The Portals: * Cryptopsy

Menahan Ejaculasinya sejak materi Terakhir " Cryptopsy " tahun 2012, muncratan hebat enerji sperma biadab harus terlepaskan secara liar kembali dari masa pertapaanya The Mega Blaster TDM Canadian Most Brutal Band Cryptopsy yang seperti akhir-akhir ini tenggelam namanya. inilah kejutan pertama Cryptopsy jelang akhir tahun dengan 4 lagu " The Book of Suffering (Tome 1) " yang hanya mereka rilis format digital secara independen. Yeahh, This new approach will allow Cryptopsy to put out new music more often while remaining true to their standards of quality In continuing with their brutal technical death metal resurgence Awesome ! mungkin jika kita coba menoleh lagi kebelakang, Cryptopsy masih bekerja keras menebus kekalahannya sejak Album " Once Was Not " dan " The Unspoken King ", meski Album " Cryptopsy " sendiri telah mengembalikan Citarasa Band sebenarnya, Band yang sukses lewat Album terbaik sepanjang masa seperti " None So Vile, Whisper Supremacy atau And Then You'll Beg " dengan Komposisi Musikal yang Extra meledak hebat sekali dan menjadi Evolusi penting perkembangan TDM yang Dasyat bagi Musisi Death Metal hari ini. kini seperti masih mencoba menggerus persepsi miring akan hilangnya Interest Fans, " The Book of Suffering (Tome 1) " adalah Catatan Penting Kegilaan Cryptopsy harus kembali dimulai ! the opportunity to with nightmarish aural landscapes and horror-themed brutality has back !!! Hadirnya Gitaris Christian Donaldson yang dipercaya mampu menggantikan Tampuk leader komposer atas lagu2 Cryptopsy memang tidak diragukan memang sejak dirinya bergabung dan Ikut rekaman di materi " The Unspoken King " dan " Cryptopsy ", Christian Donaldson akhirnya duduk sendiri sebagai Produser langsung menemani Enjiner Jason Suecof dan Alan Douches untuk menggarap materi ini karena Christian sendiri memang piawai dalam dunia Sound Enjiner serta banyak menggarap Album2 keren Death Metal termasuk 2 materi Cryptopsy awal sejak dirinya bergabung. Pertanyaan ga yakin pun timbul akan materi kali ini bagi fans yang terlanjur skeptis, " apakah Cryptopsy masih Dapat diharapkan kegilaannya kembali ?? ", Well, sejak mendengarkan 1 Track yang dibocorkan lebih dahulu secara Streaming " Detritus (The One They Kept) ", gw masih yakin sekali Cryptopsy akan menyuguhkan Komposisi terbaiknya sejak era " Cryptopsy ", Yess, ini seperti akan mengajak kita lebih nostalgia dengan 3 Fenomenal album awal " None So Vile, Whisper Supremacy atau And Then You'll Beg ", meski beberapa sentuhan Era " The Unspoken King " masih terasa elemennya ketika Cryptopsy merasa tertantang dengan Perkembangan Musikal. " Detritus (The One They Kept) " adalah cerminan Aransemen Barbar Band yang seperti menyimpan sejuta dendam kesumat saja ! Pukulan Drummer Flo Mounier tentu masih jadi Icon penting Betapa Gila-nya Cryptopsy saat pertama kali mengenalkan tempo-tempo ga waras-nya sekaligus menjadi Pioner Tercepat di era-nya, masih menyuguhkan dominasi permainan Drum Enerjik plus powerfully dengan stamina luar biasanya, kemudian Gitaris Christian Donaldson yang sudah sejak awal Gw amati Permainannya paling mumpuni sebagai pengganti tepat posisi Jon Levasseur dan Miguel Roy semakin menggila lagi Performa Riffing-nya menghadapi kegilaan drummer Flo, sementara Betotan Bassis Olivier Pinard cukup menggantikan cabikan khas Bassis Éric Langlois dengan segala Teknik-nya. Kemudian menjadi menjadi Frontman pilihan Band sejak " The Unspoken King " dan " Cryptopsy ", Posisi Vocalis Matt McGachy masih bercokol kuat dalam segala Kegilaan ini, Well alhasil memang ini menjadi sebuah Kerja keras nyata yang menyuguhkan Debut komposisi sadis ! The down-tuned bass presence forces itself upon the listener by making the varying complexities of the guitar chords and drum patterns all the more hostile, latching right on your throat and attempting to tear your face right off as it hammers your skull right into quite the abrasive brick wall during the groove-oriented passages. " The Knife, the Head and What Remains " kita seperti mendengarkan kembali Versi Modern serta Fresh-nya era Materi " Whisper Supremacy " atau " And Then You'll Beg ", tempo yang super cepat dan mantap adalah siksaan nyata yang harus kalian tanggung menjadi sebagian dari Konsekuensi Barbar konseptual Band seperti yang kita kenal familiar itu, Extremely Dynamic Fastest and Fastest !!! dengan Kualitas Sound yang lebih clean, Gw bener-bener menikmati sekali hampir semua Instrumen memang termainkan dengan Perfek sekali. diantara Konsen-nya gitaris Christian Donaldson mengisi Rythym Beat-nya, beberapa kali pula dimuntahkan solo-solo elegan yang menambah track terdengar begitu manis. Tarikan Vokalis Matt McGachy yang powerfully memang mengingatkan akan perpaduan Karakter vocal era Mike DiSalvo dengan Lord Worm lebih tertata lagi Pattern-nya menurut Gw. dan " Halothane Glow " masih terus memecahkan Keheningan dengan aransemen Destruktif hampir disetiap Bar-nya, meski selalu didominasi dengan Part-part yang cepat, beberapa kali pula Cryptopsy memberikan Sedikit penyegaran ketika menikmati bagian Middle Groovy yang ciamik dan tetap menjadi karakteristik Cryptopsy sejak awal terbentuk. A simian sideshow, a cacophony of clever monkeys, beating energetically on human instruments, but incapable of creating good music with them a monstrously technically adept instrumentally superb !!! Belum selesai menikmati sepenuhnya komposisi Dasyat membunuh ini, Track pamungkas " Framed by Blood " rupanya keburu meledak hebat lagi. Kalo Jujur, kayaknya 4 lagu masih kurang banget untuk mengobati kerinduan Gw sebagai salah satu Fans Band, apalagi yang mereka suguhkan saat ini sangat Eksplosif sekali Emosi Musikal-nya. Didukung dengan Perfect Production, " The Book of Suffering (Tome 1) " adalah the Best Masterpiece ditahun 2015, dimana Era kebangkitan membabi buta Cryptopsy akan kembali menjadi ancaman serius. Another highly brutal release from one of the most uncompromising bands on the planet with a fully enjoy this juicy steak of blistering speed and mind blowing technicality !!!

