Tampilkan postingan dengan label [Metalcore]. Tampilkan semua postingan
Tampilkan postingan dengan label [Metalcore]. Tampilkan semua postingan

Kamis, 02 Juli 2015

Heaven Shall Burn - Veto CD 2013



























Heaven Shall Burn - Veto
Century Media Records CD 2013
http://www.heavenshallburn.com
http://www.myspace.com/officialheavenshallburn
http://www.facebook.com/officialheavenshallburn
http://twitter.com/officialhsb

01 Godiva 04:19      
02 Land of the Upright Ones 04:08    
03 Die Stürme Rufen Dich 03:59    
04 Fallen 04:29      
05 Hunters Will Be Hunted 05:59    
06 You Will Be Godless 03:10      
07 Valhalla (Blind Guardian cover) 05:29    
08 Antagonized 03:33      
09 Like Gods Among Mortals 04:20    
10 53 Nations 04:06      
11 Beyond Redemption (Killing Joke cover) 05:46


Eric Bischoff - Bass
Marcus Bischoff - Vocals
Alexander Dietz - Guitars
Maik Weichert - Guitars
Matthias Voigt - Drums


Heaven Shall Burn is a German melodic death metal band with metalcore tendencies !!! First things first, the vocals are, more or less, an excellent combination of a scream and a melodeath growl. The riffs are, no doubt, Gothenburg riffs with breakdowns here and there, although the execution of those breakdowns are certainly not messy. Don't expect guitar solos though, you won't hear any of them here. This album is a balanced combination between melodic death metal and metalcore, which, I think, is a mixed bag of sorts. The rhythm of the songs are usually mid-tempo, as what you will hear here. Album Full Ke-7 Melodic Death Metal dengan sentuhan Padat elemen Metal Hardcore Intens ini akhirnya  pada 19 April 2013 kemaren masih Via Century Media Records, masih berbeda dengan Band2 Genre Metalcore lainnya, Heaven Shall Burn (HSB) tetap konsis mengusung Tema tentang Kehancuran Kejayaan Romawi Kuno serta tentang Ikonoklasme, sebuah gerakan memusnahkan ikon atau gambar-gambar religius yang dihormati khususnya dalam Gereja Kristen Timur. seperti yang nyata mereka usung dalam album " Iconoclast " tahun 2008, sebagai wujud implementasi album sebelumnya " Deaf to Our Prayers " tahun 2006, padahal sebelumnya HSB lebih banyak menulis tentang Kemanusiaan, Kehidupan Sosial Masyarakat sekarang hingga Perlindungan Binatang. Konsepsional yang mereka tawarkan dialbum ini juga masih tetap bergaya Metalcore dengan sentuhan melodius yang agresif ! is carefully constructed and does not sound like sappy, second rate Gothenburg cloned riffs. The band’s music can be summed up with one word; uncompromising. The music is uncompromising in its heaviness and relentlessness, seeing Heaven Shall Burn reach an intensity level that is unmatched in the metalcore realm. I use the metalcore term loosely and for convenience when describing them to others, but Heaven Shall Burn are a lot more metal than core, and much heavier than the other bands that they’re generally associated with. " Godiva " track awal ini HSB mencoba menggambarkan kembali sosok Lady Godiva, adalah seorang bangsawati Anglo-Sakson. seperti Terdapat pada legenda yang mengatakan bahwa Lady Godiva berkuda sambil telanjang bulat melalui jalanan di Coventry, Inggris. Ia melakukan hal demikian agar suaminya Leofric dari Mercia menurunkan pajak terhadap kawulanya. dan hal inilah yang memutuskan HSB menggunakan Lukisan Naturalist karya John Maler Collier yang dibuat sekitar tahun 1897 sebagai Cover album baru ini, sebagai sebuah bentuk Protes atas segala bentuk ketidak adilan terhadap rakyat miskin yang tertindas oleh penguasa. " No Truth will ever reach them. No Word will ever touch him. A Life beyond all Sympathy... ", Raungan Harsh Vokalis Marcus Bischoff tetap menjadi Icon Penting HSB, Sayatan Tajam Melodic Riffing yang masih mengusung Swedish Sound Kental ! combined their burly sound with a refined sense of melody, resulting in songs that were aggressive and catchy at the same time. The implied catchiness does not mean softening their sound, but rather heavy, well-written parts that you can remember after hearing it one time. which was a little less melodic than its predecessor but heavier and more aggressive. Now comes Iconoclast, which sounds like a combination of the two, but sees the band evolving into a metal band with a noticeable decrease in the “core” sound. Yes, there are still plenty of breakdowns and Gothenburg-inspired riffage to go around, but Heaven Shall Burn have delivered their heaviest and most uncompromising disc yet, with a sonic effect akin to using a Panzer tank to crush an egg is a constant sledgehammer to your skull, persistently pounding and driving forward with no sign of letting up. dan menurut Gw konsep bermusik HSB ga banyak memang mengalami perubahan yang begitu mendasar, hanya mungkin komposisi-nya penuh dengan aransemen yang begitu Dewasa melalui Penghayatan musisi yang begitu maksimal ! pertemuan antara In Flames, At The Gates, Children Of Bodom dengan Arch Enemy jika gw gambarkan! sebenarnya saat ini gw lebih setuju jika band ini gw masukkan dalam Genre Melodic Death Metal saja, namun beberapa attitude member-nya lebih mencoba terus eksis di Hardcore Pride Style ! " Die Stürme Rufen Dich " terjangan dinamisnya akan lebih membuat kita untuk terus Headbang dan terhanyut dalam kekacauan Musikal. comes in with Middle blast beats and screams, the strings begin an ascending melody that provides a beautiful yet devastating start to a steamroller of a track. After the blasting stops, the band begins to crush all with their heavy, powerful grooves, incessant bass drums, and multilayered vocal attack. " Fallen " terasa lebih Cadas dengan segala sentuhannya. dan uniknya lagi track " Valhalla " milik Power Metal Blind Guardian HSB tampilkan aransemen barunya menjadi lebih Metalcore melodius banget !! dan Hansi Kürsch-nya Blind Guardian turut bernyanyi pula disini masih menggunakan karakter Vokal Epic Power-nya pada Refrain. bisa bayangkan kalo " Valhalla " nya Blind Guardian menjadi tambah semakin keras lagi ??? Buktikan saja disini hehehehe, apalagi balutan solo Gitar cantiknya akan semakin menghayutkan kita saja hahaha ... ga itu saja, diakhir Track, HSB juga meng cover " Beyond Redemption " Milik English post-punk, Killing Joke, walo masih mempertahankan Orisinilitas versi-nya, HSB seperti agak terjebak sulit keluar banyak dari sentuhan Trance Beat-nya, karena beberapa sentuhan elektronika-nya. tetap secara keseluruhan Komposisi dalam materi album baru ini, HSB tidak banyak mengalami penurunan konsep yang begitu berarti, karena tetap masih kita nikmati sentuhan kental Melodius Death Metal Hardcore mereka yang Intense digarap oleh Enjiner kondang Denmark, Tue Madsen dari band Grope dengan banyak masterpiece band2 terkenal hasil tangan dinginnya. Everything about “Veto” is perfect; the seamless intro, many tempo changes, fast, catchy melodies, vocals, and overall heaviness and intensity combine well and come across as a natural sound. This song offers nothing new sound or stlyewise, but Heaven Shall Burn are able to pull off these attributes common of modern metal bands better than most of their contemporaries. This track sets the tone of unrelenting heaviness for the rest of the album. more calm and melodic than the first half, easing up on the tempo and constant pounding but not on intensity. The guitar melodies are highlighted along with Marcus’ vocal attack. The fast double bass returns again towards the end of the track with a soft piano line appearing in the mix, giving the listener a brief rest before the metal assault continues on the following tracks !! sekedar informasi saja kalo album " Veto " ini hadir dalam 4 rilisan berbeda, dari CD, Double CD, limited deluxe boxset dan Vinyl. sementara gw mendapat yang versi limited deluxe boxset, dengan tambahan 15 lagu rekaman konser mereka di Saalfeld, Germany pada 21 Desember 2012 lalu serta CD ke-3 nya adalah alternative mix Album " Veto " ini menjadi "Blizzard over England mix" yang di Mixing oleh Colin Richardson. sehingga gw mendengar versi lain Mixing album ini versi Colin Richardson yang juga ga kalah Keren dari Garapan Tue Madsen ! songwriting is also excellent, with the songs sounding better and more inspired than on similar style albums that are half of Iconoclast’s length. This is their best album yet, being heavier than Antigone and more melodic than Deaf to Our Prayers. If you are one of the people who think the heavier the metal the better !!!

