Disavowed - Stagnated Existence CD (Reissue) 2015

Disavowed - Stagnated Existence
DIsembowel Records CD 2015
http://www.disavowed.nl
http://www.facebook.com/Disavowedofficial?ref=ts&sk=wall
https://www.youtube.com/user/RobbeK

01 Biased Existence 03:32      
02 Treason 03:09    
03 Collateral Causality 02:59      
04 Restricted Conceptions 03:08      
05 The Infinite Multiplicity 03:20    
06 The Eternal Validity 03:26    
07 Divided by Condemn 03:12      
08 Stagnated 02:35    
09 Dogmatic Conceit 03:07
10 The Veils of Misconception 03:59
11 Rhizome 03:58    
12 Rejected 05:14    
13 Generative Patterns 02:58

Robbe K - Vocals
Gerben van der Bij - Guitars
Daniel van der Broek - Guitars
Nils Berndsen - Bass
Romain Goulon - Drums

The New Wave Of The Dutch Brutal Death Aggression Started on 2000 Keep Actual songs from the pile of Blastbeat, Deep Guttural Cupping Grunts, General Technical Rifflessness, and Semi-Catchy Breakdowns !!! Ketika Membicarakan 1 Nama Potensial dari Netherlands BDM, tentu 1 Nama Kuat kharismatik tetap akan tercatat dalam ingatan, DISAVOWED !  selalu tersemat dalam Mindset kita bagaimana Band yang pernah menjadi Reinkarnasi dari Band sebelumnya, Nocturnal Silence, mengalami Evolusi Musikal Dramatis menjadi Makin mengagumkan ketika mereka mencoba lagi mengutak atik Sang Inspirator seperti Suffocation, Pyrexia, Vader hingga Dying Fetus menjadi warna yang Lebih Ter-struktur dan mematikan ! Memiliki Perjalanan Karir yang sama dengan Komplotan band setongkrongannya, Pyaemia. Sejak Resmi mengganti nama Nocturnal Silence yang diakui kurang membawa Karakter filosofis, Tahun 2000 Akhirnya resmi Menggunakan nama Disavowed, dan Demo Independen " Point of Few " Menjadi Taring tajam perdana mereka yang mendapat Respon diluar dugaan sebelumnya, it is a Truly Engaging song and if it doesn't make one bang one's Head Furiously, it'll certainly have one tapping one's Feet Furiously or doing something of Equal Intensity! It's Seriously that good. kemudian menjadi Ticket Mulus Disavowed menerima Kontrak kerjasama dengan Unique Leader Records yang puncak awal Populeritas Disavowed lebih Go Internasional ketika dilepaskannya Debut Full Pertama " Perceptive Deception " Tahun 2001 seketika menjadi Magnet yang luar biasa bagi DM Fans, yang mengejutkan lagi menjadi Sophomore Death Metal Album terbaik sepanjang masa untuk kemudian menjadi Pengaruh banyak band pada generasi selanjutnya. Album Death Metal keren yang disinyalir menjadi Kiblat baru perkembangan New Wave Death Metal semakin mengganas ! Yess, So one could say this is brutal death metal, which it certainly is, and it's very Good Brutal Death Metal. Pukulan Blastbeat Rapat Drummer Robbert Vrijenhoek (yang juga eksis di Pyaemia Saat itu .ed) menjadi Icon tersendiri diantara Gempuran Mega dasyat Disavowed yang begitu Mendunia itu. Sayang sejak mengalami Cedera Tangan serius tahun 2005, Drummer Robbert Vrijenhoek memutuskan untuk segera Pensiun Dini bagi Karir-nya bareng Disavowed juga Pyameia, dan hal ini rupanya sangat memukul sekali para Fans  atas Statemen yang beredar kala itu. Drastis memang Sejak itu Disavowed mengalami Masa Hiatus sampai akhirnya Disavowed Menemukan Pengganti dengan hadir-nya Drummer Dirk Janssen-nya Despondency (Germany Brutal Death Metal Militant .ed) rupanya telah membawa perubahan mendasar Musikal Disavowed menjadi lebih Technical lagi menurut Beberapa Fans. Sebuah Angin segar bagi Disavowed untuk segera mengerjakan Materi barunya, namun sayang ditengah pengerjaan, Drummer Dirk Janssen Harus mengundurkan diri namun beruntung langsung tergantikan dengan Masuknya drummer Berbakat Romain Goulon yang telah Magang dibanyak Band Potensial termasuk Necrophagist, Arsebreed, Blasphemer, etc. Nah Ledakan hebat ke-2 Disavowed ditandai dengan dilepaskannya Masterpiece Dasyat " Stagnated Existence " via Neurotic Records tahun 2007. Menjadi Album yang menawarkan Konsep semakin Matang dan Dinamis, inilah Puncak Kejayaan Disavowed melanjutkan terus agresi maut-nya menjajah dalam beberapa Rangkaian Tour. dan tidak membutuhkan waktu yang panjang, " Stagnated Existence " pun telah Sold Out ! membuat Willowtip Records kemudian harus merilis ulang kembali ditahun yang sama, karena Request panjang album ini masih berlangsung disusul penampilan Mereka Ke Bogor, Jawa Barat, 2 label tanah air pun Ketiban Kesempatan dapat Merilis Ulang terbatas kembali menjelang Kehadiran Disavowed di Indonesia, Impaled Production (Surabaya) merilis ulang dalam Format Kaset dan Disusul oleh Disembowel Records dalam format CD dengan tambahan materi Demo " Point Of Few ". Kesibukan Band serta ditambah Rangkaian Tour Panjang membuat Disavowed harus menunggu waktu yang lama untuk dapat mempersiapkan Materi Album baru-nya yang nanti bakal dirilis ditahun 2016. ternyata Kharisma kekuatan Hebat materi " Stagnated Existence " masih tercium Sedap sekali bagi DM Freak hingga detik ini, terbukti dengan pesona serta Respon Antusias-nya, Era Kejayaan Disavowed seperti sedang Bersinar Kembali saat ini bagi Scene Tanah Air. Sebuah Masterpiece Dasyat yang sulit bagi kita untuk Move On. Belching out his Desire to end your Pathetic Existence amidst a Storm of Blast beats and Sharp matching the Intensity at every turn with Effortless, Whirlwind fills and Deceptively Dynamic beats as Bulldozing low-end Reverberations.

First Pulverizing, Materi " Stagnated Existence " Jelas lebih Berbeda jika kita coba membandingkan dengan Era " Perceptive Deception, Penyusunan Aransemen yang lebih Kompleks sangat terasa banget diantara Bombardir Kejam Blastbeat Rapat-nya. Jika " Perceptive Deception " kita Hanya dijejali Mati-matian dengan Intens Blastbeat, " Stagnated Existence " semakin lebih menarik lagi Komposisi Dinamis Biadabnya, the Emphasis on each Instrument is Amplified and Attenuated to Glorious Extra Bludgeoning delight !!! Track " Biased Existence " yang jauh sebelum album ini dirilis udah memancing Respon Heboh memang No Comment Banget Progres Musikal Disavowed memang asli dari sononya membahayakan ! Komposisi yang cepat dan Prima sudah langsung tercium menyegarkan ketika menikmati Skill permainan Drummer Romain Goulon yang bermain maksimal sekali menjadi Tim Brilian diantara Skill Enormous Range Technical Riffing Gerben van der Bij dan Daniel van der Broek, yang kerap Mempertontonkan Ide-ide Cemerlang-nya dalam Menyusun sebuah track yang mematikan sekali ! Damn, Romain is a Goddamn Machine !!! tidak seperti pada Materi sebelumnya, Kali ini Vocalis Plontos Robbe K lebih punya kesempatan besar menempatkan beberapa Vokal Pattern-nya ditempat tepat dan terlalu Tidak Rapat Pattern-nya seperti era " Perceptive Deception ", Pembawaan Mood yang Excellent, rupanya menjadi salah satu soul kuat aransemen Disavowed memang makin terdengar Brilian ! lalu " Treason " Kian memanjakan sekali dengan Hadir-nya Lick serta Bar lebih menggoda, ya kita memang sangat dimanjakan sekali dengan teknik bermain yang Totally Amazing ! hampir disetiap Ketukan Metronome stabil, gw menikmati sekali Regulasi Permainan Dinamis Dasyat seperti Kobaran api yang menyala hebat. it feels like the Mechanical kinks between the Aforementioned releases are Vastly Improved, and pretty much every angle of the band's Assault is Sinisterly Excellent. Pukulan Blastbeat Renyah Romain Goulon dengan Skill Maut-nya, seakan paling menghipnotis sekali dimateri ini. Pukulan yang cepat, Padat dan Mantap seperti menjadi Kombinasi sempurna untuk sebuah BDM Masterpiece. " The Infinite Multiplicity " meski masih didominasi dengan part-part Cepat dan berat, Sedikitpun Otak gw masih Signifikan mampu mencerna setiap Progess musikal yang Disavowed tawarkan Step By Step, ya mungkin inilah salah satu Rumus Gw pribadi dalam menilai sebuah Karya itu Mampu terkonsumsi otak secara lebih baik. " The Infinite Multiplicity " adalah Track Faforite Gw disini dengan penyusunan Warna yang sangat dinamis ! Rasanya telah Menggumpal sejuta ide dalam meramu Partisi musik yang luar biasa tidak pernah mengering sedikitpun pada track " The Eternal Validity ", sehingga kejutan demi kejutan seperti menjadi bagian yang tak terpisahkan saja. is that the whole musical Package stays Addictive and Never loses its Initial Punch through All. " Divided by Condemn " rasanya makin tiada kata berhenti untuk aksi yang lebih menggila ! Kemudian " Stagnated " Menjadi Track Faforite gw selanjutnya sekaligus salah satu Anthemic Song Disavowed hampir disetiap Show, the Most Appropriate Decision and gives more Focus on the Technicality Talents music Art. Rasanya juga bakal Rugi banget kalo kalian harus melewatkan " Dogmatic Conceit " karena tanpa terasa sudah mengantar kita hampir ke menit 29, Suguhan yang terus mencincang dan Mencongkel Biji peler dengan Konsep Fantastis Hingga Masuk pada Track pamungkas " The Veils of Misconception ", Gw belum menemukan Titik lemah, karena " Stagnated Existence " memang Asli The Truely New Wave Death Metal Masterpiece !!! ... dan Membedakan pada Rilisan sebelumnya, Disembowel Records Berbaik hati banget menawarkan 3 Bonus track yang dicomot dari Demo Klasik Disavowed " Point Of Few " yang kini telah Menjadi Rare Stuff, dapat Elo Dengerin kembali pada Bagian akhir Disc. Elo Pengen dengerin Versi Awal Track paling Monumental Disavowed " Rhizome " ?, Inilah kesempatan yang bagus mendengarnya kembali lebih Enjoy setelah secara Keseluruhan Materi ini telah Mengalami Proses Mixing dan Mastering ulang oleh Vocalis Robbe Kok. " Rhizome " yang dikenal kedasyatannya memiliki Blastbeat Rapat Barbarik dan Full Power pada era Drummer Robbert Vrijenhoek memang menjadi Sihir hebat yang begitu Memorable. Sound-nya masih Terdengar Raw Memang, Namun Kita dapat mendengar Sebuah Masterpiece Track Awal Disavowed bagaimana. Seperti menawarkan Beat yang menggiling Jantung banget, Hampir setiap Part Musik kerap didominasi dengan permainan Drum yang Padat dan Rapat ! dan " Generative Patterns " Akhirnya dengan Sungguh sayang harus mengakhiri Siksaan Hebat dengan Total Durasi 45 Menit yang Mencekam ini. the Blasting Drum beats and Crushing guitar play well off of each other, Leaving the Blood Pumping bass to tie everything together into a Smoother Presentation, This is Excellency Disavowed Trademark !!!!