ENGLISH VERSION (Sorry, use Google Translate)

Restraining Ejaculation since last material "Cryptopsy" in 2012, a great sperm savage Spread energy must be liberated illegal return from pertapaanya The Mega Blaster TDM Most Brutal Canadian band Cryptopsy are like lately sunk name. This is the first surprise Cryptopsy ahead of the end of the fourth song "The Book of Suffering (Tome 1)" that only they release a digital format independently. Yeahh, This new approach will allow Cryptopsy to put out new music more Often while remaining true to Reviews their standards of quality In continuing with Reviews their brutal technical death metal resurgence Awesome! maybe if we try to look back back, Cryptopsy are still working hard to redeem his defeat since the album "Once Was Not" and "The Unspoken King", although the album "Cryptopsy" itself has returned Flavors Band actually, Band successful through Best album of all time such as " None So Vile, Whisper Supremacy or And Then You'll Beg "by the Musical Composition Extra tremendous burst and become an important evolution TDM terrible development for Musicians Death Metal today. now like still trying to undermine the skewed perception of loss Interest Fans, "The Book of Suffering (Tome 1)" is Important Note Madness Cryptopsy have to re-start! the opportunity to with nightmarish aural landscapes and horror-themed brutality has back !!! The presence of guitarist Christian Donaldson who is believed to replace the bulk of leader the composer on Cryptopsy songs is no doubt it since he joined and Joining recording material "The Unspoken King" and "Cryptopsy", Christian Donaldson finally sat himself as a producer directly accompany Engineer Jason Suecof and Alan douches to work on this matter because the Christian himself was an expert in the world of Sound Engineer as well as many working Albums Cool Death Metal including 2 early Cryptopsy material since he joined. Questions also arise ga sure will matter this time for fans who already skeptical, "whether Cryptopsy still be expected insanity back ??" Well, since listening to the first track leaked earlier in Streaming "Detritus (The One They Kept)", I still convinced Cryptopsy will be presenting his best compositions from the era of "Cryptopsy" Yess, it's like going to invite us more nostalgic with 3 Phenomenal early albums "None So Vile, Whisper Supremacy or And Then You'll Beg", although some touches Era "The Unspoken King "still feels her element when Cryptopsy feel challenged by developments Musical. "Detritus (The One They Kept)" is a reflection of Arrangement Barbar Band like to save a million vengeful course! Punch Drummer Flo Mounier would still be Icon important How amazed its Cryptopsy when first introduced tempo-tempo ga sane her as well as a Pioneer Fastest in its era, still presenting domination game Drum Energetic plus powerfully with stamina extraordinary, then guitarist Christian Donaldson already observed since the beginning Gw The game is most qualified as a substitute for proper positioning and Miguel Roy Jon Levasseur worsened again Performance riffing his face insanity drummer Flo, while betotan Bassist Olivier Pinard fairly typical shred replace bassist Éric Langlois with all his technique. Later became to be Frontman Band choice since "The Unspoken King" and "Cryptopsy" The position of vocalist Matt McGachy have remained strong in all this madness, Well eventually it becomes a real hard work that presents a composition Debut sadistic! The down-tuned bass presence forces itself upon the listener by making the varying Complexities of the guitar chords and drum patterns are all the more hostile, latching right on your throat and attempting to tear your face right off as it hammers your skull right into quite the abrasive brick wall during the groove-oriented passages. "The Knife, the Head and What Remains" we like to listen back and Fresh Modern versions of his era Materials "Whisper Supremacy" or "And Then You'll Beg", super-fast tempo and steady is the real torture that should be the responsibility of you some of the conceptual consequences Barbar Band familiar as we know it, Extremely Dynamic and Fastest Fastest !!! Sound quality is better with a clean, I was really enjoying once almost all the instruments it termainkan with Prefect once. Concentration among his guitarist Christian Donaldson fill Rythym Beat her, several times also spewed elegant solos that add tracks sounded so sweet. Vocalist Matt pull powerfully McGachy which was reminiscent of the fusion era vocal character Mike DiSalvo with Lord Worm over again organized its Pattern according to Gw. and "Halothane Glow" still continues to break the silence with arrangements Destructive almost every bar of his, but always dominated by the fast part, several times also Cryptopsy give a little bit of refreshment when enjoying the part of Middle Groovy ciamik and remains a characteristic of Cryptopsy since the early form , A simian sideshow, a Cacophony of clever monkeys, beating energetically on human instruments, but incapable of creating good music with them a monstrously technically adept instrumentally superb !!! Unfinished enjoy fully the composition of this terrible murder, Track ultimate "Framed by Blood" seems to trigger a violent burst. If Honestly, I think 4 songs still less really to cure homesickness Gw as one Fans Band, let alone what they contributed today's highly explosive once his musical emotions. Powered by Perfect Productions, "The Book of Suffering (Tome 1)" is the Best Masterpiece by 2015, which blindly Cryptopsy Era revival will again be a serious threat. Another highly brutal release from one of the most uncompromising bands on the planet with a fully enjoy this juicy steak of blistering speed and mind blowing technicality !!!

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Kamis, 18 Juni 2015

Cryptopsy - The Best Of Us Bleed CD 2012

Cryptopsy - The Best Of Us Bleed
Century Media Records 2012
http://www.cryptopsy.ca
http://www.myspace.com/cryptopsy
http://www.facebook.com/CryptopsyMetal
http://www.youtube.com/user/CryptopsyDeathMetal
http://www.reverbnation.com/cryptopsy
http://www.cryptopsyofficial.bandcamp.com

CD 1 "16 Stabwounds "

01 Boden 02:51
02 A Graceful Demise 04:25
03 Holodomor 02:44
04 Oh My Fucking God (Strapping Young Lad cover) 03:28
05 Worship Your Demons 02:06
06 Silence the Tyrants 04:06
07 The Headsmen 05:14
08 Carrionshine 03:22
09 The Pestilence That Walketh in Darkness (Psalm 91: 5-8) 03:26
10 Endless Cemetary 05:17
11 We Bleed 06:17
12 Soar and Envision Sore Vision 03:29
13 Voice of Unreason 02:54
14 Cold Hate, Warm Blood 03:53
15 White Worms 03:41
16 Emaciate 05:01

CD 2 "Bury The Past Alive"

01 Phobophile 04:38
02 Slit Your Guts 04:00
03 Crown of Horns 03:57
04 Defenestration 04:32
05 Abigor 03:51
06 Open Face Surgery - Live 04:38
07 Graves of the Fathers / Drum Solo - Live 08:09
08 Shroud - Live 04:28
09 Born Headless - Live 04:24
10 Slit Your Guts - Live 05:30
11 Cold Hate, Warm Blood - Live 04:13
12 We Bleed - Live 06:02
13 White Worms - Rehearsal 03:54
14 Loathe - Rehearsal 05:10
15 Depths You've Fallen - Rehearsal 04:18
16 Cold Hate, Warm Blood - Rehearsal 04:07

