Angel Of Death - Walking Out from 05:14 CD 2015

Angel Of Death - Walking Out from 05:14
Metalmilitia99prod CD 2015
https://www.facebook.com/angelofdeath.metalblast
http://www.reverbnation.com/angelofdeathofficial
http://angelofdeath-metalmilitia.blogspot.com/

01 Metal Militia 01:18    
02 Budaya Penyesatan 04:56      
03 Setan 04:11    
04 Eyelution 03:46    
05 Sesat Sesaat 04:44    
06 Masa yg Terluka 04:33    
07 Tak Bertuhan 04:06    
08 Deadstarsyndrome 03:29    
09 Kau Bukan Tuhan Ku 04:15    
10 Reborn and Burn 01:54   
11 Angel of Death (Slayer cover) 04:22

Faizal Darussalam - Guitar/Vocals
Denny Darmawan - Bass
Pangestu Adji - Drums

Dapat dipastikan sekali jika " Walking Out from 05:14 " adalah Penantian Super Panjang nan Matang Bagi Angel Of Death untuk dapat mendokumentasikannya sejak band terbentuk tahun 1999 lalu. Alhasil memang sangat tidak mengecewakan jika band ini telah mampu menampilkan permainan dengan Skill & Kualitas yang Mumpuni sekali disini meskipun gw terkadang masih terlalu sulit untuk mendeskripsikan Oriental Musikal-nya yang merupakan perpaduan dari beberapa genre musik yang dititik beratkan pada persepsi utama sebagai Easy Listening stuff dengan Harmonisasi melodius ! Kadang sepintas kita akan mengklaim sebagai Melodic Death Metal, namun beberapa Sentuhan Thrash Riff-nya serta beberapa sentuhan Atmospheric bernuansa Gothic yang Epic tentu akan sedikit kesulitan lagi, but Deskripsi umum-nya gw sepakat dengan klaim band sendiri yang menyebutnya sebagai " Progressive Metal " menjadi ungkapan tepat untuk menggambarkan konseptual di " Walking Out from 05:14 " ini. Frontman Faizal Darussalam tentu patut mendapat Apresiasi penuh atas kerja kerasnya di Angel Of Death, sebagai Konseptor dan Mastermind Band, Faizal Begitu Ekploratif dan Kreatif dalam mengkomposisi lagu dialbum ini, apalagi Faizal juga paling Jago dalam Menulis sebuah Lirik lagu yang puitis dan sarkatis mesti memiliki Bait yang panjang (Tidak pada kebanyakan Band di Scene Tanah Air. Ed) dan tidak mengalami " Pengulangan " yang signifikan dan dapat dipastikan Konsentrasi beban-nya makin berat pada posisi Vocalis/Gitaris, Syalut ! Sebelumnya EP " Angel of Death " tahun 2007 udah lebih dulu dilepas secara terbatas menjadi Kekuatan kuat selanjutnya untuk merilis Album penuh dengan Materi Extra Matang " Walking Out from 05:14 " ini (dan sampai Sekarang gw belum menemukan Arti dibalik Titel album ini, mengapa " Walking Out from 05:14 " .ed) dan gw masih terlalu hanyut dengan Materi yang tergolong " Keren " ini, meski gw denger berulang-ulang sebelum menulis ini, tidak ada feel boring sedikitpun. karena secara sistematis Komposisi Track dialbum ini sangat diperhitungkan sekali. Mungkin Kalian Rada penasaran bagaimana sebenarnya materi ini? Ada baiknya gw ngasih sedikit beberapa gambarannya menurut gw sendiri tentunya sekarang. Let's Check the Pure Quality in Extreme Music path !

Foreplay dulu dengan Intro instrumental Awal " Metal Militia " selama 01:18, gw udah mencium kehadiran sound metal yang Megah serta High Quality Musician-nya. dan mengobati penasaran selanjutnya ditampilkan secara utuh dengan Track enerjik " Budaya Penyesatan ", Well Death Metal Intens dengan Harsh Vocal digeber dengan tempo yang cepat dan beringas yang sesekali kerap dihiasi dengan Elemen-elemen yang Epic lewat Sentuhan Keyboard, dari sini gw seperti sedang mendengarkan Kembali Karakter yang gw tangkap ala Bleeding Through era " Portrait of the Goddess ", Ya konsep Metalcore yang gahar dengan sound death Metal kental !  It’s that for once, there is a band that finally gets the balance between the two genres right, without being full devoted to one side, and without making a complete commentary out of themselves and everyone else involved. tidak berhenti pada konsep ini, kemudian sentuhan Melodius mulai menggelayut hebat dengan sajian solo melodius-nya ala In Flames banget, very Memorable and Abrasive brain. kemudian Raungan Emosi Vokal-nya sendiri dari Faizal akan mengajak kita ke nuansa Lagi-lagi Metalcore style. sangat menjiwai setiap bait-nya sehingga terjeritkan nyata menyatu dengan Kromasi Harmoni-nya. I’m sure that this can either be a positive element or a negative one depending on your disposition. Mendengarkan Lick riffing-nya asli tergolong keren dengan segala Orientasi-nya sebagai Musisi yang memang bertalenta, sehingga hampir setiap Perpindahan Bar riff sangat diperhitungkan Match-nya. This not quite as deep as Death Metal, but they're certainly louder then any Metalcore band and the lyrics center around relationships and revenge. Semakin menikmati Progres musikal yang dinamis dan kerap " berubah " tanpa sama sekali membuang Mood dengan Intonasi yang membosankan, Angel Of Death Masih menampilkan Komposisi Skill Dramatis serba Melodius-nya. Jadi ketika pikiran kita sedang terfokus pada 1 part, part lainnya seperti sedang melengkapi dengan eksperimen perpaduannya. breaking into the mainstream were off selling motivational speeches through breakdowns and over dramatic Composition ! Mungkin Aroma Metalcore melodic ala Darkest Hour dengan Riff fenomenal in The Vein Slayer adalah yang dapat menggaris bawahi Karakter Musikal, meski kadang masih terpatahkan dengan argumen komposisi track berikutnya, nah ini dia ! " Eyelution " sentuhan Hypersnare cukup menjadi kombinasi part awal lebih terdengar makin Cadas. dapat gw bayangkan pula jika Melihat penampilan band ini diatas stage hanya memperlihatkan Respon Terbengong aja dengan Aransemen ciamiknya, meski sayangnya di Scene kita masih belum banyak menerima karakter seperti ini sebagai " Art " dari Musikal yang menarik, Fakta ! Sentuhan Melodius yang kian menjadi-jadi berikut-nya " Sesat Sesaat ", Nuansa Metalcore melodius serta Epik, In terms of technicality the entire band stepped up their playing on this record. Pattern Vokal dengan Paragraf lirik yang panjang tentu menjadi bagian mendominasi struktur track-nya telah " Tebal " terisi, sehingga sayang mungkin bagi Faizal untuk menyia nyiakan part yang kosong dan sepi bagi-nya. dan terus menikmati sajian Progresif stylish-nya, " Masa yg Terluka " menghujam semakin cepat dengan Hypersnare yang rapat ! Fantastis Riffing-nya semakin teruji dramatis pula disini ditengah konsentrasi-nya menampilkan nuansa yang masih melodius, apalagi gw masih begitu terbius dengan solo-solo ciamik keren-nya, has some of the band’s keep have the best riffs eventually ! Suguhan Dinamis The Art Music still goes on ! " Tak Bertuhan " terus menyita konsentrasi banget komposisi-nya. picks up pace with a series of speedy light fingered riffs and a surprisingly uplifting chorus before dropping back into the intro breakdown, which feels much stronger the second time around. menjadi Track Jagoan gw adalah " Deadstarsyndrome ", sejak Gebrakan Part awal langsung mengobarkan adrenalin untuk stay Headbang ! sementara pembawaan Aransemen seperti makin memanas meski beberapa kali didinginkan dengan Melodic Riffing. seperti merasakan kembali kecintaan gw dengan Masterpiece lama milik Bleeding Through dan vokal yang Emosional. Seperti tidak pernah kehabisan ide untuk memoles Skill menarik-nya, " Kau Bukan Tuhan Ku " sentuhan metalcore Melodius Riffing tetap jadi andalan ! solid beat in the background keep Most of the emphasis seems to be on the guitarsmaking the general sound while the lead provides some melody to the song with a variety of different ways to play melodeath. kehadiran " Reborn and Burn " seperti memberikan Nuansa Cooling Down pada Track Pamungkas-nya, tapi eitss ntar dulu, kalo pada Akhir setlist-nya Angel Of Death Kini menjadi " Angel Of Death " nya Slayer, yang ter cover lebih perfect dengan Karakter Band sendiri. More Metalcore than Thrash Metal I Think, But This Keep Make the best observed song, Awesome !