Tiada kata lain lagi untuk Gw dapat menggambarkan secara Sempurna-nya Debut Brilian " Stagnated Existence ", Meski tidak menyuguhan warna yang Terlalu Orisinil, Kombinasi Karakter Style kuat yang dikenalkan Suffocation, Pyrexia, Vader serta Dying Fetus menjadi Elemen kental yang sering kita temuin, Secara Hebat Disavowed Mampu meramu-nya kembali dengan Sentuhan yang lebih Taktis dan Modern menjadi Sebuah Poin Klimaks penting Sebuah Sajian BDM yang bakal elo temuin disini. One of the best things about Disavowed Rule ! Namun sayang Seribu sayang Jika ini adalah Materi pertama dan terakhir bagi Drummer Romain Goulon Ketika dirinya terlalu disibukkan dengan Sejuta Proyek Band-nya, namun Beruntung banget saat Disavowed menemukan Pengganti yang lebih Powerfully dan Gila lagi dengan masuknya drummer Kevin Foley, yang dikenal Ketidak warasannya Ketika bermain Untuk Benighted, Mumakil dan Pernah Menjadi Drummer Live untuk Kronos, Decapitated, Nerve Cell, Sepultura dan masih banyak lagi. Well, Kayaknya makin menjadi ga sabaran menunggu Suntikan darah segar Era Drummer Kevin Foley ini akan memberikan kejutan dimateri Baru Disavowed nanti. Pengemasan Produksi Package keren yang Profesional dari Disembowel Records akan terus membentuk Fanatisme Kalian akan Debut Top Notch dari tahun 2007 yang masih memiliki Taring tajam sampai detik ini. Reissue ini diproduksi secara Limited 500 Copy with Numbered Copy spesial untuk Diehard Metalhead BDM Fans, So Mesti buruan sekali bila kalian tidak ingin menyesal seumur hidup untuk melewatkannya kali ini. The mixture of Technicality, Brutality, and Catchiness is done Excellently, Perfectly defined and the Musicianship, Shredding and talent is all Top Notch. BUY OR DIE !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

ENGLISH VERSION (Sorry, use Google Translate)

The New Wave Of The Dutch Death Brutal Aggression Started on 2000 Keep Actual songs from the pile of Blastbeat, Deep Guttural Cupping Grunts, General Technical Rifflessness, and Semi-Catchy Breakdowns !!! When Talking 1 Name Potential of Netherlands BDM, of 1 Name Strong charismatic still be recorded in the memory, disavowed!is always embedded in the mindset us how the band, which had been a reincarnation of the band before, Nocturnal Silence, experiencing Evolution Musical Dramatic be Makin awesome when they try again to work especial the Inspirator like Suffocation, Pyrexia, Vader to Dying Fetus be color More Ter-structure andswitch off! Career having the same Gankmate band, pyaemia.Since Official rename Nocturnal Silence recognized less brought Character philosophical, 2000 Finally officially Using the name disavowed, and Demo Independent "Point of Few" Being fangs sharp their prime who got response beyond expectations before, it is a Truly Engaging song and if itdoes not make one bang one's head Furiously, it'll certainly have one tapping one's Feet Furiously or doing something of Equal Intensity!Seriously it's that good.then became Ticket Seamlessly disavowed receive a contract of cooperation with Unique Leader Records early peak Populeritas disavowed more Go International when the release of Debut Full First "Perceptive Deception" 2001 instantly became Magnet remarkable for DM Fans, surprising again become Sophomore Death Metal Album Bestall time to later become The effect of many bands in the next generation.Cool Death Metal album which is suppose to be new developments Qiblah New Wave Death Metal increasingly raged!Yess, So one could say this is brutal death metal, the which it certainly is, and it's very Good Brutal Death Metal.Drummer Meeting Blastbeat blow Robbert Vrijenhoek (which also exist in pyaemia It .ed) into its own among incursions Mega Icon terrible that so Global disavowed it. Dear since suffered a serious hand injury in 2005, drummer Robbert Vrijenhoek decided to immediately Early Retirement for his career together disavowed also Pyameia, and it seems very hit all the fans over the statement circulated at the time.Since then disavowed drastic indeed experienced a period of hiatus until finally disavowed Found Substitute with his present its Drummer Dirk Janssen Despondency (Germany Brutal Death Metal Militant .ed) seems to have brought about fundamental changes to become more Technical Musical disavowed again according to some fans.A fresh breeze for disavowed to immediately work on new material, but unfortunately the middle of workmanship, Drummer Dirk Janssen Should resign but immediately replaced with the influx lucky Talented drummer Romain Goulon who has been in many bands Internship Potential including Necrophagist, Arsebreed, Blasphemer, etc.Well great explosion 2nd disavowed marked by the release of Masterpiece terrible "stagnated Existence" via Neurotic Records in 2007. Being a concept album that offers more Mature and dynamic, this is the highlight of Glory disavowed continuing its continued aggression death colonize in some Circuit Tour.and do not take a long time, "stagnated Existence" has also been Sold Out!make Willowtip Records must then re-released back in the same year, because the Request length album is still in progress followed by appearances They Ke Bogor, West Java, 2 label homeland was Get opportunities can Releasing Repeat limited back towards the presence disavowed in Indonesia, Impaled Productions (Surabaya) re-released in cassette format and followed by Disembowel Records in CD format with additional material Demo "Point Of Few".Band busyness and added length make disavowed Tour circuit had to wait a long time to prepare for his new album material which will be released in the year 2016 turned out Kharisma Great strength materials "stagnated Existence" still smells Sedap once for DM Freak until this moment, provedwith charm as well as its enthusiastic response, Era Glory Shines Back disavowed as being the moment for the country scene.A Masterpiece terrible that it is difficult for us to Move On.Belching out his Desire to end your Pathetic Existence amidst a storm of Blast beats and Sharp matching the Intensity at every turn with Effortless, Whirlwind Dynamic Deceptively fills and beats as Bulldozing low-end reverberations.

First pulverizing, Materials "stagnated Existence" Obviously contrast, if we try to compare with Era "Perceptive Deception, Preparation Arrangement more complex deeply felt really among bombardment Cruel Blastbeat meeting her. If " Perceptive Deception "we just crammed desperately with IntenseBlastbeat, "stagnated Existence" is getting more interesting Dynamic Composition ferocious, the Emphasis on each Instrument is amplified and attenuated to bludgeoning delight !!! Glorious Extra Track "Biased Existence" that long before the album was released already fishing Response Splashy it No Comment BangetProgress Musical disavowed is genuine from nature jeopardize! Composition fast and Prima was immediately smelled refreshing when enjoying Skill games drummer Romain Goulon who play a maximum of once being Tim Brilliant among Skill Enormous Range Technical riffing Gerben van der Bij and Daniel van der Broek, who oftenThe ideas demonstrate its Shining in Developing a deadly track once! Damn, Romain is a goddamn Machine !!! unlike in the material before, this time vocalist headed Robbe K over had a great chance to put some Vocal Pattern her place appropriate and too Not Meeting Pattern her as the era of "Perceptive Deception", Innate Mood Excellent, seems to be one soul robust arrangementsdisavowed is increasingly sounding Brilliant!and "Treason" Kian spoil all with his present Lick and Bar is more tempting, yes we are very spoiled all the playing techniques that Totally Amazing! almost every Beats Metronome stable, i enjoy a terrible Dynamic Skill Regulations as flames lit great.it feels like the mechanical kinks between the aforementioned releases are Vastly Improved, and pretty much every angle of the band's Assault is sinisterly Excellent.Crispy Romain Goulon Blastbeat blow with his Death Skill, though most hypnotizing once this dimateri.Fast punches, Solid and Steady as it becomes the perfect combination for a BDM Masterpiece."The Infinite Multiplicity" although still dominated by part-part fast and heavy, the slightest Brain I still Significant able to digest any progess musical disavowed offer Step By Step, so perhaps this is one formula I personal in judging a work that Able consumed brainbetter."The Infinite Multiplicity" Track Faforite Me is here with the preparation of a very dynamic color!It feels a million ideas had coagulated in the gathering Partition exceptional music never dry out a bit for the track "The Eternal Validity", so the surprise after surprise as it becomes an integral part of it.is that the whole musical Package stays Addictive and Never loses its Initial Punch through All."Divided by Condemn" increasingly feels no word stopped for more action craze!Then "stagnated" Being Track Faforite next gw and one anthemic Song disavowed almost every show, the Most Appropriate Decision and Gives more Focus on the Technicality Talents music Art.It's also going to Loss really if you have to skip the "dogmatic conceit" because without noticeably already brought us almost to the minute 29, Feature which continued chopping and Gouging Seeds peler Concept Fantastic Up Sign in Track ultimate "The Veils of misconception", Gw has not foundThe weak point, because "stagnated Existence" is indeed Truely Genuine The New Wave of Death Metal Masterpiece !!!... And Differentiating on the previous release, Disembowel Records Being kind really offers 3 bonus tracks plucked from Classical Demo disavowed "Point Of Few" which has now become Rare Stuff, can Elo Hear back at the end of the section Disc.Want to listen Elo Initial Version most Monumental Track disavowed "Rhizome"?, This is a great opportunity to hear back even after it Overall Enjoy This material has been experiencing Mixing and Mastering process is repeated by vocalist Robbe Kok."Rhizome" known Greatest have Blastbeat Meeting barbaric and Full Power-era drummer Robbert Vrijenhoek has become so great Magic Memorable.His sound still sounds Raw Indeed, but we can hear A Masterpiece Track Early disavowed how.As it offers the grind Heart Beat buildup Almost every Part Music is often dominated by the Solid Drum games and Meetings!and "Generative Patterns" Finally Sadly must end the Great Tribulation with total duration of 45 Minutes that this Smelled.the Blasting Crushing drum beats and guitar play well off of each other, Leaving the Blood Pumping bass to tie everything together into a Presentation Smoother, This is disavowed Trademark Excellency !!!!