Century Media Records sepertinya masih memiliki Hak Eksklusif untuk beberapa rilisan Cryptopsy meskipun Band Brutal Technical Death Metal paling terkenal sepanjang sejarah ini sudah tidak bersama Label Metal mapan ini. dan seperti bukan kebanyakan album kompilasi track terbaik band, Kompilasi album The Best Track ini memang untuk yang pertama kalinya bagi Jagoan Death Metal Paling ngebut asal Montreal, Quebec, Kanada yang eksis sejak tahun 1992 berangkat dengan nama awal sebagai Necrosis. Cryptopsy had always been a chaotic, loosely organized, death band, with this release they turned into a crazy, cerebral, uncontrollable death band. Heavy-bassy guitars launching a full-scale technical jazzlike death metal assault. Cryptopsy is back with its trademark brutal technical riffing mixed with its head-banging chugging, but this time around there’s no Lord Worm. Is this a bad thing? Well, it depends… dan tertarik banget kalo Gw pengen menulis tentang album Kompilasi double CD ini, coz ada beberapa materi menarik dan Eksklusif didalamnya yang belum pernah gw denger sebelumnya sebagai fans berat Cryptopsy ! dan ini seperti sebuah Rangkuman perjalanan Karir band yang dihadirkan lebih " Hidup " dan bagaimana kita merespon setiap Progresi Musikalitas band ini dari awal hingga sekarang. dimana para musisi Ultra Dasyat mencoba menggabungkan kegilaannya untuk menggeber Death Metal Style lebih cepat yang belum pernah terpikirkan oleh band2 lainnya sehingga Konsep ini menjadi Inspirasi penting bagi perkembangan Genre metal itu sendiri, Well Cryptopsy memang is The Best dah !! hehehehe ... Ok Gw mulai dari CD pertama sebagai "16 Stabwounds ", karena ada track " Boden, A Graceful Demise dan Holodomor " yang memang sebelumnya belum pernah dirilis oleh Label-nya Century Media Records, coz ini mungkin memang track yang ga terpakai untuk dirilis, track " Boden " memang Menawarkan kekejaman Cryptopsy yang pernah direkam tahun 2011, dengan Komposisi Musik yang tetap liar dan Brutal, sayang banget memang kalo track ini ga dipublikasikan oleh Century Media, begitu juga dengan " A Graceful Demise dan Holodomor ", I often find myself dozing away, day dreaming when I listen to this cd. I just loose my concentration on the music because, even though its brutal, fast and really good, it doesn’t have that aggression and creativity they had on “none so vile”. I always get pulled back though, because every one of their songs has at least one kick-ass chugging moment. a technical edge (particularly in the department of drums), but the emphasis was still squarely in the realm of death metal. dan setelah itu, Cryptopsy juga memberikan Penghormatan kepada nama Sesepuh mereka, Strapping Young Lad " Oh My Fucking God " dari the Covering 20 Years Of Extremes CM Anniversary compilation yang dirilis Tahun 2008, dengan karakter yang lebih brutal dan Liar, gw jamin Devin Townsend bakalan kelabakan untuk menyanyikannya hahahaha, kemudian Track selanjutnya " Worship Your Demons, Silence the Tyrants dan The Headsmen " diambil dari materi Album Ke-6 " The Unspoken King " tahun 2008, lalu " Carrionshine, The Pestilence That Walketh in Darkness (Psalm 91: 5-8) dan Endless Cemetary " tentunya sudah ga asing lagi untuk Album ke-5 " Once Was Not " tahun 2005, dimana Cryptopsy berhasil menampilkan kembali Vokalis Fenomenal Pertama-nya yang sukses dialbum " None So Vile ", Lord Lorm setelah Cryptopsy melakukan reunian pada Rilisan DVD " Trois-Rivières Metalfest IV " tahun 2005, meski menjadi bagian penting dalam sejarah karir Cryptopsy, Lord Worm sendiri tetap mendukung Cryptopsy walau dirinya sudah tidak memiliki Power bernyanyi lagi diband bentukannya ini. kemudian Pengganti Lord Worm era " None So Vile " kemudian sempat tergantikan oleh sosok Vokalis Enerjik Mike Disolvo pada track " Bleed, Soar and Envision Sore Vision dan Voice of Unreason " era album ke-4 " And Then You'll Beg " tahun 2000 album Paling Dasyat milik Cryptopsy sekaligus album terakhir Mike Disolvo bareng Crytopsy. new vocalist Mike DiSalvo has a more hardcore sounding vocal. Nonetheless still deep sounding, it’s quite a bit different from Lord Worm’s. Worm was deep to the point where it was almost unintelligible and DiSalvo is kinda deep but you could make out what he’s saying. All its gonna be in the end is that its just a matter of taste. I personally don’t really give a shit, as long as its not clean I’m cool with the vocals, although I do prefer Lord Worm’s vocals better. itulah kesan beberapa Editor media begitu mendengar Progresi Karakter Vokal Baru-nya. dan masih mengingat era kekejaman enerjik vokalis Mike Disolvo untuk pertama kalinya bareng Cryptopsy, Track ampuh " Cold Hate, Warm Blood, White Worms dan Emaciate " adalah sajian berikutnya dari album ke-3 " Whisper Supremacy " tahun 1998 dimana untuk pertama kalinya juga Cryptopsy mendapat Kontrak 5 album bersama Century Media. This album feels a lot like riding in a sports car while the driver accelerates then slams on the brakes then accelerates again then brakes again ad nauseum. Other death metal bands aim to catch the listener off-guard with dissonance, unusual time signatures, et cetera, but relatively few are this purposely uncomfortable to listen to. There are at least a few death metal bands that have succeeded in packing in even more rapid song transitions and wild structure than Cryptopsy do on this album while still maintaining a better sense of melody (if not in the conventional sense) and generating a powerful, dark atmosphere. On the other hand, the best reason to listen to Whisper Supremacy is probably to congratulate yourself for being able to stand up to it and follow along. Disentangling these compositions can be entertaining if approached from the right frame of mind, but for the most part, I say stick with the old stuff. Still, it’s better than where they went later! ok sekarang ganti gw Puter untuk CD ke-2 nya sebagai "Bury The Past Alive" nih hehehe, sedikit tadi CD pertama gw nostalgia dengan beberapa perjalanan karir Awal Cryptopsy hehehe ... dan CD ke-2 ini langsung dimulai dengan Track paling Fenonemal Cryptopsy banget, " Phobophile !!! ", so sapa sih fans Cryptopsy yang ga kenal banget ma nih lagu ??? Fans Cryptopsy Palsu paling hahahaha ... ada 2 lagu lagi " Slit Your Guts dan Crown of Horns " yang dicomot dari Album penting sepanjang sejarah Cryptopsy " None So Vile " tahun 1996, meski Century Media Records bukan Perilis pertama album Fenomenal ini, namun Wrong Again records telah melisensi Penuh untuk rilisan ini kepada Century Media Records sesaat kemudian label yang dikelola oleh anak2 Deranged ( Swedia ) ini gulung tikar, dan masih terus Flashback lagi, Materi Album pertama Cryptopsy " Blasphemy Made Flesh " tahun 1994 yang aslinya dirilis oleh Invasion Records ini mendapat lisensi resmi kepada Century Media dan Displeased Records, dan " Defenestration dan Abigor " adalah Track paling dikenalnya. kemudian track selanjutnya adalah " Open Face Surgery, Graves of the Fathers / Drum Solo dan Shroud " dicomot dari album Live Cryptopsy " None So Live " tahun 2003 dimana untuk pertama kalinya Pengganti Vokalis Mike Disolvo tergantikan oleh Martin Lacroix dari Band Spasme untuk pertama kalinya Mengisi Posisi Lowong ini namun sayang Martin Lacroix tidak pernah ikut dalam proyek album selanjutnya. dan kesempatan ini gw untuk pertama kalinya mendengar solo drum Flo Mounier yang Killer abis itu skill-nya ! this Really A Most Fucking Amazinggg !!!!!! dan kemudian track " Born Headless dan Slit Your Guts " juga diambil dari penampilan Panggung band, dengan kualitas recording yang lebih Keren dan Jernih lagi gw bisa merasakan kedasyatan Cryptopsy diatas panggung, dan 2 lagu ini diambil dari Japanese live bonus tracks untuk album " And Then You'll Beg " tahun 1999 yang dilisensikan kepada Label Victor Entertainment. lalu " Cold Hate, Warm Blood - Live dan We Bleed " masih diambil dari rekaman Live stage band, yang dicomot dari Live DVD / Japanese bonus tracks untuk album " Once Was Not " tahun 2004 untuk Pasaran jepang. dan yang keren belum pernah gw dengerin sebelumnya adalah beberapa rekaman Rehearsal Studio era penggarapan Materi CD " Whisper Supremacy " tahun 1998 yaitu untuk lagu " White Worms, Loathe, Depths You've Fallen dan Cold Hate, Warm Blood ", namanya aja rekaman Rehearsal, kesan Raw memang sarat terdengar dominan disini, mungkin Materi ini yang digunakan Cryptopsy untuk menawarkan demo kepada Century Media. kompilasi ini hadir dalam format Rilisan Digital yang dapat dibeli secara Down to Pay aja, elo bisa menikmati sajian lebih dari 140 menit perjalanan liar brutal Cryptopsy banget !, artwork kover karya Toshihiro Egawa dan desain sleeve Booklet-nya digarap oleh Adrien Begrand-nya Decibel Magazine, semua materi telah dimastering ulang sehingga mendengarkannya menjadi lebih mantap aja nih hehehehe, so Fans Cryptopsy yang agak telat untuk beberapa Rilisan Cryptopsy, album kompilasi ini kayaknya bisa menjadi solusi tepat semuanya. complex piece of work this time around. I'd go as far to say that this is one of the most impressive pieces of music ever just from a musician's standpoint. I don't think there's any way to really know until you actually listen to it. I know I said that the vocals ruin it but I'm still able to listen to this album to appreciate the obvious amounts of time poured into producing this. I also know that people say there are tempo changes and riff switches just to be technical but if you listen to it reeeaallly closely, you realize that there is something connecting the song where it isn't just scattershot playing. Anyway, I think I've rambled enough.