Heaven Shall Burn is a German melodic death metal band with metalcore tendencies!!! First things first, the vocals are, more or less, an excellent combination of a scream and a growl melodeath. The riffs are, no doubt, Gothenburg riffs with breakdowns here and there, although the execution of those breakdowns are certainly not messy. Do not expect guitar solos though, you will not hear any of them here. This album is a balanced combination between melodic death metal and metalcore, roomates, I think, is a mixed bag of sorts. The rhythm of the songs are usually mid-tempo, as what you will hear here. Full album to-7 Melodic Death Metal with a touch of Hardcore Intense Solid Metal element is finally on 19 April 2013 yesterday still Via Century Media Records, was different from other metalcore genre band2, Heaven Shall Burn (HSB) remained consistent theme brings about destruction of the Roman Triumph Ancient and about Iconoclasm, a wiping motion icons or religious images revered especially in the Eastern Christian Church. real as they stretcher in the album "iconoclast" in 2008, as a form of implementation of the previous album "Deaf to Our Prayers" in 2006, whereas previously HSB write more about Humanity, Social Life Animal Protection Society is now up. Conceptional dialbum they offer is also still with a touch of melodic metalcore style is aggressive! is carefully constructed and does not sound like sappy, second rate cloned Gothenburg riffs. The band's music can be summed up with one word; uncompromising. The music is uncompromising in its heaviness and relentlessness, seeing Heaven Shall Burn reach an intensity level that is unmatched in the metalcore realm. I use the term loosely metalcore and for convenience when describing them to others, but Heaven Shall Burn are a lot more metal than core, and much heavier than the other bands that they're generally associated with. "Godiva" This early track HSB tried to describe the figure of Lady Godiva, was an Anglo-Saxon bangsawati. There is the legend as saying that Lady Godiva as she rode naked through the streets of Coventry, England. He did so in order that her husband Leofric of Mercia lowering taxes on kawulanya. and it is this which decides HSB uses Naturalist Paintings by John Maler Collier made around 1897 as a new album cover, as a form of protest on all forms of injustice to the poor people who are oppressed by the authorities. "No Truth will ever reach them. No. Word will ever touch him. A Life beyond all Sympathy ...", roar Harsh Vocalist Marcus Bischoff remains Icon Important HSB, Sharp Dissection Melodic riffing that still carries the Swedish Sound Lumpy! their combined burly sound with a refined sense of melody, resulting in songs that were aggressive and catchy at the same time. The implied catchiness does not mean softening their sound, but rather heavy, well-written parts that you can remember after hearing it one time. which was a little less melodic than its predecessor but heavier and more aggressive. Now comes the iconoclast, roomates sounds like a combination of the two, but sees the band evolving into a metal band with a noticeable Decrease in the "core" sound. Yes, there are still plenty of breakdowns and Gothenburg-inspired riffage to go around, but Heaven Shall Burn have delivered their heaviest and most uncompromising disc yet, with a sonic effect is akin to using a Panzer tanks to crush an egg is a constant sledgehammer to your skull, persistently pounding and driving forward with no sign of letting up. and according to musical concepts Gw ga HSB is experiencing many changes that are so fundamental, just maybe her compositions are full of such arrangements through the Adult Living the musicians who are so up! meeting between In Flames, At The Gates, Children Of Bodom with Arch Enemy if i draw! i actually now more in favor if this band i enter the Melodic Death Metal genre alone, but several members of his attitude over trying to continue to exist in Hardcore Pride Style! "Die Stürme Rufen Dich" dynamic lunge will be making us to continue Headbang and lost in the chaos Musical. comes in with Middle blast beats and screams, the strings begin an ascending melody that provides a beautiful yet Devastating start to a steamroller of a track. After the blasting stops, the band begins to crush all with their heavy, powerful grooves, incessant bass drums, and multilayered vocal attack. "Fallen" was more Cadas with every touch. and more unique track "Valhalla" Power Metal Blind Guardian belongs HSB show his new arrangement became more melodic metalcore really!! and his Kürsch Hansi Blind Guardian sang along anyway here still use the characters Epic Power Vocal Refrain her on. can imagine if "Valhalla" added his Blind Guardian became increasingly hard again??? Prove it here hehehehe, let alone a beautiful guitar solo bandage will be menghayutkan we only hahaha ... ga that's it, the end of the track, clicking HSB also cover "Beyond Redemption" Whose English post-punk, Killing Joke, walo still maintains its originality version, HSB difficult kind of stuck out like a lot of Trance Beat his touch, because some electronic touches her. fixed overall composition of the new album's material, HSB did not experience any significant decline in the concept that is so, because we still enjoy a touch of creamy melodic Death Metal Hardcore Intense those produced by the famous Danish Engineer, Tue Madsen from Grope band with many famous masterpiece band2 result of cold hands. Everything about "Veto" is perfect; the seamless intro, many tempo changes, fast, catchy melodies, vocals, and overall heaviness and intensity combine well and come across as a natural sound. This song offers nothing new sound or stlyewise, but Heaven Shall Burn are Able to pull off these common attributes of modern metal bands are better than most of their contemporaries. This track sets the tone of unrelenting heaviness for the rest of the album. more calm and melodic than the first half, easing up on the tempo and constant pounding but not on intensity. The guitar melodies are highlighted by along with Marcus' vocal attack. The fast double bass returns again towards the end of the track with a soft piano line Appearing in the mix, giving the listener a brief rest before the metal assault continues on the following tracks!! just information only if the album "Veto" comes in 4 different releases, from the CD, Double CD, limited deluxe boxset and Vinyl. while i got the deluxe limited edition boxset, with an additional 15 tracks recorded their concert in Saalfeld, Germany on December 21, 2012 and as well as his 3rd CD is an alternative mix album "Veto" is a "Blizzard over England mix" which in Mixing by Colin Richardson. so i heard another version of this album Mixing version ga Colin Richardson who also lost Keren of Garapan Tue Madsen! songwriting is also excellent, with the songs sounding better and more inspired than on Similar style albums that are half of iconoclast's length. This is their best album yet, being heavier than Antigone and more melodic than Deaf to Our Prayers. If you are one of the people who think the heavier the metal the better!!!






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Selasa, 30 Juni 2015

Killswitch Engage - Disarm The Descent CD 2013



























Killswitch Engage - Disarm The Descent
Roadrunner Records CD 2013
http://www.killswitchengage.com
http://www.myspace.com/killswitchengage
http://www.facebook.com/killswitchengage
https://twitter.com/kseofficial
http://www.youtube.com/user/killswitchengagetv
http://instagram.com/killswitchengage

01The Hell in Me 02:57    
02 Beyond the Flames 02:53    
03 New Awakening 03:33    
04 In Due Time 03:18    
05 A Tribute to the Fallen    
06 The Turning Point 03:12    
07 All That We Have 03:20    
08 You Don't Bleed for Me 03:20    
09 The Call 02:50    
10 No End in Sight 03:29      
11 Always 04:33    
12 Time Will Not Remain 03:13
   

Mike D'Antonio - Bass
Adam Dutkiewicz - Drums, Guitars, Backing Vocals
Joel Stroetzel - Guitars
Jesse Leach - Vocals
Justin Foley - Drums


Killswitch Engage have always been a guilty pleasure for me. I absolutely loathe most metalcore, especially now that the genre is so over-saturated and redundant, but I do enjoy most of this band's discography, especially "Alive or Just Breathing", and "As Daylight Dies". I'm not sure what happened with this album, though. Before it was released the band called it their experimental album...but after listening to it all I hear is them experimenting with lazy songwriting and generic riffs, then hiring an awful producer to help ruin the songs further. Who was complaining about their production on the previous albums? This is a classic case of "If it's not broken, don't fix it!" ..... Killswitch Engage Has Back Yeahhh !!!! Setelah rada lama cukup menghilang sejak album terakhir " Killswitch Engage II " tahun 2009, band ini disibukkan sekali dengan jadwal Tour yang padat dan panjang, dan tahun 2010 Killswitch Engage sempat merilis 2 single sebagai bukti eksistensi mereka hingga Berhasil memuntahkan kembali karya gress mereka masih bersama Labelmath setia mereka, Roadrunner Records yang telah menata kembali manajemen label setelah dilanda Krisis Finansial, Killswitch Engage masih menjadi salah satu Band Roster setia pula bersama label yang membantu membesarkan nama mereka hingga sekarang ini sukses secara komersial sebagai band pengusung genre metalcore !!, Normally Killswitch Engage produce albums that are high quality in terms of songwriting, production, performances, and artwork/packaging. Almost everything about this album feels rushed, under-developed, and just plain lazy. Let's start with the visuals. masih membawa konsep fresh mereka di album " Killswitch Engage II ", band ini semakin agresif mengacak moshpit area dengan gaya breakdown stomp mantap headbang ! hal ini langsung diledakkan pertama dengan Track Hits " The Hell in Me ", hentakan Gaya Hyperblast standard menggebrak membuka penampilan Track liar pertama ini dari drummer Justin Foley, hentakan yang cukup untuk memecahkan Mosphit ring area banget ! the band immediately lurches into a shoddy, mediocre chugging mosh riff! sound dan style Riffing Gitaris Joel Stroetzel dan Adam Dutkiewicz tetap yang nomor satu penciptaan karakter band ini sejak terbentuk  tahun  1999 di Westfield, Massachusetts mengusung konsep Metalcore yang menarik dan buktinya hingga sekarang, karakter musik band ini tetap memorable pada penikmat musik Metalcore ! sebuah aransemen menarik berhasil membuka stereotype gw tentang band ini yang katanya " Biasa " aja hehehehe .... selain Chugging Riffing yang Indah, sentuhan Riffing melodius ciamik semakin membenamkan suasana dan adrenalin Gw untuk keep headbang ! nerve-racking screams, I'd give the man far more credit. In addition, if his band morphed from a mindlessly generic metalcore band to a more traditionally inspired or NWOBHM band, I'd be more interested in what they are doing. Karakter Kuat vokalis lama Jesse Leach yang cabut tahun 2002 lalu akhirnya kembali lagi dalam formasi band bentukannya ini sejak 2012 lalu, sehingga Killswitch Engage lebih mencoba nostalgia dengan dasyatnya album Faforite gw " Alive or Just Breathing " atau " Killswitch Engage " kembali dihadirkan dengan sentuhan karakter dasyat album " As Daylight Dies ", sehingga pembawaan materi ini adalah enerjik dan menghentak disetiap Aransemen struktur lagunya. It starts out with a riff, but then after twenty seconds, it transitions into a more modern aggro-groove sort of thing...why do that? You started off with an idea, so develop it, you morons! It's like he's trying to sing while running a marathon. God, it's like these guys are on speed; it's just painful! Musically this is sort of schizophrenic, showing the clear divide in songwriting between the band. Half of this is aggro-Pantera-lite-chugging galore, and the other half of the time they play real metal riffs, with hard-hitting drumming and everything. It's really kind of funny because you can actually point out the good songs on here. Meski Gw bukan salah satu pengamat atau pendengar konsep genre metalcore, gw hanya bisa bilang kalo materi album ini cukuplah menarik dan enjoy kita nikmati dalam suasana apapun, disamping kemasan musik yang easy listening, konsep band ini cukup menarik untuk memancing kita lebih memiliki attitude liar lagi membangun semangat positif dalam kehidupan. a lot of the other stuff on here, barring some good riffs or whatever, is typical metalcore slush - although I give them credit for not turning deathcore - with even more bland, overly sweet melodies blended into the mix. Yergh. The last four songs on here are just terrible, with bland, pukeish chugging and lyrics that seriously could not be any more pitiful and whinging. Pass me the barf bag. hampir semua track dialbum gress ini lebih menawarkan konsep menendang dengan sentuhan gaya melodius yang cantik. fans Killswitch Engage nikmati kembali raungan sangar vokalis asli mereka dialbum ini jauh lebih menghantam dari karakter Howard Jones ! perpaduan gaya Slayer, Iron Maiden, Metallica, Megadeth coba dilebur dengan kekuatan dasyat In Flames hingga At The Gates menciptakan karakter Fresh in the vein Killswitch Engage sendiri ! Killswitch Engage managed to make one of the heaviest records they’ve done, but they also managed to make one of the lightest records they’ve done. The band definitely showed that you don't have to focus on all-out heaviness just to make a metalcore record sound good. Untuk versi CD/DVD deluxe edition terdapat 4 Bonus Track yang 2 diantaranya direkam saat penampilan panggung mereka ( My Curse & Numbered Days ), sangat terdengar sounding stage mereka memang asli keren udah dari sononya... this is still a great record with terrific production values, great for hardcore Killswitch Engage fans, as well as people looking to become fans who still have yet to purchase one of the group's albums. For metalheads in general

