such a unique entity.

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Abramelin - Abramelin CD 1995

Abramelin - Abramelin
Thrust Records 1995

01 Misfortune 04:38    
02 Grave Ideals (Nekromaniak) 04:14    
03 Spiritual Justice 03:48      
04 Humble Abode 03:56    
05 Stargazer (The Summoning) 06:34    
06 Stargazing (Stargazer II) 04:04    
07 Deprived of Afterlife 06:05      
08 Invocation 04:54    
09 Cantara (Dead Can Dance cover) 03:56

Tim Aldridge - Guitars
Simon Dower - Vocals
Justin Wornes - Bass
Euan Heriot - Drums

Surprise Banget Pokoknya dah dengan Rilisan album pertama mengagumkan dari salah satu band Death Metal yang ikut andil besar dalam mengenalkan sekaligus meracuni adiksi gw dengan musik metal sejak pertama kali mengenalnya. it's Real Memorable ! dan apakah gw terlalu berlebihan jika punya statemen begini? yang jelas ada banyak attitude-nya membuat gw semakin lebih mengenal Konsep Death Metal yang lebih dinamis dari yang gw kenal sebelumnya. dan masih ingat banget darimana pertama kali gw mengenal band ini, yang pasti album kompilasi Kaset " Brutally Sickness " part pertama memperkenalkan gw sosok death metal dengan gaya bermain dinamis dengan lagu Fantastis " Misfortune " untuk pertama kali gw kenal disitu. bagaimana salah satu band veteran death metal terbaik negeri Kanguru, Australia yang sekarang memang tinggal menyimpan banyak kenangan ini punya kekuatan besar menanamkan Konsep death Metal fresh yang elegan di era 90-an. Around that time, the established sound of the Florida scene and even in other areas such as Sweden had begun to morph into something else as bands attempted to prevent stagnation. One such new avenue of creativity was to simply get heavier, louder, and more punishing, and by those standards Abramelin's self-titled debut delivers on every level. memang secara mengejutkan dari band yang pernah bermarkas di Melbourne, Victoria dan terbentuk sejak Tahun 1990 ini memberikan Sajian Death Metal Fresh di album full pertamanya jika elo bandingkan sendiri dengan konsep Ep " Transgression from Acheron " tahun 1994, menjadi sebuah Progresi musik yang begitu drastis berkembang dan Powerfully. The compositions have a tendency to go in unorthodox directions at times, a little unncessary drumming here or maybe some unexpected twist there. Parts of this album can be downright ugly, thus making it even harder for the average fan to absorb with straight forward pummeling that is akin to have brain surgery performed on you with a jackhammer and no anathesia. Hengkangnya Gitaris ke-2 Mark Schilby rupanya seperti memberi ruang yang luas bagi Gitaris Utama Tim Aldridge untuk mengeksplorasikan skill riffing-nya di album ini. ok yang jelas gw mulai Tulisan tentang album ini dari track fantastis pertama yang Sophomore banget ! " Misfortune " memang pantas banget membuka Sajian album ini dengan serangan Powerfully death metal yang fresh ! Intense Pummeling Downstroke Riffing keren begitu memorable karakternya dimainkan oleh Gitaris Tim Aldridge yang di amini selanjutnya oleh permainan dinamis drummer Euan Heriot dengan skillfull part yang bersinergi dengan struktur riffingnya. dan beberapa part unik mulai menjadi tanpa batasan untuk di Implementasikan pada konsep Abramelin serta Growling powerfull vokalis Simon Dower tetap menjadi pilihan tepat terciptanya karakter band ini menjadi lebih Ganas ! Sweden had begun to morph into something else as bands attempted to prevent stagnation. One such new avenue of creativity was to simply get heavier, louder, and more punishing ! dengan sound yang rada Raw justru memang bagi telah banyak menciptakan elemen Death Metal cadas. " Grave Ideals (Nekromaniak) " memang masih menawarkan Karakter yang sedikit diantaranya mengingatkan gaya Drumming-nya Cannibal Corpse awal. gerakan lincah jemari Tim Aldridge memang semakin tajam menciptakan komponen yang hitam dan kelam dalam beberapa gesekan harmonisasi riffing-nya. lalu " Spiritual Justice " part awal hadir semakin menciptakan atmosfir Konsep musik yang Brutal dan Hitam dengan hentakan Hyperblast snaring mantap dan Dark Harmonization partisi Bar Grip Tim sendiri. kendati kerap menampilkan sajian beat musik yang