The Portals: #Finland

Folk Metal, mungkin menjadi salah satu Genre extreme yang mampu merubah cara Pandang gw tentang luasnya perkembangan musik yang tidak dari 1 warna saja, mungkin karena bagi Gw Folk Metal itu konsep Heavy Musik Menarik, Catchy, serta Memorable yang kemudian menjadi salah satu alasan Gw begitu Enjoy menikmati setiap Ritme-nya. dan Finlandia mungkin menjadi Scene yang banyak memiliki band-band keren dari Genre ini, sebut aja seperti Ensiferum, Korpiklaani, Finntroll, Turisas dan Masih banyak lagi. Kali ini Gw pengen mengupas tentang debut terbaru band bagus asal Daerah Jyvaskyla, FROSTTIDE ! lewat album full ke-2 " Blood Oath ", Frosttide bakal akan memprovokasi kita dalam Dimensi kegembiraan Para Ksatria Viking dalam kemenangan medan Peperangannya, ''Blood Oath'' chugs at the same kind of folk imagery which the aforementioned bands had already perfected a decade ago, though its instantaneous appeal of " Rural Battle Metal', Campfires, Autumn leaves and wintry breezes is for me, as it has always been, a rather generic entrant into the folklore derby, with a nice bucolic theme set against an expansive sound that somehow joins the epic formulations ! Gw rasa " Blood Oath " adalah materi yang semakin lebih Sejuk menantang jika coba kita bandingkan ekspresi-nya sejak " Awakening " atau 2 EP sebelumnya, meski Gw ga akan melepaskan begitu saja pesonanya, " Blood Oath " siap menjadi Anthemic Icon hangat Frosttide yang serasa lebih mencakar dari apa yang kita pikirkan sebelumnya. sentuhan warna kental Ala Ensiferum serta Turisas mampu menjadi Deskripsi Materi yang Frosttide usung sejauh ini menjadi Tradisi Kolosal dan Heroik Battle Metal-nya.

" Prologue " masih menjadi Tradisi yang Paling wajib untuk lebih memberikan Imej Heroik dalam Guratan Kolosal kuno bernuansa Orchestral sebelum kita akan dibuat terpana dengan senyawa Harmonisasi hidup track andalan " Blood Oath ", adalah sambutan yang megah, cepat dan Menggelegar diantaranya riuhnya Kobaran api pertempuran Para Ksatria Berperang layaknya. Pukulan mantap drummer Joonas Nislin secara Powerfully langsung foreplay dengan Hyperfastsnareroll-nya. Keep Managed to get quite a few dungeon synth Against its Epic unfolding. '' Blood Oath '' doesn't have a whole lot of tricks up its Sleeves, and the primary formula seems to be a rough, headlong barrage of melodic Death Tremolos and Fierce chords playing out next to a fluid current of Melody, and no matter these Fins are doing, they've always got a barrage of dreamy Synthesizers for you. Keliatan sekali kita seperti merasa ikut terhipnotis dengan kekuatan Berperang Hebat Pasukan perang Frosttide. Kombinasi yang mendominasi karakteristik Musikal Frosttide masih dikuasai oleh Frontman & Keyboardis Felipe Munoz bareng Gitaris Juho Patinen yang kemudian di Berikan spirit penuh dengan pukulan Powerfully drummer Joonas Nislin menjadi Komposisi yang Mematikan ! Banyak menekannya sebuah Tempo yang cepat dari Catchy-nya, mungkin akan sedikit membedakan Typicalnya dengan Ensiferum, bahkan ini seperti terdengar Turisas yang menjelma menjadi semakin lebih " Keras " lagi dan Karakter Vocal Joni Snoro lebih Low serta Growl ketimbang Harsh. Coordinated Past-picked Sections mold into Moving interludes which break out into Awesome Choruses. apalagi ketika mendengar Folksy Anthem vocal dari hampir semua Member, disini menjadi letak elemen yang terasa mampu bikin Bulu kuduk merinding ! rata-rata hadir dengan durasi track yang panjang dan menghipnotis dalam pusaran peperangan hebat, ga kerasa telah menelan durasi 5 hingga 10 menit pada setiap Track-nya. Chapter War berikutnya " Gates of the Asylum " masih memberikan Gravitasi menarik untuk setiap aransemen yang tersalurkan pada beberapa Bar dan Lick-nya. Fast, melodic and Heavy ! there's enough melody, Percussive Melodic Death metal and Metalliccoitus running through this record to rectify the removal of the " pagan " or Black Metal tag which folk bands are so frequently Infatuated. Perpindahan Lick kerap menjadi Presisi yang mesti diperhitungkan demi menciptakan Atmosfir yang gelap dan Mencekam rasanya, sehingga apa yang Frosttide susun merupakan kerangka yang Signifikan diantara Komposisi dan Harmonisasi. ga banyak memang Frostide akan menyediakan Ruang kita menikmati Cachy tempo selain rentetan bunyi senar drum yang melaju kencang dan Mantap menghantam, meskipun demikian, Gw masih begitu tertegun menikmati Progres demi Progres-nya dan Mengakhiri dengan ucapan " Ini adalah Karya yang Bagus ! ". akan Sulit memang Jika sebenarnya Gw akan membandingkan Frosttide dengan nama yang gw sebut sebelumnya, Walau bergerak pada Konseptual Warna Folk Metal yang Melodius, Namun Frosttide lebih banyak menawarkan Ide tentang Intensitas dan Kerapatan tempo tanpa banyak melepas sentuhan Epic serta Melodius-nya. coba sendiri Track apik seperti " Traitor Within " yang menyambung tradisi Folky Keras selanjutnya. There is an Enjoyable lead section and the overall Coherence of the instruments Deserves some praise with a fairly dense Spectacle of sounds bursting out at the same time, but I felt myself far more Attracted to the Synthesizers and Aural Majesty of the album than its guitars or vocals. rasanya waktu akan terasa menjadi begitu Panjang ketika Perjalanan musikal Frosttide terangkum begitu kompleks di Track " New Reign ", dengan durasi fantastis-nya yang 11 Menit. sangat menyita segenap kemampuan member kembali secara Konkrit membentuk Kekuatan Dramatis dengan tempo penuh seperti ini menjadi Perangkap yang semakin Abadi dimensi-nya. sementara " Winds of Winter's Call " lebih epik menyuguhkan kualitas Folky yang melodius dan Atmosperik. these fellas aren't exactly down in the squalor of the battlefield waxing heroically concerning deeds of valor and courage, instead isolated up in the nearby hillside congregated around a campfire, content to hammer out odes to the mystical and abstruse without ever losing that monumentally uplifting and powerful melodic astringency that gives the style such lasting power. tiba waktu yang menyenangkan pula berikutnya ketika Frosttide mencoba mengcover track Konvensional dari Subsequent New Wave Musical Murray Head dengan " One Night in Bangkok " tentu masih dengan Konsep Folk Metal khas Frosttide. dan lebih uniknya kemudian adalah Cover version dari instrumental dan rock and roll asal Britania Raya yang aktif dari tahun 1950-an hingga tahun 2000-an, The Shadows " Apache " menambah Hiburan unik tersendiri di Penghujung durasi total Album baru dengan Hampir 55 menit ini. Looking at the record as a whole, while such a complex formula could easily lose traction in the hands of a band of overtly Self-indulgent Dilettantes which makes great use of the lack of time constraints to craft a Bulwark of pure majesty, Comprised of Grainy chugs, delicate lead intervals and an overall well-written arrangement on the whole. Generally, the Guitars sort of bob and weave back and forth between more Traditional melodic death and less weighty power metal antics, and the intangible, joyous vision Elucidated means that even the shorter tunes hardly have their work cut out for them.