Killswitch Engage have always been a guilty pleasure for me. I absolutely loathe most metalcore, especially now that the genre is so over-saturated and redundant, but I do enjoy most of this band's discography, especially "Alive or Just Breathing", and "As Daylight Dies". I'm not sure what happened with this album, though. Before it was released the band called it their experimental album ... but after listening to it all I hear is them experimenting with lazy songwriting and generic riffs, then hiring an awful producer to help ruin the songs further. Who was complaining about their production on the previous albums? This is a classic case of "If it's not broken, do not fix it!" ..... Killswitch Engage Has Back Yeahhh!!!! After long enough rada missing since last album "Killswitch Engage II" in 2009, the band once occupied by a solid tour schedule and length, and Killswitch Engage in 2010 had released two singles as a proof of their existence until successfully brings back gress they still work together Labelmath their loyal, Roadrunner Records have label management restructure after hit by Financial Crisis, Killswitch Engage still be one of the band as well as a label Roster faithful who helped raise them up to the present name was a commercial success as the bearers of the genre metalcore band!, Normally Killswitch Engage produce albums that are of high quality in terms of songwriting, production, performances, and artwork / packaging. Almost everything about this album feels rushed, under-developed, and just plain lazy. Let's start with the visuals. still bring their fresh concept album "Killswitch Engage II", the band's increasingly aggressive scrambles breakdown moshpit area with style stomp steady headbang! this is the first direct detonated Track Hits "The Hell In Me", upbeat style kicked open standard Hyperblast wild Track this first appearance of drummer Justin Foley, the beat is enough to break the ring area Mosphit really! The band immediately lurches into a shoddy, mediocre mosh chugging riffs! sound and style riffing guitarist Adam Dutkiewicz and Joel Stroetzel remains the number one character creation since the band formed in 1999 in Westfield, Massachusetts metalcore brings an interesting concept and proof until now, the character of the band's music remains memorable in metalcore music lovers! an attractive arrangement stereotypical gw successful opening of the band which he said "Ordinary" wrote hehehehe .... Chugging a beautiful addition to riffing, melodic riffing ciamik touch the buried atmosphere and adrenaline to keep Gw headbang! nerve-racking screams, I'd give the man far more credit. In addition, if his band morphed from a mindlessly generic metalcore band to a more traditionally inspired or NWOBHM band, I'd be more interested in what they are doing. Strong characters long vocalist Jesse Leach in 2002 that eventually pull back again in the formation of the band since 2012 and proxies, so try Killswitch Engage more with nostalgia dasyatnya gw Faforite album "Alive or Just Breathing" or "Killswitch Engage" re-presented with a touch of character terrible album "As Daylight Dies", making this material nature is energetic and upbeat song every Arrangement structure. It starts out with a riff, but then after twenty seconds, it transitions into a more modern aggro-groove sort of thing ... why do that? You started off with an idea, so develop it, you morons! It's like he's trying to sing while running a marathon. God, it's like these guys are on speed; it's just painful! Musically this is sort of schizophrenic, showing the clear divide in between the band's songwriting. Half of this is aggro-Pantera-lite-chugging galore, and the other half of the time they play real metal riffs, with hard-hitting drumming and everything. It's really kind of funny Because you can actually point out the good songs on here. Although Gw not one observer or listener concept metalcore genre, i can only say if this album is enough interesting material and enjoy whatever we enjoy the atmosphere, in addition to packaging easy listening music, the band's concept is interesting enough to lure us to have more wild attitude again building a positive spirit in life. a lot of the other stuff on here, barring some good riffs or whatever, is typical metalcore slush - although I give them credit for not turning deathcore - with even more bland, overly sweet melodies blended into the mix. Yergh. The last four songs on here are just terrible, with bland, chugging pukeish and lyrics that seriously could not be any more pitiful and whinging. Pass me the barf bag. almost every track dialbum gress more offers concept melodic style kick with a beautiful touch. Killswitch Engage fans enjoy frightening roar back their original vocalist dialbum is much more hit than the character of Howard Jones! style blend Slayer, Iron Maiden, Metallica, Megadeth try merged with terrible force to In Flames At The Gates created the character in the vein Fresh Killswitch Engage yourself! Killswitch Engage managed to make one of the heaviest records they've done, but they also managed to make one of the lightest records they've done. The band definitely Showed that you do not have to focus on all-out heaviness just to make a record sound good metalcore. For the version of the CD / DVD deluxe edition, there are 4 Bonus Track 2 of them recorded during their stage performances (My Curse & Numbered Days), sounding very audible stage is real cool them already from nature ... this is still a great record with terrific production values, great for hardcore fans of Killswitch Engage, as well as people looking up to become fans who still have yet to purchase one of the group's albums. For metalheads in general







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Minggu, 21 Juni 2015

Angel Of Death - Walking Out from 05:14 CD 2015



























Angel Of Death - Walking Out from 05:14
Metalmilitia99prod CD 2015
https://www.facebook.com/angelofdeath.metalblast
http://www.reverbnation.com/angelofdeathofficial
http://angelofdeath-metalmilitia.blogspot.com/

01 Metal Militia 01:18    
02 Budaya Penyesatan 04:56      
03 Setan 04:11    
04 Eyelution 03:46    
05 Sesat Sesaat 04:44    
06 Masa yg Terluka 04:33    
07 Tak Bertuhan 04:06    
08 Deadstarsyndrome 03:29    
09 Kau Bukan Tuhan Ku 04:15    
10 Reborn and Burn 01:54   
11 Angel of Death (Slayer cover) 04:22


Faizal Darussalam - Guitar/Vocals
Denny Darmawan - Bass
Pangestu Adji - Drums


Dapat dipastikan sekali jika " Walking Out from 05:14 " adalah Penantian Super Panjang nan Matang Bagi Angel Of Death untuk dapat mendokumentasikannya sejak band terbentuk tahun 1999 lalu. Alhasil memang sangat tidak mengecewakan jika band ini telah mampu menampilkan permainan dengan Skill & Kualitas yang Mumpuni sekali disini meskipun gw terkadang masih terlalu sulit untuk mendeskripsikan Oriental Musikal-nya yang merupakan perpaduan dari beberapa genre musik yang dititik beratkan pada persepsi utama sebagai Easy Listening stuff dengan Harmonisasi melodius ! Kadang sepintas kita akan mengklaim sebagai Melodic Death Metal, namun beberapa Sentuhan Thrash Riff-nya serta beberapa sentuhan Atmospheric bernuansa Gothic yang Epic tentu akan sedikit kesulitan lagi, but Deskripsi umum-nya gw sepakat dengan klaim band sendiri yang menyebutnya sebagai " Progressive Metal " menjadi ungkapan tepat untuk menggambarkan konseptual di " Walking Out from 05:14 " ini. Frontman Faizal Darussalam tentu patut mendapat Apresiasi penuh atas kerja kerasnya di Angel Of Death, sebagai Konseptor dan Mastermind Band, Faizal Begitu Ekploratif dan Kreatif dalam mengkomposisi lagu dialbum ini, apalagi Faizal juga paling Jago dalam Menulis sebuah Lirik lagu yang puitis dan sarkatis mesti memiliki Bait yang panjang (Tidak pada kebanyakan Band di Scene Tanah Air. Ed) dan tidak mengalami " Pengulangan " yang signifikan dan dapat dipastikan Konsentrasi beban-nya makin berat pada posisi Vocalis/Gitaris, Syalut ! Sebelumnya EP " Angel of Death " tahun 2007 udah lebih dulu dilepas secara terbatas menjadi Kekuatan kuat selanjutnya untuk merilis Album penuh dengan Materi Extra Matang " Walking Out from 05:14 " ini (dan sampai Sekarang gw belum menemukan Arti dibalik Titel album ini, mengapa " Walking Out from 05:14 " .ed) dan gw masih terlalu hanyut dengan Materi yang tergolong " Keren " ini, meski gw denger berulang-ulang sebelum menulis ini, tidak ada feel boring sedikitpun. karena secara sistematis Komposisi Track dialbum ini sangat diperhitungkan sekali. Mungkin Kalian Rada penasaran bagaimana sebenarnya materi ini? Ada baiknya gw ngasih sedikit beberapa gambarannya menurut gw sendiri tentunya sekarang. Let's Check the Pure Quality in Extreme Music path !