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Rabu, 08 April 2015

Cryptopsy - Cryptopsy CD 2012

Cryptopsy - Cryptopsy
Self-released/independent 2012
http://www.cryptopsy.ca
http://www.myspace.com/cryptopsy
http://www.facebook.com/CryptopsyMetal
http://www.youtube.com/user/CryptopsyDeathMetal

01 Two-Pound Torch 05:03
02 Shag Harbour's Visitors 04:22
03 Red-Skinned Scapegoat 05:57
04 Damned Draft Dodgers 03:58
05 Amputated Enigma 04:02
06 The Golden Square Mile 03:13
07 Ominous 03:47
08 Cleansing the Hosts 04:31

Flo Mounier - Drums, Backing Vocals
Jon Levasseur - Guitars
Christian Donaldson - Guitars
Matt McGachy - Vocals
Olivier Pinard - Bass

Seakan ingin menebus sebuah Kesalahan besar, Debutan paling Gress milik Quebec Hyperblast Technical Brutal Death Metal populer Cryptopsy kembali membuat perhitungan mematikan di album studio penuh ke- 7 pasca mendapat kecaman keras dari banyak Fans atas beberapa perubahan signifikan di album mereka sebelumnya " The Unspoken King " telah banyak bergeser ke karakter Deathcore Modern, sehingga sangat memukul telak fans Mereka yang mendambakan permainan Yang meledak2 dibeberapa album sebelumnya. setelah kontrak mereka di Century Media Records berakhir, akhirnya Cryptopsy memutuskan untuk merilis sendiri Album ke-7 ini dengan kocek sendiri dan Defen Society, yang menjalin kerja bareng dengan Revolution Harmony/Candlelight Records. masih menggandeng kerjasama dengan enjiner Christian Donaldson era penggarapan " The Unspoken King ", Cryptopsy seperti sedang merasa menemukan Sounding Baru dalam tubuh band, Christian Donaldson yang dikenal sebagai Gitaris dari band Industrial/Groove Metal dengan penjualan album terbaiknya, Mythosis yang juga menjadi temen setongkrongan, bagi Cryptopsy lebih bisa mengakomodir kegilaan band sebenarnya selain kini menjadi Gitaris baru ditubuh Cryptopsy. dan 4 tahun menjadi masa penantian panjang bagi Cryptopsy sendiri untuk bisa merilis materi baru ini. dan sebuah angin segar kembali bertiup saat Gitaris berbakat mereka, Jon Levasseur memutuskan untuk kembali dalam tubuh Cryptopsy sejak tahun 2011 lalu, Jon Levasseur yang merupakan salah satu Member orisinil Band ini memutuskan untuk hengkang pasca album live " None So Live " harus meninggalkan Gitaris Alex Auburn sendirian berjuang bersama cryptopsy menyusul cabutnya Alex pasca album " The Unspoken King ", dan keinginan kembali Jon sendiri diprediksi oleh beberapa media akan membawa Pengaruh Lama kembali Kesaktian Cryptopsy era album2 sukses terdahulu. dan mengenalkan Bassis baru Olivier Pinard untuk menempati posisi kosong yang ditinggalkan oleh Éric Langlois sejak tahun 2011 lalu, nama Olivier Pinard dipercaya sanggup menempati posisi bass seperti talentanya telah terasah dibeberapa band ternama seperti Neuraxis, Vengeful, dan Under the Grave. It would be absolute folly to expect a masterful comeback from a band that hasn't really done anything of note for the better part of 15 years. Then again, there are those rare occasions where some chance-driven fool actually ends up laughing at all the doubters and shouts “I told you so” from the mountain top. Cryptopsy's recent and oddly self-titled 7th album is not one of those rare moments, and yet there is still a semblance of bragging rights for those deluded fanatics who stuck with the band through the drivel that surfaced from “Whisper Supremacy”onward. It is a solid, by the numbers return to form that features long-time technician Jon Levasseur returning to the fold and a lot of the rage-infused brutality meshed with occasional quirky, genre-bending interludes that typified “None So Vile” along with it. And yet, much like their wildly lauded and somewhat overrated sophomore album, this is an album that is held back by its own lack of nuance and unfettered fury. sejak melepas lebih dulu track " Two-Pound Torch " dan " Red-Skinned Scapegoat " yang dikenalkan lewat official Youtube Band, Cryptopsy lebih dulu ingin memancing sebuah Respon dari fans akan materi terbarunya ini, banyak kalangan mulai memuji dan tertarik kembali dengan materi ini yang dianggap sebagai kembalinya beberapa karakter lama Cryptopsy era " And Then You'll Beg " dan " Whisper Supremacy " walau masih begitu sulit melepas karakter baru modern yang membelenggu band ini. apalagi karakter Vokalis Matt McGachy dinilai kurang sesuai dengan Typical musik Cryptopsy yang sebenarnya, karena Band ini memang diakui lebih sesuai menggunakan karakter Vokal yang emosional meledak -ledak seperti eranya Lord Worm dan Mike DiSalvo. ok menjawab rasa penasaran Gw tentang album baru ini, gw akan coba bercerita bagaimana perkembangan Band Populer dengan permainan Sadis-nya pada materi kali ini. Track awal " Two-Pound Torch " sepertinya sudah sering gw maenin, sangat mengejutkan memang gaya bermainnya, So now we've got the presumed 180 degree turn back to the group's ubiquitous brutality, which has rubbed off on more bands that you could shake a gore-drizzled spine at. Harried blasting, double bass rolls faster than you'd drop your trousers at a medical exam with Megan Fox, brute grunts that at last imply Matt McGachy is the right man for the job, chugging, squealing, and spurious, acrobatic guitar patterns that zip and zag across the brutal landfill of rhythmic concussion. Typical Musik cryptopsy masih menunjukkan kekuatan kejamnya untuk