cepat, beberapa down midtempo masih berlaku untuk sedikit memberi kesan variatif death metal style-nya. ga lupa beberapa sayatan melodic Part yang ditanamkan pada refrain Track. I mean... it sounds so incredibly fluid and natural, but it feels like perchloric acid going down the esophagus. The brooding, Autopsy-esque arpeggiated breakdown in that song is complete sonic torture. This is just one of the many examples of Aldridge's quirky brilliance on this album. Sepertinya Gitaris Tim banyak menyimpan enerji Bermain yang fresh di materi kali ini sebagai salah satu kematangan skill talentanya bersama member lain. " Humble Abode " lebih menawarkan beberapa Simple Headbang part di struktur awal sebelum kita digempur dengan part cepat lagi. is a gem of utter brutality - death metal the way it was meant to be played. terasa pula drummer Euan Heriot semakin powerfully mempermainkan perangkat set drum-nya kian Konstan ! kemudian suasana mulai mencair dengan track Down Midtempo " Stargazer (The Summoning) ", Abramelin lebih menampilkan permainan Old School Death Metal yang Doomy banget mengingatkan akan karakter bermain Autopsy dan sayatan melodic Riffing-nya lebih mencoba menggugah ingatan gw dengan karakteristik Carcass era " Heartwork ", namun hal ini ga berlangsung lama, setengah permainan berikutnya Abramelin kembali beringas memainkan Fast part-nya kembali. dan masih melanjutkan Sekuel berikutnya track " Stargazing (Stargazer II) " tetap menyimpan karakter sama. lalu " Deprived of Afterlife " Real headbang Part come here on First Part. down mid tempo yang dihantam sajian twin pedal rapat dan mantap adalah menjadi salah satu elemen kuat pada track ini. meskipun ada beberapa part yang diulang2, Abramelin masih tetap dapat menampilkan kualitas bermusiknya dengan bagus. seperti terus semakin mendapatkan tantangan yang berbeda, Abramelin semaksimal terus menciptakan elemen2 berbeda pada 2 lagu terakhirnya, " Invocation " dan sebuah Cover version milik band World Fusion terkenal sekampung di Melbourne, Australia, yaa Dead Can Dance, Abramelin sendiri coba memainkan gaya Musik Fusion universal dari Duo musisi legendaris Lisa Gerrard dan Brendan Perry dilagu " Cantara " menutup perjumpaan di album ini menjadi lebih indah saja hehehehe ... sebuah komposisi musik Death Metal dinamis menarik bisa elo rasakan sendiri disini, dengan kualitas Sound rekaman yang tergolong keren di Era 90-an Garapan Enjiner dan Produser Adam Calaitzis Toyland Studios, Melbourne telah menciptakan Masterpiece terbaiknya, walau sayang Abramelin kurang bisa membawa kembali sentuhan yang menggigit seperti materi album pertama ini, di album ke-2 " Deadspeak " Tahun 2000, band ini seperti mulai harus goyah dan diterpa banyak masalah internal sehingga pada akhirnya tahun 2001 memutuskan untuk mengakhiri sepak terjang Abramelin dikancah Extreme Metal setelah sepanggung dengan Band Black/Gothic metal populer, Cradle Of Filth. Album pertama ini khabarnya pun sempat mendapat protes keras terhadap Penulisan liriknya di Australia sendiri sehingga sempat juga dilarang peredarannya disana, namun seperti biasa, setiap pertentangan yang timbul justru menjadikan Rilisan ini Sold Out dalam waktu sekejab sejak awal perilisannya yang secara Independen, kemudian tahun 1997, Repulse Records sangat berminat untuk perilisan kembali untuk pasaran Internasional, setelah sebelumnya sub label dari Shock Australia, Thrust Records merilisnya dan sold out berlanjut pada 1998 kembali merilis ulang bersama dengan Materi Ep " Transgression from Acheron " dalam kemasan double CD tanpa lirik didalamnya. dan sekedar tambahan info aja, kalau Abramelin pertama kali terbentuk sempat menggunakan nama Acheron, namun karena ada perbedaan yang signifikan dengan Band Acheron dari Amrik lebih dulu kondang, sehingga diputuskan menggunakan nama Abramelin ini. Drummer Euan Heriot sendiri pernah memperkuat barisan band Blood Duster, dan Gitaris Tim Aldridge pernah membantu beberapa penampilan panggung band Industrial Death Metal/Grindcore sekampungnya Juga, The Berzerker. is a welcome change from most latterday death metal bands, whose vocals tend to sound blatantly pitchshifted and completely lacking in texture.