Foreplay dulu dengan Intro instrumental Awal " Metal Militia " selama 01:18, gw udah mencium kehadiran sound metal yang Megah serta High Quality Musician-nya. dan mengobati penasaran selanjutnya ditampilkan secara utuh dengan Track enerjik " Budaya Penyesatan ", Well Death Metal Intens dengan Harsh Vocal digeber dengan tempo yang cepat dan beringas yang sesekali kerap dihiasi dengan Elemen-elemen yang Epic lewat Sentuhan Keyboard, dari sini gw seperti sedang mendengarkan Kembali Karakter yang gw tangkap ala Bleeding Through era " Portrait of the Goddess ", Ya konsep Metalcore yang gahar dengan sound death Metal kental !  It’s that for once, there is a band that finally gets the balance between the two genres right, without being full devoted to one side, and without making a complete commentary out of themselves and everyone else involved. tidak berhenti pada konsep ini, kemudian sentuhan Melodius mulai menggelayut hebat dengan sajian solo melodius-nya ala In Flames banget, very Memorable and Abrasive brain. kemudian Raungan Emosi Vokal-nya sendiri dari Faizal akan mengajak kita ke nuansa Lagi-lagi Metalcore style. sangat menjiwai setiap bait-nya sehingga terjeritkan nyata menyatu dengan Kromasi Harmoni-nya. I’m sure that this can either be a positive element or a negative one depending on your disposition. Mendengarkan Lick riffing-nya asli tergolong keren dengan segala Orientasi-nya sebagai Musisi yang memang bertalenta, sehingga hampir setiap Perpindahan Bar riff sangat diperhitungkan Match-nya. This not quite as deep as Death Metal, but they're certainly louder then any Metalcore band and the lyrics center around relationships and revenge. Semakin menikmati Progres musikal yang dinamis dan kerap " berubah " tanpa sama sekali membuang Mood dengan Intonasi yang membosankan, Angel Of Death Masih menampilkan Komposisi Skill Dramatis serba Melodius-nya. Jadi ketika pikiran kita sedang terfokus pada 1 part, part lainnya seperti sedang melengkapi dengan eksperimen perpaduannya. breaking into the mainstream were off selling motivational speeches through breakdowns and over dramatic Composition ! Mungkin Aroma Metalcore melodic ala Darkest Hour dengan Riff fenomenal in The Vein Slayer adalah yang dapat menggaris bawahi Karakter Musikal, meski kadang masih terpatahkan dengan argumen komposisi track berikutnya, nah ini dia ! " Eyelution " sentuhan Hypersnare cukup menjadi kombinasi part awal lebih terdengar makin Cadas. dapat gw bayangkan pula jika Melihat penampilan band ini diatas stage hanya memperlihatkan Respon Terbengong aja dengan Aransemen ciamiknya, meski sayangnya di Scene kita masih belum banyak menerima karakter seperti ini sebagai " Art " dari Musikal yang menarik, Fakta ! Sentuhan Melodius yang kian menjadi-jadi berikut-nya " Sesat Sesaat ", Nuansa Metalcore melodius serta Epik, In terms of technicality the entire band stepped up their playing on this record. Pattern Vokal dengan Paragraf lirik yang panjang tentu menjadi bagian mendominasi struktur track-nya telah " Tebal " terisi, sehingga sayang mungkin bagi Faizal untuk menyia nyiakan part yang kosong dan sepi bagi-nya. dan terus menikmati sajian Progresif stylish-nya, " Masa yg Terluka " menghujam semakin cepat dengan Hypersnare yang rapat ! Fantastis Riffing-nya semakin teruji dramatis pula disini ditengah konsentrasi-nya menampilkan nuansa yang masih melodius, apalagi gw masih begitu terbius dengan solo-solo ciamik keren-nya, has some of the band’s keep have the best riffs eventually ! Suguhan Dinamis The Art Music still goes on ! " Tak Bertuhan " terus menyita konsentrasi banget komposisi-nya. picks up pace with a series of speedy light fingered riffs and a surprisingly uplifting chorus before dropping back into the intro breakdown, which feels much stronger the second time around. menjadi Track Jagoan gw adalah " Deadstarsyndrome ", sejak Gebrakan Part awal langsung mengobarkan adrenalin untuk stay Headbang ! sementara pembawaan Aransemen seperti makin memanas meski beberapa kali didinginkan dengan Melodic Riffing. seperti merasakan kembali kecintaan gw dengan Masterpiece lama milik Bleeding Through dan vokal yang Emosional. Seperti tidak pernah kehabisan ide untuk memoles Skill menarik-nya, " Kau Bukan Tuhan Ku " sentuhan metalcore Melodius Riffing tetap jadi andalan ! solid beat in the background keep Most of the emphasis seems to be on the guitarsmaking the general sound while the lead provides some melody to the song with a variety of different ways to play melodeath. kehadiran " Reborn and Burn " seperti memberikan Nuansa Cooling Down pada Track Pamungkas-nya, tapi eitss ntar dulu, kalo pada Akhir setlist-nya Angel Of Death Kini menjadi " Angel Of Death " nya Slayer, yang ter cover lebih perfect dengan Karakter Band sendiri. More Metalcore than Thrash Metal I Think, But This Keep Make the best observed song, Awesome !

Meskipun gw belum dapat secara Konkrit menggambarkan tepat progres konsep materi " Walking Out from 05:14 ", namun ada banyak Hiburan yang lebih menyegarkan nampaknya disini, perpaduan Konsep Cadas dramatis yang dirangkai lebih Cool dengan skill dan talenta Musisi-nya menjadi sebuah Kejutan tersendiri pada kenyataan. rasanya pendengar " Standard " (pendengar yang hanya menikmati klaim Konsep musik hanya pada 1 sisi saja dengan persepsi-nya yang kaku dengan sebuah genre .ed) akan memerlukan Konsentrasi tersendiri untuk dapat menikmati, meskipun secara keseluruhan Materi " Walking Out from 05:14 " ini bagi gw sangat Easy Listening karena dapat dinikmati oleh banyak kalangan. penyuguhan kualitas skill masih menjadi High Term bagi Fans Musik Dinamis. Pengerjakan Sound yang Lebih profesional terbilang lebih " megah " dengan kualitas-nya, dan gw menambahkan kekurangan terjadi pada Sound Drum yang masih terlalu Digital banget, malah terkadang mengurangi kemasan meski Masih dapat terpatahkan dengan hadirnya komposisi Riff dan Solo yang Excellent ! disamping itu pengemasan Produksi album ini juga terbilang " Mewah " dengan Exclusive Doft Paper, meskipun dari Layout-nya sendiri masih terlalu " Ramai " dan Acak kesannya. Artwork nya menampilkan karya dari seniman Bvllmetal (Art Cover depan), Rudi Gorgingsuicide dan Dick Wacky (Pada Booklet Cover) Menghibur sekali selama lebih dari 41 menit lewat 11 track didalamnya. I would still recommend it as proof that there is quality metalcore out there. there is not much experimentation going on except for the basic concept of consonant melodies alongside a harsh vocalist. Basically speaking, if you want consistency then this is the album to get, but those who want an album with a few surprises will want to look to the debut. come most attractive with the sweet tone of melodic death antiquity, and achieved a sense of identity. Lebih Menikmati Sebuah Art Kualitas Musikal yang Terbilang Menantang? Rasanya elo Mesti coba sendiri kejutannya di " Walking Out from 05:14 ".