memainkan part2 cepat yang sinting, walau lebih terasa Bermain Rapi dan ga seliar 4 album fenomenal di album Karir awal mereka, kali ini cukuplah band ini lebih tampil eksotis mematikan lewat permainan yang tetap mengagumkan ini. I'd say Cryptopsy has awoken from any and all perceived delusions of its direction. And yet, there are certainly spikes of melodic death metal screaming through the maddening mesh that hint the band haven't yet abandoned the notion of feeling out parallel sub-genres. Dense, post-death grooves permeate the accelerated bursts and old school tremolo riffs throughout the album, and there's a jarring precision to the band's alternating tempos which shows a lot of elbow grease went into the album's composition. gaya Riffing Jon tetap membawa pengaruh kuat akan beberapa elemen cryptopsy setelah mendapat Kontaminasi Akut perubahan style, dengan extra Pummeling Chugging Riffing menawan, Jon tetap menjadi kekuatan Hidup Cryptopsy yang sebenarnya. permanaian Fenomenal Flo Mounier ?? Don't Worry Guys !! Flo tetap yang berada dibarisan terdepan kegilaan Cryptopsy deh hehehehe ... Karakter Vokal Matt McGachy harus lebih berjuang keras dengan deep Growl yang depth-nya menciptakan Pattern Lagu cepat, sehingga extra tenaga Powerfully sangat diperlukan untuk semua ini. The bass pops along with such a fervor that it often impersonates some brutal funk. There are points at which Flo Mounier's battery is so lockstep conjugal with the patterns of Christian Donaldson and (the returning) Jon Levasseur that the sheer force of their combined delivery feels like a hundred Lilliputian hammers cracking my cranium simultaneously. kemudian " Shag Harbour's Visitors " yang dimulai dengan solo bass yang death funk banget selanjutnya siksaan maha dasyat kembali terjadi, seperti sebuah Reunian Jon dengan ide2 Fresh-nya balik di Kolaborasikan kembali dengan Skill Flo, beberapa gaya Riffing Konvensional tetap menjadi daya tarik tersendiri bagi Musikalitas Cryptopsy. pada track ini masih memungkin aransemen Cryptopsy terasa memancing kembali kekejaman mereka yang sebenarnya. embellish the carnage with radioactive leads and atmospheres. Plenty of pummeling variation throughout its compact Devastation ! Most were intense and well managed against the extreme gees of the band's typical celerity, and fit like a glove to the record's huge, polished and punishing production. It's a modern tech-death explosion, with a contemporary gloss to its mix, but you can hear everything equally and that's all I can really ask for. " Red-Skinned Scapegoat " semakin liar dan Brutal strukturnya, Powerfully Track yang memang masih belum bisa mengembalikan beberapa citra karakter era album paling dasyat " None So Vile " itu, namun setidaknya Cryptopsy masih tetap tampil ampuh ! " Damned Draft Dodgers " lumayan ada beberapa part yang mengingatkan kembali era keganasan Cryptospy yang sempat hilang era album " The Unspoken King ". tetap bekerja keras dengan ide2 segar-nya, Flo tetap dapat memanajemen segala kemampuan teman2nya agar tidak terlalu jauh dan lepas dari jalan utama mereka sebagai Karakter Cryptopsy Style ! " Amputated Enigma " tetap dasyat menyiksa ! trade off impious mechanical grooves with unbridled, cathartic velocity and Technicality ! " The Golden Square Mile " kendati pada part awal memainkan beberapa Konsep Yang terasa Groove banget, Cryptopsy tetap menempatkan sentuhan klasik yang teratur dengan segala Totalitasnya menggeber irama musik cadas ! dan karakter seperti lagu " Ominious " adalah sebuah Konsep yang sangat dirindukan oleh Fans untuk Cryptopsy sebagai Death Metal band terkejam ! terkesan kadang Memiliki konsep yang rumit, namun gw masih percaya sekali kalau Band ini masih tetap manusiawi untuk semua kegilaannya. One could all but argue that Cryptopsy suffers from being just too damned good at what they do and often sacrifice songwriting in the name of wowing the onlookers. dan " Cleansing the Hosts " pun segera mengakhiri kekejaman Cryptopsy selama 34:53 melalui 8 Fresh material sebagai upaya penebusan Rasa bersalah mereka yang termaafkan di album ini pasca mengecewakan era album " The Unspoken King ". inilah untuk kesekian kalinya Cryptopsy memadukan karakter Baru dan lama dalam formasi yang dibawa oleh masing2 member, sebuah bentuk kesatuan talenta berbahaya semakin dikumpulkan menjadi satu disini tetap menjadi citra dan Idealogi bagi band yang pernah dijuluki " Band Tercepat didunia " pada awal kemunculannya tahun tahun 1992 di Montreal, Quebec, melahirkan konsep yang membawa pengaruh segar bagi perkembangan Brutal Death Metal selanjutnya menjadi semakin tampil cepat dan liar. album ini cukup menjawab kekecewaan era album sebelumnya dech, bagaimana kita akan kembali disuguhkan dengan beberapa menu berdarah-darahnya. You'll rarely wish to sit still here, so intense are the performances of the musicians and mechanistic their sadism, but despite this a lot of the rhythm guitar patterns and fluttering arpeggios do feel like a mere run through the motions of the niche they helped birth. I doubt I'll think back on this in six months' time. For now, it's fast. Fun. Furious. A partial update to None So Vile, if not an upgrade or maybe there will be a similarly well polished gem out of the same mold coming down the pike. The potential is here, but it has yet to be seized upon.