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Mortification - Scrolls of the Megilloth CD 1992

Mortification - Scrolls of the Megilloth
Intense Records 1992

01 Nocturnal 06:08    
02 Terminate Damnation 06:17      
03 Eternal Lamentation 06:27    
04 Raise the Chalice 04:17    
05 Lymphosarcoma 06:01    
06 Scrolls of the Megilloth 04:25    
07 Death Requiem 05:09    
08 Necromanicide 04:54    
09 Inflamed 03:25      
10 Ancient Prophesy 11:42

Michael Carlisle - Guitars, BackingVocals
Jayson Sherlock - Drums, BackingVocals
Steve Rowe - Vocals, Bass

Biasanya untuk mengawali karir bermain Musik, umum dan kebanyakan band pasti merilis Demo atau Ep, namun hal ini tidak berlaku pada trio band Death/Thrash Metal asli Moorabbin, Victoria, Australia yang pada awal kemunculannya lebih Total memainkan komposisi Old School Death Metal intense justru untuk pertama kalinya secara official malah merilis Video/VHS ( Video Kaset Pita .ed ) " Metal Missionaries " Tahun 1991, band yang pada awalnya bernama Light Force ini akhirnya menarik minat Boss Nuclear Blast Records, Markus Staiger untuk merilisnya di Kawasan Eropa, sementara CD ini dirilis oleh Intense Records. Mortification play an older style of death metal, and the power trio puts together a really impressive sound. The production leaves enough space for everything to be heard, with some room to breathe - the guitar has an excellent crunchy sound with a vicious buzz from the high gain, but the recording is not clipped, so it comes through with all of its edge, but without pummeling percussion. The bass tone is clean and punchy and is certainly audible, in a great balance with the guitar. The drums sound great, nothing is too loud, and they balance well overall. The vocals are the only thing that is double tracked, simply the same part recorded twice to give them a thicker sound, which really brings them out in all their ferocity. yang menarik perhatian gw adalah Track " Scrolls of the Megilloth " yang pertama kali gw kenal pada Album Kompilasi " Death Just Is Beginning end II ", surprise banget dengan konsep Death Metal mereka Harmonius dan Blastbeat mantap ditawarkan dengan sentuhan garang pula. kemudian beberapa bulan kemudian gw malah bisa melihat penampilan mereka di Video clip kompilasi " Death Just is Beginning end " dan baru sadar aja kalau Drummer Jayson Sherlock adalah seorang drummer kidal. kebanyakan juga band2 Death Metal era 90-an mengusung lirik tentang anti tuhan dan satanisme, namun hal ini sama sekali tidak berlaku untuk Mortification yang lebih Religius dan kebalikan dari semua itu yang mereka tuangkan lewat Gempuran irama death metal yang Intense ! karena Sangat sulit mendapatkan Album full waktu itu, akhirnya gw cuman hanya bisa meng-copy kasetnya aja dari seorang temen hehehehe, album Full ke-2 ini memang mempunyai Bobot Musikalitas yang lebih baik sejak album pertama " Mortification " tahun 1991. Album ini lebih menampilkan aransemen musikalitas Mortification yang lebih cepat dan rapi dengan Track " Nocturnal " sebagai track awal, band ini menambahkan Suara2 dikehidupan malam yang alami banget, suara Kodok, Jangkrik, Serigala,etc untuk mengawali Track ini selama 01:40 kemudian disambung dengan Middle Part yang asyik dan berakhir dengan hentakan Twin pedal yang mantap terhubung seketika dengan gaya Old School Death metal beat style, On to the actual music, the riffing is a mix of tremolo picking and power chords that usually carries the melody. Occasionally, there are guitar-only breaks where the guitar absolutely roars when it is allowed the entire mix, and the riffs are solid, but it is usually