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Sabtu, 11 April 2015

Chasing Wells - Die Die Beautiful EP 2014



























Chasing Wells - Die Die Beautiful
Self Release EP 2014
https://www.facebook.com/chasingwillsband
http://www.reverbnation.com/chasingwills
www.twitter.com/chasingwillsMY

01 Intro So Let We Go
02 Losing You Part 2 (Our Song Third Year Redemption)
03 Betrayal From Promises
04 Gaza We Will Come
05 Have You Choose Your Side (Remember Who We Are ' Demo)
06 Losing You (Remember Who We Are ' Demo)
07 I Will Forget (Remember Who We Are ' Demo)


" Falling rise together, never ever surrender, stand strong together, stand strong forever " sepertinya menjadi Spirit tersendiri memang bagi Kuala Lumpur Melodic Metalcore ini, CHASING WELLS ! setelah mengenalkan Demo " Remember Who We Are " lewat Situs Reverbnation tahun 2012, Band ini Kembali melempar EP pertamanya " Die Die Beautiful " yang sebagian materi-nya ditambahkan Demo tersebut menjadi Rilisan Fisik pertama Band sejak terbentuk Tahun 2012. Mungkin jujur saja kalo Gw masih terlalu terlambat untuk mengikuti perkembangan Genre Metalcore dari Negeri ini, sehingga mungkin nama Mereka hampir tidak gw tahu eksistensi-nya. menjadi saat yang tepat memang untuk gw kulik EP menarik Pertama Chasing Wells yang menjadi perpaduan Karakter antara  Unearth, As I Lay Dying, All That Remain, serta Parkway Drive cukup memberi Hiburan menarik tersendiri bagi Gw apalagi Melodic Metalcore Fans. The vocals on this track aren't as good, with weird breaks in-between shouts that don't quite fit. The guitars are cool, but everything else is a little below my expectations. Ya meski komposisi musik yang ditawarkan band ini lebih menghanyutkan dengan Lick Melodic Riffing-nya, namun pada Sesi Vokal bagi gw masih harus di Kembangkan lebih maksimal dengan karakter yang Powerfully ! " Intro So Let We Go " menjadi Foreplay yang hangat sebelum Moshpit area pecah teraduk oleh Bising Melodic Metalcore dengan Hentakan Kuat Breakdown Beat diantaranya. All contains a focus on the environment, which is a nice change in pace from the usual metalcore genre subject matter. " Losing You Part 2 (Our Song Third Year Redemption) " penampilan Menarik mencoba mengusik dengan karakter Kuat Melodius dengan terjangan Kuat Metalcore Anthemic Style. The band will then proceed to repeat the riff for 2 bars. Then the riff will be repeated two more times but with the vocals jumping in the second time around. Then the bridge to the chorus comes or maybe you get a chugging riff played for two bars to announce the coming of a breakdown. Sajian Solo Melodius-nya lebih menembus Insting sekali, terkemas lebih Maksimal bersama Instrumen lainnya. " Betrayal From Promises " semakin Membungkam Naluri dengan sentuhan melodius yang makin kental lagi, the melody and flow of the songs and guitar parts carries the band through and maintains their status as one of the premier metalcore bands of today. Spoken Intro " Gaza We Will Come " rasanya memberi Attitude tersendiri hingga Kita menikmati Sajian Track ini begitu Mendalam dengan The True Melodic Metalcore yang lebih Agresif Esensi-nya, Nice Track the ability to pull of some kick ass thrash riffs and grooves but these are set against saccharine sweet melodies and come too far apart to save the Track seems slightly less reliance on telegraphed breakdowns which will upset the Hot Topic crowd ! 3 Track selanjutnya adalah dari materi Demo Sebelumnya, dengan karakter Vokal yang jauh lebih berbeda dengan sekarang, more Emotional Type kental sentuhan Kuat Parkway Drive, meski Beberapa Karakter Shriek Vokalnya disini lebih Harsh, tapi sayang Beberapa Clean Vokal-nya malah bikin " Kacau " karakter Musik yang sudah tertata lebih garang. Mungkin secara keseluruhan Chasing Wells Punya karakter Musik yang Asyik, namun untuk beberapa Vocal Duties-nya masih perlu adanya pengembangan maksimal untuk Musikal Perfect band. throwing out phrases like ‘one dimensional’ and ‘derivative’ while disappearing into the latest obscure release. In reality, while hardly reinventing the wheel, no one can hold a candle anywhere near them. They’re just better than everyone else, and after all, Falling rise together, never ever surrender, stand strong together, stand strong forever !!!

IN ENGLISH (Sorry, Google Translate Use)

"Falling rise together, never ever surrender, stand strong together, stand strong forever" seems to be a separate Spirit does for Kuala Lumpur's Melodic metalcore, chasing Wells! after introducing Demo "Remember Who We Are" through Reverbnation site in 2012, this band Back throws his first EP "Die Die Beautiful" that most of his material is added Demo became the first physical release since the band formed in 2012. It may be honest if Gw still too late to follow the development of the metalcore genre of this State, so perhaps the name they hardly i know its existence. be a good time is to draw gw kulik First EP Chasing Wells who become characters blend between Unearth, As I Lay Dying, All That Remain, and Parkway Drive Entertainment interesting enough to give pleasure for Gw especially Melodic metalcore fans. The vocals on this track are not as good, with weird breaks in-between shouts that do not quite fit. The guitars are cool, but everything else is a little below my expectations. Yes, although the composition of music offered the band a more immersive with melodic riffing Lick her, but at the Vocal Session for I still have more leverage in Develop Powerfully with character! "Intro So Let We Go" became warm foreplay before rupture area moshpit stirred by Noisy Melodic metalcore with Beat Breakdown Strong beat them. All contains a focus on the environment, the which is a nice change in pace from the usual metalcore genre subject matter. "Losing You Part 2 (Our Song Third Year Redemption)" Attractive appearance of trying to disturb the character of the brunt Strong Strong melodic metalcore anthemic style. The band will then proceed to repeat the riff for 2 bars. Then the riff will be repeated two more times but with the vocals jumping in the second time around. Then the bridge to the chorus comes or maybe you get a chugging riff played for two bars to announce the coming of a breakdown. Serving Solo his melodic instincts once more penetrating, more packed together Maximum other instruments. "Betrayal From Promises" increasingly Silence Instinct with increasingly strong melodic touch again, the melody and flow of the songs and guitar parts carries the band through and maintains Reviews their status as one of the premier metalcore bands of today. Spoken Intro "Gaza We Will Come" Attitude own tastes give up We enjoy this track so Deep Dish with The True Melodic metalcore more Aggressive its essence, Nice Track the ability to pull of some kick ass thrash riffs and grooves but These are set against saccharine sweet melodies and come too far apart to save the track seems slightly less reliance on breakdowns telegraphed the which will upset the Hot Topic crowd! 3 is the next track of the material Demo Previously, the vocal character much different from now, more viscous touch Strong Emotional Type Parkway Drive, although some characters Harsh Shriek more vocal here, but unfortunately some of its Clean Vocal even make "Chaotic" character The music has been arranged more ferocious. Perhaps overall Chasing Wells Have Fun music character, but for some of his Duties Vocal still need the maximum development for Perfect Musical band. throwing out phrases like 'one-dimensional' and 'derivative' while disappearing into the latest release obscure. In reality, while hardly reinventing the wheel, no one can hold a candle anywhere near them. They're just better than everyone else, and after all, Falling rise together, never ever surrender, stand strong together, stand strong forever !!!






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Kamis, 09 April 2015

As I Lay Dying - Awakened CD 2012



























As I Lay Dying - Awakened
Metal Blade Records 2012
http://www.asilaydying.com
http://myspace.com/asilaydying
https://www.facebook.com/asilaydying
http://twitter.com/ASILAYDYINGBAND
http://www.youtube.com/user/aildvideos
http://www.purevolume.com/asilaydying
http://www.lastfm.ru/music/As+I+Lay+Dying

01 Cauterize 03:38    
02 A Greater Foundation 03:46    
03 Resilience 04:08    
04 Wasted Words 04:21    
05 Whispering Silence 04:30    
06 Overcome 04:37    
07 No Lungs to Breathe 04:05    
08 Defender 04:05    
09 Washed Away 01:01    
10 My Only Home 04:06    
11 Tear Out My Eyes 04:37


Jordan Mancino - Drums
Tim Lambesis - Vocals
Phil Sgrosso - Guitars
Nick Hipa - Guitars
Josh Gilbert - Bass, Vocals