No word yet another for I can describe Perfect her debut Brilliant "stagnated Existence", Although not feature colors Too Original, Combination Character Style Strong introduced Suffocation, Pyrexia, Vader and Dying Fetus becomes Elements thick that often we temuin, Ingreat disavowed able to draw on his back with a touch more and Modern Tactical become a critical climax point A BDM dish that will ell find here.One of the best things about disavowed Rule!But unfortunately Thousand affection If this is the first material and the latter for the drummer Romain Goulon When he was too preoccupied with the Million Project His band, but Lucky freely when disavowed find substitute more Powerfully and demented again with the inclusion of drummer Kevin Foley, known lack warasannya WhenTo play benighted, Mumakil and Never Be Drummer Live for Kronos, decapitated, Nerve Cell, Sepultura and many more.Well, I think ga increasingly become impatient waiting for fresh blood injections Era Drummer Kevin Foley will deliver a shock to New dimateri later disavowed.Production packaging coolest Professional Package from Disembowel Records will continue to shape Fanaticism You will Debut Top Notch from 2007 that still has sharp fangs until this moment.This reissue produced Limited Numbered Copy 500 Copy with specials for BDM Metalhead Diehard Fans, So It must be hunted at all if you do not want to regret a lifetime to miss it this time.The mixture of Technicality, Brutality, and catchiness is done Excellently, Perfectly defined and the Musicianship, Shredding and talent is all Top Notch. BUY OR DIE !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

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The Monolith Deathcult - Tetragrammaton CD 2013

The Monolith Deathcult - Tetragrammaton
Season of Mist CD 2013
http://www.monolith-deathcult.com
http://www.myspace.com/themonolithdeathcult
http://www.facebook.com/monolithdeathcult
http://www.monolith-videocult.com

01 Gods Amongst Insects 07:15    
02 H.W.A. (Human Wave Attack) 08:55    
03 Drugs, Thugs & Machetes 07:47    
04 Todesnacht von Stammheim 06:44    
05 S.A.D.M. (Svpreme Avantgarde Death Metal) 08:50      
06 Qasr Al-Nihaya 06:58    
07 Aslimu!!! - All Slain Those Who Bring Down Our Highly Respected Symbols to the Lower Status of the Barren Earth

Sjoerd Visch - Drums
Michiel Dekker - Guitars, Vocals
Carsten Altena - Keyboards, Samples
Robin Kok - Vocals, Bass
Ivo Hilgenkamp - Guitars

Karakteristik band ini sedikit mengingatkan dengan kedasyatan Fleshgod Apocalypse Banget ! walo permainan Keyboard Carsten Altena ga begitu Orchestral banget, tapi sentuhannya telah menambah atmosfir yang begitu kelam dan Hitam pada setiap komponen blastbeat cepat-nya, dan beberapa sentuhan Sample electronic-nya banyak mengubah konsep band ini menjadi Supreme Avant Garde Death Metal ! band Dasyat asal Kampen, Overijssel, Netherland yang eksis sejak 2002 silam sebagai Monolith saja menjadikan Album " Tetragrammaton " sebagai Full Materinya yang ke-5 ! yang pada beberapa album awal band ini lebih kental memainkan konsep Brutal Death Metal enerjik, dan akhirnya pada perkembangan berikutnya mulai menambahkan elemen Electronic dan sampling sebagai Terobosan konsep barunya. is basically about the idea that the human civilization was created by extraterrestrials and is much older than popular belief would have us all to accept, but all records that prove that hypothesis have been all but destroyed by recurring global cataclysms much like the one the Mayans warn us should happen in 2012. meskipun hentakan track pertama " Gods Amongst Insects " yang berdurasi 10 Menit ini banyak memancarkan serangan Rapat Hypersnare mantap drummer Sjoerd Visch berstamina Prima menerjang bak gempuran Angin Topan Menghancurkan begitu mengingatkan sekali Matching Drumming-nya dengan Francesco Paoli nya Fleshgod Apocalypse ! selain itu masih terasakan juga pengaruh typical bermainnya Nile, Hate Eternal hingga Karakteristik Behemoth begitu Kental beraroma.  Their brand of brutal yet intelligent, electronically enhanced death metal can create an atmosphere that is really like no other band in the genre, while still retaining all the tasty heaviness is viciously detuned and provides a nice grind to the overall package, not really a thick distorted sound that’s typical of most death metal releases, but a good hard, ballsy grind. komposisinya juga terdengar berubah ubah secara eksperimental. as it's one of the few songs where the symphonics are actually catchy and develop a melodic theme instead of just blaring away, and shows off the death metal intensity. wuihh merasakan durasi 10 menit track rancak ini memang membutuhkan kesabaran tersendiri untuk menikmatinya, apalagi komposisi yang disajikannya adalah bener2 dasyat !! " H.W.A. (Human Wave Attack) " agak berbeda style-nya dengan track awal, bahkan ini adalah semakin beraninya The Monolith Deathcult untuk bereksperimental dengan gaya Nu Metal ala Slipknot mungkin, dan balutan solo Gitar menjadi sesuatu yang cantik disini. " Drugs, Thugs & Machetes " makin sadis saja gempuran beat dan Unik aransemennya. First of all, when they added in the symphonic element to their sound, they kind of removed some of the brutally fast, technical elements that are present in their earlier albums. " Todesnacht von Stammheim " pun menjadi semakin bikin gw terheran2 dengan karakteristik Gaya2 Hardcore Style banget, simple dan Headbang ! kemudian " S.A.D.M. (Svpreme Avantgarde Death Metal) " adalah bentuk keseriusan sendiri untuk menanamkan Imej sebagai Svpreme Avantgarde Death Metal ! perpaduan karakter Modern Thrash Beaten Riff dengan  Death Metal awesome menjadi pilihan tepat bagaimana band ini lebih meracik konsep unik tersendirinya. It’s audible with a good tone, and that extra low end adds that extra touch of needed heaviness. I’ll never understand why that instrument is so underutilized in death metal. For further research into the effective using. is a welcome and intelligently placed change of pace in the middle of the album, and it does a good job of setting you up for the final onslaught !! lalu apa yang mereka tulis di track lanjutan " Qasr Al-Nihaya ", gw masih belum dapat memahami filosofinya. yang pada Liriknya menulis nama " Uday Saddam Abu Sarhan " sebagai " Sicker than a psychopath/Torturing athletes/who failed to win/Behold the nation's greatest hate/Ready to kill and lacerate ", yang jelas gw kurang memahami Konsep Lirik seperti ini hehehe.... dan makin unik pula memasuki Track Pamungkas album gress ini adalah Titel " Aslimu!!! - All Slain Those Who Bring Down Our Highly Respected Symbols to the Lower Status of the Barren Earth ", panjang banget titel-nya hadehhh ... namun Gw ulik Liriknya,gw temukan " Khaybar Khaybar ya Yahud, Jaysh Mohammed saya’ud/ Remember Khaybar " seperti sebuah History di negara Mesir. hmmmm .... mungkin secara musikalitas album ini semakin lebih banyak menawarkan konsep eksperimental unik tanpa banyak menghilangkan komponen kuat pembentuk gaya bermusik Death Metal-nya, The Monolith Deathcult kali ini memang semakin Sinting dan Berbeda ! Truly a gem in the fetid waters of brutal death metal, this album is sure to please anybody who likes their music to have a sense of, well, musicalness to it - unlike typical brutal death metal. TMDC has made a truly unique and exceptionally Fucking heavy album with Tetragrammaton. It might not be for everybody and the traditional death metal fan might balk at the use of drum n bass, break beats and plenty of trance-y samples but if you like your death metal brutal as a baby in a blender and don’t mind the odd electronic touch then TMDC will tear you a new one. Bener2 Bikin Pusing kalau ga bisa mencerna begitu saja konsepnya hahahhaa .... the goal to broaden their extreme (death) metal with influences from techno/dance and industrial music, completed with Wagnerian classical pomposity. All this is topped with an image of irony, black humour and bad taste, in combination with a morbid fascination for everything that is ‘wrong’. The album closes with the epic which at just over More minutes is the longest song on the album and yet it’s credit to the genius of the band that it doesn’t seem anywhere close to being that long. The inclusion of a Low Growling awesome vocal line is a welcome addition and the song has that whole epic feel in spades. Truly awesome !!! YOU MUST TRY IT NOW !!!!