Meskipun gw belum dapat secara Konkrit menggambarkan tepat progres konsep materi " Walking Out from 05:14 ", namun ada banyak Hiburan yang lebih menyegarkan nampaknya disini, perpaduan Konsep Cadas dramatis yang dirangkai lebih Cool dengan skill dan talenta Musisi-nya menjadi sebuah Kejutan tersendiri pada kenyataan. rasanya pendengar " Standard " (pendengar yang hanya menikmati klaim Konsep musik hanya pada 1 sisi saja dengan persepsi-nya yang kaku dengan sebuah genre .ed) akan memerlukan Konsentrasi tersendiri untuk dapat menikmati, meskipun secara keseluruhan Materi " Walking Out from 05:14 " ini bagi gw sangat Easy Listening karena dapat dinikmati oleh banyak kalangan. penyuguhan kualitas skill masih menjadi High Term bagi Fans Musik Dinamis. Pengerjakan Sound yang Lebih profesional terbilang lebih " megah " dengan kualitas-nya, dan gw menambahkan kekurangan terjadi pada Sound Drum yang masih terlalu Digital banget, malah terkadang mengurangi kemasan meski Masih dapat terpatahkan dengan hadirnya komposisi Riff dan Solo yang Excellent ! disamping itu pengemasan Produksi album ini juga terbilang " Mewah " dengan Exclusive Doft Paper, meskipun dari Layout-nya sendiri masih terlalu " Ramai " dan Acak kesannya. Artwork nya menampilkan karya dari seniman Bvllmetal (Art Cover depan), Rudi Gorgingsuicide dan Dick Wacky (Pada Booklet Cover) Menghibur sekali selama lebih dari 41 menit lewat 11 track didalamnya. I would still recommend it as proof that there is quality metalcore out there. there is not much experimentation going on except for the basic concept of consonant melodies alongside a harsh vocalist. Basically speaking, if you want consistency then this is the album to get, but those who want an album with a few surprises will want to look to the debut. come most attractive with the sweet tone of melodic death antiquity, and achieved a sense of identity. Lebih Menikmati Sebuah Art Kualitas Musikal yang Terbilang Menantang? Rasanya elo Mesti coba sendiri kejutannya di " Walking Out from 05:14 ".

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After Oblivion - Stamina 2012

After Oblivion - Stamina
Metal on Metal Records 2012
http://www.afteroblivion.com
http://www.myspace.com/afteroblivion
http://www.reverbnation.com/afteroblivion
http://twitter.com/#!/afteroblivion
http://soundcloud.com/afteroblivion
http://www.last.fm/user/AfterOblivion
http://www.ilike.com/artist/After+Oblivion
afteroblivion@yahoo.com

01 Deliverance 04:02    
02 For the Rebels 03:26    
03 Vultures 04:05    
04 Breeding Perdition 04:25    
05 The Carnal Form 03:25    
06 Septic Mind 03:19    
07 Ascent of Misery 01:15    
08 Stamina 03:26    
09 Hatred Profound 04:07