Kenapa Elemenisasi Produktifitas kerap mengalami Erosi sebuah Idealisme jika sebuah karya harus diuber dengan yang namanya Deadline Jadwal rilis. musisi seperti harus bertarung dengan banyak kontradiksi dengan perkembangan musik itu sendiri yang terus berubah setiap harinya. terlalu banyak genre musik lahir dengan tidak berada jauh dari Root-nya, ada kesan Bagus begitu pula sebaliknya jika tidak dapat membaca segala kemungkinan yang ada. yang namanya manusia ada kalanya akan menjumpai titik klimak untuk harus kehabisan ide dalam berkarya sehingga pergeseran sendi konsepsional bermusik harus otomatis terkena dampaknya. namun gw percaya semua ini masih akan dikembalikan pada pola kreatifitas musisi itu sendiri agar tetap bertahan dengan keinginan berkreasinya yang semakin matang dan dewasa. bercermin pada sebuah paradigma ini adalah album paling gress sekaligus menjadi album full ke 6 ini tetap memberi Sophisticated dinamisme sebuah band dan tetap mempertahankan Kekuatan Idealis dasar sebagai Band Metalcore unggulan di Industri Musik keras internasional ! masih eksis memainkan beberapa melodius riffing sebagai salah satu elemen terbaik dalam musikalitas band ini sejak terbentuk tahun 2000 di San Diego, California, Amrik untuk pertama kalinya dengan trio formasi, vocalistTim Lambesis, drummer Jordan Mancino, dan Gitaris Evan White dengan mengambil nama dari Karya novel William Faulkner dan sejak memukau dengan merilis split CD dengan band American Tragedy, As I Lay Dying pun langsung dilirik oleh Metal Blade Records yang kemudian menjadikan band ini salah satu penghuni setia Roster label seperti halnya Cannibal Corpse. meski beberapa albumnya mengalami sedikit pergeseran secara Musikalitas, band ini tetap memainkan Konsep Metalcore yang garang dan Keren dimata Penggemarnya hingga saat ini. masih menggandeng enjiner Colin Richardson bagi As I Lay Dying akan tidak kehilangan Style bermusiknya, Band ini masih mengusung konsep kuat Era album sebelumnya seperti " An Ocean Between Us " atau " The Powerless Rise ". Single " Cauterize " yang pertama kali dirilis sebagai Format digital single pada  26 Juni 2012 cukup memberikan Effek penasaran kepada para fans setia As I lay Dying karena pesona luar biasa dihadirkan secara Megah dan dasyat pada track " Cauterize " yang disertakan juga dengan 1 lagu " I Never Wanted " yang telah di Remix oleh Chris Lord-Alge ini mendapat respon yang luar biasa sebagai salah satu Strategi Label pengenalan materi baru band ini dan nyatanya memang selalu berhasil metode pemasan seperti ini hehehehe .... The metalcore scene, with its melodic death and groove metal inspirations married with the horrid concept of screamo/emo dual vocals, was one that became stale all too quickly. Even those who brought the genre into the mainstream, bands like Killswitch Engage and to some extent Hatebreed, eventually become tired and uninspired. This also introduces waves after waves of mindless clones, most of whom can't help but fall as soon as they rose. apparently knew that metalcore was fast dying and went about throwing some additional influences and styles into the mix. Unlike the now out of control deathcore craze, meshing these influences together was done with cohesion, instead of technically impressive gibberish with no form of structure. I applaud As I Lay Dying for this, and perhaps I judged them a little too quickly. Track " Cauterize " memang tepat ditaruh pada urutan pertama album baru ini yang secara resmi dilepas pada 25 September 2012 sebagai " Terapi Kejut " dasyat dengan hentakan Hypersnare Modern Deathcore band Styling sudah mengawali part ini dengan dasyat !! As I Lay Dying masih menawarkan komposisi Metalcore yang Menendang, Powerfully Vocal, Alternate Pick Riffing Metallic Slackdown, dan Solid Drumming Skill out of the ordinary it just provides the rhythm adalah sebuah Komposisi menarik pada track ini. As I Lay Masih tampil garang seperti album2 sebelumnya yang kini semakin lebih kental elemen melodius dan gaya emo Vokal Intens. " A Greater Foundation " masih tetap terdengar karakteristik Modern sound dan style keren. a more melo-death based sound with breakdowns. has now incorporated thrash metal into their brand of melo-death. Beberapa sentuhan Anthemic Backing Vokal mengingatkan dengan Gayanya Hatebreed atau beberapa Band Hardcore Beatdown ! Part awal " Resilience " lebih coba memadukan gaya Emo Metal dengan Thrashing dan Balutan kental Progresif dan Thrash Riffing, walau dengan beat yang sedikit mengendur, beberapa Breakdown part-nya tetap ciamik untuk dinikmati, apalagi beberapa solo Melodius dimainkan dengan syahdu hahahaha ... " Wasted Words " kental elemen Old Thrashing Riff yang kemudian dengan Hentakan twin pedal rapat Jordan Mancino kerap memancing elemen Breakdown part. aransemen pada Refrain-nya masih membawa sentuhan kuat As I Lay Dying, Track ini seperti pertemuan antara Slayer dengan Unearth hingga All That Remain sekali. namun beberapa Breakdown beat part-nya banyak mengingatkan kita dengan Hatebreed in the vein. " Whispering Silence " memiliki Part yang Melodic Death Metal banget di awal part yang mengingatkan dengan gayanya Dark Tranquillity hingga In Flames, tapi jangan kuatir, berikutnya elemen Headbang Thrash dengan Epic Anthem Emo Refrain tetap menjadi beberapa Konsep band asli. I was very afraid that this would be some pseudo-metal, hardcore, punk-ish amalgamate of crap, But this is More some Middle Headbang Partition inside ! kadang membosankan sih gaya Vokal refrain Emo-nya tapi agak sedikit terbayar dengan sayatan beberapa Melodic Solo keren. lalu " Overcome " lebih cenderung sekali pergeseran konsep Yang lagi2 melodius mengawali beberapa part awalnya, dan karakter lagu ini lebih terasa anthemic Moshpit chaos sekali dengan Tendangan beberapa Thrashing Riff ! kemudian Perpaduan Arphegios Riff dengan Thrash Beat coba dimainkan di lagu " No Lungs to Breathe ", hasilnya tetap mengagumkan dimainkan secara prima oleh duet Gitaris Phil Sgrosso dan Nick Hipa tetap memberikan sentuhan mendasar khas bagi band ini. lalu " Defender " The soft, over-dramatic intro, with that awful chorus of singing and screamed vocals that are mashed up so horribly, and even the screams sound terrible over this song. The whole thing feels mashed up and is definitely one worth skipping on every listen. I wish their heavier songs I mentioned before were more ! " Washed Away " menjadi sebuah Instrumental Track yang desperatif banyak menyuguhkan irama kesedihan yang kate anak gaul sekarang namanya galau hahaha .... selanjutnya 2 lagu terakhir As I Lay Dying masih melengkapi Musikalitasnya dengan hentakan Metalcore melodius dengan sentuhan Thrash en Emo yang kental. There are less breakdowns and chug-a-chug riffs than before, with just as many squeals and short runs. A few riffs sound like they could have been taken straight out The higher pitched guitar is actually really catchy and great, and it actually compliments the song, instead of dragging it down. The solos on the album are pretty good too. They could definitely be better, but they work. As I Lay Dying masih tetap memiliki Taring tajam memuntahkan karya2 berkualitasnya secara keseluruhan di materi CD ini, sehingga gw berani jamin Fans Berat band ini akan sangat setuju dengan pendapat Gw ini. produksi Sounding keren dan Profesional akan paling bikin segan untuk Debut pertama John William "Bill" Stevenson sebagai Produser Metal bagi mantan drummer band Punk Legendaris, Black Flag, The Lemonheads, Descendents. " Awakened " does offer some good moments and as far as I'm concerned probably the best the genre has to offer in terms of mainstream output. Fans of metalcore will definitely find something Melodic-Thrash Riff to like here, though others who generally wouldn't look this album's way might want to consider seeking it out in the discount area. looking for more thrash than "core" will be sorely disappointed. Its still metalcore as we all know it, even if Tim Lambesis is manlier than most of the emasculated whiners in the genre today, emitting some halfway acceptable hardcore inspired barks.

IN ENGLISH (Sorry, Use This Google Translate)