a low, chainsaw-like sound with an edge of tearing sheet metal. permainan mantap Drummer Jayson Sherlock menawarkan sentuhan tajam yang powerfully pada struktur lagunya. Sound Gitaris Michael Carlisle yang raw namun tetap padat menciptakan Jam Riffing mantap. sementara frontman bassis vokalis Steve Rowe masih memiliki karakter vokal yang begitu khas Death Metal sekali. it matches up to the guitar when needed for the percussive parts, and it almost always rhythmically pairs with it, but it melodically separates itself strategically to contrast and supplement the guitar melodies, all within the thrashy style of the music. " Terminate Damnation " selanjutnya tampil dengan blastbeat cepat langsung pada awal part-nya. gaya Breakpart Vocalistic unik partisinya. it dominates the song with a lot of ultra-fast, very clear playing and plays without the guitar after every chorus in a great melodic lead rarely heard from death metal bassists. dengan Miskin Gain, Sound Gitar memang terdengar Raw dan tidak memiliki Vibrasi panjang sehingga malah terdengar patah-patah. lalu " Eternal Lamentation " masih terus menawarkan beat yang cepat dan brutal nuansanya, agresif dan enerjik sekali pembawaannya. beberapa Harmonisasi gelap cukup terasakan pada Riffing Gitar. " Raise the Chalice ", Thrash Riffing mulai dipadukan pada aransemen musiknya kali ini, dengan Middle Headbang Part, sayang Sound Gitar Michael Carlisle lagi2 bagi gw kurang memiliki Gain, patah-patah sayatan string-nya, dan giliran Steve Rowe untuk memamerkan cabikan cepat Bass-nya disini. " Scrolls of the Megilloth " tetap Gw andalkan sebagai Track keren di album ke-2 ini. The drums work quite well with the pace of the music - never excessive, always very much in tune with what the guitar and bass are doing - but very much capable of high speeds, just not abusive of these during the sections where the song is not, and does not need to be very fast. I really enjoy the tastefulness of the drumming, as it lacks neither speed nor technicality, but it does not overuse either and regulates the music as well as adding some rhythmic creativity. Cepat dan Harmonis Hitam kekuatan yang ekstrim ditawarkannya. begitu juga dengan " Death Requiem " masih memiliki Alur dan Pola yang sama dengan " Scrolls of the Megilloth ", seperti ini adalah bagian lanjut Track ini saja. album ini kemudian di akhiri dengan Track " Ancient Prophesy " yang memiliki Durasi yang panjang sekitar 11:41 menawarkan komposisi yang lama lama malah bijin Boring suasana aja, namun semua 10 lagu disini adalah Kualitas terbaik Mortification sepanjang Karir musiknya bagi Gw sendiri, In conclusion, Scrolls of the Megilloth is a vital piece of extreme metal history in the realm of Christian metal as well as the secular scene. Get this if you enjoy good quality old school death metal whether you concur with their profound Christian beliefs or not. namun sayang Band ini terlalu banyak mengalami pergeseran Konsep saat ini sehingga menciptakan karakter baru yang memutuskan Gw untuk meninggalkan band produktif ini. album ke-2 ini tetap menjadi The Best Masterpiece Mortification sepanjang masa ! Production is very good when you actually consider that this album was recorded back in 1992. Sometimes it sounds a little fuzzy like in the title track maybe, but the rest is amazing. Definitely not the best but worthy of recognition. So as you can tell this is just an awesome album. If you're looking for some death metal, this is it. It's got everything you want in death metal. This album certainly proves that just because something is christian, doesn't mean it isn't listenable.