Marko - drums
Haris - bass
Jasenko - guitars
Adnan - guitars / vocals

Bosnia and Herzegovina Scene memang kerap terlupakan oleh Konsentrasi gw untuk cari Band2 Potensial dan Kerennya sampai saat ini, sehingga gw juga agak melewatkan nama After Oblivion yang terbentuk sejak Tahun 2007 dengan nama awal Path Beyond Serenity, padahal Gw pernah mendapat Ep pertama mereka " Vultures ", tapi sayang Kelupaan Gw Play, coz semakin hari semakin bertumpuknya materi CD untuk gw Review hehehehe, coz begitu mendapat album full Gress pertama mereka " Stamina ", gw surprise banget dengan musickal yang ditawarkannya, Technical Death/Thrash Metal yang enerjik !! dengan mencoba menggali Cita rasa Old School Style in the Vein Death, Cynic, Gorguts, Dark Tranquillity, Obituary, Atheist, Pestilence ampe Sadus dengan Sentuhan yang lebih Modern lagi, y the sound of Stamina, it was a compelling, different sort of signing, since there just aren't a lot of bands out there performing this sort of 90s-based technical death/thrash with such precision. Don't get me wrong, despite their immense instrumental proficiency, After Oblivion still have a few setbacks here, but there won't be much fixing necessary to turn this quartet into a world class, top shelf progressive death metal act. komposisi musiknya juga tergolong keren gw rasakan dalam 9 track berdurasi total 31:30, hentakan Skill prima untuk menciptakan elemen musik yang mereka Kejar selama ini dan jelas ini adalah sebuah pematangan Karakter-nya. Typical Frontman Gitaris/Vokalis Adnan memang banyak mengajak Gw untuk mengingat kembali Kedasyatan The Monster Death Metal Legend seperti Death era " The Sound of Perseverance " banget ! dimana Death sendiri mulai lebih bergeser dan berkembang matang untuk memainkan Konsep Progresive-nya. Karakteristik Vokal Adnan memang Chuck Banget disini apalagi Struktur konsep musiknya lebih menggambarkan nuansa " The Sound of Perseverance " death banget masih dengan beberapa sentuhan death/Thrash Lawas gaya Atheist, Sadus, Cynic serta Pestilence, namun beberapa sentuhan Melodic Part in The Vein Dark Tranquillity juga tidak ketinggalan. tempo yang cepat menjadi elemen penting dalam penciptaan musikalitas After Oblivion. have probably gotten rid of the scythe as well if it managed to give him some bits of the artistic credibility he oh so craved. The amount of songwriting not present here is staggering; it's actually amazing they managed to record, produce, mix, master and release an entire album without writing any songs at all. Random changes in pace that have nothing to do with what was happening before, a now complete, total and absolute lack of good riffs ! " Deliverance " menjadi tumbal awal, After Oblivion masih begitu Manis menampilkan Gaya Teknikal dan Melodius banget pada Penanaman Atmosfir-nya. Clinical and dextrous hyper-thrash riffs that keep themselves busy across a number of strings, there is clearly much effort placed into the construction of each of the nine tracks. the guitar tone is a bit more crisp, clean, and understated; you won't hear that same level of processed effects. Enerji bermainnya masih dalam Tahab Foreplay untuk naik ke level berikutnya, namun dari sini saja gw sudah bisa sedikit menggambarkan Konsepsional Music After Oblivion yang excellent punya, sayatan solo Gitar cantik dari Jasenko memberikan kelembutan tersendiri dengan skill-nya. due to the copious amounts of very involved riffs being dispensed upon the listener, and especially due to the heightened sneer of the vocals, which is essentially a mixture of Chuck Schuldiner and David DiSanto. Stamina isn't quite so atmospheric or space-based as the Arizonans, but they do implement a few brief, clean guitar sequences into the punching, pummeling matrix of crisp, mute-leaden technicality they evoke. frontman Adnan tetap memegang kendali penuh pada penciptaan karakter band ini tetap terjaga kualitasnya. Good Job Guys ! dan permainan Drummer Marko tetap aggresif dan liar mengimbangi Skill rekan2nya. mendengarkan sendiri 9 lagu disini gw seperti sedang mendengarkan kembali " The Sound of Perseverance " mahakarya Penting Death ! meskipun tidak menjadi band cloning berarti, After Oblivion masih memiliki beberapa sentuhan khas-nya untuk dapat terlepas dari bayang2 besar Band Almarhum Chuck itu, namun buat kalian yang gemar utak atik skill bermain Gitar, mungkin album baru After Oblivion ini bisa menjadi referensi baru bagaimana bermain Gitar skill yang lebih baik lagi. Contention is a way of life for us in the metal world, we live and die by how much of it we can cause either amongst ourselves, or in the visible mainstream that we have a tenuous relationship with. And in death metal circles, few albums are more contentious than the last offering of the band after which the genre was coined. Some go so far as to assert that this album is not death metal at all, but some sort of extreme progressive album or, odder yet, an outright power metal album with harsh vocals. In an exterior sense, this viewpoint can be sympathized with as much of the material that made it with the established audience, but considering what came before it, he clearly deserved some self-gratification, and ended up recording yet another intricate fit of controlled rage in the process.

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Revocation - Teratogenesis EP 2012

Revocation - Teratogenesis ' Ep
Scion Audio Visual EP 2012
http://www.myspace.com/revocation
http://www.facebook.com/Revocation
http://twitter.com/Revocation
http://www.youtube.com/user/OfficialRevocation?blend=21&ob=5
http://revocation.bandcamp.com
http://www.indiemerchstore.com/revocation

01 The Grip Tightens 04:10    
02 Spurn the Outstretched Hand 04:07    
03 Maniacally Unleashed 03:41    
04 Teratogenesis 04:06    
05 Bound by Desire 05:34    

Dan Gargiulo - Guitars, Vocals
Phil Dubois-Coyne - Drums
David Davidson - Guitars, Vocals
Brett Bramberger - Bass