IN ENGLISH (Sorry, Use This Google Translate)

As if to make up for a big mistake, most Gress Debutant Quebec belongs Hyperblast Technical Brutal Death Metal Cryptopsy popular re-make calculations off in full studio album to-7 post got a lot of criticism from fans for some significant changes in their previous album "The unspoken King" has shifted to much deathcore Modern character, so it is a lethal blow to fans who crave the game Those Who meledak2 several previous albums. after their contract expired at Century Media Records, Cryptopsy finally decided to release their own album to-7 with own pocket and Defen Society, which has worked together with the Revolution Harmony / Candlelight Records. still holding cooperation with Christian Donaldson engineers cultivation era "The unspoken King", Cryptopsy feel like I'm finding new Sounding the body band, Christian Donaldson known as guitarist of the band Industrial / Groove Metal with a best of album sales, who is also a friend Mythosis setongkrongan, for Cryptopsy can accommodate more than the actual band madness has now become the new body Cryptopsy guitarist. and 4 years of a long waiting period for Cryptopsy own to be released new material. and a fresh breeze blew back when they were gifted guitarist Jon Levasseur decided to return the body Cryptopsy since 2011 last year, Jon Levasseur which is one of the original Band Members decided to leave after the live album "None So Live" had to leave guitarist Alex Auburn alone following a fight with Cryptopsy cabutnya Alex after the album "The unspoken King", and wishes himself back Jon predicted by some media will take effect Lama returned Miracle Albums2 era Cryptopsy previous success. and introducing new bassist Olivier Pinard to occupy the vacant position left by Éric Langlois since 2011, the name of Olivier Pinard bass position can be trusted as his talents have been honed in several renowned bands like Neuraxis, Vengeful, and Under the Grave. It would be absolute folly to expect a Masterful comeback from a band that has not really done anything of note for the better part of 15 years. Then again, there are those rare occasions where some chance-driven fool actually ends up laughing at all the doubters and shouts "I told you so" from the mountain top. Cryptopsy's recent and oddly self-titled 7th album is not one of those rare moments, and yet there is still a semblance of bragging rights for those deluded fanatics who stuck with the band through the drivel that surfaced from "Whisper Supremacy" onward. It is a solid, by the numbers return to form that features long-time technician Jon Levasseur returning to the fold and a lot of the rage-infused Brutality meshed with occasional quirky, genre-bending that typified Interludes "None So Vile" along with it. And yet, much like their Wildly overrated and somewhat lauded sophomore album, this is an album that is held back by its own lack of NUANCE and unfettered fury. since the first release track "Two-Pound Torch" and "Red-Skinned Scapegoat" was introduced through official Youtube Band, Cryptopsy first want to provoke a response from the fans will this new material, many people began to praise and drawn back to this material that considered a return of some old characters Cryptopsy era "And Then You'll Beg" and "Whisper Supremacy" even though they are so difficult to remove the shackles of modern new character band. Vocalist Matt McGachy character especially valued less in accordance with the actual Typical Cryptopsy music, because this band is admittedly more appropriate to use the character an emotional vocal outbursts like the era of Lord Worm and Mike DiSalvo. ok answer Gw curiosity about the new album, i will try to tell you how the development Band Popular with his sadistic games at the material time. Track the beginning of "Two-Pound Torch" seems to have been often gw maenin, very surprising indeed playing style, So now we've got the Presumed 180 degree turn back to the group's ubiquitous Brutality, roomates has rubbed off on more bands that you could shake a gore-drizzled spine at. Harried blasting, double bass rolls faster than you'd drop your trousers at a medical exam with Megan Fox, brute grunts at last imply that Matt McGachy is the right man for the job, chugging, squealing, and spurious, acrobatic guitar patterns that zip and zag across the brutal landfill of rhythmic concussion. Typical Music Cryptopsy still showing strength cruel to play fast part2 crazy, even more pronounced and Rapi Playing wild ga 4 phenomenal album at the beginning of their career album, this time is sufficient band more exotic look deadly passing game is still awesome. I'd say Cryptopsy has awoken from any and all perceived delusions of its direction. And yet, there are certainly spikes of melodic death metal screaming through the maddening mesh hint that the band have not yet abandoned the notion of feeling out parallel sub-genres. Dense, post-death permeate the accelerated bursts grooves and old school tremolo riffs throughout the album, and there's a jarring precision to the band's alternating tempos roomates shows a lot of elbow grease went into the album's composition. Jon riffing style still carries the strong influence of some elements of Cryptopsy after receiving Contamination Acute changes in style, with extra pummeling riffing Chugging charming, Jon remains a force Cryptopsy real life. Phenomenal permanaian Flo Mounier?? Do not Worry Guys! Flo is still the leading dibarisan madness Cryptopsy deh hehehehe ... Character Vocal Matt McGachy must be struggling with deep growls with his depth creates Pattern tracks quickly, so powerfully extra power is needed for all of this. The bass pops along with such a Fervor that it impersonates Often some brutal funk. There are points at roomates Flo Mounier's battery is so lockstep with the patterns of conjugal Christian Donaldson and (the returning) Jon Levasseur that the sheer force of their combined delivery feels like a hundred Lilliputian Hammers simultaneously cracking my cranium. then "Shag Harbour's Visitors" which begins with a bass solo that death funk really further torment mighty terrible happening again, like a reunion Jon with ide2 Fresh her back in Collaborate back with Skill Flo, several styles of riffing Conventional remains the main attraction for the musically Cryptopsy. is still on track arrangement allows Cryptopsy was fishing back their true cruelty. embellish the carnage with radioactive leads and atmospheres. Plenty of pummeling variation throughout its compact Devastation! Most were intense and well managed against the extreme gees of the band's typical celerity, and fit like a glove to the record's huge, polished and punishing production. It's a modern tech-death explosion, with a contemporary gloss to its mix, but you can hear everything Equally and that's all I can really ask for. "Red-Skinned Scapegoat" increasingly wild and Brutal structure, powerfully Track which are still not able to restore some of the image of the character most terrible era album "None So Vile", but at least they still look powerful Cryptopsy! "Damned Draft Dodgers' okay there are some parts that recall the era Cryptospy malignancy that had lost era album" The unspoken King ". keep working hard with his fresh ide2, Flo can still manage all abilities teman2nya that is not too far off from the main road and they are as characters Cryptopsy Style! "Amputated Enigma" still terrible torture! trade off impious mechanical grooves with Unbridled, cathartic velocity and Technicality! "The Golden Square Mile" in spite of the early part played some Groove Concept That feels really, Cryptopsy keep putting classic touch regularly with all its totality menggeber rhythm rock music! and characters such as the song "Ominious" is a concept sorely missed by the Fans for the death metal band Cryptopsy cruelest! Having impressed sometimes tricky concept, but I still strongly believe that this band is still human nature to all his madness. One could argue that all but Cryptopsy suffers from being just too damned good at what they do and sacrifice songwriting Often in the name of wowing the onlookers. and "Cleansing the Hosts" immediately end the atrocities Cryptopsy for 34:53 through 8 Fresh material as a means of redemption of their guilt forgiven on this album after a disappointing era album "The unspoken King". Cryptopsy is once again combines new and old characters in formation brought by masing2 member, a more dangerous form of unified talent gathered together here continues to be the image and Idealogi the band once dubbed "the world's Fastest Band" at the beginning of its appearance in 1992 in Montreal, Quebec, which gave birth to the concept of bringing fresh influences to the development of Brutal Death Metal performing further into the fast and wild. This album just answer disappointment previous album era Dech, how we will come back with some menu served bloody-blood. You'll rarely wish to sit still here, so intense are the performances of the musicians and their mechanistic SADISM, but despite this a lot of the rhythm guitar patterns and fluttering arpeggios do feel like a mere run through the motions of the niche they helped birth. I doubt I'll think back on this in six months' time. For now, it's fast. Fun. Furious. A partial update to None So Vile, if not an upgrade or maybe there will be a similarly well polished gem out of the same mold coming down the pike. The potential is here, but it has yet to be Seized upon.