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Psycroptic - Psycroptic CD 2015

Psycroptic - Psycroptic
Prosthetic Records CD 2015

01 Echoes to Come 05:37     
02 Ending 04:01     
03 A Soul Once Lost 03:45     
04 Cold 04:35     
05 Setting the Skies Ablaze 03:31     
06 Ideals That Won't Surrender 03:44     
07 Sentence of Immortality 04:26     
08 The World Discarded 03:22     
09 Endless Wandering 04:44

Jason Peppiatt - Vocals
Joe Haley - Guitars
Cameron Grant - Bass
Dave Haley - Drums

Sejak mengenal Album Pertama " The Isle of Disenchantment " Tahun 2001, Gw langsung jatuh hati dengan Eksistensi Technical Death Metal Tasmania, Australia Bentukan 2 Bersaudara Haley, Joe & Dave, sempat gw prediksi Jika Band ini suatu harinya pasti menjadi yang sangat diperhitungkan Skill-nya, en Ternyata Prediksi gw sangat tepat ! Album Ke-2 Nya " The Scepter of the Ancients " Tahun yang masih ditangani secara Independent menjadi semakin membuat Mata Dunia Melirik-nya, sayang memang jika kemudian " The Scepter of the Ancients " (Yang juga dirilis Ulang Oleh Unique Leader Records untuk Kawasan Eropa dan Amrik .ed) menjadi Album Terakhir Bareng Vokalis Matthew "Chalky" Chalk sejak dirinya Hengkang tahun 2005 menjelang Penggarapan Album Ke-3 " Symbols of Failure " Tahun 2006 via Neurotic Records yang posisinya langsung dipasrahkan kepada Jason Peppiatt yang membawa Perubahan yang mendasar mungkin dengan Progres Musikal Signifikal Band jika coba kita bandingkan dengan era-nya Chalky, dengan Struktur yang lebih teknikal dan Dinamis, Psycroptic lebih mencoba menawarkan Semburan Death Metal Modern yang lebih Menonjok dengan teknik2 Dramatis Gila-nya, seketika Dunia Mengakui Psycroptic menjadi Outfit Metal Band Berpotensi yang karirnya kemudian Malah semakin Bersinar keluar Negara-nya, Khusus-nya Amrik dan Eropa. Frontman dengan Talenta Luar biasa, Joe Haley adalah Motor utama dibalik penciptaan Karakteristic Band sejak dari Penulisan hingga Final Proses-nya demi Membentuk Sound serta Style Kuat Psycroptic bersama Drummer Saudaranya, Dave Haley selalu tetap dengan kejutan yang Menantang. The beautiful thing about this, however, is that after repeated listens, you’ll begin to notice more and more… Differentiating parts of songs, and remembering particular riffs and sections that will turn the initial jumbled up mess of technical riffs and incredible drumming into a weaving, flowing, arrangement of songs. Karir Band semakin bersinar saat Mereka dipinang Oleh Nuclear Blast Records untuk Album " Ob(Servant) " Tahun 2008 yang proses Mixing-nya melibatkan Enjiner Logan Mader (Ex. Machine Head) meski sayang kemudian Sukses Selanjutnya tidak berpihak untuk Album Ke-2 bareng Nuclear Blast Records " The Inherited Repression " Tahun 2012 yang banyak kalangan masih menyalahkan Alan Douches Sebagai Mastering Album ini tidak begitu Maksimal dengan Karakter Psycroptic Sendiri harus berakhir dengan Nuclear Blast Records dan Nasib Mujur kemudian berpihak kepada Prosthetic Records untuk dapat merilis Materi panas baru yang lebih menantang, " Psycroptic " yang menjadi Ultimate Skill setelah beberapa Tahun pencarian-nya. Dengan Konsep yang semakin matang dan Modern, Album ini dipenuhi dengan Musikal Ekplosif yang bener2 mencincang sekali kekuatannya dan memang dikerjakan secara Maksimal sekali dari Penulisan hingga sound-nya. It is far from being a masterpiece, but it is very accessible and will find itself praised amongst the scene for building a stronger opponent to than " Ob(servant) " mistakes and miss-steps. Yess, inilah materi sebenarnya Psycroptic cari ! Gitaris/frontman Joe Haley dan Drummer Dave Haley memang Death Metal Soulmate bagi Psycroptic ! ... mungkin sebelumnya kita udah dibikin penasaran dengan Single " Echoes to Come " pada 4 November 2014 lalu menjadi Gimmick terbaik