Death Artery - Chapter of Human End
Torn Flesh Records CD 2012
http://www.deathartery.co.nr
http://www.facebook.com/deathartery
http://www.reverbnation.com/deathartery
http://www.myspace.com/deatharteryslam
infernalcorpse@gmail.com
01 Message from Gaza (Intro) 02:43
02 Anjing Berkalung Sorban 02:50
03 Putrefaction Defilement 02:28
04 Kebisingan Padang Mashar 04:13
05 Hirup Tanpa Jiwa 02:59
06 Vomiting Humanity Mutilation 02:58
07 Jahiliyyah 02:33
08 Chapter of Human End 02:44
09 Rafaah 04:00
Lay - Drums
Pupun - Vocals
Toni - Guitars
Yukie - Guitars
Membaca dari beberapa titel tracklist-nya aja Gw sudah bisa memahami Isi Pesan ada yang mereka tuangkan dalam setiap lagunya adalah bentuk sebuah kebencian tentang apa yang mereka lihat dan rasakan sendiri tentang Isu Agama Islam khususnya dalam kontek konflik dan peperangan, Death Artery menuangkan semua ini dengan sajian gaya Brutal Death Metal cepat yang diselipi dengan gaya Slamming Death Metal kental. Gaya Vokal Guttural Gurgling menjadi Ornamen wajib bagi karakter bermusiknya, tanpa terdengar pattern yang begitu jelas lafal pengucapan Baik Syair lagu selain hanya terdengar Urrghh Irrghhh Erghhh aja, dengan konsep hyperblast yang mengingatkan akan kekejaman " Desecrate the Vile " nya Condemned, Brodequin, Animal Killing People, Purulent dan kemudian dibumbui dengan Slamming Parau ala Cephalotripsy, Devourment hingga Vulvectomy. Sounding Drumming-nya terdengar banget Kemasan Programming Loop Track -nya, hal ini terdengar pada sound Cymbal yang begitu Digitalized. gaya Downtuned Riffing yang Lowend style semakin menambah kejam elemen slamming-nya. memuntahkan 8 lagu dengan sentuhan kejam tanpa mengenal lelah membombardir dengan serangan Hyperblast sana sini dan dipermanis dengan kemasan slamming Groovy-nya, tapi koq lama lama bagi gw kog bikin boring ya? disamping belum ada sesuatu yang " Baru " ditonjolkan disini, komposisi musiknya seperti sesuatu yang diulang2. dan seandainya lebih menambahkan poin variasi yang menantang, gw jamin aransemen track disini menjadi lebih hidup tanpa merasa harus terjebak dalam Trend Slamming di Scene Indonesia. Produksi Sound yang Clean cukup menarik perhatian label asal Amrik, Torn Flesh Records untuk dirilis dalam format CD dan kemudian label asal jerman, Rebirth the Metal Productions, merilis kembali dalam format pro-printed CD-R terbatas hanya 150 hand-numbered copies. Anyway the drums are really intense on this release. Furious blast beating at least 80% of the time and then dry aggressive pounding whiplashing beats. The guitars do sound quite a bit muddy indeed, but this doesn’t inhibit your ability to distinguish the guitar riffs. Regardless, I think it was exactly their intention to have the guitar riffing low and subtle in some parts, and in fact, there are many parts that give a very catchy and melodic vibe, if you listen closely. They throw in a lot of squeals and even some solo sounding sections for variety. I believe this album is underrated and gets a lot of criticism for the wrong reasons.
Reading of some of his titles tracklist wrote Gw can understand there Msgbody they pour in every song is a form of hatred of what they see and feel yourself on the Issue of Islam especially in the context of conflict and war, Death Artery pour all of this with Brutal Death Metal style dish that diselipi quickly slamming Death Metal style thick. Guttural Vocal Style Ornaments gurgling become mandatory for musical character, without sounding pattern is so clear pronunciation pronunciation Neither poem song besides just sounding Urrghh Irrghhh Erghhh wrote, with the concept of a reminder of the atrocities hyperblast "Desecrate the Vile" his Condemned, Brodequin, Animal Killing People , purulent and then peppered with raucous style slamming Cephalotripsy, Devourment until Vulvectomy. Sounding it sounded really Drumming Programming Packaging Loop Track it, it sounds the cymbal sound is so digitalized. downtuned lowend style riffing style that adds to its ruthlessly slamming element. spew 8 songs with a touch cruel tirelessly bombarded with Hyperblast attacks here and there and sweetened with Groovy slamming her packing, but i long for the old scar OK to make a boring huh? yet there is something besides "New" highlighted here, musical compositions like something diulang2. and if adding more challenging variation points, i guarantee arrangements became more lively track here without feeling to be stuck in Trend Scene slamming in Indonesia. Production Sound Clean enough attention Amrik origin label, Torn Flesh Records to be released in CD format and then label German origin, Rebirth the Metal Productions, released back in the form of pro-printed CD-R limited to 150 hand-numbered copies. Anyway the drums are really intense on this release. Furious blast beating at least 80% of the time and then dry whiplashing aggressive pounding beats. The guitars do sound quite a bit muddy indeed, but this does not inhibit your ability to distinguish the guitar riffs. Regardless, I think it was exactly their intention to have the guitar riffing low and subtle in some parts, and in fact, there are many parts that give a very catchy and melodic vibe, if you listen closely. They throw in a lot of squeals and even some solos sounding sections for variety. I believe this album is underrated and gets a lot of criticism for the wrong Reasons.