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Senin, 16 Maret 2015

Cryptopsy - None So Vile CD 1996

Cryptopsy - None So Vile
Wrong Again Records 1996

01 Crown of Horns 03:57
02 Slit Your Guts 04:02
03 Graves of the Fathers 04:11
04 Dead and Dripping 03:53
05 Benedictine Convulsions 04:00
06 Phobophile 04:38
07 Lichmistress 02:31
08 Orgiastic Disembowelment

Lord Worm - Vocals
Flo Mounier - Drums, Backing Vocals
Éric Langlois - Bass
Jon Levasseur - Guitars

Cryptopsy are a ferociously technical act at times, but that’s not to say that the album is just endless fret masturbation, no, the riffs are memorable and chunky, you can practically feel them launching offal into your face. Also, the riffs are above all original. No one sounds like Cryptopsy do here, and that’s vital. I mean the greatest respect to slayer, but being as virtually every metal band under the sun rips them off, how many times can you heard the same recycled riffs before you get bored? The technicality isn’t relegated to just the guitars either, the bass here is a vital component to the music. MAHA KARYA TERDASYAT CRYPTOPSY SEPANJANG KARIR !! yess itulah kata2 yang kerap diucapkan oleh hampir semua Editor Musik Metal Se-Jagad !! dan semua Fans Fanatik Cryptopsy akan Menyebut " None So Vile " tetap sebagai Album Terbaik Cryptopsy begitu Juga Gw menyebutnya ! sejak kemunculannya pertama kali tahun 1992, band ini langsung merilis demo " Ungentle Exhumation " tahun 1993 dan mencengangkan Publik Metal dan mendapat Respon Luar biasa dengan konsep dasyat Death Metal yang mereka kenalkan Lebih Brutal lagi dari Pendahulunya seperti Suffocation, Kataklysm juga Cannibal Corpse, terlebih sejak dirilisnya album Full pertama mereka 1 tahun kemudian " Blasphemy Made Flesh " tahun 1994, yang perhatian dunia langsung tertuju fokus terhadap band asli Montreal, Quebec, Kanada yang mulai terkenal memiliki Konsep Bermain Brutal Death Metal yang lebih cepat dan LIAR lagi !! yess, Cryptopsy memang disebut2 sebagai band yang menularkan pertama kali pengaruh permainan Brutal Death Metal yang lebih cepat lagi. dan Gw masih sangat Ingat banget bagaimana pertama kali gw kenal nama CRYPTOPSY ini, awalnya gw mengenal nama band ini dari seorang temen gw yang ada dimalang ( yang banyak mengenalkan Gw dengan band2 Brutal Dasyat ... Hello Mas Gatot ! .ed ) dan ga beberapa lama setelah itu, ada seorang temen Gw yang make Long Sleeve album " None So Vile " ini kemudian lebih Detail lagi Gw membaca artikel dan Interview band ini disebuah Majalah Metal lawas asal Klaten, N.F.A, yang secara Eksklusif mengulas tentang band ini dan menyebutnya sebagai Salah satu " Band Brutal Tercepat Didunia ", semakin timbul rasa penasaran gw untuk kepengen mendengarkan musiknya secara langsung dengan berburu diberbagai Lapak Metal yang mulai banyak menyediakan beberapa Produk Bootleg Kaset di era 90-an, dan saat itu gw ma temen2 sedang nonton Event Jogja Brebeg ( dan Gw lupa itu yang Jogja Brebeg Yang keberapa hehehe .ed ) saat itu tahun 1998 an bertempat di Hall Kridoshono, Jogja dan yang maen ada Bloody Gore ( jakarta ) dan Injected Sufferage ( Bandung ), begitu dilapak ada Kaset " None So Vile " langsung saja Gw beli dan mesti harus nunggu sekitar 2 hari-an begitu gw balik lagi kerumah hehehe, maklum saat itu masih menggunakan Tape Player untuk menikmati semua Rilisan era 90-an hehehhee, dan memang Surprise banget begitu kaset ini gw puter, bagaimana pertama kali gw dikenalkan dengan permainan Death Metal yang lebih dasyat dari yang Gw kenal pada Nama Suffocation, Cannibal Corpse juga Kataklysm, Cryptopsy memang bener2 band yang ULTRA SINTING !! dimulai dengan sebuah Intro yang diambil dari sample Movie " The Exorcist III: Legion ", kemudian " Crown of Horns " adalah Gempuran mematikan awal dialbum ini yang gw sampai terpental ke tembok kamar hehehe, Gile cing, bagaimana pertama kali gw dikenalkan dengan permainan Drum yang Gila dari seorang Drummer sinting berbakat Flo Mounier yang mengkomposisi permainan dasyat dan Konvensional di era 90-an, bagaimana juga Flo juga mulai mengenalkan permainan yang asli Powerfully tanpa banyak mendapat sentuhan digitalism, sehingga memang permainannya kadang terdengar tidak terkonsep namun sangat teratur dalam Ritme yang dimainkan dengan Beat yang serba cepat, Mengagumkan banget deh !! ga heran saja beberapa band di Scene Indonesia pun mulai semakin berlomba lomba meng-cover lagu2nya Cryptopsy hanya cuman ingin mendapat Kesan " WAH " saja, walau kenyataannya banyak sekali yang belepotan saat mengusung Lagu Cryptopsy hahahaha, itulah fenomena yang terjadi pada era Kebangkitan Musik Death Metal Brutal di Indonesia. fantastic due to the overall sound and production and the way it conveyed it's