Bagi Prosthetic Records membakar Rasa Penasaran Fans dengan Konsep Fresh Psycroptic ini, well Ga heran Fantastis Track ini pun menjadi Urutan Pertama Setlist Album Baru ini. masih terus mengembangkan teknik2 Menakjubkannya, Duo Bersaudara Haley memang tidak pernah kehabisan ide yang dituangkan dalam Skill-nya. Luapan Vokal Emosional Jason Peppiatt terkadang memang terdengar mirip Tom Araya-nya Slayer pas Pattern Tempo Yang cepat, Terkadang High Pitch juga dengan Soprano Style memberi sentuhan yang makin dinamis dan Eksperimental. established band experimenting a bit to find the pace and density that suits them best, and the relaxed precision with which they summon these whirlwinds is indicative that they may have found it. The Riff is something of a new direction for Psycroptic, much less wild and overtly technical than past records, possessing an almost thrash-like compositional attitude and The end result is much less cluttered and psychotic, taking a step away from the modern conventions of technical death metal into a place where each riff, each subsection, has much more room to breathe. Terus terang Joe Banyak melakukan teknik2 Riffing yang Dasyat dan Rumit mengacak Partisi Bar Nada-nya penuh dengan Lick yang Mengejutkan dan Hebat-nya lagi Dave Haley Masih menjadi Partner Gila untuk mengaransemen Ide Abnormal ini. pummeling mode with intense, fast tempo drumming that would make Hellhammer blush. The guitars, at first, is backing up the drums and only doing a moderate effort of technical riffs, but then they kick into gear, only to trade back and forth between technical riffs. " Ending " kemudian Masih semakin Mengagumkan banyak sekali Menuangkan Riffing teknikal Mengerikan untuk disimak, dan Cukuplah Untuk Bikin Konsentrasi Kalian Puyeng untuk menikmati Harmonisasi Abstrak Komposisi-nya, experiment and as we've become accustomed, impress us with their mix of highly dextrous, unparalleled musicianship and song writing while even delivering admirably original and melodious vocals. seperti tidak mau tenggelam dalam Kegilaan Skill Member lainnya, Untuk track " Setting the Skies Ablaze ", Vokalis Jason Peppiatt memamerkan Vokal Powerfully-nya sejak part awalnya seperti orang yang sedang mengomel Benci hahaha.!. Good Style Jason Peppiatt ! inaudible most of the team and when he's usually doing for some Extraordinary Style ! seperti tiada henti kita dibuat terpana dengan Konsepsional Musikal Bizzare-nya, sehingga ini membutuhkan Indera yang jeli untuk dapat mencerna setiap Sisi-nya, Pekerjaan berat bagi Penikmatnya demi mendapat Kesan AMAZING !!! dengan mencoba lebih melebur kedalam Modern Style-nya, Terkadang menikmati karisma Vokal Album ini adalah sebagai Bentuk Slayer yang Membabi Buta skill-nya hehehe .... Persembahan 9 Track Fantastis berdurasi 37:45 bener2 akan Menguras enerji serta Emosional Kalian tentang Sebuah Kualitas yang menjadi Nomor 1 ! where a technical riff in the first minute bursts out and portends what the next forty minutes will be like, a Groovy fest of Technical riffs with some Breakdowns here and there that do nothing but actually augment and enhance the style Psycroptic aims here for. The bass here is audible and doesn't just follow the guitars like a a stray dog you've just fed, but definitely glues everything together in elaborate and complex sections on most of the tracks. The drumming here truly portrays the drummer's skills, with fast and heavy rhythms, with small things that tint it like some occasional cymbals, and notes that are more felt than heard. What definitely shines in the limelight is the sweeping melodies that from time to time break into Harmonic flurries, It's good at its worst, and it's Amazing at its best. These components together craft a true technical death metal ! YOU MUST HAVE IT !!!!!!!!!!!!!!!!!!!!!