Characteristics of the band is a little reminiscent of the kedasyatan Banget Fleshgod Apocalypse! Carsten Altena game walo Keyboard Orchestral ga so really, but his touch has added to the atmosphere that is so dark and Black on every component blastbeat his fast, and some of his touches many electronic Sample changing concept band became Supreme Avant Garde Death Metal! terrible band origin Kampen, Overijssel, Netherland which existed since 2002 earlier as it makes the album Monolith "Tetragrammaton" as Full material is the 5th! which in some band's early albums thicker play Brutal Death Metal energetic concepts, and finally in the next stage began adding elements of Electronic and sampling as a breakthrough new concept. is basically about the idea that the human civilization was created by extraterrestrials and is much older than the popular belief would have us all to accept, but all records that PROVE that hypothesis have been all but destroyed by global cataclysms recurring much like the one the Mayans warn us should happen in 2012. although the first beat of the track "Gods Amongst Insects" which lasted 10 minutes this many attacks emit a steady drummer Sjoerd Hypersnare Meeting Visch stamina Prima crashing tub so the onslaught of Typhoon Destroy all Matching Drumming reminds her with her Francesco Paoli Fleshgod Apocalypse! but it is still be felt also influence his playing typical Nile, Hate Eternal to Behemoth so Condensed flavorful characteristics. Their brand of brutal yet intelligent, electronically enhanced death metal can create an atmosphere that is really like no other band in the genre, while still retaining all the tasty heaviness is viciously detuned and provides a nice grind to the overall package, not really a thick distorted sound that's typical of most death metal releases, but a good hard, ballsy grind. composition also change the sound changed experimentally. as it's one of the few songs where the symphonics are actually catchy and develop a melodic theme instead of just blaring away, and shows off the death metal intensity. wuihh feel smart track duration of 10 minutes this does require patience alone to enjoy it, especially the composition it presents is bener2 terrible!! "HWA (Human Wave Attack)" his style is somewhat different to the track early, this is even more courageous for The Monolith Deathcult bereksperimental Nu Metal style ala Slipknot possible, and bandage guitar solos into something beautiful here. "Drugs, Thugs & Machetes" increasingly violent onslaught just beat and unique arrangements. First of all, when they added in the symphonic elements to their sound, they kind of removed some of the brutally fast, technical elements that are present in their Earlier albums. "Todesnacht von Stammheim" became increasingly make gw terheran2 with characteristics very Gaya2 Hardcore Style, simple and Headbang! then "SADM (Svpreme Avantgarde Death Metal)" is itself a form of seriousness to embed The image as Svpreme Avantgarde Death Metal! Modern blend of character Riff Beaten to Death Thrash Metal is a good option how awesome this band is more concocting unique concept tersendirinya. It's audible with a good tone, and that extra low end adds that extra touch of heaviness needed. I'll never understand why that is so underutilized instrument in death metal. For further research into the effective using. is intelligently placed and a welcome change of pace in the middle of the album, and it does a good job of setting you up for the final onslaught!! then what they wrote in the advanced track "Qasr Al-Nihaya", I still can not understand his philosophy. which the lyrics were written the name "Uday Saddam Abu Sarhan" as "Sicker than a psychopath / torturing athletes / who failed to win / Behold the nation's greatest hate / Ready to kill and lacerate", which obviously i do not understand the concept of lyrics like this hehehe. ... and more unique album also entered Pamungkas Track Titel gress is "your real!!! - All slain Those Who Bring Down Our Highly Respected Symbols to the Lower Status of the Barren Earth", its very long title hadehhh ... however Gw ulik lyrics, I find "Khaybar Khaybar ya Yahud, Jaysh Mohammed saya'ud / Remember Khaybar" History in a country like Egypt. hmmmm .... Musically this album may be getting more offers unique experimental concepts without much eliminate the strong components forming the musical style of his Death Metal, The Monolith Deathcult this time was the Mad and Different! Truly a gem in the fetid waters of brutal death metal, this album is sure to please anybody who likes their music to have a sense of, well, musicalness to it - unlike typical brutal death metal. TMDC has made a truly unique and exceptionally heavy fucking album with Tetragrammaton. It might not be for everybody and the traditional death metal fan might balk at the use of drum n bass, break beats and plenty of trance-y samples but if you like your death metal brutality as a baby in a blender and do not mind the odd electronic touch TMDC then will tear you a new one. Make Dizziness bener2 that just can not digest the concept hahahhaa .... Broaden their goal to the extreme (death) metal with Influences from techno / dance and industrial music, completed with classical Wagnerian pomposity. All this is topped with an image of irony, black humor and bad taste, in combination with a morbid fascination for everything that is 'wrong'. The album closes with the epic roomates at just over More minutes is the longest song on the album and yet it's a credit to the genius of the band that it does not seem anywhere close to being that long. The inclusion of a Low Growling awesome vocal line is a welcome addition and the whole song has that epic feel in spades. Truly awesome!!! YOU MUST TRY IT NOW!!!!

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Within Temptation - The Q Music Sessions CD 2013

Within Temptation - The Q Music Sessions
Roadrunner Records CD 2013
http://www.within-temptation.com
http://www.within-temptation.fr
http://www.myspace.com/withintemptation
http://www.facebook.com/wtofficial?ref=ts
http://www.youtube.com/wtofficial

01 Grenade (Bruno Mars cover) 03:45
02 Titanium (David Guetta cover) 03:57      
03 Let Her Go (Passenger cover) 03:43      
04 Summertime Sadness (Lana Del Rey cover) 04:06      
05 Radioactive (Imagine Dragons cover) 03:14      
06 Crazy (Gnarls Barkley cover) 03:31      
07 Dirty Dancer (Enrique Iglesias cover) 04:14    
08 Don't You Worry Child (Swedish House Mafia cover) 03:36      
09 Behind Blue Eyes (The Who cover) 04:19    
10 The Power of Love (Frankie Goes to Hollywood cover) 03:59    
11 Apologize (One Republic cover) 03:25    

Jeroen Van Veen - Bass
Robert Westerholt - Guitars
Sharon Den Adel - Vocals
Ruud Jolie - Guitars
Martijn Spierenburg - Keyboards
Mike Coolen - Drums

Nama Within Temptation tentu masih menjadi Icon Kuat Perkembangan Genre Musik Gothic sejak mereka sukses dengan full album pertamanya " Enter " Tahun 1997 yang kemudian sempat menjadi Booming Pertumbuhan Genre Gothic Metal Tanah Air era 90-an, padahal pada kenyataannya Within Temptation lebih diakui masuk dalam Genre Symphonic Metal dan Bukan Gothic Metal, sebuah Kontradiksi yang salah kaprah waktu itu dan mungkin terjadi Hingga sekarang ini hehehehe ... Band asli Waddinxveen, South Holland, Netherlands yang eksis sejak tahun 1996 dengan nama The Portal yang dibentuk oleh sepasang Kekasih, Vocalis Sharon den Adel dan Gitaris Robert Westerholt yang kemudian mengajak Bassis Jeroen van Veen sebagai Member Asli WT yang tersisa hingga saat ini band menjadi begitu besar reputasinya. Perjalanan musikalitas WT sendiri juga setiap tahun mengalami pergeseran konsep bermusik hingga akhirnya lebih memasuki Ranah " Komersialitas " dan menjadi Symphonic/Alternative Rock karena mungkin peranan permintaan pasar dari berbagai penikmat telah memaksa band ini melakukan semua, dan ini memang sangat Mencolok jika kita bandingkan dengan 2 album pertama mereka yang masih kental gaya " Metal " nya, yeachh " Selling Out " adalah pilihan terakhir band ini sukses. setelah album Full terakhir " The Unforgiving " tahun 2011, kemudian WT hanya sempat merilis 2 Single sepanjang tahun 2011 karena jadwal tour panjang mereka, dan kemudian tahun 2013 WT melepas album " The Q-Music Sessions " ini, dan jangan kaget kalo ini bukan materi Full album mereka sendiri, melainkan album Tribute saja dari beberapa Band/Penyanyi yang mereka hormati dan kerap mereka bawakan sebelumnya dalam sebuah Siaran radio di Belgia dengan Program " Within Temptation Friday ", dan " The Q-Music Sessions " ini bertahan sukses selama 15 minggu mengudara sebagai pemanjaan Fans WT selama 15 tahun band ini terbentuk. informasinya Pada materi " The Q-Music Sessions " ini WT telah merekam 15 lagu, namun karena beberapa pertimbangan pihak label, akhirnya terpasang 11 lagu saja, sementara 4 track lainnya seperti " Paradise (Coldplay cover), Somebody That I Used to Know (Gotye cover), Little Lion Man (Mumford and Sons cover) dan Skyfall (Adele cover) " menjadi Unreleased Track yang tersedia secara Digital saja. Track Pertama " Grenade " yang aslinya adalah milik penyanyi Pop, Hip-Hop, Soul, R&B dan pencipta lagu asal California, Amerika Serikat, Bruno Mars yang bernama asli Peter Gene Hernandez, so pasti aransemen WT ini lebih melankolis dan Ciamik tanpa banyak mengurangi Karakter Beat Trance Hip Hop terpadu dengan sentuhan Alternative Rock WT. lalu " Titanium " milik David Guetta, bernama lengkap Pierre David Guetta adalah DJ berkebangsaan Perancis yang Jago Nge-Mix Dance Floor Trance dengan Ramuan Saktinya, dan Titanium ini yang menjadi Daya Tarik Hebat untuk WT membawakannya kembali dalam versi WT so pastinya. " Let Her Go " adalah single Milik Penyanyi British Passenger yang menambahkan Gaya Orchestra-nya, sehingga pembawaannya begitu klop dengan karakteristik bermusik WT. " Summertime Sadness " nya Lana Del Rey, Penyanyi Muda asal Amerika yang bernama lengkap Elizabeth Woolridge Grant dan banyak terpengaruh oleh nama besar Elvis Presley, Janis Joplin, Eminem, dan Britney Spears dalam dirinya mengkomposisi karya lagunya yang bergaya Cinematic Sound artis2 Amerika era 50 dan 60-an. kemudian " Radioactive " Imagine Dragons, American indie rock band yang bermarkas di Las Vegas, Nevada. " Crazy " adalah single sukses pertama milik Gnarls Barkley, yang didasarkan atas sampel dari lagu Nel Cimitero Di Tucson ( Tahun 1968) oleh Gianfranco Reverberi. lalu " Dirty Dancer " nya Enrique Iglesias, yang bernama lengkap sebagai Enrique Miguel Iglesias Preysler, adalah penyanyi Pop Latin kelahiran Spanyol yang berdomisili di Miami. Penerima Grammy Award tahun 1997 and Latin Grammy Award tahun 2003 yang merupakan juga adik dari Chabeli Iglesias dan Julio José Iglesias. " Don't You Worry Child " Milik Swedish House Mafia, band bergenre pop elektronik asal Swedia. dan yang populer nilai klasiknya kali ini adalah cover song " Behind Blue Eyes " Milik The Who, Band Rock Klasik Asal Inggris yang eksis sejak Tahun 1964 yang dikenal dengan konser-konser yang energetik, termasuk perintis tontonan penghancuran instrumen di atas panggung dan dianggap sebagai satu dari tiga band terbesar di Inggris bersama dengan The Beatles dan The Rolling Stones. " The Power of Love " aslinya adalah milik Frankie Goes to Hollywood, band asal British yang sukses di pertengahan Tahun 80-an dengan gaya bermusik Dance, pop rock, synthpop, New Wave, dan Hi-NRG. kemudian track terakhir diisi oleh Track " Apologize " nya One Republic, adalah grup musik orkestra asal Polandia yang bermarkas di Warsawa bergenre klasikal, semakin lebih cocok saja pembawaan WT untuk mengaransemen karakter musiknya yang ga jauh berbeda. so ga ada yang baru disinikan selain kalian bisa mendengarkan irama irama penenang hati disaat galau saja kayaknya hehehe, pembawaan karakter WT dalam memilih lagu bisa kita rasakan attitude-nya dialbum Tribute komersial band ini. Spesial pokoknya buat yang sudah merasa jenuh dengan irama irama musik berat. Terapi Rileksasi ga selalu dengan irama musik Lembut dan pelan saja deh, Alunan musik memang diyakini bisa menghibur dan menenteramkan hati yang tengah resah karena mampu merangsang rasa bahagia yang dikirimkan oleh otak. Jantungpun akan berdetak sesuai irama lagu sehingga menimbulkan perasaan nyaman. hmmmmm .............