Revocation is one of the more experienced metal acts amongst the ever-growing list of newer bands from this "New Wave of Thrash Metal" that we have witnessed and join ranks with their brethren Evile, Warbringer, Municipal Waste, etc. They stand out from the common rabble with their highly technical mixture of thrash and death metal that feels right at home with fans of either of the aforementioned genres. Revocation populates this fusion with fun riffs, catchy-as-hell solos, and twists in both tempo and rhythm that make their songs extremely memorable. Their third album, Chaos Of Forms, is by no means a departure from this winning formula, however gang-shouted choruses and a failed last quarter of the album take away from the overall experience. Yess... Salah satu Band Death/Thrash Teknikal Faforite Gw kembali bikin ulah lagi dengan Ep terbarunya. menjadi band dengan Member Muda berbakat, Gerombolan asal Boston, Massachusetts yang eksis sejak tahun dengan 2006 dengan nama awal Cryptic Warning ini memang tetap menyuguhkan konsep bermain yang apik dalam hal Aransemennya ! dimotori oleh Frontman Gitaris Vokalis David Davidson bersama drummer Phil Dubois-Coyne, Revocation masih kental menawarkan permainan yang serba Progressive ! dan beberapa Lick Riffing Sensasional tetap menjadi alasan gw untuk menyukai band ini, apalagi ditunjang dengan talenta member band yang asli luar biasa ini dalam mengeksplorasi Skill-nya. is a more straightforward thrash metal record showing off the virtuosic talents of lead guitarist, David Davidson. Perhaps since it was their major label debut they decided to play it safe and after getting the praise for that album, decided to really let their influences be noticed on their musical sleeves. track pertama " The Grip Tightens " tetap menyuguhkan pola permainan Death/thrash yang kental sentuhan Modern Style dan Sound-nya, It quickly lets the listener down after its epic intro with mid-paced riffs and more gang shouts. best riffs and the horns and Hammond solo at the end of the track is almost a stroke of genius, more of that next time please. masih terdengar begitu Prima Vokalis David Davidson harus duet maut dengan Dan Gargiulo yang sama2 tidak melepaskan konsentrasi utamanya pada sesi Gitar dengan teknik2 yang liar ! are a sore spot, the album is almost equal parts brilliant track to dud track, and finally there are some groove/modern parts that don't sit well. dan Magazine ternama seperti Metal Maniac aja memuji band ini dengan kalimat " a whirlwind of methodical metal in its highest form; aggressive, heavy, challenging, melodic and oftentimes, dare I say, fun as fuck to listen to ", tepat Mindset-nya dengan gw terhadap Musikalitas Revocation ini. kemudian " Spurn the Outstretched Hand " terus menyuguhkan Thrashin Riffing Modern Aggresif tetap dengan sentuhan2 yang mengejutkan ! beberapa elemen Metallic Breakdown Sophomore menyangkut pada beberapa part selain melodic in the vein-nya. dan Track Paling Faforite gw adalah " Maniacally Unleashed " digeber dengan tempo yang lebih ngebut dan liar ! drummer Phil Dubois-Coyne lebih menitik beratkan pada konsentrasi permainan Hyperblasting Snare-nya ! Solid enough to support the band's thinner, punchier riffing, but just nowhere near as interesting as the music. Some leeway should be given as they sing and play simultaneously, but in a studio setting I'd expect to hear a little more character and imagination here. The other downside is that the influences often poke through the compositions a little too boldly, for instance you'll hear a riff here or there that sounds like it's in direct stylistic tribute in the Vein Megadeth, Exodus and Death ! bener2 luar biasa Komposisi yang mereka hadirkan disini melalui Transisi modern sound yang begitu menendang ! track " Teratogenesis " meskipun masih menawarkan Attitude yang sama dengan track sebelumnya, di akhir part2, Revocation sepertinya agak melunak dengan Sludging part. dan menjadi lebih sinting lagi saat track pamungkas " Bound by Desire " dimainkan, Fast and Grinding Snare Domination ! part2 awalnya lebih dikenalkan imej Part yang Brutal art !! which will impress the more hardcore brutal sect that follow the modern Californian scene. Precision and polish are two areas in which these Bay State bludgeons excel, and there's nothing 'old school' or exceedingly redundant about what they write, even if they derive from a hundred or so precedents. dan sekali lagi selalu ada yang mengagumkan dari Karya Revocation ini menggebrak Industri Musik Death/Thrash dengan Attitude Modern Sound yang signifikan. sebuah karya bagus yang patut menjadi Konsumsi wajib fans musik dinamis. Tense and talented, the future still seems limitless for this band, and they deliver on the stage just as bloody a nose as they do in the studio. Even if half the riffs don't stick, they've obviously spent a good deal of time composing the thousand or so that comprise the album, and I found myself revisiting quite a few of them. They would benefit enormously from a more charismatic and vicious vocalist, like those that defined their 80s thrash influences. These feel a little too forced and formulaic in terms of tough guy emotion. Yet I appreciate that, despite all their virtuosity, they never indulge themselves too much to the detriment of their songwriting. Is Chaos of Forms deserving of its surrounding storm of high praise and hype from prominent press outlets? Is this the next 'savior' of metal music? Signs point to no fucking way. However, even if individual strands of composition breed familiarity, Revocation is at least a band striving for 'something', and that's more than I can say for the countless, faceless clones who seek nothing but the secure shadows of their forebears. tersedia secara Gratis untuk bisa kalian Unduh cuma2 untuk Ep ini, dan heran kenapa Relapse records tidak merilisnya secara Official profit untuk 5 karya baru dasyat ini.

IN ENGLISH (Sorry, Use This Google Translate)

Revocation is one of the more experienced metal acts amongst the ever-growing list of newer bands from this "New Wave of Thrash Metal" that we have Witnessed and join ranks with their brethren Evile, Warbringer, Municipal Waste, etc. They stand out from the common rabble with their highly technical mixture of thrash and death metal that feels right at home with fans of either of the aforementioned genres. Revocation populates this fusion with fun riffs, catchy-as-hell solos, and twists in both tempo and rhythm that make-their songs extremely memorable. Their third album, Chaos Of Forms, is by no means a departure from this winning formula, however Shouted gang choruses and a failed last quarter of the album take away from the overall experience. Yess ... One of the band Death / Thrash Technical Faforite make a tantrum Gw back again with his latest Ep. a band with talented young Member, Gang from Boston, Massachusetts that existed since the beginning of 2006 with the name Cryptic Warning this is still presenting the concept of playing a slick in Aransemennya! Frontman led by guitarist vocalist David Davidson with drummer Phil Dubois-Coyne, Revocation still strong offer Progressive paced game! Lick riffing and some remain Sensational gw reason to love this band, let alone supported by the talents of the original band members in exploring this extraordinary Skill her. is a more straightforward thrash metal record of showing off the virtuosic talents of lead guitarist, David Davidson. Perhaps since it was their major label debut They decided to play it safe and after getting the praise for that album, Decided to really let their Influences be noticed on their musical sleeves. The first track "The Grip tightens" the pattern of the game still presents Death / thrash a strong touch of Modern Style and Sound him, It Quickly lets the listener down after its epic intro with a mid-paced riffs and more gang shouts. best riffs and the horns and Hammond solo at the end of the track is almost a stroke of genius, more of that next time please. still sounds so Prima vocalist David Davidson had deadly duo with Dan Gargiulo which sama2 not release its main concentration on guitar session with teknik2 the wild! are a late spot, the album is almost equal parts brilliant dud track to track, and finally there are some groove / modern parts that do not sit well. and names such as Metal Maniac Magazine praised the band wrote the phrase "a whirlwind of Methodical metal in its highest form; aggressive, heavy, challenging, melodic and oftentimes, dare I say, fun as fuck to listen to", with his right Mindset gw the musicality of this Revocation. then "Spurn The Outstretched Hand" continues to serve Thrashin riffing Modern aggressively stick with sentuhan2 shocking! Metallic elements Breakdown Sophomore some concerns in some parts than melodic in the vein of her. and Track Most Faforite gw is "Maniacally Unleashed" lauched with a speeding tempo and wild! drummer Phil Dubois-Coyne focuses on concentration Snare Hyperblasting his game! Solid enough to support the band's thinner, punchier riffing, but just nowhere near as interesting as the music. Some Leeway should be given as they sing and play simultaneously, but in a studio setting I'd expect to hear a little more character and imagination here. The other downside is that the Influences Often poke through the Compositions a little too boldly, for instance you'll hear a riff here or there that sounds like it's in direct stylistic tribute in the Vein Megadeth, Exodus and Death! bener2 extraordinary composition they present here through the transition of modern sound that is so kick! track "Teratogenesis" Attitude while still offering the same with the previous track, at the end of part2, Revocation seemed somewhat softened by Sludging part. and become more crazy again when final track "Bound by Desire" is played, Fast and Grinding Snare Domination! part2 originally introduced over a Brutal Part art images! roomates will impress the more brutal hardcore sect that follow the modern Californian scene. Precision and polish are two areas in these roomates Bay State bludgeons excel, and there's nothing 'old school' or Exceedingly redundant about what they write, even if they derive from a hundred or so precedents. and once again there is always an admirable work kicked Revocation Music Industry Death / Thrash with Modern Sound Attitude significant. a great work that should be mandatory consumption dynamic music fans. Tense and talented, the future still seems limitless for this band, and they deliver on the stage just as bloody a nose as they do in the studio. Even if half the riffs do not stick, they've obviously spent a good deal of time composing the thousand or so that comprise the album, and I found myself revisiting quite a few of them. They would benefit enormously from a more charismatic vocalist and vicious, like those that defined their 80s thrash Influences. These feel a little too forced and formulaic in terms of emotion tough guy. Yet I appreciate that, despite all their virtuosity, they never indulge Themselves too much to the detriment of their songwriting. Chaos of Forms is deserving of its surrounding storm of high praise and hype from prominent press outlets? Is this the next 'Savior' of metal music? Signs point to no fucking way. However, even if the individual strands of familiarity breed composition, Revocation is at least a band striving for 'something', and that's more than I can say for the countless, faceless clones who seek nothing but the shadows of their forebears secure. available to get your Free Download Ep cuma2 for this, and wonder why Relapse Records is not releasing the Official profit for 5 new work is terrible.

