Dethroner - Blind Souls 2012

Dethroner - Blind Souls
Australis Records 2012
http://www.myspace.com/dethroner
https://www.facebook.com/dethroner

01 Pestilence 04:07    
02 Born Dead 03:00    
03 Sound of Sin 03:18    
04 Macabre Ending 03:00    
05 Transformation 04:20    
06 Nacrolepsy 02:59    
07 Buried Alive 02:22    
08 The Blaze 03:03    
09 Apocaliptic Torment 05:28    

Mauricio Alvarez - Bass
Alvaro Sequeida - Drums
Gonzalo Astudillo - Guitars
Miguel Roa - Guitars
Juan Torres - Vocals

Scene Chile Memang Kurang Terekspos secara santer seperti Scene lainnya di Benua Eropa, Chili, kadang-kadang dieja sebagai Chile, Cili, atau Cile, adalah sebuah negara berdaulat di Benua Amerika, terletak di bagian tenggara Amerika Selatan. dengan Iklimnya yang bervariasi, menjadi salah satu negara paling makmur dan paling stabil di Amerika Selatan[17] dan diakui sebagai kekuatan menengah di kawasan. Chili memimpin bangsa-bangsa Amerika Latin dalam hal kedamaian, daya saing, kebebasan ekonomi, dan persepsi korupsi yang rendah. waduh koq malah Pelajaran Geografi nih?? hahahaha, yang pasti Scene Metal di Negara ini cukup berkembang dengan pesat dengan band2 bagusnya, dan ini Gw kenalkan salah satu Band Brutal Death Metal sadisnya yang terbentuk Tahun 2000 dengan nama awal sebagai Krucifixion. namun sayang band ini terlalu lambat dalam berproduksi lagu, sampai tahun 2007 Dethroner baru melepaskan full album pertamanya " Bringer of Desolation " yang cukup menyita perhatian Khusus kancah extreme metal Internasional, menjadi jeda yang lumayan panjang sejak pertama merilis demo tahun 2002, dengan mengusung konsep Brutal Death Metal perpaduan Mantap antara gaya Death Metal era 90-an in the Vein Monstrosity, Gorguts, Cynic dipadukan dengan kadasyatan Suffocation, Gorod hingga Gempuran Hyperblast mantap Vader !, yang kerennya lagi, Dethroner banyak menyuguhkan permainan Riffing yang Teknikal Ciamik dan Variatif ! tentu saja ini menjadi sebuah kemajuan yang pesat setelah gw mendengar Album baru ini dan membandingkan dengan CD pertamanya. dengan lebih mendapat pengaruh kuat Band2 Brutal Eropa, Dethroner tampil lebih sadis lagi kali ini, dan sangat bikin surprize banget gw ... " Pestilence " memulai dengan gaya Melodic Epic Riffing Ciamik untuk mengawali Keganasan Blastbeat, Drummer Alvaro Sequeida memang memiliki Potensi yang luar biasa untuk banyak mengolah skill luar biasanya mengimbangi Kedasyatan Teknikal Riffing-nya Gonzalo Astudillo dan Miguel Roa, sehingga so pasti menciptakan struktur musik yang fantastis dan mengagumkan saja kayaknya ! terlahir begitu banyak fantastic Part di setiap sudut aransemen lagu2nya, bener2 sebuah Sinergi mematikan jika Musisi Dasyat bertemu dalam satu Visi dan Ego. dan dari awal hingga akhir lagi Indera Gw seperti terhipnotis dengan Aransemen musik yang asli keren dech, Berbahayaaa !!! the level of acrobatic elegance on display here is enough to send pacemakers spiraling out of function and the rest of us back to musical school to figure out what's wrong with us, why our limbs cannot move in such frenzied configurations. That's not to say it is necessarily the band's peak performance, as it sacrifices a bit of the focused old school intensity to New Modern School Styles !!! " Born Dead " masih begitu luar biasa untuk gw rasakan siksaan berikutnya, an accelerated storm of quality tech death riffs intent on leaving the remainder of the death metal universe in the dust. Despite this impulse, the track is surprisingly varied, slowing to mid-pace for a few concrete crushers, like wading through a violent storm to finally find the eye. Frontman Gitaris Gonzalo Astudillo memang menjadi Motor penting kecerdasan band ini memainkan Part2 yang Rumit pada Karakter Riffing-nya, dan beruntung Band ini bisa menarik Drummer berbakat Alvaro Sequeida, yang namanya juga memperkuat Godagainst, Melektaus, Occidens dan pernah mengisi posisi diband Dominus Xul cukup menjadi alasan Kuat Dethroner untuk meminangnya kali ini. 9 lagu berdurasi total 31:37 memang menawarkan sesuatu yang dasyat banget buat kalian pecinta Irama Brutal Death Metal dengan sentuhan Teknikalitas dasyat perpaduan beberapa Style Death Metal Era 90-an dengan Modern Style, yah mungkin yang sempat menikmati karya2 baru dari Gorod atau Spawn Of Possession, mungkin Album Gress Dethroner ini siap menjadi Pilihan yang ga mengecewakan sekali. ditunjang dengan produksi yang gila gilan, inilah masterpiece brutal terbaik tahun 2012 dari Scene Chile ! their theoretical knowledge is apparent as sometimes this music is a bit like Dream Theatre, although to a more educated level of a spiritual acknowledgement of the music rather than a static one. The guitar solos are extremely soothing most of the time, that extreme metal could be derived from almost anything which has potential.