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Rabu, 04 November 2015

(Psychoparalysis) - Human Disposition CD 2013

(Psychoparalysis) - Human Disposition
BWK Records CD 2013
http://www.myspace.com/psychoparalysis
http://www.facebook.com/psychoparalysis
http://www.youtube.com/psychoparalysisband
psychoparalysis@gmail.com
contact@bwkrecords.com

01 Throne of Mammon 01:08
02 The Numbers Become My Enemies 04:09
03 Fail to See 04:24
04 Relinquish 05:21
05 Looking Back to Tomorrow 06:46
06 Human Disposition 00:40
07 Truth Altered 05:20
08 Beyond Iris 07:46
09 Loss of Time 03:10
10 The End Results in Violence 05:34

Otto Trygg - Bass, Back. Vocals
Mika Sallamaa - Drums
Bhaadi Partanen - Guitars
Anssi Kantola - Vocals, Guitars

(Psychoparalysis) plays dynamic death metal, a unique mixture of crushing riffs, enchanting melodies and pure death metal groove. Our songs are composed to satisfy personal feelings and inspirations while bands like Death and Bolt Thrower echoed in the depths of the mind. The outcome has been often compared to such bands as early Amorphis and Edge of Sanity. Dimateri Full Album pertama Band asal Uusimaa, Finlandia ini semakin matang menyuguhkan Aransemen Progressive Death Metal nya dengan gaya Swedish Sound Era Afflicted " Prodigal Sun " dengan sentuhan Old School Death Metal dinamis gaya Death tanpa banyak meninggalkan Gaya Kuat Bolt Thrower-nya. walk a fine line between innovative and pretentious. Fortunately, they manage to stay on the path, and the release doesn't lapse into childish avant-garde embarrassment. The music fits the style, and the level of difficulty they've chosen suits the band very well. cukup berkibar dengan 3 demo awal merasakan sendiri betapa kompetisi hari ini tetap tidak menggoyahkan eksistensi dan idealis mereka mengusung warna Death Metal ! "Spirit, Flesh, Passion, Awareness .... dengan permainan bermusik yang Variatif serta Sound Raw Gothenburg Sound lebih tersaji dengan Karakter modern. banyak melakukan lick2 menarik pada setiap sentuhan Lead Guitar bergaya Melodius masih menjadi Ciri Khas Band2 Daratan Finlandia, check Track pertama " The Numbers Become My Enemies " setelah dimulai dengan Opening Instrumental Track. Karakter Vokal Anssi Kantola disini memang mengingatkan banget gaya bernyanyi Joakim Bröms -nya Afflicted era " Prodigal Sun " dengan beberapa sentuhan Avant Garde yang atmospheric membalut banyak lick bermusik-nya. The band has obviously not been aiming for maximum heaviness, but for a "progressive" sound as a part of the sub-genre's trappings. And with the medium tempo as far as death metal goes, barked rather than truly growled vocals, and the guitars centering on finesse more than steamrolling, the balance is there. meski terdengar simple strukturnya, namun masih kerap meninggalkan karakter bermusik yang bagus. sentuhan Klasik Riffing Chuck of Death hingga Cynic memang juga jadi Target Utama lain Band ini bersemangat menciptakan aransemen demi aransemennya. Technical yet melodic Swedish death metal emphasizing progressive rock influences in composition and instrumental interplay. Soul-searching progressive death metal which strays from stylistic expressive traditions, instead employing the elements of death metal the way that progressive rock bands use ‘rock’ elements, resulting in death metal as if played by a 1970s progressive rock band. The psychedelic atmosphere and the cosmic spiraling space-rock guitar melodies give this music a unique character, a distinct and somewhat quirky sound that pushes Afflicted to the outer reaches of their foundational style. untuk Warna Kental gaya Progressive yang lebih menonjok, kalian bisa simak " Beyond Iris " yang akan menguras enerji dan skill mereka disini. 10 Track Berdurasi sekitar 44:18 akan memberikan sajian menarik Bermusik Sophisticated dengan sentuhan serba Dinamis namun tetap ringan di konsumsi dalam suasana apapun. Chaotic yet purposeful, overflowing with inspiration, vision, imagination, exploding with creativity and power. Somehow this gifted band managed to become lost in the sea of Swedish death metal bands of the time, but they had a lot more to say, and much fresher and more interesting ways to say it, than most of their regional competition.

(Psychoparalysis) dynamic plays death metal, a unique mixture of crushing riffs, enchanting melodies and pure death metal groove. Our songs are composed to satisfy personal feelings and inspirations while bands like Death and Bolt Thrower echoed in the depths of the mind. The outcome has been Often Compared to such bands as early Amorphis and Edge of Sanity. Dimateri First Full Album Band from Uusimaa, Finland is increasingly matured Progressive Death Metal Lineup presenting her with a Swedish style Afflicted Sound Era "Prodigal Sun" with a touch of Old School Death Metal Death dynamic style without leaving a lot of Strong Style Bolt Thrower her. walk a fine line between innovative and pretentious. Fortunately, they manage to stay on the path, and the release does not lapse into childish Embarrassment avant-garde. The music fits the style, and the level of difficulty they've chosen suits the band very well. pretty fly with 3 demo early feel for yourself just how competitive these days still did not shake their idealistic existence and brings color Death Metal! "Spirit, Flesh, Passion, Awareness .... Variatif with musical games and more Sound Sound Raw Gothenburg presented with modern character. Much do lick2 interesting at every touch Lead Guitar melodic style is still a band2 Characteristic Mainland Finland, first check Track "The Numbers Become My Enemies" after starting with the Opening Instrumental Track. Anssi Character Vocal Kantola here is very reminiscent of the style of his singing Joakim Broms Afflicted era "Prodigal Sun" with a touch of the Avant Garde bind atmospheric musical lick her lot. band has obviously not been aiming for maximum heaviness, but for a "progressive" sound as a part of the sub-genre's trappings. And with the medium tempo as far as death metal goes, barked rather than truly growled vocals, and the guitars centering on more finesse than steamrolling, the balance is there. although it sounds simple structure, but is still often left a great musical character. touch riffing Classic Chuck of Death by Cynic Main Target is also so excited about creating another band arrangements for arrangements. yet melodic Swedish Technical emphasizing death metal progressive rock Influences in composition and instrumental interplay. Soul-searching progressive death metal roomates strays from stylistic expressive traditions, instead employing the elements of death metal the way that progressive rock bands use 'rock' elements, resulting in death metal as if played by a 1970s progressive rock band. The psychedelic atmosphere and the Spiraling cosmic space-rock guitar melodies give this music a unique character, a distinct and somewhat quirky sound that pushes the Afflicted to the Outer Reaches of their foundational style. Condensed color styles for Progressive more punch, you can see "Beyond Iris" which will drain their energy and skill here. around 44:18 10 Track Films presentation will provide interesting musical Sophisticated with a touch-paced dynamic yet remain light in consumption in any atmosphere. Chaotic yet purposeful, overflowing with inspiration, vision, imagination, exploding with creativity and power. Somehow this gifted band managed up to become lost in the sea of ??Swedish death metal bands of the time, but they had a lot more to say, and much fresher and more interesting ways to say it, than most of their regional competition.