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Scenery - Mental Confusion CD 2012

Scenery - Mental Confusion
Parat Magazine 2012
http://www.scenery.cz
http://www.facebook.com/scenery.cz
http://www.bandzone.cz/scenery
http://www.paratmagazine.com
Lerry.cz@gmail.com

01 Mist of reality        
02 Malleus Maleficarum        
03 Abyss of awaken        
04 Mental confusion        
05 Armful of eternity        
06 Apostate        
07 Hallucination          
08 Sieve of infinity

Masih tetap mempesona dengan gaya Technical Death/Thrash Metal, salah satu band veteran yang bermain dinamis asal Mohelnice, Czech eksis sejak tahun 1994 untuk terus melahirkan karya2 fantastis dan idealis ! meskipun masih menyisakan 1 Member orisinil, Gitaris Lerry tetap dapat membawa konsep utama Band ini hingga sekarang dengan masih menciptakan karya2 dinamis. dan meskipun juga gw ga tau banyak tentang perjalanan karir band ini, gw sudah mengenal band ini sejak album Ke-3 " Continuity " tahun 2006 dengan progres Musik Progresif dengan bumbu keras Death metal dan beberapa sentuhan Thrash Metal Riffing masih bergaya Old School dan kemudian dipadukan lagi dengan sentuhan Drumming dan art musik yang begitu Jazzy banget ! bersama salah satu Magazine terkenal Dari Scene Czech Parat Magazine yang sebelumnya juga sudah merilis beberapa CD, akhirnya berminat sekali dengan karya terbaru full album Scenery ke-4 ini untuk dilepaskannya. dan kalau gw rasakan sendiri konsep album ini beberapa gaya Riffing dan Sounding-nya sangat mengingatkan sekali dengan Godless Truth Era " Selfrealization ", apakah karena Mantan gitaris Godless Truth, Micak ikut memperkuat formasi ini sejak tahun 2003 lalu ? karena yang gw kenal memang beberapa gaya Progres Lick riffing-nya begitu memorable dengan album " Selfrealization " tersebut. menikmati 8 lagu variatif dan dinamis disini memang banyak menyisakan ruang rilex dalam diri Gw saat pas pikiran lagi kacau dan galau hahahaha, asli komposisi musik yang menarik ingin ditampilkan secara utuh disini dengan sentuhan elemen2 unik didalamnya. lebih menghibur dengan gaya permainan Konvensional dan Struktur musik yang kerap berubah2 walau kerap melakukan beberapa kali Pengulangan rasanya tidak menyebabkan aroma yang boring. jadi coba gw rekomendasikan kepada kalian fans Teknikal Part metal.

IN ENGLISH (Sorry, Use This Google Translate)

Still dazzle with style Technical Death / Thrash Metal, one of the veteran band playing original dynamic Mohelnice, Czech existed since 1994 to continue to bear karya2 fantastic and idealistic! although it still leaves the original 1 Member, Guitarist Lerry can still carry the main concept of this band until now with it still creates a dynamic karya2. and although i do not know too much about this band's career, i already know this band since the 3rd album "Continuity" in 2006 with the progress of Music Progressive Death metal hardware with herbs and some touch of thrash metal riffing style is Old School and then combined Drumming again with a touch of art and music so very Jazzy! with one known from Scene Magazine Czech Parat Magazine previously also has released several CDs, ultimately interested in all the recent work full album Scenery for-4 for the release. and if i feel alone concept album Sounding some style riffing and it very much reminded once with Godless Truth Era "Selfrealization", is because former guitarist Godless Truth, Micak help to strengthen this line since 2003? because i know it does some riffing style Lick her progress so memorable with the album "Selfrealization" is. enjoy 8 songs varied and dynamic here is a lot of space left inside Gw Rilex when fitting chaotic and troubled mind again hahahaha, original compositions that draw musical to be shown in full here with a touch of unique elemen2 therein. more entertaining playing style Conventional and musical structure that often berubah2 though often perform several times it did not lead to repetition boring flavor. so try i recommend to you guys Technical Part metal fans.

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Absence Of The Sacred - Come Hither O Herald Of Death CD 2012

Absence Of The Sacred - Come Hither O Herald Of Death
Sonic Blast Media 2012
http://www.myspace.com/absenceovthesacred
http://www.facebook.com/absenceofthesacred?v=feed
http://absenceofthesacred.bandcamp.com
imran@sonicblastmedia.com

01 Enslave Fire 04:55    
02 Quandary of Flesh 03:49    
03 Oracle 03:58    
04 Veneration Unorthodox 03:09    
05 Perpetual Decline 04:11    
06 The Necropolitan     05:37    
07 Recesses of the Hollow 03:44    
08 Enlightenment Despised 04:27    
09 Dawn of a Dead Aeon 06:19    
10 -        

Mike Kalember - Bass
Darren - Guitars
Mike Priest - Guitars, Vocals
Kevin Talley -  * Add Drums
CJ Kao - * Add Keyboards