brutality, whereas None So Vile is memorable and dare I say catchy every step of the way. It's strengths come from the impeccable songwriting and mindblowing musicianship that have yet to be matched anywhere in the death metal scene. bagaimana Gitaris Jon Levasseur harus mengimbangi Permainan Gila Drummer Flo dengan Lick Bermain Gitar yang Gila gilaan, Fast, Pummeling and Chugging Hammerstroke Riffing Konvensional dengan karakter Sound yang terdengar Tipis namun cukup mencengkeram dengan Lick2 yang mematikan dan belum terpikirkan oleh musisi death Metal untuk memainkannya sehingga Klop memang menjadi sebuah Sinergi yang mematikan Pula ! selain mengandalkan Speed dan Kocokan yang menakjupkan Jon juga kerap menebar solo2 Gitar Cantik ditengah kekacauan yang tercipta disemua struktur musiknya. " Slit Your Guts " rasanya Fenomenal banget dengan Lick2 bermain gitar sinting semakin dimuntahkan disini. TECHNICALITY. Once again, no one can deny this record is technical. In fact, this is one of the most technical albums I have ever heard that continues to stay consistant rather than sounding like a huge mess of notes. While the guitars don't focus much on this outside of the solos, the drums and bass are where this is best displayed. dan terus terang gw tidak bisa membandingkannya secara musikalitas, karena mungkin ini adalah " Konsep Pertama " yang dipopulerkan oleh Band Legend Death Metal Kanada Scene setelah nama Kataklysm hehehehe .... dan sekali lagi gw terlalu sulit untuk menuliskan betapa Dasyat konsep yang diusung di album Ke-2 ini. apalagi karakter Vokal Lord Worm yang sekilas terdengar Ga memiliki Sebuah Pattern yang Murni bernyanyi, tapi ini menjadi sebuah karakter Luar Biasa yang diusung oleh Cryptopsy ! It takes a bit of examination to notice this factor of the album, displayed mostly by vocalist Lord Worm. While many vocalists simply grunt and growl lyrics without really adding anything to the music overral, Lord Worm is different. His indecipherable zombie growls, high pitched shrieks, and virtually unexplainable gurgle-squeals !! dan memang Hampir semua lagu2 di album ini adalah " TOP HIT ARCHIVE SONG !! ", karena hingga sekarang Cryptopsy masih terus memainkannya diatas panggung sekaligus menjadi High Demand for all Mosher pit. dan track yang paling populer dan kerap menjadi Kover version adalah " Dead and Dripping " dan " Phobophile " dimainkan oleh beberapa band Death Metal di Scene Indonesia ( Ga maksimal seh, tapi salut aja untuk kerja keras mereka memainkan track ini .ed ) 8 lagu berdurasi 32:03 menjadi momen paling fenomenal lahirnya Brutal Death Metal teknikal liar yang banyak membawa pengaruh kuat perkembangan generasi Death metal hingga sekarang. dengan Kualitas Rekaman " Manusiawi ", jelas ini dimainkan oleh talenta2 yang benar benar berbahaya untuk memainkan konsep yang mungkin hampir mustahil dimainkan di era 90-an, en ga henti2nya Gw juga Semua kalangan Media memuji Kedasyatan Konsep album Cryptopsy yang menjadi awal populer dan Konsep Mengerikan ini. dengan Konsep yang lebih " Blasphemic " dengan persembahan Anyir darah Gore menjadi salah satu konsep yang diusung dialbum yang beberapa kali dirilis ulang oleh beberapa label termasuk oleh Century Media records dan Displeased records atas dasar permintaan Fans, dan hingga saat ini masih terus diproduksi Jutaan Copy dengan Artwork Cover yang Kontroversial pada Perilisan awalnya, Elisabetta Sirani (1638-1665): "Herodias, with head of John the Baptist" cukup untuk mengusik Umat Kristiani saat itu yang menentang gambar cover ini sebagai salah satu bentuk " pelecehan ", namun album ini tetap menjadi album Death Metal Brutal Klasik Terbaik sepanjang masa. Kerja keras Produser dan Enjiner Pierre Rémillard yang kita kenal sebagai Gitaris band Metal kanada legendaris Obliveon memang membuahkan hasil yang luar biasa untuk masterpiece ini di Victor Studio dari Bulan Desember 1995 hingga Januari 1996. hadew sekali lagi gw sudah kehabisan kata2 untuk mengatakan kalau Album ini adalah YANG TERBAIK SEPANJANG PERKEMBANGAN BRUTAL DEATH METAL TEKNIKAL !! All in all, None So Vile is about as close to perfect as any death metal album can be. Even the work's short running time is perfect for the nature of the music and helps to give each song its own feel and identity. Basically, this album has everything anybody could ask for in extreme metal: amazing, creative songwriting, brilliant musicianship, and a vocalist who sounds like the personification of all things dark and evil. Simply put, None So Vile stands tall as the best death metal album of all time, and a classic in every sense. With that, I think I'll let Lord Worm have the last word, as I think it sums up this album pretty damn well !! BUY OR DIE !!!!!!!!!!!!!!