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Children Of Bodom - Halo of Blood CD 2013

Children Of Bodom - Halo of Blood
Nuclear Blast Records CD 2013
http://www.cobhc.com
http://www.myspace.com/childrenofbodom
http://www.facebook.com/childrenofbodom?ref=ts
http://twitter.com/cobhc
http://www.youtube.com/user/cobofficial

01 Waste of Skin 04:17
02 Halo of Blood 03:13
03 Scream for Silence 04:10
04 Transference 03:58
05 Bodom Blue Moon (The Second Coming) 04:14
06 Your Days Are Numbered 03:41
07 Dead Man’s Hand on You 04:58
08 Damage Beyond Repair 04:21
09 All Twisted 04:52
10 One Bottle and a Knee Deep 04:02

Henkka T. Blacksmith - Bass
Jaska W. Raatikainen - Drums
Alexi "Wildchild" Laiho - Vocals, Guitars
Janne Warman - Keyboards
Roope Latvala - Guitars

I’m actually not a big COB fan. I’m also not a huge fan of painted fingernails, mascara, pinstriped Rhoads guitars, the bratty punk faux-attitude, the keyboard orchestra hit, or most of the other little annoying things that COB is known for. What I do enjoy is the world-class musicianship (the guitars and keyboards in particular), the infectiously catchy songwriting, and the sheer unbridled energy that the Bodomites showed on this. Obviously, Children of Bodom, for some reason, doesn’t hold as much credibility and reverence today as they once did. I don’t think that COB ever really jumped the shark or changed what they do to the point that people started either loving or hating a polarizing new image. In fact, Alexi Laiho is still an amazing and ever-improving guitarist, and their albums still sound like COB, but I feel like I have personally just “grown out of them”, so to speak. Or something. COB Now Back Again to the energy completely blew me away the first time I heard it, and it honestly still does today. The band is in a mode of relentless and aggressive attack, and they never let up for Eight Masterpiece !!!! ... Sebagai Salah satu Fans Berat Band Melodic Death/Power Metal dengan gaya Sophisticated lewat cabikan Melodius Dawai Mematikannya, Jawara Metal Populer Finland scene yang eksis sejak Tahun 1993 dengan nama Inearthed yang kemudian tahun 1997 barulah menjadi Children Of Bodom, memang disebut sebut sebagai Pengusung Warna Melodic Death Metal dengan Sentuhan Power Metal element fantastis yang mempengaruhi sangat kuat Generasi selanjutnya. While In Flames, Dark Tranquility, and At the Gates pioneered the genre, Children of Bodom took it to a whole new level, mixing it with power, neo-classical, and black metal influences that fascinated the heavy metal world and inspired countless bands to follow in their footsteps, While some good acts like Norther and Imperanon came out of the Finnish melodeath/power metal scene soon after ! sebut saja ledakan Album Pertama mereka " Something Wild " tahun 1997 sangat begitu memukau Mata Dunia dengan Konsep Brilian yang mereka ciptakan dari perpaduan nama Besar Band Melodic Death Metal Daratan Swedia dengan Gaya Power Metal enerjik Finland Scene. tetap perkasa dikomandani oleh frontman Alexi "Wildchild" Laiho, COB sukses mengguncang Industri Musik Metal sepanjang masa. Tanpa banyak Panjang cerita, Band ini mesti menunggu 2 tahun menyelesaikan Materi album baru ini agar tetap terjaga nilai Fantastisnya pasca Album Terakhir " Relentless Reckless Forever " tahun 2011, Reputasi COB sangat dipertaruhkan kembali di Album Gress yang digarap ditempat Rahasia bernama Danger Johnny Studios yang berlokasi di Helsinki ini menjadi Keunikan tersendiri bersama enjiner Mikko Karmila yang sukses sebelumnya menggarap materinya Amorphis, Avantasia, Charon, Edguy, Eternal Tears Of Sorrow, Kotiteollisuus dan masih segudang lainnya terhitung sukses juga melejitkan materi album COB era " Hatebreeder, Follow the Reaper, Hate Crew Deathroll, Are You Dead Yet? dan Blooddrunk ", Era " Relentless Reckless Forever ", Garapan Enjiner Chris Rakestraw dirasa kurang membawa Sukses bagi COB sendiri, sehingga diputuskan kembali menggunakan Mikko Karmila dengan Produser Peter Tangren-nya Hypocrisy yang turun langsung kali ini pernah 2 kali kerja bareng COB era " Follow the Reaper " dan " Blooddrunk ". well inilah Mahakarya Gress mereka ditahun 2013. get it just right and perfect the concept of fusing technicality, with excellent songwriting for an outcome of just pure delicious, refreshing melodic death metal. Sudah begitu penasaran dengan Single " Transference " yang lebih dulu dikenalkan pada 26 April 2013 kemaren oleh Pihak Nuclear Blast Records dan secara Exclusive ditampilkan dalam Advance CD kompilasi Legacy Magazine Edisi # 84 rupanya membawa Feedback sukses COB menyakinkan kembali kalo Materi kali ini COB siap memberikan Yang terbaik Pasca Gagalnya " Relentless Reckless Forever ", dengan Menampilkan Kembali Konsep Era " Hatebreeder " dengan " Follow the Reaper ", COB menampilkan komposisi Elegan Khas-nya. The musical format is considerably more straightforward than its two predecessors, as it focuses less on the shredding and more on the songwriting. That's not to say that this isn't one hell of an impressive guitar album, but the band drops the 15 riffs a song format and instead develops a formula for using less, but more heavy and tighter riffs. The classical influence is still here, although less prevalent, and honestly, that works much better here like Hatebreeder, when it was used just a little too excessively. langsung saja Track Awal dikenalkan dengan " Waste of Skin ", COB menyuguhkan esensi Musikalitas yang menjadi Tradisi awal mereka sejak " Follow The Reaper " material banget !! While the impressive guitar work is obviously a main staple here, the keyboards are what really make the album if you ask me. Take them away and all of a sudden "Follow the Reaper" loses that icy feeling and half of the melodic juice it contains. Bagaimana Perpaduan Kompak Frontman Alexi "Wildchild" Laiho masih begitu menyatu dengan permainan Folkish Keyboardis Janne Warman sebagai elemen penting dasar musikalitas COB yang sophisticated itu. dengan struktur musik yang lebih Terasa " Ringan " namun tetep begitu Easycatchy banget setiap sentuhannya, kita ga terlalu disuguhkan dengan gaya Eksperimen bertubi tubi membosankan era " Relentless Reckless Forever " kayaknya, yeah COB is comeback Style Again ! sentuhan Beat yang cepat dan Brutal membuka Part awal " Halo of Blood " jadikan track ini memiliki Power tersendiri untuk Kedewasaan Style band yang extreme ! menggunakan ketukan Hypersnare yang cepat, Alexi tetap bisa mengkomposisi lick Thrash Riffing serta melodic Part secara ciamik. Kibasan Epic Melodius " Scream for Silence " sedikit mengingatkan gaya Amorphis sekarang, bagaimana COB lebih terasa meliuk liuk permainan Melodic-nya, Catchy Headbang Banget Track ini, dan Sentuhan Keyboard part mengingatkan juga dengan " Only For The Weak " nya In Flames era " Clayman " sekali. Permainan Melodius Riffing yang lebih menuntut konsentrasiTinggi bagi Alexi untuk membagi Mindset pattern Harsh Vokill-nya. hmmmm... Nice Track !!!! " Transference " sudah kita dengar sebelumnya jika COB mencoba membawa kembali nuansa " Hate Me " Song pada Track ini dengan Sayatan Arphegio Sweep Picking Melodic-nya. the formula is to simply follow Alexi’s lead as he spirals out like a lightning storm covering the earth, each guitar line a razorblade, slicing along with its comrades to create a veritable hurricane of cutlery, moving with precision and skill wrought in the fires of pure, beautiful melody. leads, solos, harmonies, and epic guitar/keyboard battles, I feel they are no less than twice as strong here. Suffice to say, this is perhaps the most immediately infectious album I have ever heard, and its bright, celeritous bombast is endlessly invigorating, having only grown in my heart within the past dozen years. lalu " Bodom Blue Moon (The Second Coming) " meski dengan tempo standard, COB mampu menanamkan sentuhan bermusik yang cool abis, sehingga memang gw tetap bisa menikmati setiap aransemen melodius dasyatnya ! Salut banget untuk Frontman Alexi untuk bisa membagi konsentrasi Full-nya menciptakan Komposisi yang fantastis seperti ini. It’s a testament to the power of the almighty riff that an album can be absolutely dynamic, fulfilling, and even groundbreaking without purveying a real amount of depth. In this case, the swirling clouds of guitar and keyboard notation dance in pissed-off harmony to create one of the most special listening experiences that the metal world has ever had to offer ! " Your Days Are Numbered " terdengar lebih cepat letupan energi Struktur lagunya dengan dominasi Thrash Riffing. kita memang seperti dibawa kembali ke era " Hatebreeder " sekali. This is not a record of complexity or depth, beyond the astounding skill of its two main melodic monsters as they playfully battle, and it doesn’t need to be, not at all. The pure strength of the songwriting is still perhaps the catchiest thing I’ve ever heard, always unceasingly creative in its natural flow, with memorable choruses abound. Most of all though, and a point I must reiterate from the Hatebreeder Style ! Clean Gitar " Dead Man’s Hand on You " memberikan penyegaran tersendiri setelah digempur dengan Track yang cepat melalui sajian yang cukup Epic dan Mellow seperti ini hehehe .... sentuhan Modern Sound style " Damage Beyond Repair ", karakter Riffing-nya begitu metallic banget ! It combines neoclassical and melodic licks with a more death metal oriented aspect. You will find the same atmospheric quotes preceding the songs, the same flair as on the other albums, but Follow the Reaper is a definite blend of the old Bodom style and more straightforward heaviness. It is a middle of the road album, and has excellent variation between songs. " All Twisted " gaya Heavy Metal yang begitu kental sentuhan Thrashing Riff tetap mengajak gw terus menikmati sajian Melodic Riffing Fantastis-nya. The guitar work is technical, melodic, very catchy, and overall quite interesting to listen to. " One Bottle and a Knee Deep " menyudahi Pada Rilisan edisi Standard Regular Internasional-nya, sedangkan pada bagian Bonus Track-nya, COB menggarap kembali Track lawas Loudness " Crazy Night " menjadi komposisi yang lebih gahar dengan setiap gubahan ulang-nya. dan secara keseluruhan gw merasa cukup puas sekali dengan sajian baru COB kali ini jika gw bandingkan dengan sebelumnya, seperti kembali menemukan jatidirinya yang tak terpisahkan dengan segala tuntutan Pasar Musik, COB lebih mantap idealis memainkan yang terbaik bagi Fans tentunya. Malaikat Pencabut Nyawa sebagai " Grim Reaper " tetap menjadi Icon Trade Mark disemua Album2 COB, kali ini karya Seniman Sami Saramäki yang menggarap artwork era " Follow the Reaper, Hate Crew Deathroll, Are You Dead Yet? serta DVD Chaos Ridden Years - Stockholm Knockout Live " kembali menghias Rilisan Fenomenal ini. Of all of the musical genius of this album, the most prominent to my ears was the incredible guitar work. Alexi Laiho is notorious for his axemanship, being rated with the top 50 fasted guitar players in Guitar World magazine, and you can really tell where this fame comes from. Solos are intertwined within several of the songs, often laced with keyboards, and the result is just awe inspiring. Speaking of the keyboards, WOW! They don't overpower the songs, have catchy melodies and just generally fit in perfectly within this melodic death metal gem. I find myself humming along with their speedy licks. Its hard for me to say anything bad about Children of Bodom, as I have liked all of their albums, but this one stands out to me as one of the best melodic death metal albums I have ever heard. Hell, it would probably make my top ten list of metal albums I've ever heard. To wrap this up, if you are a Bodom fan, make this album a must-have.