Sebagai Drummer Bayaran, Sepertinya Reputasi Kevin Talley mengundang Banyak Mata Musisi Metal Internasional untuk menggunakan Jasanya, dan Kevin sendiri memang melakukannya Tugasnya secara Profesional walau beban berat harus dia pikul menghadapi Beragam Genre Band yang menggunakan Jasa Skill Drumming-nya, sudah bukan catatan usang nama Kevin ini deh hehehehe, nah sepertinya Reputasinya mampu mengundang band Thrash/Death Metal Asal Singapura, yang beberapa member-nya juga ada dari Amrik, well Internasional band lah hahahaha ... digawangi oleh Gitaris vokalis Mike Priest yang pernah memperkuat Black Metal Populer Singapura, Impiety ! The technical death metal feel is much stronger on this record, with its brightly chromatic guitar lines, seemingly higher volumes of notes crammed in. and the highlights are honestly in listening to the sophisticated (more than ever) song structures and myriad influences tapped. " Come Hither O Herald Of Death " menjadi Rilisan full album ke-3 Band ini semakin mengalami Kemajuan yang begitu pesat, apalagi mereka menambah nama Kevin Talley seperti sebuah Hipnotis bagi fans Musik metal untuk segera mendengar sendiri materi barunya. memiliki Atmosfir musik yang begitu terasa gelap, Absence Of The Sacred masih semakin piawai memainkan Elemen2 Melodius in the Vein In Flames, beberapa sentuhan Maut ala Psycroptic, Aborted, hingga Misery Index masih terasa mulus kita rasakan disini. tentu menjadi sesuatu menarik untuk gw ceritakan disini yang dimulai dengan " Enslave Fire ", sambutan menggelegar bristling form of death metal - thrash, black and proggy influences intact. The technical death metal feel is much stronger on this record, with its brightly chromatic guitar lines ! Progresi Riffing Double Mike Kalember dan Priest lumayan semakin menyihir indera dengar Gw dengan Progress permainan Serba Dinamis mengingatkan dengan gaya Obscura serta Gorguts rasanya, sementara Kevin Talley lebih powerfully dengan beberapa Hentakan Drumming cepat dan kurang begitu memainkan karakter Khas-nya, namun Kevin sudah Profesional untuk mengerti Konsep Band Absence Of The Sacred ini. He pretty much ditches some of the higher-register rasps of early days, and pulls out a bawling death growl that supplies the big balls music this melodic and technical needs to properly hit home. dan beberapa sentuhan elemen Keyboard menambah Unik dan Epic Track album ini. yang keren lagu memasuki lagu " Quandary of Flesh ", beberapa gaya Brutal in The Vein Aborted dan Spawn Of Possession mengawali Part awal dengan sangat dinamis, Fast and Powerfully !! employs some blasting and blackened moments squeezed together with chugging sections and leaping, stop-start tech-death moments. gaya bernyanyi Mike Priest lebih banyak mengingatkan dengan karakter vokal Luc Lemay of Gorguts saat ini. yang jelas " Quandary of Flesh " menjadi sebuah track yang harus menguras enerji dan Otak mereka memainkan konsep Musik Teknikal dinamis yang menjadi Tantangan baru seorang Kevin untuk mengimbangi Skill-nya. It leaves fans of the band wondering then what surprises Absence of the Sacred has packed in with their third album. lalu " Oracle ", masih terus tampil mengagumkan beberapa part Pummeling Riffing-nya dengan beberapa solo gitar cantik, winds spastically and technically into life before the melodic thrash comes back in with the numerous sweet bass spots that are littered throughout. " Veneration Unorthodox " tetap mempesona skill Kevin memainkan Mantap Fast Drumming-nya lengkap dengan Beberapa Variasi Skill Fantastis-nya, sementara Gitaris Darren lebih coba memberi sinergi mantap melalui sentuhan Teknikal Riffing Progressive-nya. often unleashing face-ripping guitar solos that still manage to retain that sense of melody that is characteristic of past Absence of the Sacred releases. a smorgasbord of mechanically efficient footwork from Talley and Priest and Chua's harmonized, passionate guitars !! lalu " Perpetual Decline ", band ini semakin lebih terus memamerkan Gaya Aransemen musik dinamis nan mengerikannya dan disambut dengan Kerja keras Kevin menciptakan Lick drum yang fantastis ! sepertinya band ini ga rugi jika harus membayar Mahal jasa Drumming-nya hahaha .... technically superb and outrageously catchy Schuldiner-inspired extreme metal mavens. This is their best record yet. This should be a mandatory purchase for anyone pretty much sick of the melodic metal peddled in the west, or tired of hollow and directionless tech-death. " The Necropolitan " seperti tidak pernah kehabisan ide Fresh untuk memainkan Part2 Dinamis yang merupakan Perpaduan gaya Obscura dan Kalmah mungkin pada beberapa Gaya Melodius riffing-nya. " Recesses of the Hollow " pun semakin lebih cepat sambutan Struktur riffing yang otomatis memancing Keganasan Blastbeat Kevin tetap Konsisten ! begitu juga dengan " Dawn of a Dead Aeon ", Absence Of The Sacred semakin Liar dan cepat mengingatkan beberapa Part awalnya dengan Morbid Angel in The Vein ! apalagi " Dawn of a Dead Aeon " emosional Ultimatum Melodic Riffing semakin banyak tertuang dalam sayatan Dark Harmonization-nya. meanwhile sounds better than ever, with its blissful classic metal section, thrashing melodies and epic end. managed to incorporate elements from other genres in their songwriting as well, such as the almost jazz-sounding section towards the end. ini benar2 membuktikan sebuah Tulisan tentang " are undoubtedly on their way to the peaks of the genre as one of the best units to rise from Asia who are capable of conjuring neck breaking Melodic Death Metal coalesced with immense doses of technicality ! ", karena memang begitu banyak Konsep mengagumkan yang gw tangkap dimateri kali ini. the album takes off and the listener falls into a frenzy of lightning-fast riffs, intense musical arrangements and brutal growls. Era of the Apostate, the album, is a tale and a warning, a revelation and a mystery, a bold confrontation and a screeching proclamation all at once. pengerjaan album ini sendiri pada proses mixing-nya di tangani oleh Bassis Mike Kalember yang kemudian dimastering oleh 2 bersaudara Slawek dan Wojtek Wieslawski di Hertz Studio, Polandia cukup menciptakan sebuah masterpiece album terbaik sepanjang Karir Absence Of The Sacred ! dirilis oleh Label Baru yang bermarkas di Singapura, Sonic Blast Media ingin lebih memberi jalan terang dan mulus bagi Karir Absence Of The Sacred dikancah extreme metal Internasional ! Every part of this album seems to have been set to reach it's optimum potential. Nothing has been left to chance and each tempo change, each vocal and each melody has, in my opinion, been meticulously planned to give the listener the best listening experience possible. The band's shift to more technical territories could easily alienate fans of the band who have had more affinity with the more melodic and more straightforward past material of the band, but after numerous listens, Come Hither O Herald of Death could possibly start growing on the listener. BUY OR KILLED !!!!!!!!!!