Why Elemental Productivity often experience an erosion of idealism if a work should be pursued with the name Deadline release schedule. musicians such as having to fight with a lot of contradictions with the development of the music itself that continues to change every day. too many genres of music born not far from his Root, no impression Good and vice versa if it is not able to read all the possibilities that exist. man whose name would sometimes find high-water mark to have run out of ideas in the works that joints conceptual shift musically affected must be automated. but i believe all of this will still be returned to the pattern of creative musicians themselves to survive the desire berkreasinya a more mature and adult. Reflecting on a paradigm is the most gress album as well as a full album to 6 is still giving Sophisticated dynamism of a band and still maintain basic Idealists Strength Metalcore Band featured in Music Industry international outcry! still exist playing some melodic riffing as one of the best elements in the musicality of the band since their establishment in 2000 in San Diego, California, Amrik for the first time with a trio formation, vocalistTim Lambesis, drummer Jordan Mancino, and guitarist Evan White by taking the name of the novel work William Faulkner and since stunning the band released a split CD with the American Tragedy, As I Lay Dying was immediately noticed by Metal Blade Records, which later made the band one of the loyal inhabitants Roster labels like Cannibal Corpse. although some slight shifts in the album musically, the band continued to play metalcore Concept eyes were fierce and Cool Fans today. still holding engineers Colin Richardson for As I Lay Dying will not miss musical style, the band is still carrying a powerful concept Era previous albums such as "An Ocean Between Us" or "The Powerless Rise". Single "Cauterize" which was first released as a single digital format on June 26, 2012 curious enough to give effect to its loyal fans As I lay Dying because of tremendous charm presented a magnificent and terrible on the track "Cauterize" which also included the first song "I Never Wanted "which has been in the Remix by Chris Lord-Alge's got a tremendous response as a strategy label introduction of new materials and the fact that this band has always managed to Installation methods like this hehehehe .... The metalcore scene, with its melodic death metal and groove inspirations married with the horrid concept of screamo / emo dual vocals, one that was all too Quickly Became stale. Even those who brought the genre into the mainstream, bands like Killswitch Engage and Hatebreed to some extent, eventually Become tired and uninspired. This also introduces waves after waves of mindless clones, most of Whom can not help but fall as soon as they rose. apparently knew that was fast dying metalcore and went about throwing some additional Influences and styles into the mix. Unlike the now out of control deathcore craze, these Influences meshing together was done with cohesion, instead of technically impressive gibberish with no form of structure. I Applaud As I Lay Dying for this, and perhaps I judged them a little too Quickly. Track "Cauterize" put it right on the first of this new album was officially released on 25 September 2012 as "Shock Therapy" with the beat Hypersnare terrible deathcore band Modern Styling already started this with the terrible part! As I Lay Dying was offered a Kick metalcore composition, powerfully Vocal, Alternate Pick riffing Slackdown Metallic and Solid Drumming Skill out of the ordinary it just provides the rhythm is an interesting composition on this track. As I Lay still look fierce as the previous Albums2 now increasingly more viscous element Vocal melodic and intense emo style. "A Greater Foundation" still sounds characteristic of modern sound and cool style. a more melo-death based sound with breakdowns. Thrash metal has now incorporated into their brand of melo-death. Some touch Backing Vocals anthemic style is reminiscent of the hardcore band Hatebreed or Beatdown! Part early "Resilience" is more just blends style with the Emo Metal thrashing and creamy dressing Progressive and Thrash riffing, though with a slightly relaxed beat, some part of his permanent Breakdown ciamik to enjoy, let alone some melodic solos played by eminent hahahaha ... "Wasted Words" viscous element Old thrashing riff and then meeting with the beat twin pedal Jordan Mancino often provoke part Breakdown element. Refrain arrangement on his still carries a strong touch of As I Lay Dying, Track is like a meeting between Slayer with Unearth All That Remain up once. but some part of her beat Breakdown much reminds us with Hatebreed in the vein. "Whispering Silence" has a Melodic Death Metal Part in the early part very reminiscent in style to Dark Tranquillity In Flames, but do not worry, the next element to Headbang Thrash Epic Emo Refrain Anthem continues to be some concept of the original band. I was very afraid that this would be some pseudo-metal, hardcore, punk-ish amalgamate of crap, But this is More some Middle Headbang Partition inside! sometimes boring anyway Emo style chorus vocals but a little bit of his incisions were rewarded with some cool Melodic Solo. and "Overcome" were more likely to shift once The lagi2 melodic concept started a few parts first, and the character is more pronounced anthemic song moshpit of chaos once with kick some thrashing riffs! then mix with Thrash Beat Riff Arphegios try playing the song "No Lungs to Breathe", the result is awesome duet played by the excellent guitarist Nick Hipa Phil Sgrosso and still provide basic touch unique to this band. and "Defender" The soft, over-dramatic intro, with that awful chorus of singing and screamed vocals that are mashed up so horribly, and even the screams sound terrible over this song. The whole thing feels mashed up and is definitely one worth skipping on every listen. I wish their Heavier songs I Mentioned before were more! "Washed Away" became an Instrumental Track desperatif much sadness that kate presenting rhythm jocks now called confusion hahaha .... The next 2 songs last As I Lay Dying is complete with the beat Musikalitasnya melodic metalcore with a touch of Thrash en Emo is thick. There are less breakdowns and Chug-a-Chug riffs than before, with just as many squeals and short runs. A few riffs sound like they could have been taken straight out of The higher pitched guitar is actually really catchy and great, and it actually compliments the song, instead of dragging it down. The solos on the album are pretty good too. They could definitely be better, but they work. As I Lay Dying still has sharp fangs karya2 spewing material berkualitasnya overall this CD, so i can guarantee weight band's fans would not agree with the opinion of this Gw. Sounding cool and professional production will be most reluctant to make the first debut of John William "Bill" Stevenson as the former drummer for Metal Producers legendary punk band, Black Flag, The Lemonheads, descendents. "Awakened" does offer some good moments and as far as I'm concerned probably the best the genre has to offer in terms of mainstream output. Fans of metalcore will definitely find something Melodic-Thrash riffs to like here, though others who generally would not look this album's way might want to consider seeking it out in the discount area. looking for more thrash than "core" will be sorely disappointed. Its still metalcore as we all know it, even if Tim Lambesis is manlier than most of the emasculated whiners in the genre today, emitting some hardcore inspired halfway acceptable barks.

































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Kamis, 02 April 2015

The Agonist - Prisoners CD 2012



























The Agonist - Prisoners
Century Media Records CD 2012
http://www.myspace.com/theagonist
http://www.facebook.com/TheAgonistOfficial?sk=app_178091127385
https://twitter.com/#!/theagonist

Chris Kells - Bass
Danny Marino - Guitars
Alissa White-Gluz - Vocals
Simon McKay - Drums
Pascal Jobin - Guitars


01 You're Coming With Me 04:35    
02 The Escape 04:20    
03 Predator & Prayer 05:05    
04 Anxious Darwinians 05:23    
05 Panophobia 03:54    
06 Ideomotor 05:55    
07 Lonely Solipsist 03:50    
08 Dead Ocean 06:19    
09 The Mass of the Earth 04:40    
10 Everybody Wants You Dead? 05:00    
11 Revenge Of The Dadaists 06:42


Melodic Death Metal dengan sentuhan kental Gaya Cadas Metalcore asal Montreal, Quebec, Kanada yang Kondang dengan Album ke-2 " Lullabies for the Dormant Mind " Tahun 2009 lewat Label metal mapan, Century Media Records tetap menobatkan mereka sebagai salah satu band populer dan Terlaris semua Merchandise-nya, kini setelah melepas lebih dulu Ep " The Escape " tahun 2011, kini mereka memuntahkan kembali Karya Spektakulernya yang lebih Matang dan Dinamis, Gw aja sampai terkejut mendengar Track awal " You're Coming With Me " yang diawali dengan Akustik Gitar Romantis pada detik ke 23, Raungan Si Cantik Alissa White-Gluz yang lebih terdengar melengking bak Black Metal Vocalis tiba tiba menghantam Indera dengar Gw, Fast melodic Part yang kental elemen teknikal Riffing, struktur musik yang Gila-gilaan memang dilakukan didebut anyar ini secara serba Konstan, wew Kanada memang tetap menjadi Scene dengan Gudang band2 Berbahaya yang selalu ingin lebih tampil cepat saja, Biarpun dengan gencar Alissa White-Gluz melancarkan lengkingan Tajam Scream dan Harsh Vokill-nya, namun dengan tetap Prima Alissa White-Gluz tetap menyuarakan suara merdunya pada Clean Vocal ....TOP !!!!, Duet permainan Gitaris Danny Marino dan Pascal Jobin memang kerap menciptakan Part2 yang Sinting melalui teknik Berbahaya, Shredd dan Downstroke Hammer On Liar tanpa melepas kekuatan Riffing yang melodius. sementara Drummer Simon McKay tetap melakukan Tugasnya dengan baik mengantar semua kegilaan Member lain. diakhir Part banyak sekali Gw jumpai Solo2 Gitar Cantik dan Melodius banget,  " The Escape " lebih terasa Gothic Nuansanya pada Part2 awal dengan karakter Clean female Vokal, namun hal ini ga berlangsung lama karena struktur Musik The Agonist pun kembali memanas dengan fast shredding leads with pure technicality !!! wew Komposisinya semakin Bikin gw tercengang Diam bego hahahahaha, ini memang benar2 Komposisi Musik yang bagus walau dimainkan dalam tempo yang serba cepat, namun tetap terjaga Kualitas lagu yang memang asli Melodius dan Dramatic sekali. Gw paling salut dengan Vocalis Alissa White-Gluz yang pernah mengisi beberapa Penampilan panggung Band Kamelot ini memang selalu memiliki Stamina yang prima banget dalam bernyanyi. " Predator & Prayer " dimulai dengan Headbanger Part Tempo selama 40 detik-nya yang kemudian gaya Bermain Archenemy yang lebih sinting ditemukan dengan Son Of Aerilius banget ! Chaotic Riff Structure keep melodic Part and Harmony Ritmic. Lirik2 tentang Problem Manusia, Kritik Politik dan Hal2 yang hangat terjadi ditulis dengan sangat intelligence and thought-provoking lyrics has also helped garner some positive attention !! selama hampir 1 jam 11 lagu keren hasil Mixingan dari Tue Madsen, Gitaris band Grope yang Banting Stir sukses sebagai Producer, Engineer, Mixing & Mastering pernah menggarap Masterpiece dari band Aborted, Artillery, At The Gates, Autumn Leaves, Becoming the Archetype, behemoth,Callenish Circle, Cataract, Dagoba, Dark Tranquillity, Gorefest dan seabrek Band2 top lainnya memang telah dinanti terus hasil Tangan dinginnya yang selalu membuat Masterpiece Killer ! Make no mistake, this is a straight-up metal band that holds nothing back with one goal in mind: to make music that is as catchy as it is heavy; as sweet as it is loud; and as angry as it is melancholy.