I'm actually not a big fan of COB. I'm also not a huge fan of painted fingernails, mascara, pinstriped Rhoads guitars, the bratty punk faux-attitude, the keyboard orchestra hit, or most of the other little annoying things that COB is known for. What I do enjoy is the world-class musicianship (the guitars and keyboards in particular), the infectiously catchy songwriting, and the sheer energy that the Bodomites Unbridled Showed on this. Obviously, Children of Bodom, for some reason, does not hold as much credibility and reverence today as they once did. I do not think that ever really COB Jumped the shark or changed what they do to the point that people started either loving or hating a polarizing new image. In fact, Alexi Laiho is still an amazing and ever-improving guitarist, and their albums still sound like COB, but I personally feel like I have just "grown out of them", so to speak. Or something. COB Now Back Again to the energy completely blew me away the first time I heard it, and honestly it still does today. The band is in a mode of Relentless and aggressive attack, and they never let up for Eight Masterpiece!!!! ... As One Fan Band Heavy Melodic Death / Power Metal with melodic shred style passing Sophisticated Strings Turn it off, Finland Champion of Popular Metal scene that existed since 1993 with the name Inearthed then 1997 then became Children Of Bodom, it is described as the color bearer Melodic Death Metal with Power Metal Touch fantastic element that affects a very powerful next generation. While In Flames, Dark Tranquility, and At the Gates pioneered the genre, Children of Bodom took it to a whole new level, mixing it with power, neo-classical, and black metal Influences of heavy metal that fascinated the world and inspired countless bands to follow in their footsteps, While some good acts like Norther and Imperanon came out of the Finnish melodeath / power metal scene soon after! call it blast their First Album "Something Wild" so so stunning 1997 World Eye with Brilliant concept they created from a combination of the name Big Band Mainland Swedish Melodic Death Metal with Power Metal Style Scene energetic Finland. remained strong led by frontman Alexi "Wildchild" Laiho, rocked successful COB Metal Music Industry of all time. Without Long story, this band had to wait 2 years of completing a new album this material in order to maintain the value of the post Fantastisnya Last album "Relentless Reckless Forever" in 2011, Reputation COB is at stake back in place that worked Gress Album Secret named Johnny Danger Studios located Helsinki became its own uniqueness with Mikko Karmila Engineer who previously worked on material success Amorphis, Avantasia, Charon, Edguy, Eternal Tears Of Sorrow, and still a myriad of other Kotiteollisuus starting material success also catapulted era COB album "Hatebreeder, Follow the Reaper, Hate Crew Deathroll, Are You Dead Yet?, and Blooddrunk ", Era of" Relentless Reckless Forever ", Garapan Engineer Chris Rakestraw is less to bring success to the COB itself, so it was decided to re-use with producer Mikko Karmila Peter Hypocrisy Tangren her to go straight this time ever 2 time working together COB era "Follow the Reaper" and "Blooddrunk". well this is their masterpiece Gress in 2013. get it just right and perfect the concept of fusing technicality, with excellent songwriting for an outcome of just pure delicious, refreshing melodic death metal. It's been so curious about the single "Transference" which first introduced on 26 April 2013 yesterday by Nuclear Blast Records Party and the Exclusive shown in Advance Magazine compilation CD Legacy Edition # 84 seems to bring success COB Feedback convincing if material back this time ready to give Yang COB Best Post-Failure of "Relentless Reckless Forever", the Concept Displays Back Era "Hatebreeder" with "Follow the Reaper", COB Typical displays his elegant compositions. The musical format is considerably more straightforward than its two predecessors, as it focuses less on the shredding and more on the songwriting. That's not to say that this is not one hell of an impressive guitar album, but the band drops the 15 riffs a song format and instead develops a formula for using less, but more heavy riffs and tighter. The classical influence is still here, although less prevalent, and honestly, that works much better here like Hatebreeder, when it was used just a little too excessively. Track Beginning just introduced the "Waste of Skin", COB presenting the essence of musicality that a tradition since the beginning of their "Follow The Reaper" material really!! While the impressive guitar work is obviously a staple around here, the keyboards are what really make the album if you ask me. Take them away and all of a sudden "Follow the Reaper" loses that icy feeling and melodic half of the juice it contains. How to mix Compact Frontman Alexi "Wildchild" Laiho is so fused with keyboardist Janne Warman Folkish game as an important element of the basis of the sophisticated musicality COB. with higher Feels musical structure "Light" but tetep so Easycatchy really every touch, we are presented with style ga too insistent insistently Experiments boring era "Relentless Reckless Forever" I think, yeah COB is comeback Style Again! touch Brutally Beat a fast and early opening Part "Halo of Blood" make this track has its own power for extreme maturity band Style! using Hypersnare beats fast, Alexi can still composing lick Thrash riffing and melodic Part is beautiful. Epic melodic flick "Scream for Silence" style slightly reminiscent of Amorphis now, how much was twisted contortion COB Melodic his game, Catchy Track Headbang Banget this, and the touch of the keyboard part is also reminiscent of "Only For The Weak" of his era In Flames "Clayman "once. Games are more demanding melodic riffing konsentrasiTinggi for Alexi to divide Mindset Harsh Vokill his pattern. hmmmm ... Nice Track!!!! "Transference" we've heard before if COB trying to bring back the feel of "Hate Me" Song on Track with Sweep Picking Arphegio Dissection Melodic her. The formula is to simply follow Alexi's lead as he spirals out like a lightning storm covering the earth, each guitar line a razorblade, slicing along with its comrades to create a veritable hurricane of cutlery, moving with precision and skill wrought in the fires of pure , beautiful melody. leads, solos, harmonies, and epic guitar / keyboard battles, I feel they are no less than twice as strong here. Suffice to say, this is perhaps the most immediately infectious album I have ever heard, and its bright, celeritous Bombast is endlessly invigorating, having only grown in my heart within the past dozen years. and "Bodom Blue Moon (The Second Coming)" although the tempo standard, COB able to instill a touch of cool abis music, so i can still enjoy it every melodic arrangements dasyatnya! Salute to Frontman Alexi to be able to share her full concentration creates a fantastic composition like this. It's a testament to the power of the almighty riff that an album can be absolutely dynamic, fulfilling, and even groundbreaking without purveying a real amount of depth. In this case, the swirling clouds of guitar and keyboard notation pissed-off dance in harmony to create one of the most special metal listening experiences that the world has ever had to offer! "Your Days Are Numbered" sounds more quickly pop song structure with the dominant energy thrash riffing. we did like was brought back to the era of "Hatebreeder" once. This is not a record of complexity or depth, beyond the astounding skill of its two games as they playfully melodic monsters battle, and it does not need to be, not at all. The pure strength of the songwriting is still perhaps the catchiest thing I've ever heard, always unceasingly creative in its natural flow, with memorable choruses abound. Most of all though, and I must reiterate a point from the Hatebreeder Style! Clean Guitar "Dead Man's Hand on You" gives its own refreshment after pounded with a fast track through the dish quite like the Epic and Mellow hehehe .... Modern touches Sound style "Damage Beyond Repair", his character is so metallic riffing really! It combines neoclassical and melodic licks with a more death metal oriented aspect. You will find the same atmospheric quotes preceding the songs, the same flair as on the other albums, but Follow the Reaper is a definite blend of the old and more straightforward Bodom style heaviness. It is a middle of the road album, and has excellent variation between songs. "All Twisted" Heavy Metal style is so thick touch thrashing riffs still continue to enjoy a dish invite gw Fantastic Melodic riffing her. The guitar work is technical, melodic, very catchy, and overall quite interesting to listen to. "One Bottle and a Knee Deep" In the end the release edition of its International Standard Regular, while the portion of his Bonus Track, Track back to work on the old COB Loudness "Crazy Night" became more gahar composition with each re-spin it. and overall i felt quite satisfied with the new COB dish this time if i compare it with the previous, such as re-discover his identity is integral to all market demands Music, COB more idealistic steady play my best for the fans of course. Angel Reaper as the "Grim Reaper" Icon remains a Trade Mark in all Albums2 COB, this time the work of artists who worked on the Sami Saramäki era artwork "Follow the Reaper, Hate Crew Deathroll, Are You Dead Yet? Well as DVD Chaos Ridden Years - Stockholm Knockout Live "Phenomenal re-decorate this release. Of all of the musical genius of this album, the most prominent to my ears was the incredible guitar work. Alexi Laiho is notorious for his axemanship, being rated with the top 50 fasted guitar players in Guitar World magazine, and you can really tell where this fame comes from. Solos are intertwined within several of the songs, Often laced with keyboards, and the result is just awe inspiring. Speaking of the keyboard, the WOW! They do not overpower the songs, have catchy melodies and just generally fit in perfectly within this melodic death metal gem. I find myself humming along with their speedy licks. Its hard for me to say anything bad about Children of Bodom, as I have liked all of their albums, but this one stands out to me as one of the best melodic death metal albums I have ever heard. Hell, it would probably make my top ten list of metal albums I've ever heard. To wrap this up, if you are a Bodom fan, make this album a must-have.