IN ENGLISH (Sorry, Use This Google Translate)

As Drummer Payments, Kevin Talley's reputation seems to invite Many Eyes Metal Musicians International to use its services, and Kevin himself had done a professional job even though he had to bear a heavy burden faced Diverse Genre Skill Band Drumming using his services, had no record of outdated names Kevin hehehehe it deh, nah reputation seems able to invite the band Thrash / Death Metal Origin Singapore, which some of its members also of the United States, the band is well International hahahaha ... fronted by vocalist guitarist Mike Priest who played for Black Metal Popular Singapore, Impiety! The technical death metal feel is much Stronger on this record, with its brightly chromatic guitar lines, seemingly higher volumes of notes crammed in. and the highlights are honestly in listening to the sophisticated (more than ever) song structures and myriad Influences tapped. "Come Hither O Herald Of Death" to release the third full album the band has experienced such rapid progress, especially when they add the name of Kevin Talley as a Hypnosis for metal music fans to instantly hear their own new material. has a musical atmosphere that feels dark, Absence Of The Sacred still getting good at playing Elemen2 melodic in the Vein In Flames, a few touches ala Psycroptic Death, Aborted, Misery Index up still feels smooth we feel here. would be something interesting to tell here i started with "Enslave Fire", a thunderous welcome bristling form of death metal - thrash, black and proggy Influences intact. The technical death metal feel is much Stronger on this record, with its brightly chromatic guitar lines! Progression Double riffing Mike Kalember and Priest passable bewitch the senses of hearing Gw with Dynamic Progress Rumble game reminiscent of the style of Gorguts Obscura and taste, while Kevin Talley more powerfully with some Drumming beat faster and less so playing his typical character, but Kevin had Professionals for understand the concept of Absence Of The Sacred Band was. He pretty much ditches some of the higher-register rasps of early days, and pulls out a bawling death growl that supplies the big balls music this melodic and technical needs to properly hit home. and some keyboard elements add unique touches and Epic Track album. cool song into the song "Quandary of Flesh", some styles Brutal in The Vein Aborted and Spawn Of Possession Part initiated early with a very dynamic, Fast and powerfully! employs some blasting and blackened moments Squeezed together with chugging sections and leaping, stop-start tech-death moments. Mike Priest singing style more reminiscent of the vocals Luc Lemay of Gorguts today. clear "Quandary of Flesh" into a track that should be drained of energy and they played Brain Music Technical dynamic concept that became a new challenge Kevin to compensate for his Skill. It leaves fans of the band then wondering what surprises Absence of the Sacred has packed in with their third album. and "Oracle", still continued to perform some awesome riffing part pummeling her with some beautiful guitar solos, and technically winds spastically into life before the melodic thrash comes back in with the numerous sweet bass spots that are littered throughout. "Veneration Unorthodox" remains enchanting skill Kevin played his Steady Fast Drumming complete with some of his Fantastic Variations Skill, while guitarist Darren try to give more steady synergies through Progressive riffing Technical touch her. Often unleashing face-ripping guitar solos that still manage to retain that sense of melody that is characteristic of past Absence of the Sacred releases. a smorgasbord of Mechanically efficient footwork from Talley and Priest and Chua's harmonized, passionate guitars! and "Perpetual Decline", the band continues to exhibit increasingly more dynamic style of music Arrangement nan greeted with a gruesome and hard work Kevin created a fantastic drum Lick! This band seems ga have to pay damages if his Drumming services Mahal hahaha .... Outrageously catchy and technically superb Schuldiner-inspired extreme metal mavens. This is their best record yet. This should be a mandatory purchase for anyone pretty much sick of the melodic metal peddled in the west, or tired of hollow and directionless tech-death. "The Necropolitan" like never run out of ideas to play Part2 Dynamic Fresh which is a combination of style and Kalmah Obscura possible on some of his style of melodic riffing. "Recesses of the Hollow" are increasingly faster automated welcome riffing structure fishing remains consistent ferocity Blastbeat Kevin! as well as the "Dawn of a Dead Aeon", Absence Of The Sacred and the Wild quickly reminded multiple Part beginning with Morbid Angel in The Vein! let alone "Dawn of a Dead Aeon" emotional Ultimatum Melodic riffing increasingly embodied in his incision Dark Harmonization. meanwhile sounds better than ever, with its blissful classic metal section, thrashing melodies and epic end. managed to incorporate elements from other genres in their songwriting as well, such as the almost jazz-sounding section towards the end. This benar2 prove an article about "Undoubtedly are on their way to the peaks of the genre as one of the best units to rise from Asia who are capable of conjuring neck breaking Melodic Death Metal coalesced with immense doses of technicality", because it is so many marvelous concept dimateri i catch this time. The album takes off and the listener falls into a frenzy of lightning-fast riffs, intense musical arrangements and brutal growls. Era of the Apostate, the album, is a tale and a warning, a revelation and a mystery, a bold proclamation Confrontation and a screeching all at once. the album itself on its mixing process handled by bassist Mike Kalember then dimastering by 2 brothers Slawek and Wojtek Wieslawski at Hertz Studio, Poland enough to create a masterpiece of the best albums throughout Career Absence Of The Sacred! released by a new label based in Singapore, Sonic Blast Media gave way to more light and smooth for Career Absence Of The Sacred International extreme metal arena! Every part of this album seems to have been set to reach it's optimum potential. Nothing has been left to chance and each tempo change, each vocal melody and each has, in my opinion, been meticulously planned to give the listener the best listening experience possible. The band's shift to more technical territories could Easily alienate fans of the band who have had more affinity with the more melodic and more straightforward past material of the band, but after numerous listens, Come Hither O Herald of Death could possibly start growing on the listener . BUY OR Killed!!!!!!!!!!

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Atheist - Piece Of Time CD 1989

Atheist - Piece Of Time
Active Records 1989

Kelly Shaefer - Vocals, Guitars
Steve Flynn - Drums
Roger Patterson - Bass
Rand Burkey - Guitars

01 Piece of Time 04:33      
02 Unholy War 02:18    
03 Room With a View 04:06      
04 On They Slay 03:38      
05 Beyond 02:59    
06 I Deny 04:00      
07 Why Bother? 02:56      
08 Life 03:12      
09 No Truth 04:28