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Senin, 30 Maret 2015

Remnants Of The Fallen - Perpetual Immaturity EP 2012



























Remnants Of The Fallen - Perpetual Immaturity ' Ep
Self Produce / Indiependent 2012
http://www.myspace.com/rotfofficial
http://www.facebook.com/ROTFofficial
rotfofficial@gmail.com

Bin - Vocals
Jin - Bass
JaeWon - Guitars
JongYeon - Percussions
Dong-Woo - Live Session Guitars


01 The Afterlife 03:57
02 Path of Shame 02:42      
03 Answer Beyond 04:30    
04 Sea Beast (Remastered) 03:44    
05 This World Fades (Remastered) 04:18


Korea Scene memang Kurang Begitu Terekspos band2 Metal-nya, selain Sebagai Negara yang memiliki banyak Band2 Fucking Boysband yang sangat digandrungi oleh Para ABG Indonesia hahahaha, dan Remnants Of The Fallen tetap akan bisa membuktikan kalau Akan bisa Membuat Boysband di negeri Mereka Layaknya sebagai Para Pecundang saja hahahaha, Remnants Of The Fallen adalah sebagian band Metal Scene Korea yang harus kita kenali kemampuannya memainkan musik metal yang bagus !!, dengan gaya bermain Melodic Death Metal/Metalcore yang intense, band ini seperti banyak mendapat Pengaruh kental dari gaya bermainnya Bleeding Through, Unearth, hingga Day Of Mourning ! hentakan mantap dan sentuhan Thrash Metal dan Death Metal memang memiliki Porsi yang kental dibeberapa Struktur dan aransemen musiknya, Permainan Duet Gitaris Jae-Won dan Dong-Woo saling mengisi beberapa pattern penting Komposisi Lagu, gaya Vokal Bin memang Mantap Mengikuti gaya bernyanyi yang menyatu dengan beat dan Pattern. masih seperti materi Ep sebelumnya " This World Fades " Tahun 2010, band ini semakin menunjukkan Kematangan arah Progresi Bermusiknya yang tambah keren walau masih bisa dikatakan sebagai Band Copycat yang sudah ada, namun ini tetap menunjukkan Kualitas dan Talenta band ini memang tidak perlu diragukan untuk menciptakan sesuatu yang Mengejutkan suatu hari nanti. beberapa sentuhan Khas Amon Amarth, As I Lay Dying, At The Gates, The Black Dahlia Murder, Dark Tranquillity, Darkest Hour, Insomnium, Kalmah, dan Omnium Gatherum berhasil mereka rangkai menjadi sebuah Style bagi Remnants Of The Fallen dan dengan harapan hal ini akan berhasil sebagai band Copycat yang Delivering kick-ass live shows and quality music for all your headbanging pleasure. sebuah Kenyataan baru menghadang stigma yang ada, Korea scene memang bisa menjadi lahan yang bagus untuk pertumbuhan band2 metal-nya. Prepare banget dah untuk karya2 mereka selanjutnya. Keep respect for Remnants Of The Fallen !!!






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Minggu, 29 Maret 2015

Derelict - Perpetuation CD 2012


























Derelict - Perpetuation
Self Produce / Indiependent CD 2012
http://www.derelictmetal.com
http://www.myspace.com/derelictmetal
https://www.facebook.com/DerelictMetal
derelictmetal@gmail.com

Eric Burnet - Lead Vocals
Jordan Perry - Drums
Max Lussier - Guitars, Backing Vocals
Sébastien Pittet - Bass (Studio)


01 Perpetuation 03:05
02 Spoils of War 03:37
03 Expiry 02:55
04 Digital Birthright 03:25
05 Intricate Decay 04:38
06 Olympic 03:26
07 Ergogenic 03:32    
08 Recreated 03:06    
09 Yours to Surpass 02:34    
10 Shackles of Indoctrination 04:48    
11 The Iridium Layer 03:54
12 Emergence 04:32  
  

Kanada ternyata memang masih terus menyimpan Band2 Keren-nya, yang sarat dengan Permainan Yang serba Dinamis, Quebec metal scene yang diliputi oleh Melodic Riffing part yang menjadi Perpaduan nyata antara gaya bermain Death, Strapping Young Lad, serta The Black Dahlia Murder melalui Komponen Khas dari band yang sejak band ini terbentuk tahun 2005 dengan dentuman Irama Blastbeat yang Powerfully !! dan kini menggandeng Produser Chris Donaldson yang sukses menemani Cryptosy ke puncak sukses-nya, dengan harapan bernasib sama, Derelict mulai mencoba peruntungan baru setelah Materi " Unspoken Words " tahun 2009, band ini banyak mengalami Kemajuan dan Memiliki Materi yang semakin Matang ! dengan gaya Progressive Death Metal yang kental dengan Terpaan Blastbeat kejam memulai dengan Track " Perpetuation ",Telinga Gw langsung di hajar dengan Blastbeat rapat yang langsung beberapa Part Musik mengingatkan dengan gaya bermain Strapping Young Lad dan The Black Dahlia Murder, Khusus-nya gaya Middle Harsh Scream Max Lussier yang sedikit bergaya Trevor-nya The Black Dahlia Murder, Depth Ruin Sounding Gitar High Tuning Melodic part memang mantap memainkan fast Part disini. Lagu2 yang diaransemen dengan Ritmik Pattern Penuh Kegelapan dan Chaotic dalam Gaya Death Metal yang Modern selalu hadir dengan beberapa Teknik yang cukup mengejutkan ! selama 43:32 kita memang seakan dibuat Berfikir lebih jauh untuk dapat secara pasti menilai karya baru mereka ini. karena memang ini seperti pertarungan Ego Bermain musik dalam Konsep bermain yang secepat-cepatnya. beberapa Teknik Konvensional tetap diunggulkan disini. It’s energetic, varied, consistent, and, most importantly, refreshingly authentic.



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Shadows Fall - Fire from the Sky CD 2012



























Shadows Fall - Fire from the Sky
Razor & Tie Entertainment CD 2012
http://www.shadowsfall.com
http://www.myspace.com/shadowsfall
http://www.facebook.com/shadowsfall
http://twitter.com/#!/ShadowsFallBand
http://www.youtube.com/shadowsfallvideos
http://www.ilike.com/artist/Shadows+Fall

Jonathan Donais - Guitars (lead), Vocals (backing)
Matthew Bachand - Guitars (rhythm), Vocals (backing)
Paul Romanko - Bass
Brian Fair - Vocals
Jason Bittner - Drums


01 The Unknown 04:55    
02 Divide and Conquer 03:05    
03 Weight of the World 03:56    
04 Nothing Remains 03:20    
05 Fire from the Sky 04:56    
06 Save Your Soul 03:54    
07 Blind Faith 06:27    
08 Lost Within 03:40    
09 Walk the Edge 03:32    
10 The Wasteland 04:06


The American Metalcore band Populer Shadows Fall memang memiliki Reputasi yang bagus di Scene Indonesia, so Siapa seh yang ga tau nama SHADOWS FALL ? apalagi band ini selalu memiliki gaya Bermain Riffing dan Sound yang Killer dan Teknik diatas Rata2, dan masih tetap menjadi pertanyaan apakah Shadow falls lebih pantas disebut sebagai Band Metalcore?? karena selama ini gw masih Beranggapan kalau Sound yang mereka miliki ini jelas tidak dimiliki oleh Band2 Metalcore Mainstream yang ada, apakah kalian Bisa mengerti kata2 saya?? hahahahaha Just Kidding, masih banyak kekeliruan dan Kerancuan yang terjadi di Scene tanah Air kita akibat " Hebat " dan " Gencar " nya Doktrin2 Bodoh dari Individu dan Media yang SOK TAU banget dengan segala pemikiran mereka hahahahaha. apalagi juga kerap Muncul anggapan kalau Band ini adalah Cloning Abis dari nama Lamb Of God, so ayoo kita lebih belajar peka dan lebih percaya dengan Anggapan kita setelah banyak mencari tau pada sumber yang lebih bisa dipercaya. Yang jelas Shadows Fall adalah band metal yang memiliki Sound dan permainan Riff yang emang asli Killer !! di awali dengan " The Unknown " kita sudah diajak terkagum kagum dengan Komposisi Musiknya yang ciamik melalui Permainan Riffing Gitar yang Dinamis plus solo2 lead guitar yang menawan, dan sentuhan incredible Drumming yang Mantap menyempurnakan Keindahan Struktur Gitar hebat sehingga Komposisi luar Biasa memang akan semakin kita nikmati dialbum baru ini yang tetap menambahkan elemen Thrash Metal kental lama menjadi terasa terdengar modern style. dan terus terang gw kurang begitu menyukai karakter Vocalis Berambut Gimbal, Brian Fair yang karakter-nya lebih pas di band awalnya, Overcast. mungkin karakter Phil Labonte Era " Somber Eyes to the Sky " tahun 1997 lebih sedikit menendang buat karakter Music Shadows fall. permainan Solo Jonathan Donais sebagai Mastermind band tetap selamanya bisa dihandalkan ! Hentakan mantap Drummer Jason Bittner yang pernah dipercaya menjadi Drummer Live Anthrax ini memang tetap Menjadi Andalan selanjutnya. " Divide and Conquer " tetap kental Nuansa Shadows Fall-nya nih, asyik buat Headbang Juga nih dan semangat Gw untuk menulis hehehehe, Mungkin Sedikit elemen Thrash Metal ala Testament Mulai sedikit tercium dalam struktur lagunya. " Weight of the World " diawal part Sedikit Grinding Snare Ditampilkan oleh drummer Jason Bittner dengan Ciamik Punya ! semakin lama memang Intensitas beat dan Adrenalin semakin ditingkatkan oleh Track Listing hingga Track Akhir " The Wasteland " kita akan dipaksa menikmati gaya Riffing yang terasa Thrashy dan Dinamis Menggeber Part2 yang selalu Bernuansa Melodic Death Metal kental tetap memaksa kita Untuk headbang selama 41:51 menitan oleh Musik Matang dan berkualitas dari Shadows Fall ini, so memang ga heran Sudah banyak Rilisan mereka lahirkan sejak band ini terbentuk tahun 1995 sebagai Band Melodic Death Metal dan dalam Perkembangan lebih melakukan beberapa Evolusi seiring pergantian Formasi, dan Inilah karya Matang baru dari mereka yang layak banget Elo Koleksi !! Semoga ini bisa menjadi sukses Ke-2 mereka setelah menjual 200,000 copies lebih untuk album " The War Within " saat band ini berada dibawah roster Century Media records. dan bagi Gw, Shadows Fall ini jauh lebih Hebat dari Lamb Of God hahahahaha .. TETAP BERUSAHA MENGUBAH STIGMA DAN STEREOTYPE KEBANYAKAN ORANG dan LEBIH PERCAYA DENGAN KATA HATI SENDIRI.






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