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Minggu, 27 September 2015

Pussy Regurgitation - Glasgow Smile Blowjob CD 2013

Pussy Regurgitation - Glasgow Smile Blowjob
Self Released CD 2013
http://www.facebook.com/prgorefin
http://www.reverbnation.com/pussyregurgitation
http://www.youtube.com/user/PussyRegurgitation

01 Inception of Derangement 03:45
02 Dermal Gaping Hole 02:59
03 My Seminal Filth Tangled in Her Perfume 02:20
04 Glasgow Smile Blowjob 03:01
05 Poo Pumped Pop Idol 02:02
06 Erotic Urinary Odour 04:20
07 Anal Devirgination 03:11
08 Flayed Pussy 02:30
09 Razorwire Bondage 02:49
10 Wading Beata 01:49
11 Boobsickle 03:56
12 Salaisuudet 03:24

Jesse - Guitars, Drum programming
Antti - Vocals
Aksel - Bass

Tentunya Finlandia Scene ga selamanya didominasi dengan Genre Melodic/Power/Operatic/Folk Metal selama ini yang menjadi Perkembangan paling subur dinegeri tersebut, masih terus gw mengais Informasi tentang band dan album Genre Death Metal-nya saat ini sampai gw temukan lagi nama baru, PUSSY REGURGITATION ! mengusung Gaya Death Metal Yang Catchy dengan sentuhan Melodic Riffing sana sini. cover art " Gory " memang sangat menarik perhatian banget ! sentuhan perpaduan Gaya bermain Misery Index, Cannibal Corpse serta Suffocation menjadi cikal bakal dasar karakter bermain musik band ini yang selalu memaksa kita mendengarkan alunan beat yang catchy dan Headbang !!! meskipun kerap diisi dengan terjangan blastbeat, namun kesan brutalnya kerap tergilas oleh Gaya yang Simple Catchy, meskipun masih terhitung New Comer, gw yakin suatu saat nanti band ini bakalan menemukan karakternya yang lebih Awesome ! " Inception of Derangement " opening Track yang terasa Liar menghantam dengan middle Groovy part dan sambutan panas Hyperblaster in The vein Misery Index banget ! Deep Low Grunted Vokill yang parau vocalis Antii kurang terasa Basah mengguyur konsepsional extreme band ini, sehingga perlu diasah lagi. Simple Catchy Riffing dan Harmonization memang kerap menciptakan headbang elemen. setiap track-nya kerap juga dimulai dengan sebuah Intro dari Movie, tapi koq lama2 gw jadi Boring yah dengan persembahan memasuki track ke 4 dan seterusnya yah? apa band ini masih terlalu " kaku " menggunakan Drum Machine saat Proses rekaman, sehingga Nuansanya kerap bikin gw mengantuk saja.. zzzzzz ...hmmmmm .... tapi yang unik adalah pada track akhir " Salaisuudet ", band ini membawakan kembali Track Pop Singer asal Finlandia, Tuuli's dalam versi Metal tentunya, terkesan sangat dipaksakan banget karakternya karena mungkin mereka sangat menyukai esensi lagu ini kayaknya hehehe ... tersedia dalam Jumlah Terbatas 50 Kopi Jewel-case CD, ini menjadi sebuah perkenalan mereka mulai menjajaki panggung setelah menemukan drummer sebenarnya, Juska setelah proses Rekaman album ini selesai. lumayan deh buat nambah2 koleksi aja nih kayaknya.