Within Temptation name would still be the Icon Music Genre Gothic Strong Developments since their success with her first full album "Enter" Year 1997 which later became a booming growth in the country genre Gothic Metal era of the 90s, when the truth is more recognized Within Temptation log in Genre Symphonic Gothic Metal and Non-Metal, a contradiction misguided at the time and may occur Until now hehehehe ... Original band Waddinxveen, South Holland, Netherlands which existed since 1996 under the name The portal is formed by a pair of lover, vocalist Sharon den Adel and guitarist Robert Westerholt are then invited bassist Jeroen van Veen as First Member WT remaining until the band became so great reputation. WT musical journey itself every year also shifted musical concepts to finally be entering the realm of "commerciality" and a Symphonic / Alternative Rock as possible the role of various connoisseurs demand has forced the band to do all, and this is indeed very striking if we compare it with 2 Their first album is still strong style "Metal" it, yeachh "Selling Out" is the band's last choice was a success. after the last full album "The Unforgiving" in 2011, then WT had only released two singles in 2011 due to their lengthy tour schedule, and then in 2013 WT release album "The Q-Music Sessions" this, and do not be surprised if this is not a matter Full album of their own, but only of a few album Tribute Bands / Singers that they respect and often they performed earlier in a radio broadcast in Belgium with the Program "Within Temptation Friday", and "The Q-Music Sessions" was a success last for 15 weeks Fans on the air as indulgences WT for 15 years the band was formed. In the information material "The Q-Music Sessions" is WT has recorded 15 songs, but due to some considerations party labels, eventually mounted 11 songs, while 4 other tracks like "Paradise (Coldplay cover), Somebody That I Used to Know (Gotye cover), Little Lion Man (Mumford and Sons cover) and Skyfall (Adele cover) "Unreleased Track became available in digital only. Track First "Grenade" which originally belonged to singer Pop, Hip-Hop, Soul, R & B and songwriter from California, United States, Bruno Mars, real name Peter Gene Hernandez, so definitely arrangements WT is more melancholy and ciamik without much reducing Character Beat Trance Hip Hop Alternative Rock integrated with a touch of WT. and "Titanium" David Guetta belongs, whose full name is Pierre David Guetta is a French DJ Jago nationality Nge-Mix Trance Dance Floor with his magic potion, and the Titanium is a Great Visit to WT WT brought back in this version so sure. "Let Her Go" is a single-Owned Passenger British singer who adds his Orchestra style, so his nature is so perfectly with the musical characteristics of WT. "Summertime Sadness" Her Lana Del Rey, American young singer whose full name is Elizabeth Woolridge Grant and many big names affected by Elvis Presley, Janis Joplin, Eminem, and Britney Spears in her song composed works which style era American Cinematic Sound artis2 50 and 60s. then "Radioactive" Imagine Dragons, American indie rock band based in Las Vegas, Nevada. "Crazy" is the first successful single-owned Gnarls Barkley, which is based on a sample of the song Nel Cimitero Di Tucson (1968) by Gianfranco Reverberi. and "Dirty Dancer" Enrique Iglesias her, whose full name as Enrique Miguel Iglesias Preysler, is a Spanish-born Latin pop singer who lives in Miami. Recipient of the 1997 Grammy Award and Latin Grammy Award in 2003 which is also the younger brother of Chabeli Iglesias and Julio José Iglesias. "Do not You Worry Child" owned Swedish House Mafia, the electronic pop genre band from Sweden. and are popular this time value is the classic cover song "Behind Blue Eyes" The Who Owned, Classic Rock Band Origin UK which existed since 1964, known as an energetic live performances, including the pioneering spectacle of instrument destruction on stage and is considered as one of the three biggest bands in the UK along with The Beatles and The Rolling Stones. "The Power of Love" originally was owned by Frankie Goes to Hollywood, a successful British band in the mid 80s with a musical style Dance, pop rock, synthpop, New Wave, and Hi-NRG. then filled by the last track Track "Apologize" One Republic it, is the origin of orchestral music group based in Warsaw Poland classical genre, the more suitable course for arranging carriage WT ga musical character is much different. so there's nothing new disinikan than you can hear the rhythm of the heart rhythm while upset tranquilizers just seems hehehe, WT character traits in choosing songs we can feel his attitude dialbum commercial Tribute band. Essentially special feel for who already saturated with heavy rhythm of the music. Relaxation therapy ga always with the rhythm of the music soft and slow just me, music is indeed believed to be comforting and reassuring anxious because being able to stimulate a sense of happiness that is sent by the brain. Jantungpun will beat to the tune of giving rise to a feeling of comfort. hmmmmm .............

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Centurian - Contra Rationem CD 2013

Centurian - Contra Rationem
Listenable Records CD 2013
http://www.centurian333.com
http://www.facebook.com/Centurian333

01 Thou Shallt Bleed for the Lord Thy God 02:14    
02 Crown of Bones 03:05    
03 Feast of the Cross 04:56    
04 Judas Among Twelve 02:46    
05 Antinomian 03:58    
06 The Will of the Torch 03:25    
07 Sin Upon Man 02:23    
08 Damnatio Memoriae 04:13    
09 Adversus 02:55

Rob Oorthuis - Guitars
Seth Van de Loo - Vocals, Drums
Patrick Boleij - Bass
Niels Adams - Vocals

ultimately amounts to a pretty fresh sound for blast-focused extremity that overcomes the usual limitations. adalah yang bisa gw gambarkan tentang kembalinya salah satu Blasphemic Death Metal Terkenal Netherlands Scene yang mulai eksis sejak Tahun 1997 dan melejit namanya lewat demo " Of Purest Fire " tahun 1997 yang kemudian sukses disusul oleh debut Full album pertama " Choronzonic Chaos Gods " Tahun 1999 mengantar band ini menjelalahi Kancah extreme metal dengan gaya permainan death metal yang banyak mengingatkan gw dengan kekejaman In the Vein Angelcorpse, Krisiun hingga Nile. band yang menampilkan Frontman Seth Van de Loo, kita kenal lebih dulu sebagai Drummer Band Brutal Populer Severe Torture, Seth Van de Loo membentuk band ini mengisi Posisi sebagai Vokalis sejak tahun 1997 hingga tahun 2000 kemudian tahun 2011 Seth Van de Loo memutuskan untuk beralih posisi sebagai drummer di band ini. Intricate riffing is key to this experience, and the prime factor in elevating the effort above so many of its robot-drone contemporaries, who seem to think the sheer speed and force alone are paramount to the procreation of great musical vision. Centuvrian mete out wild rhythmic patterns that you simply don't expect, and to my great delight, they were the sorts that I instantly wanted to figure out. Centurian tetap menawarkan permainan yang serba cepat dan menusuk dengan irama2 Penghujatan hitam-nya. tetap menggaet Member lama, Gitaris Rob Oorthuis dan Bassis Patrick Boleij yang memutuskan bersama2 tahun 2011 kembali menghidupkan Band ini, sayangnya tanpa kehadiran kembali drummer Wim Van Der Valk karena posisinya telah tergantikan oleh Seth Van de Loo, dan menambah 1 amunisi terdepan dengan menggaet vokalis Niels Adams dari band Prostitute Disfigurement dan merupakan rekan Gitaris Rob Oorthuis di band Nox. ini mungkin adalah masa yang mereka tunggu selama 9 tahun sejak album terakhir " Liber Zar Zax " tahun 2001 dirilis, band ini memutuskan untuk Vakum dalam waktu yang tidak ditentukan karena kesibukan utama beberapa member-nya. yang pasti Karya Dasyat mereka tetap terus dapat kita nikmati saat ini yang memuat 9 track super cepat dan Gelap via Listenable Records mulai mencatat sejarah Baru Centurian ditahun 2013. dan rupanya masing2 member tetap membawa pengaruh tersendiri dari band utamanya dalam komposisi musikal centurian, sehingga akan terasa ini perpaduan antara karakter Severe Torture, Nox, dan Prostitute Disfigurement banget, walau konsep awal band ini tetap bergaya Gelap ala Krisiun, Nile serta Angelcorpse banget ! , bisa kita rasakan pukulan liar dan cepat drummer Seth Van de Loo yang powerfully memainkan part2 yang blaster abis dengan dentuman rapat twin pedal tanpa banyak mendapat sentuhan Manipulasi Digital telah menyuguhkan permainan Seth Van de Loo yang sebenarnya, selain sibuk menghajar perangkat drum-nya Seth Van de Loo tetap menyumbangkan Screamin Insane Vokill-nya disetiap Track-nya, sehingga lebih terdengar dinamis karakter-nya. Track Pertama " Thou Shallt Bleed for the Lord Thy God " langsung menyerang dengan dentuman Fast drumming Amazing-nya, tremolo picking with these excellent, grooving chord patterns, and a toss up a few spikes of black metal dissonance for good measure. The sheer speed of the rhythm guitar across many of the cuts, and the tone thereof. Gaya Riffing Guitarnya memang kadang lebih mengajak Kita merasakan kembali kedasyatan Era album " Altars Of Madness "nya Morbid Angel. and I had a similar reaction to its controlled, calamitous construction; lightspeed thrashing evolved into something altogether more brutal and bristling with menace. But Contra Rationem puts a creative spin on it, its authors intent on not only technicality, but licks that will actually dazzle the listener into wanting to relive them repeatedly. dan track lagu pertama ini bagi Gw cukuplah untuk menggambarkan materi keseluruhan album ini yang tetap mengumbar kejamnya Blastbeat part everywhere !! ultimately amounts to a pretty fresh sound for blast-focused extremity that overcomes the usual limitations. mengalami banyak kemajuan skill dan sounding, Centurian hadir tetap siap untuk menggerus kekuatan Hitam alam kegelapan untuk tetap berkuasa dalam hati manusia dengan jiwa jiwa yang rapuh. an obvious panorama of brickwalled overdubs. Bass is fast as fuck too, but suborned slightly by the boxy guitar tone. With 1990 taste keep Bring down Slaughtering Millenium eras !