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Orategod - With Love from Sinister CD 2012

Orategod - With Love from Sinister
Charred Remains Records 2012
http://www.orategod.cl
http://www.myspace.com/officialorategod

01 Chamber ov the Veils (In Abiegnis Chamber) 03:20    
02 Hoor Triumvirate 02:57    
03 The Anthem ov Teitan 02:50    
04 Full ov Shade Virtues 03:07    
05 Opening the Portal of Divinity 03:27    
06 Origin ov Charm 02:38    
07 Ohpion Court's 03:09    
08 Celebration ov Tradition 02:53

José Córdova - Drums
Miguel Briones - Guitars
Felipe Riveros - Guitars
Micheal Muñoz - Vocals
Alejandro Alegria - Bass

While borrowing conventions from both popular music and death metal, they defy all of the conventions about how much should sound, with almost endless self-indulgent defiance of conventional styling and taste. Debutan ke-2 Brutal Death Metal Asli Santiago, Chile yang eksis sejak tahun 1999 telah memiliki 3 demo, 1 Ep dan 2 Full album sekarang ini kian semakin mantap aja mengusung gaya bermain tetap in The Vein Morbid Angel dan Deicide ! scene Chile memang sering terlewatkan dari expose scene, padahal negara ini banyak memiliki band2 death metal bagus seperti Cadaverous Incarnate, Totten Korps, Defacing, Urogenital Macrophage, Visceral dan banyak lagi. gw memang sudah mengenal band ini sejak album pertama mereka " Fall Slowly Until the Hell Abyss " tahun 2004, masih tetap konsisten dengan Jalurnya, band ini dimateri ke-2 ini so pasti memperlihatkan kematangan eksistensi musikalitasnya dengan gempuran Dominan Blastbeat dan Dark Harmonizing hampir di semua aransemen musiknya. Oratedgod decided to hang out below said bridge and exact a gruesome toll from all of the audience following in their wake. That this is an immensely influential work goes without saying. ramped up to nigh impossible levels of malevolence through the unflinching occult lyricism. sambutan track pertama adalah " Chamber ov the Veils (In Abiegnis Chamber) " yang dimulai sebuah Intro pemujaan Occultisme lengkap dengan Pertarungan Kolosal Gladiator melawan Singa di Colloseum pula selama 48 detik, mengingatkan memang dengan Gaya Deeds Of Flesh yang juga ikut mempengaruhi gaya bermain band ini, serangan hyperblasting dengan High Tremolo Riffing with Dark Harmonization seperti menjadi ritual utama penciptaan musik band ini. possessed of perfect resonance through its start contrast against the brighter, scintillating evil of the guitar rhythms and just the right amount of reverb. memang Gaya Riffing Guitarnya adalah perpaduan nyata Morbid Angel, Deicide, Nile hingga Deeds Of Flesh banget kerap melakukan Roll Off Styles demi menciptakan struktur harmonisasi. They have absolutely no melody to them, and no sense of direction. Again this is often justified by fans as lending a chaotic quality to the music, but most of the time it is just jarring, robs the song of any catchiness and tends to kill the momentum the song has. konsep musik utamanya memang hanya mengandalkan kecepatan struktur lagu walau tanpa banyak melakukan sentuhan2 Dinamis, seperti Drummer José Córdova lebih menitik beratkan power pukulannya dengan Hentakan hyperblasting, sementara lebih banyak berbicara adalah permainan Duet Gitaris Miguel Briones dan Felipe Riveros. This is the quintessential death metal guitar tone and goes a long way towards setting the mood and feel for the album. It also helps that most riffs are uncomplicated, direct and full of menace. And they are played absolutely flawlessly, in stark contrast to the guitar solos. Coupled with the metronomic and surprisingly varied drum work, you won't find much wrong with the rhythm section on this album. saking cepatnya ritme beat hampir pada setiap lagunya, gw menjadi kurang tertantang dengan aransemen band ini, musiknya memang lebih simple tapi mengena pada Komposisi Riffing yang lebih menghidupkan elemen Style bermusik Orategod. 8 lagu berdurasi total 24:21 lebih hanya menawarkan Intensitas permainan yang cepat dan simple. While the songwriting is still firmly rooted in the thrash foundation, the atmosphere has the essential feel of random bruising in it, and that has only recently been fading from the essence of death metal; once death metal becomes ordered and loses the illogical flow that skips around mutilating verses and cramming incompatible things together by force, it ceases to be death metal. It becomes melodeath, pop, or something fundamentally different, a domesticated housecat instead of a mean feral lynx. Because death metal, by nature, is supposed to be unshackled and cranky. Modern bands do like order, often a bit too much: a funny time signature does not equal chaos, and while the younger generation certainly has more skill, speed and precision, the crawling chaos and primordial maelstrom cannot be indexed, folded and put in a file. Not in an overly atmospheric way, more in a twisted, warped, vicious way, created by the strange sounds of some of the riffs and the atonal solos.