Surely Finland Scene ga forever dominated by Genre Melodic / Power / Operatic / Folk Metal for this is the development of the most fertile in the land, still i scavenge information about the band and the album Genre Death Metal its current again until i find a new name, PUSSY regurgitation! Which brings Catchy Style Death Metal Melodic riffing with a touch here and there. cover art "Gory" is really very interesting! a touch of fusion style playing Misery Index, Cannibal Corpse and Suffocation became the forerunner of the basic character of this band playing music which always forces us to listen to the strains of a catchy beat and Headbang!!! although often filled with blastbeat hack, but the impression is often crushed by brutal force Simple Catchy, though still unaccounted New Comer, I'm sure one day the band is going to find a character that is more Awesome! "Inception of derangement" the opening track that feels Groovy Wild hit the middle part and the heat Hyperblaster welcome in The Vein Misery Index really! Low Deep grunted guttural vocalist Antii Vokill that feels less extreme conceptual Wet flushed this band, so it needs to be sharpened again. Simple Catchy riffing and Harmonization is often created headbang elements. every track his often also begins with a Movie Intro from, but koq lama2 gw yah so Boring with offerings entering the 4th track and so well? what this band is too "stiff" to use Drum Machine when the recording process, so that makes gw Nuance often sleepy .. zzzzzz ... hmmmmm .... but unique is the final track "Salaisuudet", the band is bringing back Pop Singer Track Finnish Tuuli's the Metal version of course, his character seems so forced because maybe they really really like the essence of this song I think hehehe ... available in a Limited Number 50 Coffee Jewel-case CD, it became an introduction they begin exploring the stage after finding the actual drummer, Juska after the album's recording process is complete. nambah2 sizable collection aja deh ya I guess.

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Kamis, 02 Juli 2015

Amorphis - Circle CD 2013

Amorphis - Circle
Nuclear Blast Records CD 2013
http://www.amorphis.net
http://www.myspace.com/amorphis
http://www.facebook.com/amorphis
http://www.reverbnation.com/amorphis
http://twitter.com/_amorphis
http://www.youtube.com/user/amorphisofficial
http://www.kingfooentertainment.fi/subsites/amorphis/main.php
http://www.bebo.com/Amorphis

01 Shades of Gray 05:27
02 Mission 04:33
03 The Wanderer 04:43
04 Narrow Path 04:23
05 Hopeless Days 05:08
06 Nightbird's Song 05:00
07 Into the Abyss 05:36
08 Enchanted by the Moon 05:32
09 A New Day 06:00

Jan Rechberger - Drums, Keyboards
Esa Holopainen - Guitars
Tomi Koivusaari - Guitars
Santeri Kallio - Keyboards
Niclas Etelävuori - Bass
Tomi Joutsen - Vocals

Gw adalah salah satu Fans berat 2 album pertama mereka " The Karelian Isthmus (1992) " dan " Tales from the Thousand Lakes (1994) " yang mengenalkan gw pertama kali dengan indahnya genre Progressive/Death/Doom Metal yang saat itu gw mendengar dasyatnya single " Exile of the Sons of Uisliu " saat mereka berpartisipasi dalam album kompilasi Bersejarah Nuclear Blast Records, " Death Just Beginning End Part II ", rapes your ears with monolithic, booming chords and frightful, lilting melodies which feel like the shift from autumn to winter, as hope and life is drained from the very earth so that slumber may commence. tapi sayang band ini memasuki album ke-3 mulai melakukan eksperimen gaya baru yang lebih cenderung bergeser konsep menjadi lebih Modern Rock/Melodic Metal, walo kesan " Metal " nya ga begitu hilang hilang amat, komposisi musik yang mereka tawarkan kemudian menjadi New Wave Metal bagi generasi selanjutnya. Amorphis mulai harus menanggalkan gaya bernyanyi yang nge-growl menjadi Clean Vokal biasa, dan balutan melodius Riffing-nya juga tidak sekental 2 album sebelumnya. masih tetap menawarkan konsep album terakhir mereka " The Beginning of Times " Tahun 2011, Amorphis 1 tahun kemudian Vakum merilis materi karena padatnya jadwal tour mereka hingga tahun 2013 untuk pertama kalinya Amorphis mengenalkan single " Hopeless Days " bersamaan dengan Dirilis Video Clip Resminya. kemudian menyusul single ke-2 " The Wanderer " menjadi Start awal perilisan Full album Gress " Circle " ini. " My own initial response to Circle was that it was a middling but tolerable affair which did little to build upon any of their considerable body of work, but nestled safely between the progressive rock and folk metal aesthetics the Finns have been flirting with since the incredible Elegy back in the mid 90s (still a favorite). Further listens have revealed that is in fact an exercise in retread tedium, and even if it avoids the status of an outrageously 'bad' disc, I find it easily the worst of the Tomi Joutsen era, and their least interesting output since Far from the Sun...perhaps it's celebrating a 10 year anniversary of that mediocrity? " menjadi beberapa komentar tentang album baru ini dari berbagai media musik. album yang digarap dan produseri sendiri oleh Peter Tägtgren sebagai Frontman Band terkenal Hypocrisy adalah pertama kali awal kerjasamanya cukup menciptakan konsepsional album ini memiliki karakter sound yang sedikit berbeda. and it really gleams through the speakers with its overabundance of melodies, but it seems that a great deal of riff writing has been sacrificed in the name of accessibility and atmosphere. The rhythm guitars are tremendously boring throughout the record. Mindless amateur chugs like the nearly nu-metal bounce. " Shades of Gray ", kita akan sedikit dibawa ke karakter kuat era album " Elegy " dengan Raungan Growling Powerfully vocalis Tomi Joutsen, hentakan demi hentakan komposisi musiknya memang tetap megah Amorphis ciptakan. Pesona Nu-Metal padat digabungkan dengan gaya Modern Rock yang dipadukan dengan elemen melodius. yang pasti komposisi musik Amorphis semakin dewasa dalam mengaransemen musik yang berkualitas, simple namun berpower ! These are but a distant memory, replaced by the simulacra of banal grooves and background chord patterns which almost seem subservient to the vocals and brazen synthesizer melodies which strike like a dawn's early light over a grassland plain upon which nothing much is happening. Lead-like melodies are likewise ineffectual, cleaner guitars or proggy Tuonela-style picking just there to further flesh out the atmosphere rather than author some memorable note progressions. " Mission " menawarkan Gaya melodius yang ciamik diawal part lagu masih menjadi konsep Amorphis. " The Wanderer " terdengar lebih Nge-Beat dan Melodius sentuhannya. lalu " Narrow Path " sentuhan Tradisi Etnik Finlandia dan Folky-nya terasa begitu kental. Amorphis was once so excellent at weaving together the 70s rock, blues, folk instrumentation into the harder rhythm guitars and melodies, but this all seems like a phoned in par for the course, reinforced only by a pretty sweet engineering job. The bass and drums are pristine in the mix, but rarely does either do anything interesting except rock along to the rather standard riffing construction while the keys flutter through the pennants above. " Hopeless Days " tentunya udah ga asing jika kalian pernah melihat Video Clip garapanVideo editor dan Produser, Patric Ullaeus yang sudah menggarap video Clip-nya Children Of Bodom, Dimmu Borgir, Arch Enemy, In Flames, Hammerfall, Sonic Syndicate, Sirenia, etc. " Nightbird's Song " terasa Hitam dan Gelap Atmospheric yang diciptakannya, mungkin terdengar keras track ini disini. total 9 lagu yang berdurasi 46:22 ini kembali kita akan dibawa buaian Amorphis dalam Dimensi tak berseberang dan penuh dengan Khayalan dan Mitos yang masih diyakini manusia didunia ini. especially these terribad boring palm mute chugging elements that are about as bland as week old diet white bread. Another frustration was that every time I was mentally imagine some series of rhythm guitar chords or one of Tomi's chorus melodies reaching an expected climax, it always seemed to misfire into some vapid configuration. Completely unexciting stuff... The record is all about patience, perspective and context, I suppose. About getting comfy in that same fucking eponymous circle and accepting the wisdom of catchy leads and cool singing while puffing on your new peace pipe. And I would argue that if you listened to everything from Eclipse's first song through to the last of Circle, in one go, this would seem like a noble continuation of the saga and a great bookend to the colorful adventures of the noughties. Amorphis Fans?? Get In Touch Now release !!