ultimately amounts to a pretty fresh sound for extremity-focused blast that overcomes the usual limitations. is that i can describe about the return of one of the Netherlands Blasphemic Famous Death Metal Scene which began existed since 1997 and soared through the demo called "Of purest Fire" in 1997 which was then followed by a successful debut first full album "Choronzonic Chaos Gods" of 1999 drive menjelalahi band extreme metal scene playing style reminds many death metal gw cruelty In the Vein AngelCorpse, Krisiun up Nile. band featuring frontman Seth van de Loo, we know first as a drummer band Severe Torture Brutal Popular, Seth van de Loo formed the band as a vocalist to fill positions from 1997 to 2000 and then in 2011 Seth van de Loo decided to switch positions as drummer in the band. Intricate riffing is key to this experience, and the prime factor in elevating the effort above so many of its contemporaries robot-drone, who seem to think the sheer speed and force alone are paramount to the procreation of great musical vision. Centuvrian mete out wild rhythmic patterns that you simply do not expect, and to my great delight, they were the sorts that I instantly wanted to figure out. Centurian nevertheless offers a fast-paced game and stabbing with his black Blasphemy irama2. still hook the old Member, Guitarist and Bassist Rob Patrick Boleij Oorthuis decide bersama2 revive the band in 2011, unfortunately without the presence of returning drummer Wim Van Der Valk because he was being replaced by Seth Van de Loo, and adds one leading ammunition with a hook vocalist Niels Prostitute Disfigurement Adams of the band and is a partner in the band's guitarist Rob Oorthuis Nox. This is probably the time that they were waiting for 9 years since the last album "Liber Zar Zax" released in 2001, the band decided to vacuum the indefinite because the main bustle of some of its members. certainly continue their terrible work we enjoy today which contains 9 tracks super fast and listenable via Dark Records began recording the history of New Centurian year 2013. and apparently masing2 member still carries its own influence in the composition of the band's main musical centurian, so it will feel this mix of characters Severe Torture, Nox, and Prostitute Disfigurement really, although the concept remains the band's early style ala Dark Krisiun, Nile and AngelCorpse really! , We can feel the blows wild and fast drummer Seth van de Loo that powerfully played a blaster part2 abis with twin booms meeting pedal without a lot of touches Digital manipulation has been presenting the game Seth Van de Loo true, besides the busy beating his drum Seth Van de Loo still donate his Screamin Insane Vokill each Track it, making it more dynamic sound of his character. First Track "Thou Shallt Bleed for the Lord Thy God" directly attacked by pounding his Amazing Fast drumming, tremolo picking with these excellent, grooving chord patterns, and a toss up a few spikes of black metal dissonance for good measure. The sheer speed of the rhythm guitar across many of the cuts, and the tone thereof. Guitarnya riffing style is sometimes more invites we feel back kedasyatan Era album "Altars Of Madness" Her Morbid Angel. and I had a reaction Similar to its controlled, calamitous construction; Lightspeed thrashing evolved into something altogether more brutal and bristling with menace. But Contra Rationem puts a creative spin on it, its authors intent on not only technicality, but actually licks that will dazzle the listener into wanting to relive them repeatedly. and the first tracks for Gw suffices to describe the entire album of material that remains part Blastbeat cruel indulgence everywhere!! ultimately amounts to a pretty fresh sound for extremity-focused blast that overcomes the usual limitations. much progress skill and sounding, Centurian present remains ready to undermine the power of natural black darkness to remain in power in the hearts of men with the fragile souls. an obvious panorama of brickwalled overdubs. Bass is fast as fuck too, but slightly suborned by the boxy guitar tone. With 1990 taste Bring keep down Slaughtering Millenium eras!

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Sinister - The Carnage Ending CD 2012

Sinister - The Carnage Ending

Massacre Records 2012

http://www.myspace.com/sinisterwingsofdeath

http://www.facebook.com/pages/Sinister-Official/255145351172432

a.kloosterwaard@chello.com

roman@tmr-music-promotions.com

01 Gates of Bloodshed (intro) 01:22    

02 Unheavenly Domain 03:26    

03 Transylvania (City of the Damned) 05:12    

04 My Casual Enemy 05:01    

05 Crown of Thorns 05:17    

06 The Carnage Ending 05:26    

07 Oath of Rebirth 04:06    

08 Regarding the Imagery 03:41    

09 Defamatory Content 04:41    

10 Blood Ecstasy 04:33    

11 The Final Destroyer 05:22

Aad Kloosterwaard - Vocals

Mathijs Brussaard - Bass

Dennis Hartog - Bass, Guitars

Toep Duin - Drums

Bastiaan Brussaard - Guitars

Mengalami Progresi Musikal yang Begitu Signifikan, salah satu Pioner Death Metal Negeri Kincir Angin Netherland yang eksis sejak Tahun 1988 rupanya begitu terasakan sejak Band yang sukses dengan gempuran Death Metal di era-90an lewat album2 keren seperti " Cross the Styx, Diabolical Summoning, Hate, Bastard Saints, Aggressive Measures dan Creative Killings " ini harus merasakan perjalanan pahit sejak membubarkan diri pasca album " Savage or Grace " Tahun 2003, yang menjadi sebuah kegagalan Konsep sejak Band ini memutuskan menggunakan Vokalis Cewek baru yang ternyata menimbulkan berbagai Kritikan atas perubahan mendasar pada Konsep Musik Khas Sinister. Vokalis cewek cakep Rachel Van Mastrigt-Heyzer kurang dapat memberikan sentuhan berarti terhadap Musikalitas Sinister pada beberapa Materi baru di " Savage or Grace ", made some damn good albums such as Cross the Styx and Diabolical Summoning. If anything, those two albums alone made this band worth something. Their music has always stayed true to the death metal tradition, however never quite achieving the level of excellence that many other bands of the time did achieve. akhirnya Band ini memutuskan untuk ga eksis alias bubar jalan pasca album ini dirilis, Saat itu Frontman Drummer Aad Kloosterwaard dan bassis Alex Paul membentuk band baru dengan nama No Face Slave, yang konsep musiknya pun ga jauh dengan Sinister sebelumnya, yang kemudian No Face Slave ini menjadi cikal bakal terbentuknya kembali Sinister Pada Tahun 2005 ! dan Untuk pertama kalinya Sinister pun melakukan Perubahan Frontal Formasinya, Drummer Aad Kloosterwaard memutuskan untuk berdiri dibalik Posisi Vokal, sementara posisinya diserahkan kepada Drummer Paul Beltman yang reputasi permainannya sudah terbukti dasyat dibeberapa band seperti Blastcorps, Judgement Day, Passion, Scrotum, Fondlecorpse, dan Supreme Pain. dan 1 tahun kemudian materi2 yang telah dimatangkan dalam formasi band No Face Slave, digunakan untuk materi album Kembalinya Sinister " Afterburner " yang dilepas oleh Nuclear Blast Records, secara mengejutkan bagi Fans Sinister untuk menerima Perubahan Frontal Formasi baru Sinister lebih berani melakukan spekulasi, akhirnya Konsep dengan formasi baru dapat seketika diterima, gaya growling Aad Kloosterwaard rupanya sedikit banyak mengembalikan reputasi Sinister yang telah hilang, dan Konsepsional Beat musik semakin cepat serta Padat ! The drums are clicky as fuck, and the guitar just sounds neutered. There is no life to either of them whatsoever, especially compared to the really good sound each had on an album like Diabolical Summoning. This is the guitar sound that most mainstream death metal albums seem to be moving towards, and frankly, it’s sickening !! walau sering mengalami bongkar pasang Formasi yang terjadi dalam tubuh Sinister, frontman Aad Kloosterwaard rasanya harus tetap dapat mempertahankan eksistensi band. meskipun ada banyak yang berubah, Aad Kloosterwaard tetap yakin Sinister masih tetap akan tegar berdiri dengan komposisi musik yang semakin Brutal ! ditahun 2012 ini Sinister kembali menjawab pertanyaan fans akan materi barunya yang tertuang dalam album full ke-10 " The Carnage Ending ", Aad Kloosterwaard siap menampilkan Formasi Paling Gress-nya berbeda 99.99 % dengan formasi Album sebelumnya " Legacy of Ashes " tahun 2010, Menyisakan Dirinya sebagai Frontman, Aad Merekrut Pemain baru dari Gitaris Bastiaan Brussaard dari band Absurd Universe, Gitaris Dennis Hartog juga dari band Absurd Universe serta Putrefied, bassis Mathijs Brussaard serta Drummer Toep Duin yang sepak terjang garangnya gw kenal waktu memperkuat Formasi Band Supreme Pain, Blastcorps, Melechesh,Cardinal, Unlord serta Absurd Universe. Adapun hasil dari formasi ini langsung gw buktikan sendiri pada track awal " Unheavenly Domain " setelah didahului oleh sebuah intro selama 01:22, " Unheavenly Domain ", langsung menawarkan permainan yang cepat dan brutal melalui gempuran Hyperblaster Toep Duin, yang kemudian disambut oleh Middown tempo headbang sadis karakteristik Sinister dibeberapa Album lawasnya. the hallmark blasting and punching brutality they've celebrated from their early 90s classics, but with a notable element of thrashing abandon in the riffs that dominated efforts like 1998's Aggressive Measures. lalu " Transylvania (City of the Damned ", tetap menawarkan manuver Komposisi Death Metal yang begitu Intens dengan Dark Harmonization Riffing, beberapa sentuhan karakter Thrash memang masih begitu melekat kuat, Breakdown Amazing Part ditambah dengan aransemen mantap, Sinister semakin terus melaju dengan kekejamannya ! few more primal, groove oriented tracks with some savage mute storms that fall somewhere between Slayer and Vader Touch. twin pedal rapat Toep Duin lebih banyak menciptakan beberapa karakter blastbeat cepat yang mengingatkan gw dengan karakteristik Vader banget ! apalagi beberapa solo Gitar Harmonius in the Vein Morbid Angel tetap memberikan sentuhan Hitam setiap Aransemen lagunya. is yet another example of why the band has become synonymous with reliability, an unending titan of forceful butchery that is almost always guaranteed to deliver a reasonable and focused effort, even through what seems to be an ever shifting roster of musicians. kemudian beberapa riffing part kuat gayanya Cannibal Corpse lumayan terasakan dipart awal track selanjutnya " My Casual Enemy " yang kemudian masih dipadukan dengan sentuhan mantap Blastbeater In The vein Vader secara lebih signifikan gw gambarkan pada materi baru ini. " Crown of Thorns " lebih mencoba tampil slowly Beatdown diawal part-nya sebelum disambung dengan sajian mengejutkan selanjutnya. Any riffs that could have been considered good are completely marred by this disgusting guitar sound. Of course, this album has no dynamic range whatsoever and is clipped to hell, as is the general trend for modern music, but even that is taken to an extreme here. I honestly can’t believe that there are people out there who not only tolerate this sterile sound, but actually enjoy it. lalu " The Carnage Ending " seperti sudah sesuai untuk menjadi Track andalan album ini, begitu menggebrak awal lagu, Sinister Sudah memainkan Fast Hyperblaster tetap mengarah ke struktur musikal Vader banget yang kemudian coba dipadukan dengan beberapa karakter Cannibal Corpse Riffing dan Sinister sendiri era album " Aggressive Measures ", sayang memang Aad sebagai Frontman kurang dapat menampilkan kembali karakteristik dasyat Sinister era " Cross the Styx " atau " Hate " album. The drums are clicky as fuck, and the guitar just sounds neutered. There is no life to either of them whatsoever. sedikit menyisakan kesempatan untuk melakukan Headbang Party bisa terasakan pada Track " Oath of Rebirth ", meski lama2 lebih menciptakan kesan Boring, Track ini lumayan sedikit melakukan pendinginan setelah serangan Hyperblaster beat sebelumnya. dan benar dugaan gw kalo lagu selanjutnya " Regarding the Imagery " bakalan lebih menampilkan pola musik yang terasa Cepat ! Sure, there are some nice riffs here and there. These are the kinds of riffs that Sinister has always used. But here, they sound a bit more bland than usual. lalu " Defamatory Content " masih terus menyajikan gempuran beat musik yang cepat dan Liar sebagai bentuk sinergi Riffing yang cepat dan gelap. suasana kembali fresh kembali kala " Blood Ecstasy " lebih memancing Adrenalin Headbang gw kembali seperti track " Oath of Rebirth " dan beberapa Riffing Khas Karakter Cannibal Corpse kental terasakan kembali pada track Pamungkas ini yang akhirnya di Sudahi oleh sebuah Outro Epic Horror ! tetap menggandeng Produser Jörg Uken dan pemilik studio rekaman Soundlodge Studio, dimana Sinister masih menggarap materi barunya ini, sekaligus tetap menggunakan Artwork Keren karya Vocalis Monstrosity, Mike Hrubovcak untuk menghiasi Artwork Cover. meskipun tidak ada yang terlalu Istimewa gw ungkapkan ditulisan album gress Sinister ini, Rilisan ini tetap menampilkan eksistensi Band untuk keep Play Brutal Music !! dan banyak menjadi perhatian gw adalah betapa hilangnya banyak karakter Sinister yang terkubur bersama formasi dasyat terdahulu menjadi beban berat Frontman Aad bisa kembali menampilkan Karakteristik Sinister sesungguhnya. Kualitas Produksi Sound profesional mungkin akan sedikit memanjana death Metal Fans apalagi Buat Kalian Fans Berat Vader, Cannibal Corpse hingga Monstrosity dibeberapa album terakhir. Overall, what we have here is a really boring, inoffensive album with a few good riffs scattered throughout and some shit-tastic, sterile, and loud production. There really isn’t much more to be said about the music at all. No punches are pulled here, it's just tough as nails death metal without indulgent virtuosic tendencies or pedestrian wanking, and likely worth hearing if you're a fan of the band's last decade of material, or their related projects like Infinited Hate, Houwitser or Supreme Pain.