IN ENGLISH (Sorry, Use This Google Translate)

While borrowing conventions from both popular music and death metal, they Defy all of the conventions about how much should sound, with almost endless self-indulgent defiance of conventional styling and taste. Debutante to-2 Brutal Death Metal Original Santiago, Chile which exists since 1999 have had 3 demos, 1 EP and 2 full album is now becoming more stable playing style still carries wrote in The Vein Morbid Angel and Deicide! Chile is often overlooked scene of expose scene, but this country has many great death metal band2 like Cadaverous Incarnate, Totten Korps, defacing, Urogenital macrophage, Visceral and more. i was already familiar with the band since their first album "Fall Slowly Until The Hell Abyss" in 2004, remained consistent with the Track, the band dimateri to-2 so definitely shows maturity existence musikalitasnya the onslaught Dominant Blastbeat and Dark Harmonizing almost all music arranger. Decided to hang out Oratedgod below said bridge and exact a toll Gruesome from all of the audience following in their wake. That this is an immensely Influential work goes without saying. ramped up to nigh impossible levels of occult malevolence through the unflinching lyricism. welcome first track is "Chamber ov the Veils (In Abiegnis Chamber)" which started a cult Occultisme intro complete with colossal battle against the Lions in the Colosseum Gladiator did for 48 seconds, with a style reminiscent indeed Deeds Of Flesh, which also affect the style of play the band , hyperblasting attack with High Tremolo riffing with Dark Harmonization as a major ritual creation of the band's music. Possessed of perfect resonance through its contrast against the brighter start, scintillating evil of the guitar rhythms and just the right amount of reverb. indeed Guitarnya riffing style is a real blend of Morbid Angel, Deicide, Deeds Of Flesh Nile up very often do Roll Off Styles to create a harmonized structure. They have absolutely no melody to them, and no sense of direction. Again this is Often justified by fans as lending a chaotic quality to the music, but most of the time it is just jarring, robs the song of any catchiness and tends to kill the momentum of the song has. The main concept of the music is just rely on speed song structure though without much sentuhan2 Dynamic, such as Drummer José Córdova focuses hyperblasting power punches with the beat, while most of the talking is a game Duet Guitarist Miguel Briones and Felipe Riveros. This is the quintessential death metal guitar tone and goes a long way towards setting the mood and feel for the album. It also helps that most riffs are uncomplicated, direct and full of menace. And they are played absolutely flawlessly, in stark contrast to the guitar solos. Coupled with the metronomic and surprisingly varied drum work, you will not find much wrong with the rhythm section on this album. the speed of the rhythm of the beat in almost every song, i become less challenged by the band's arranger, his music is more simple but effective riffing on the composition of a musical turn Orategod Style elements. 8 tracks 24:21 total duration over intensity of the game only offers a fast and simple. While the songwriting is still firmly rooted in the foundation of thrash, the atmosphere has the essential feel of random bruising in it, and that has only recently been fading from the essence of death metal; Becomes death metal once ordered and loses the illogical flow that skips around mutilating verses and Things incompatible cramming together by force, it ceases to be death metal. It Becomes melodeath, pop, or something fundamentally different, a housecat Domesticated instead of a mean feral lynx. Because death metal, by nature, is supposed to be unshackled and cranky. Modern bands do like order, Often a bit too much: a funny time signature does not equal chaos, and while the younger generation certainly has more skill, speed and precision, the crawling chaos and primordial Maelstrom can not be indexed, folded and put in a files. Not in an overly atmospheric way, more in a twisted, warped, vicious way, created by the strange sounds of some of the riffs and the atonal solos.

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