Really is My one heavy Fans 2 of their first album "The Karelian Isthmus (1992)" and "Tales from the Thousand Lakes (1994)" which was first introduced with the beautiful gw genre Progressive / Death / Doom Metal at that time i heard incredible single "Exile of the Sons of Uisliu" when they participated in the compilation album Historic Nuclear Blast Records, "Death Just Beginning End Part II", rapes your ears with monolithic, booming chords and frightful, lilting melodies roomates feel like the shift from autumn to winter , as hope and life is drained from the very earth so that slumber may commence. but unfortunately the band enters 3rd album began to experiment a new style that is more likely to shift the concept became more Modern Rock / Melodic Metal, walo impression of "Metal" missing, lost her ga so very, musical compositions they offer later became New Wave Metal for the next generation. Amorphis began to put off your singing style jamming Clean Vocals growl became commonplace, and bandage his melodic riffing also not as thick as 2 previous albums. still offers the concept of their latest album "The Beginning of Times" in 2011, Amorphis released 1 year later Vacuum material because of the tight schedule of their tour until 2013 for the first time introduce Amorphis single "Hopeless Days" along with Video Clip Released Officially. then following the 2nd single "The Wanderer" Start early to release full album Gress "Circle" is. "My own initial response to Circle was that it was a middling affair but tolerable roomates did little to build upon any of their a considerable body of work, but safely nestled between the progressive rock and folk metal aesthetics the Finns have been flirting with since the incredible Elegy back in the mid 90s (still a favorite). Further listens have revealed that is in fact an exercise in tedium Retread, and even if it avoids the status of an Outrageously 'bad' discs, I find it easily the worst of the Tomi Joutsen era, and their least interesting output since Far from the Sun ... perhaps it's celebrating a 10 year anniversary of that mediocrity? "be some comments on this new album of music from a variety of media. directed and produced the album himself by Band frontman Peter Tägtgren as famous Hypocrisy is the first time early enough cooperation creates conceptual album has a slightly different sound character. and it really gleams through the speakers with its overabundance of melodies, but it seems that a great deal of riff writing has been Sacrificed in the name of accessibility and atmosphere. The rhythm guitars are tremendously boring throughout the record. Mindless amateur chugs like the nu-metal nearly bounce. "Shades of Gray", we will be a little strong character brought to the era of the album "Elegy" with vocalist Tomi roar Growling Powerfully Joutsen, beat by beat of musical composition is still magnificent Amorphis created. Nu-Metal charm combined with the solid Rock Modern style combined with melodic elements. Amorphis is definitely more mature musical compositions in arranging quality music, simple but berpower! These are but a distant memory, replaced by the simulacra of banal background grooves and chord patterns roomates almost seem subservient to the vocals and synthesizer melodies roomates brazen strike like a dawn's early light over a grassland plain upon roomates nothing much is happening. Lead-like melodies are likewise ineffectual, cleaner or proggy guitars Tuonela-picking style just there to further flesh out the atmosphere rather than author some memorable note progressions. "Mission" offers a melodic style of the early part of the good song is still a concept Amorphis. "The Wanderer" sounds more Nge-Beat and melodic touch. and "Narrow Path" touch Ethnic Traditions Finland and its folky was so thick. Amorphis was once so excellent at weaving together the 70s rock, blues, folk instrumentation into the harder rhythm guitars and melodies, but this all seems like a phoned-in par for the course, reinforced only by engineering a pretty sweet job. The bass and drums are pristine in the mix, but rarely does either do anything interesting except rock along to the rather standard construction riffing while the keys through the pennants flutter above. "Hopeless Days" ga ve certainly strange if you ever see Video Clip garapanVideo editor and producer, Patric Ullaeus are already working on his video Clip Children Of Bodom, Dimmu Borgir, Arch Enemy, In Flames, Hammerfall, Sonic Syndicate, Sirenia, etc. "Nightbird's Song" Black and Dark Atmospheric felt it created, this track may sound harsh here. that lasted a total of 9 tracks 46:22 we will take this back in the crib Amorphis there is just one dimension and full of delusion and myth is still believed to be human in this world. especially palm mute these boring terribad Chugging elements that are about as bland as week old white bread diet. Another frustration was that every time I was Mentally imagine some series of rhythm guitar chords or one of Tom's chorus melodies reaching an expected climax, it always seemed to misfire into some vapid configuration. Completely unexciting stuff ... The record is all about patience, perspective and context, I suppose. About getting comfy in that same fucking eponymous circle and accepting the wisdom of catchy leads and cool singing while Puffing on your new peace pipe. And I would argue that if you listened to everything from Eclipse's first through to the last song of Circle, in one go, this would seem like a noble continuation of the saga and a great bookend to the colorful adventures of the noughties. Amorphis Fans?? Get In Touch Now release!!

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Selasa, 30 Juni 2015

Eternal Tears Of Sorrow - Saivon Lapsi CD 2013

Eternal Tears Of Sorrow - Saivon Lapsi
Massacre Records CD 2013
http://eternaltears.fi
http://www.myspace.com/etos1
http://www.facebook.com/pages/Eternal-Tears-of-Sorrow/38469143730
http://twitter.com/etosofficial
https://www.youtube.com/user/EternalTearsOfficial

01 Saivo 01:11
02 Dark Alliance 04:17
03 Legion of Beast 04:06
04 Kuura 01:01
05 Dance of December 04:40
06 The Day 04:14
07 Sound of Silence 04:15
08 Beneath the Frozen Leaves 05:30
09 Swan Saivo 04:22
10Blood Stained Sea 04:06
11 Angelheart, Ravenheart (Act III: Saivon Lapsi) 07:30

Mika Lammassaari - Guitars
Juho Raappana - Drums
Janne Tolsa - Keyboards
Jarmo Kylmänen - Vocals
Altti Veteläinen - Vocals, Bass
Jarmo Puolakanaho - Guitars