IN ENGLISH (Sorry, Use This Google Translate)

Experiencing Significant Progression Characters that soon, one of the pioneers of Death Metal State Windmills Netherland that existed since the year 1988 so apparently felt since the band's success with the onslaught of Death Metal in the era of 90s through Albums2 cool like "Cross the Styx, Diabolical Summoning, Hate, Bastard Saints, Aggressive Measures and Creative Killings "should feel bitter journey since disbanded after the album" Savage or Grace "in 2003, which became a fiasco concept since the band decided to use a new girl singer that actually causes a variety of changes in fundamental criticism on the Concept Typical Sinister Music. Vocalist Rachel Van Mastrigt saucy girl-Heyzer less able to provide meaningful touch to the musicality Sinister on some new material in "Savage or Grace", made some damn good albums such as Cross the Styx and Diabolical Summoning. If anything, those two albums alone made this band worth something. Their music has always stayed true to the death metal tradition, however never quite Achieving the level of excellence that many other bands of the time did Achieve. The band eventually decided to disband the alias ga exist after the album was released, It Aad Kloosterwaard Frontman Drummer and bassist Alex Paul formed a new band called No Face Slave, the concept of the music even further by Sinister previous ga, then No. Slave's Face be a forerunner to the formation back Sinister In 2005! For the first time, and also made changes Frontal Sinister formation, drummer Aad Kloosterwaard decided to stand behind the position of vocals, while the position given to drummer Paul Beltman the reputation of the game has proven enormously in several bands such as Blastcorps, Judgement Day, Passion, scrotum, Fondlecorpse, and the Supreme Pain. and 1 year later materi2 that has matured in the formation of the band No Face Slave, the material used for the return of Sinister album "Afterburner" which was released by Nuclear Blast Records, a surprise for the fans to accept changes Frontal Sinister new formation Sinister bolder speculation, finally Concept with the new formation can be instantly acceptable, Aad Kloosterwaard growling style seems a bit much to restore the reputation of Sinister has been lost, and conceptual Beat music faster and Solid! The drums are clicky as fuck, and the guitar just sounds neutered. There is no life whatsoever to either of them, especially Compared to the really good sound each had on an album like Diabolical Summoning. This is the guitar sound that most mainstream death metal albums seem to be moving towards, and frankly, it's sickening! despite frequent disassembly formation that occurs in the body Sinister, frontman Aad Kloosterwaard feels should still be able to maintain the existence of the band. though nothing much has changed, Aad Kloosterwaard remain confident Sinister still going strong standing with the musical composition Brutal! Sinister back in 2012 this will answer fans new material contained in an album full to-10 "The Carnage Ending", Aad Kloosterwaard ready to show its formation Most Gress different formation with 99.99% the previous album "Legacy of Ashes" in 2010, Leaving himself as a frontman, Aad Recruiting new player of guitarist Bastiaan Brussaard Absurd Universe of the band, guitarist Dennis Hartog also of the band Absurd Universe and Putrefied, bassist and drummer Toep Mathijs Brussaard Duin fierce lunge i know a band Supreme Pain strengthen Formation, Blastcorps, Melechesh, Cardinal, Unlord and Absurd Universe. The direct result of this formation i see for yourself at the beginning track "Unheavenly Domain" after preceded by an intro for 01:22, "Unheavenly Domain" Direct offers fast and brutal game through the onslaught Hyperblaster Toep Duin, who then greeted by Middown tempo headbang sadistic several characteristics Sinister Album lawasnya. The hallmark blasting and punching Brutality they've celebrated classics from their early 90s, but with a notable element of abandon in the thrashing riffs that dominated efforts like 1998's Aggressive Measures. and "Transylvania (City of the Damned", still offers maneuverability composition is so intense Death Metal with Dark Harmonization riffing, some touch of character Thrash is still so strongly attached, Amazing Breakdown Part coupled with solid arrangements, Sinister increasingly kept going with cruelty! few more primal, groove-oriented tracks with some mute savage storms that fall somewhere between Slayer and Vader Touch. Toep meeting Duin twin pedal more rapidly create multiple characters blastbeat gw with characteristics reminiscent of Vader really! especially some guitar solos in the vein Harmonius Morbid Angel still provide a touch of Black every Arrangement song. is yet another example of why the band has Become synonymous with reliability, an Unending titan of Forceful butchery that is almost always guaranteed to deliver a reasonable and focused effort, even through what seems to be an ever shifting roster of musicians. then some powerful riffing style Cannibal Corpse part felt pretty dipart early next track "My Casual Enemy" which later was combined with a steady touch Blastbeater Vader In The vein significantly more i draw on this new material. "Crown of Thorns" trying to appear more slowly Beatdown early part of his pre-spliced ??with a dish the next surprise. Any riffs that could have been Considered good are completely marred by this disgusting guitar sound. Of course, this album has no dynamic range whatsoever and is clipped to hell, as is the general trend for modern music, but even that is taken to an extreme here. I honestly can not believe that there are people out there who not only tolerate this sterile sound, but actually enjoy it. ago "The Carnage Ending" as Track is suitable to be a mainstay of this album, so kicked off the beginning of the song, Sinister been playing Fast Hyperblaster still leads to musical structure Vader really are and then try to integrate with multiple characters Cannibal Corpse and Sinister own era riffing album "Aggressive Measures", unfortunately it Aad as Frontman less to show return characteristics Sinister terrible era "Cross the Styx" or "Hate" album. The drums are clicky as fuck, and the guitar just sounds neutered. There is no life to either of them whatsoever. leaving little opportunity to Headbang Party could be felt on the Track "Oath of Rebirth", although lama2 further create the impression Boring, Track is pretty little to cool down after the attack Hyperblaster previous beat., and correct alleged gw if the next song "Regarding the Imagery" show a pattern going over the music that feels Faster ! Sure, there are some nice riffs here and there. These are the kinds of riffs that Sinister has always used. But here, they sound a bit more bland than usual. then "Defamatory Content" is still present onslaught of fast beat music and Wild as a form of synergy fast riffing and dark. atmosphere back fresh again when "Blood Ecstasy" over fishing Adrenalin Headbang gw back like track "Oath of Rebirth" and some riffing Typical Character Cannibal Corpse thick felt back on track this Pamungkas finally Enough by an Epic Outro Horror! still holding Producer Jörg Uken and recording studio owner Soundlodge Studio, where Sinister is still working on his new material, while still using Cool Artwork Vocalis work Monstrosity, Mike Hrubovcak to decorate Cover Artwork. although nothing too Outstanding gw revealed ditulisan album Sinister gress, the release is still showing the existence of the band to keep Play Brutal Music! gw and a lot of concern is how the loss of a lot of character formation Sinister were buried with terrible past is a heavy burden frontman Aad can re-display the characteristics of the real Sinister. Quality Production professional sound may be a little memanjana Death Metal Fans especially Make You Serious Fans Vader, Cannibal Corpse to Monstrosity last several albums. Overall, what we have here is a really boring, inoffensive album with a few good riffs scattered throughout and some shit-tastic, sterile, and loud production. There really is not much more to be said about the music at all. No punches are pulled here, it's just tough as nails death metal without virtuosic tendencies or pedestrian indulgent wanking, and Likely worth hearing if you ' re a fan of the band's last decade of the material, or their related projects like Infinited Hate, Houwitser or Supreme Pain.