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Since recognize First Album "The Isle of Disenchantment" In 2001, I Immediately fell in love with the existence of the Technical Death Metal Tasmania, Australia Notching 2 Brothers Haley, Joe & Dave, had I prediction If this band a day is sure to be a very calculated Skill its , And Apparently Prediction I very precise! His 2nd album "The Scepter of the Ancients" The year that is still handled by the Independent becoming increasingly making the World Eyes Glancing at her, pity indeed if then "The Scepter of the Ancients" (which was also released Birthday By Unique Leader Records for the Euro Area and Amrik .ed) be the last album Together vocalist Matthew "Chalky" Chalk since 2005 ahead of him flee Cultivation 3rd album "Symbols of Failure" in 2006 via Neurotic Records whose position is directly Submit to Jason Peppiatt that bring fundamental changes possible with Progress Musical Band Significentl if we try to compare with its era Chalky, with a structure that is more technical and dynamic, more Psycroptic try to offer Death Metal Modern Bursts more punch with his technics Dramatic Mad, World Recognizes Psycroptic instantly become Outfit Metal Band Potentially the In fact, the more shining career then out of the State, its Special Amrik and Europe. Frontman with Exceptional Talent, Joe Haley is the main motor behind the creation of Characteristic Band since Final Process of Writing to her for the sake of Shaping Sound and Style Strong Psycroptic alongside drummer brother, Dave Haley always remain with surprise Challenging. The beautiful thing about this, however, is that after repeated listens, you'll begin to notice more and more ... differentiating parts of songs, and remembering particular riffs and sections that will turn the initial jumbled up mess of technical riffs and incredible drumming into A weaving, flowing, arrangement of songs. Career Band more shine when they groom by Nuclear Blast Records for the album "Ob (Servant)" of 2008 that it involves a process Mixing Engineer Logan Mader (ex. Machine Head) although unfortunately later Success Furthermore impartially for 2nd album with Nuclear Blast Records "The Inherited Repression" in 2012 that many people still blame Alan Douches For Mastering The album is not so with Character Maximum Individual Psycroptic should end up with Nuclear Blast Records and Fate Lucky then sided with Prosthetic Records to release a new hot material that is more challenging , "Psycroptic" which became the Ultimate Skill after a few years of his quest. With the concept of an increasingly mature and modern, this album is filled with musical Ekplosif that Really chopping once its strength and it worked once Maximum of writing up his sound. It is far from being a masterpiece, but it is very accessible and will find itself Praised amongst the scene for building a stronger opponent to than "Ob (Servant)" mistakes and miss-steps. Yess, this is the actual material Psycroptic looking! Guitarist / frontman Joe Haley and drummer Dave Haley does Death Metal Soulmate for Psycroptic! ... Maybe before we've contrived curious about the single "Echoes to Come" on 4 November 2014 and became the best Gimmick For Prosthetic Records burn Curious Sense Fresh Concept Psycroptic Fans with this, well Ga wonder Fantastic Track this became First Sequence setlist New Album Here you are. continue to develop Technics astounding, Haley Brothers Duo was never run out of ideas as outlined in his skill. Emotional Outburst Vocal Jason Peppiatt sometimes sounds like Tom Araya of Slayer fitting his Pattern Tempo The fast, sometimes also with Soprano High Pitch Style gives a touch of the increasingly dynamic and Experimental. established the band experimenting a bit to find the pace and density that suits them best, and the relaxed precision with the which they summon Reviews These whirlwinds is indicative that they may have found it. The riff is something of a new direction for Psycroptic, much less wild and overtly technical than past records, possessing an almost thrash-like compositional attitude and the end result is much less cluttered and psychotic, taking a step away from the modern conventions of technical death metal into a place where call now riffs, call now subsection, has much more room to breathe. Frankly Joe Many do Technics riffing that terrible and Partition Bar Complex scrambles his tone full of surprise and Great Lick that it again becomes Partner Dave Haley Still Crazy for arranging this abnormal idea. pummeling mode with intense, fast-tempo drumming that would make-Hellhammer blush. The guitars, at first, is backing up the drums and only doing a moderate effort of technical riffs, but then they kick into gear, only to trade back and forth between technical riffs. "Ending" and then still more Astonishing Pouring a lot of technical riffing Terrible to be listened to, and Enough To Make You Concentration groggy to enjoy his Harmonization Abstract Composition, experiment and as we've Become accustomed, impress us with Reviews their mix of highly dextrous, unparalleled musicianship and song writing while delivering even admirably original and melodious vocals. like do not want to sink into madness Skill other Members, To track "Setting the Skies Ablaze", vocalist Jason Peppiatt show off his vocal Powerfully since the first part as those who are grumbling Hate hahaha.!. Good Style Jason Peppiatt! inaudible most of the team and when he's usually doing for some Extraordinary Style! as relentless we made was struck with conceptual Bizzare Love it, so it requires a keen sense of what each side to be able to digest it, work hard for the sake of the audience got the impression AMAZING !!! by trying to be merged into its Modern Style, sometimes enjoying this album is the vocal charisma as Slayer Form blind his skills hehehe .... Offerings 9 Track Fantastic duration 37:45 bener2 will drain energy and Emotional guys on A Quality be Number 1! where a technical riffs in the first minute bursts out and portends what the next forty minutes will be like, a Groovy fest of Technical riffs with some Breakdowns here and there that do nothing but actually augment and Enhance the style Psycroptic aims here for. The bass here is audible and does not just follow the guitars like aa stray dogs you've just fed, but definitely glues everything together in elaborate and complex sections on most of the tracks. The drumming here truly portrays the drummer's skills, with fast and heavy rhythms, with small things that tint it like some occasional cymbals, and notes that are more felt than heard. What definitely shines in the limelight is the sweeping melodies that from time to time to break into the Harmonic flurries, It's good at its worst, and it's Amazing at its best. Reviews These components together craft a true technical death metal! YOU MUST HAVE IT !!!!!!!!!!!!!!!!!!!!!

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