Meskipun banyak Kalangan Media menyebutkan album Ke-2 " Unquestionable Presence " band Death/Thrash Metal dengan sentuhan kental elemen Jazz dan Progressive asli Sarasota, Florida kebanggaaan Scene Amrik diawal kejayaannya pada era 90-an, ATHEIST ini, gw masih begitu terpesona dengan album Full pertama mereka ditahun 1989 " Piece of Time " ini, coz band yang terbentuk sejak tahun 1988 dengan nama " Raging Atheists Vowing A Gory End " Alias R. A.V.A.GE ditahun 1984 mulai menggunakan nama Atheist sejak menggarap demo pertama " Beyond " tahun 1989 yang mengantar Kontrak Rekaman dengan Active Records untuk perilisan full album pertama " Piece of Time " yang diawal perilisannya sangat Menggemparkan Scene Metal Internasional dengan permainan yang Komplek serba dinamis, mungkin yang sempat menyukai gaya Kompleks DEATH akan coba mengalihkan perhatiannya kepada Band ini begitu juga hehehehe, dimana Konsepsional album perdana ini adalah Materi matang Atheist sejak awal berkarir-nya. apalagu untuk penggarapan album perdana ini Atheist jelas menginginkan yang terbaik dalam produksinya, sehingga harus menggandeng Produser dan Enjiner handal era 90-an, Scott Burns di Morrisound Recording ! Everything about this album simply slays, this is fast and straight to the point, there are no preconceived notions of pretension, no waiting around; just off to the finish line we go, throwing riffs and guitar solo's around like no tomorrow. The rhythm section is incredible, they really do lay down the groundwork for the carnage their guitars. kaget banget begitu gw pertama kali mendengarnya ditempat temen Gw di malang, sedangkan nama Atheist memang jauh hari Gw kenal tapi sayang baru ditempat temen Gw baru mendengarnya hehehehe, pertama kali nama Kelly Shaefer sewaktu menyumbangkan Kontribusi Vokalnya untuk Sepultura era " Beneath The Remains ", dan beberapa kali nama Atheist tertera dalam thanxs list Band pada kaset2 Koleksi gw. Surprise banget seh perkenalan Gw dengan konseptual Musik Atheist pada album ini pada awalnya, bagaimana Gw mulai dicekokin dengan Konsep Death/thrash Yang dinamis dengan sentuhan Style Jazz dan progressive sehingga perlu beberapa kali dengar untuk bisa mencerna Konsep yang dimainkan Atheist ini, seperti track pertama " Piece of Time " memang pantas menjadi track andalan dan Menjadi Titel utama album ini, dimulai dengan sebuah Intro selama 33 detik yang setelah itu barulah Atheist langsung menawarkan part awalnya dengan sentuhan yang kental dengan elemen gaya Jazzy yang kemudian Gaya Progressive keren pada Riffing gitar memulai part awal yang begitu terasa dinamis Aransemen musik yang ditawarkan oleh Kelly Cs ini, Amazing ... Altered Beast, and arose from their graves resulting in the soiling of their once hallowed name, they used to be such a kick ass technical thrash/ death metal band !! liat bagaimana kita merasakan sebuah Komposisi matematika dari seorang Gitaris Rand Burkey yang secara Egois mengajak drummer Steve Flynn melakukan  Unjuk skill yang sinting pula, namun beruntung Kelly tetap fokus membuat Pattern Vokal yang tetep hidup disini, dengan kata lain ini sebuah sinergi kerjasama yang gila hahahaha, mungkin juga tidak terbayangkan jika awal akhir 80-an menjelang awal 90-an gw sudah mulai dikenalkan konsep rumit dari band ini. At just over half an hour this is a quick and intense listen, that crams a lot of cool ideas into its relatively short run-time. Rand Burkey's lead guitar work is really quite impressive here, and his style was always a massive asset to Atheist. Kelly Shaefer proves he isn't a slouch at his given talents, also lending some impressive leads, as well as providing the vocals which are arguably his best, far from the sleaze that would late crawl into his style this was full on sadistic aggression. " Unholy War " semakin memanas pula talenta Atheist Sejak track pertama, Konsep dan beat musik yang semakin cepat pula terasakan disini, bagaimana semakin Chaotic Gaya dan Struktur Atheist untuk memainkan track " Unholy War ", dengan gaya Harsh dan Death Vokal yang familiar pada era 90-an, Kelly Saefer juga memainkan beberapa Lead Guitar di Album ini. Struktur musiknya memang susah ditebak ketukan2 selanjutnya bagaimana, karena seperti sebuah Puzzle, Aransemen musik Atheist memang serba mengejutkan. " Room With a View " bagaimana Perpaduan Kental elemen Progresive yang Rancak dibalut dengan Jazzy Style dinamis, alhasil Track liar semakin dipertemukan disini melalui Talenta2 Luar biasa, Gantian Almarhum Bassis Roger Patterson memamerkan Gaya Fretless Bass sadisnya ! permainan Gitaris Rand juga semakin membabi buta dengan skill dan Speed mencengangkan !, experiencing one of the earliest inclusions of a heavy jazz influence to the metal milieu here, though it's not nearly so prominent as that found, it's manifest in the rhythm section swerves and shifts beneath the storm of hectic guitar patterns, but at the same time, it's also responsible for my biggest frustration with the album. " On They Slay ", gaya sound gitar Rythym yang mengingatkan dengan gaya Sound Megadeth Era " Rust In Peace " cukup terasa disini hehehehe, mungkin Atheist Memainkan Konsep yang berbeda, dan jika dipastikan konsep Speed/Thrash Metal, gw jamin ini adalah album Megadeth yang mengamuk hahahahaha ! semakin teracuni dengan Konsep yang rumit, Atheist semakin mengerahkan Skill Talentanya demi sebuah part yang matematika ! beberapa solo Cepat dan Rumit sering dimuntahkan pada Jeda refrain dimana Kelly ga banyak menggunakan Part Vokal-nya. " Beyond " masih mengulang gaya Part awal seperti track " On They Slay " dan Drummer Steve Flynn semakin menunjukkan beberapa skill luar biasa dari Ekspresi yang ingin steve luapkan selama ini. " I Deny " menjadi Kesempatan lagi bagi Bassis Roger memamerkan kembali Betotan gaya Jazzy fretless-nya, sebuah track seperti Dream Theatre sedang Adu skill dengan Chuck di Death-nya. " Why Bother? " sangat terasa gaya Riff Thrash Metal enerjik-nya dipadukan dengan elemen Old School death metal yang liar, begitu juga dengan Track " Life ", Harmonisasi Gelap cukup terasakan dalam gesekan tajam riffing Gitaris Rand dan kemudian diakhir dengan Track " No Truth ", seperti halnya Pada Intro track awal, sepertinya Outro yang sama menjadi part lanjut-nya selama 01:23 yang kemudian adalah Ultimatum talenta Atheist dimuntahkan kembali sebagai bentuk enerji terakhir mereka yang terkuras dengan Skill bermain musik rumit ! If Piece of Time is most important for one thing, its the potential it showed for the death/thrash metal crossroads to explore new heights of frenzy, new spastic reaches of velocity. Surely we had a number of technical thrash delivering masterful mergers of memorable songwriting and stunning proficiency, but Atheist set out to prove that these standards could be taken to the next extreme, the unfolding frontier that was death metal. dengan hasil Kualitas sound yang mumpuni langsung saja album ini membawa harum nama mereka dan dikenal lebih luas pada Perkembangan Musik Metal diera 90-an, setelah ini, Atheist masih mempunyai 2 album Penting lainnya " Unquestionable Presence " tahun 1991 yang menjadi album terakhir bagi bassis Roger Patterson yang meninggal pada tahun yang sama setelah album ini direkam dan album Ke-3 " Elements " tahun 1993 menjadi Barometer penting perkembangan Death Metal yang Kompleks dengan gaya Progresive dan Teknikal !! In all honesty, I can't imagine I'll ever hear another debut album as demanding and crushing and satisfying as this one. Piece of Time is a true masterpiece of it's time, and has stood the test of time for many a metalhead. This album is nearly perfect and worthy of your hard earned coin.

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