Torn Flesh Records CD 2012
http://www.deathartery.co.nr
http://www.facebook.com/deathartery
http://www.reverbnation.com/deathartery
http://www.myspace.com/deatharteryslam
infernalcorpse@gmail.com
01 Message from Gaza (Intro) 02:43
02 Anjing Berkalung Sorban 02:50
03 Putrefaction Defilement 02:28
04 Kebisingan Padang Mashar 04:13
05 Hirup Tanpa Jiwa 02:59
06 Vomiting Humanity Mutilation 02:58
07 Jahiliyyah 02:33
08 Chapter of Human End 02:44
09 Rafaah 04:00
Lay - Drums
Pupun - Vocals
Toni - Guitars
Yukie - Guitars
Membaca dari beberapa titel tracklist-nya aja Gw sudah bisa memahami Isi Pesan ada yang mereka tuangkan dalam setiap lagunya adalah bentuk sebuah kebencian tentang apa yang mereka lihat dan rasakan sendiri tentang Isu Agama Islam khususnya dalam kontek konflik dan peperangan, Death Artery menuangkan semua ini dengan sajian gaya Brutal Death Metal cepat yang diselipi dengan gaya Slamming Death Metal kental. Gaya Vokal Guttural Gurgling menjadi Ornamen wajib bagi karakter bermusiknya, tanpa terdengar pattern yang begitu jelas lafal pengucapan Baik Syair lagu selain hanya terdengar Urrghh Irrghhh Erghhh aja, dengan konsep hyperblast yang mengingatkan akan kekejaman " Desecrate the Vile " nya Condemned, Brodequin, Animal Killing People, Purulent dan kemudian dibumbui dengan Slamming Parau ala Cephalotripsy, Devourment hingga Vulvectomy. Sounding Drumming-nya terdengar banget Kemasan Programming Loop Track -nya, hal ini terdengar pada sound Cymbal yang begitu Digitalized. gaya Downtuned Riffing yang Lowend style semakin menambah kejam elemen slamming-nya. memuntahkan 8 lagu dengan sentuhan kejam tanpa mengenal lelah membombardir dengan serangan Hyperblast sana sini dan dipermanis dengan kemasan slamming Groovy-nya, tapi koq lama lama bagi gw kog bikin boring ya? disamping belum ada sesuatu yang " Baru " ditonjolkan disini, komposisi musiknya seperti sesuatu yang diulang2. dan seandainya lebih menambahkan poin variasi yang menantang, gw jamin aransemen track disini menjadi lebih hidup tanpa merasa harus terjebak dalam Trend Slamming di Scene Indonesia. Produksi Sound yang Clean cukup menarik perhatian label asal Amrik, Torn Flesh Records untuk dirilis dalam format CD dan kemudian label asal jerman, Rebirth the Metal Productions, merilis kembali dalam format pro-printed CD-R terbatas hanya 150 hand-numbered copies. Anyway the drums are really intense on this release. Furious blast beating at least 80% of the time and then dry aggressive pounding whiplashing beats. The guitars do sound quite a bit muddy indeed, but this doesn’t inhibit your ability to distinguish the guitar riffs. Regardless, I think it was exactly their intention to have the guitar riffing low and subtle in some parts, and in fact, there are many parts that give a very catchy and melodic vibe, if you listen closely. They throw in a lot of squeals and even some solo sounding sections for variety. I believe this album is underrated and gets a lot of criticism for the wrong reasons.
Reading of some of his titles tracklist wrote Gw can understand there Msgbody they pour in every song is a form of hatred of what they see and feel yourself on the Issue of Islam especially in the context of conflict and war, Death Artery pour all of this with Brutal Death Metal style dish that diselipi quickly slamming Death Metal style thick. Guttural Vocal Style Ornaments gurgling become mandatory for musical character, without sounding pattern is so clear pronunciation pronunciation Neither poem song besides just sounding Urrghh Irrghhh Erghhh wrote, with the concept of a reminder of the atrocities hyperblast "Desecrate the Vile" his Condemned, Brodequin, Animal Killing People , purulent and then peppered with raucous style slamming Cephalotripsy, Devourment until Vulvectomy. Sounding it sounded really Drumming Programming Packaging Loop Track it, it sounds the cymbal sound is so digitalized. downtuned lowend style riffing style that adds to its ruthlessly slamming element. spew 8 songs with a touch cruel tirelessly bombarded with Hyperblast attacks here and there and sweetened with Groovy slamming her packing, but i long for the old scar OK to make a boring huh? yet there is something besides "New" highlighted here, musical compositions like something diulang2. and if adding more challenging variation points, i guarantee arrangements became more lively track here without feeling to be stuck in Trend Scene slamming in Indonesia. Production Sound Clean enough attention Amrik origin label, Torn Flesh Records to be released in CD format and then label German origin, Rebirth the Metal Productions, released back in the form of pro-printed CD-R limited to 150 hand-numbered copies. Anyway the drums are really intense on this release. Furious blast beating at least 80% of the time and then dry whiplashing aggressive pounding beats. The guitars do sound quite a bit muddy indeed, but this does not inhibit your ability to distinguish the guitar riffs. Regardless, I think it was exactly their intention to have the guitar riffing low and subtle in some parts, and in fact, there are many parts that give a very catchy and melodic vibe, if you listen closely. They throw in a lot of squeals and even some solos sounding sections for variety. I believe this album is underrated and gets a lot of criticism for the wrong Reasons.
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