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Collision - A Healthy Dose Of Death CD 2012

Collision - A Healthy Dose Of Death
Hammerheart Records 2012
http://www.collisiongrind.nl
http://www.myspace.com/collisiongrind
http://www.facebook.com/pages/Collision/499685465392
http://www.youtube.com/collisiongrind

01 Screamer 01:52    
02 Going Nuts With Splattered Guts 02:07    
03 Fucked Up and Wasted 01:15    
04 Rock Around the Chopping Block 02:48    
05 Charming Chicks With a Crucifix 02:21    
06 My Super Sweet Stalker 02:22    
07 Machine Girl 01:38    
08 Feast on Filth 01:37    
09 Sick Love Story 01:49    
10 Christ Candy 02:52    
11 Zombified 00:53    
12 Dose of Death 02:43    
13 The Violence of the Lambs 02:30

Boris Janssen - Bass
Job - Drums
Luc van Rens - Guitars
Wouter Wagemans - Vocals
Björn Hylkema - Vocals

GRINDaaaarrrrrrggghhhhhhhhhhhhh !!!!!!!!!!!!!!!!! ..... Frenzied, thrashing, hardcorized grindcore with a metallic edge. Absolutely frantic, pulverizing mangling. And vocal wise we have one insanely desperate screaming dude, one a bit more hardcore screaming and some occasional growls. !! sejak pertama kali mengenal band Grindcore Bastard asal Horst-Lottum, Limburg, Netherland bentukan sejak tahun 2000 oleh Vokalis Björn Hylkema yang mengenalkan Full album pertama mereka yang dasyat " Romantic Display of Love " tahun 2003, gw langsung tertarik sekali dengan konsep grindcore yang mereka mainkan lebih banyak mengingatkan Gw akan keganasan Phobia, Nasum, Pig Destroyer, F.U.B.A.R ampe Brutal Truth, Fast, Roll on and Fascinating Progress devastate Grindcore Beat memang menjadi Amunisi Powerfully dan yang pasti selalu blasting live shows, full of energy and aggression !!!! memang konsep crustgrind yang mereka usung dengan durasi singkat ini menjadi salah satu genre yang gw sukai pas lagi banyak fikiran karena niscaya Gw percaya kalau sugesti therapy yang ditawarkan genre ini bisa sedikit meredakan ketengangan Otak, Not Believe?? try Don't Tragist At Home hahahaha ... tetap memuntahkan segala kebencian yang meluap adalah salah satu attitude penting bagaimana bad ini kerap menciptakan beat2 yang meledak ledak dan menghancurkan, coz that is Grinding Style Ethos ! lirik2 ringan tentang Fenomena dan refleksi Otak kanan mereka dalam merespon apa yang ada disekitar mereka cukuplah menjadi cambuk yang luar biasa bikin Komposisi yang mereka ciptakan menjadi sesuatu yang full enerjik ! sejak materi album ke-2 " Roadkiller " tahun 2006, Collision ga terlalu banyak produktif menciptakan materi baru selain Split kemudian dengan band Dr Doom tahun 2008, kemudian band ini merilis Album Kompilasi grinding Track terbaik mereka sepanjang karir-nya dengan " Decade of Disgust " Tahun 2010, dan Momen yang lumayan tepat untuk mengenalkan kekejaman mereka berikutnya dengan full album ke-3 " A Healthy Dose Of Death " ditahun 2012 ini, Collision masih memiliki Ambisi dan Hasrat untuk menebarkan segala kebencian melalui Grinding Beat mematikannya !! dan setelah dipinang oleh label besar kenamaan senegara mereka, Hammerheart Records, rupanya menjadi Jalan lebar dan Mulus mereka untuk menancapkan taring-nya di Kancah musik cadas Internasional. Hammerheart Records memang dikenal sebagai label dengan band2 Netherland yang memiliki reputasi bagus dengan menjadi salah satu veteran label untuk musik keras ini yang sebelumnya punya nama sebagai Karmageddon Media dan terhitung pernah merilis stuff milik Dimmu Borgir, Sinister, Old Man Child, Necronomicon, Sadus dan masih banyak lagi. dan kembali lagi pada album " A Healthy Dose Of Death " Collision yang menawarkan Konsep Ngebut dan singkat dalam 13 lagu yang ga sampai menghabiskan durasi setengah jam ini, telinga kita siap dibikin panas dan berdengung dengan fast Grinding insane style mereka. Angry grindcore with a punk attitude!, Yup beberapa Attitude beatpunk menyelusup dalam komposisi musik yang ditawarkan ga melulu dengan serangan Grinding saja, bahkan beberapa Gaya Thrash, Death dan Hardcore seperti sudah menjadi Ornamen solid penciptaan lagu2 Collision disini yang dari track awal ampe akhir selalu menawarkan nomor2 super keras dan cepatnya. bayangkan saja jika Track pertama " Screamer " Collision langsung dengan kejam menghajar dengan Fastest grinding Punk yang Agresif dan enerjik pembawaannya. lalu " My Super Sweet Stalker " yang part awalnya sedikit mengajak ke Nuansa Headbang dengan Style Thrash Metal Riffing yang Coolnya. begitu juga dengan Track " Christ Candy ", Collision masih menawarkan Thrash Headbang Part di awal aransemennya. benar2 Irama detak jantung gw ga stabil dengan beat kejam musik mereka yang asli ga kenal ampun sedikitpun ini, untuk fans Grinding Part dengan Durasi pendek dan Bengis ala Nasum, Boycott, Pig Destroyer, Gride, Brutal Truth ampe Phobia, gw jamin 666% akan menyukai materi Baru Collision ini. The outcome is a slick-riffed, fast paced grind album with an utterly desperate feeling to it. The result actually reminds me of a faster and a tad more metallic Grinding beat. And there are some really cool lyrics here dealing with neo nazis, goth kids, over population etc. 666% TOTALLY GRINDING DEVASTATION !!!!

IN ENGLISH (Sorry, Use This Google Translate)

GRINDaaaarrrrrrggghhhhhhhhhhhhh!!!!!!!!!!!!!!!!! ..... Frenzied, thrashing, hardcorized grindcore with a metallic edge. Absolutely frantic, pulverizing mangling. And vocal wise we have one dude screaming insanely desperate, one a bit more hardcore screaming and some occasional growls. !! since it was first known Grindcore band Bastard origin-Lottum Horst, Limburg, Netherland formed in 2000 by singer Björn Hylkema who introduced their first full album that terrible "Romantic Display of Love" in 2003, i was immediately attracted to the concept once they play grindcore Gw be more reminiscent of malignancy Phobia, Nasum, Pig Destroyer, Brutal Truth ampe FUBAR, Fast, Roll on and Fascinating Progress devastate Grindcore Beat is a powerfully Ammunition and certainly always blasting live shows, full of energy and aggression!!!! indeed the concept crustgrind their stretcher with a short duration is to be one genre that i like a lot of thought fit again because inevitably I suggestion therapy believe that this genre has to offer can slightly ease tensions Brains, Not Believe?? Do not try Tragist At Home ... hahahaha still spew all the hatred that overflowed is one important how bad this attitude often creates beats an explosive and devastating, coz that is Grinding Style Ethos! lyrics phenomena and reflection of light on their right brain in response to what is around them is enough to make a tremendous whip composition they created into something full energetic! material since the 2nd album "Roadkiller" in 2006, Collision ga too much productive than creating new material with the band Split then Dr. Doom in 2008, the band released a compilation album Track grinding their best throughout his career with the "Decade of Disgust" in 2010, and a fairly precise moment to introduce their next atrocity with 3rd full album "A Healthy Dose Of Death" in 2012, the Collision still have the ambition and desire to spread hatred through Grinding Beat all turn it off! and after the groom by their countrymen celebrated the label, Hammerheart Records, seems to be wide and smooth their path to sink his fangs in International rock music scene. Hammerheart Records label is known as the Netherland band2 that has a good reputation to be one of the veteran label for loud music that previously had the name as Karmageddon Media and counted once owned by Dimmu Borgir released stuff, Sinister, Old Man's Child, Necronomicon, Sadus and still much more. and back again on the album "A Healthy Dose Of Death" Collision offering concepts and briefly speeding in 13 songs to spend half an hour's duration, our ears are ready contrived hot and buzzing with insane fast Grinding their style. Angry grindcore with a punk attitude!, Yup some beatpunk Attitude infiltrated the musical compositions are offered solely with the attack Grinding, even some style Thrash, Death and Hardcore as already a solid Ornaments songs Collision creation of the tracks here are beginning until end always offer numbers super hard and fast. just imagine if the first track "Screamer" Collision cruelly struck directly by grinding Fastest Punk Aggressive and energetic demeanor. and "My Super Sweet Stalker" a few invites to the first part Nuance Style Headbang with a Cool thrash metal riffing. as well as the Track "Christ Candy", still offers Thrash Headbang Collision Part in early aransemennya. benar2 heart rhythm stable gw ga cruelly beat their original music ga slightest mercy, for fans Grinding Part with short duration and the Vile ala Nasum, Boycott, Pig Destroyer, Snake, Brutal Truth, till Phobia, i guarantee you will love the 666% New material's Collision. The outcome is a slick-riffed, fast paced grind album with an utterly desperate feeling to it. The result actually reminds me of a faster and a tad more metallic grinding beat. And there are some really cool lyrics here dealing with neo nazis, goth kids, over population etc.. 666% TOTALLY GRINDING DEVASTATION!!!! 

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