Terasa Ilfil Juga kalo terlalu sering mendengarkan 1 genre beberapa hari ini, biasanya dengan sajian dasyat Irama Brutal Death Metal, tapi kayaknya juga butuh penyegaran baru untuk genre musik yang gw sukai lainnya, Symphonic Death Metal ! makanya gw pengen mencoba album anyar, band Symphonic Death Metal terkenal Finlandia, Eternal Tears Of Sorrow !, Masih dari scene Finlandia yang sudah menjadi gudang-nya band2 genre Non Brutal Death Metal ( Prosentase Pertumbuhannya memang kalah Pesat dinegeri ini .ed ), sejak terbentuk tahun 1994, Eternal Tears Of Sorrow telah melalui Evolusi Progres bermusiknya, dari Thrash Metal lalu Melodic Death Metal hingga akhirnya lebih kental nuansanya Symphonic Death Metal. Band yang masih menyisakan 2 member aslinya ini, Gitaris Jarmo Puolakanaho dan Bass/Vokal Altti Veteläinen ini masih mengingatkan sekali sentuhan permainan gaya Amorphis lama, The atmosphere of this album is very promising. The band did not turn themselves into a total symphonic death metal band. If I were to specify their genre I would definitely call it symphonic/melodic death metal. Their techniques have really improved and their range, too. Altti's vocals have improved a lot, going from a high, distinctive pitch to a low, more of a death metal pitch. The usage of the clean vocals in this album is more of gothic metal, but they still manage to keep it more of a melodeath type. melanjutkan hitam perjalanan Waktu mereka setelah album " Children of the Dark Waters " tahun 2009, band ini harus kehilangan Lead Gitaris berbakat Risto Ruuth, dan ga lama setelah itu tergantikan oleh Kehadiran Mika Lammassaari dari band Mors Subita untuk kembali melanjutkan rangkaian Tour panjang Album " Children of the Dark Waters " serta kembali menulis beberapa lagu baru. tahun 2013 Eternal Tears Of Sorrow kembali menawarkan Materi barunya dengan terlebih dahulu melepas single " Dark Alliance " setelah band ini memutuskan bergabung dengan Massacre Records. Their guitars have really progressed in producing the melodies since their latest release. The mix between the rhythm and lead guitars is really good, too. The keyboards provide a very good atmosphere for the album of both symphonic and melodic death, not falling to any of the two genres completely. yup memang pada awal mula kenal band ini gw sangat menyukai sentuhan Gloomy melodius-nya dengan kemasan yang Sadly dan epic menyentuh ruang hampa gw cieeeee ...... Ok langsung aja setelah dimulai dengan sebuah Intro " Dark Alliance " tetap menjadi Hits Andalan untuk mengisi urutan terdepan album gress ini. is in fact pretty reminiscent of something Insomnium or maybe Omnium Gatherum would do, at least in the verses - fair enough you might say, as Eternal Tears of Sorrow have long been overtaken by those bands in the popularity stakes. tetap menawarkan komposisi musik yang semakin matang dan melodius dengan balutan hitam atmosfir Keyboards yang terasa begitu mendominasi setiap struktur musiknya. Harsh dan Growl Vokal Altti Veteläinen masih garang mengisi bersama Vocalis Jarmo Kylmänen yang kebagian pada Clean Vokal. sentuhan kuat Amorphis lama, Dark Tranquility, Kalmah serta gaya Children Of Bodom Mungkin yang bisa sedikit gw gambarkan disini. The packaging is certainly fancy, and the idea of symphonic death metal is alluring, but many of the melodies and orchestrations seem fairly obvious and familiar, as if there are never any surprises lurking around any corner. A few songs do create a worthy background atmosphere. " Legion of Beast " masih begitu kental gaya Melodic Death Metal-nya jika Gw bandingkan dengan track sebelumnya, Altti lebih menggunakan Gaya Harsh Vokalnya untuk memenuhi tuntutan Konsep lagu dengan beat yang cepat. The guitars have come front and center, and during the course of the album blistering leads and thick melodic riffs abound. At the same time the band is more in touch with their symphonic side than ever, with authentic strings occupying just the right amount of the compositions found here, as well as the band''s trademark piano intros and brilliant keyboard solos The intensification of both guitars and strings makes it the most powerful statement to date of the haunting gothic metal sound they began to delve into on Chaotic Beauty. dan yang bikin suasana hati gw semakin galau kala track romantis seperti " Sound of Silence ", Eternal Tears Of Sorrow masih eksis menampilkan Female Vokal Miriam Elisabeth Renvåg yang lebih dikenal sebagai " SfinX " adalah Vocalis band Avant-garde Black/Gothic Metal asal Norwegia, Ram-Zet, semakin menenggelamnkan kesunyian malam apalagi sayatan solo Gitaris Jarmo Puolakanaho begitu teduh dan cantik menggelayut menyatu dengan suasananya, Keren !!! dan memang jika gw dengarkan, konsep musik Eternal Tears Of Sorrow ini lebih kompleks dengan gaya Gothic, Doom, Melodic hingga Folky banget, sehingga kesan asyik akan terasa pas suasana rileks, so sangat gw rekomendasikan sebagai obat anti galau hahahaha ..... Let's just start by saying this is one of the greatest releases for this band. They've waited a long time to release this album. True, but I can guarantee it's worth the waiting. The work they've put through in this album is really worth mentioning. They've managed to improve their performance and live up to their legacy. So this album is a must buy.

Feels ilfil Also if too often listen to one genre these days, usually with terrible dish Rhythm Brutal Death Metal, but I think also need a refresher new genre of music that i like others, Symphonic Death Metal! that's why i want to try new album, the band famous Finnish Symphonic Death Metal, Eternal Tears Of Sorrow!, Still of the Finnish scene that has become his warehouse band2 Non Brutal Death Metal genre (Percentage Growth Growth was lost in this country. ed), since the establishment of In 1994, Eternal Tears Of Sorrow has been through the evolution of musical progress, of Thrash Metal and Melodic Death Metal thicker until nuance Symphonic Death Metal. The band that still leaves these two original members, guitarist Jarmo Puolakanaho and Bass / Vocals Altti Veteläinen still reminds one touch of old Amorphis-style game, the atmosphere of this album is very promising. The band did not turn into a total Themselves symphonic death metal band. If I were to specify their genre I would definitely call it symphonic / melodic death metal. Their techniques have really improved and their range, too. Altti's vocals have improved a lot, going from a high, distinctive pitch to a low, more of a death metal pitch. The usage of the clean vocals in this album is more of gothic metal, but they still manage to keep it more of a melodeath type. Black continued their journey time after the album "Children of the Dark Waters" in 2009, the band had lost a talented Lead guitarist Risto Ruuth, and ga long after it was replaced by the presence of the band Mors Mika Lammassaari Subita to resume a series of tour length album "Children of the Dark Waters "and re-writing some new songs. 2013 Eternal Tears Of Sorrow again offer new material to release first single "Dark Alliance" after the band decided to join with Massacre Records. Their guitars have really progressed in producing the melodies since their latest release. The mix between the rhythm and lead guitars is really good, too. The keyboards provide a very good atmosphere for the album of both symphonic and melodic death, not falling to any of the two genres completely. yup it at the beginning of this band know i really like Gloomy touch with his melodic Sadly packaging and vacuum gw epic touch cieeeee ...... Ok immediately wrote after starting with an Intro "Dark Alliance" remains a mainstay Hits album a frontrunner to fill this gress. is in fact pretty Reminiscent of something or maybe Omnium Gatherum Insomnium would do, at least in the verses - fair enough you might say, as Eternal Tears of Sorrow have long been overtaken by those bands in the popularity stakes. still offers a more mature musical compositions and melodic with a black bandage Keyboards atmosphere that seemed to dominate every musical structure. Harsh and Growl Vocals Altti Veteläinen still fierce filled with Jarmo Vocalis Kylmänen who gets on Clean Vocals. strong touch of old Amorphis, Dark Tranquility, Kalmah and Children Of Bodom style that might be a bit i describe here. The packaging is certainly fancy, and the idea of ??symphonic death metal is alluring, but many of the melodies and orchestrations seem fairly obvious and familiar, as if there are never any surprises lurking around any corner. A few songs do create a worthy background atmosphere. "Legion of the Beast" is still so thick Melodic Death Metal style her if Gw compared with the previous track, Altti more using Harsh vocal style to meet the demands of the concept of the song with a fast beat. The guitars have come front and center, and during the course of the album blistering leads and thick melodic riffs abound. At the same time the band is more in touch with their symphonic side than ever, with authentic strings occupying just the right amount of the Compositions found here, as well as the band'' s trademark piano intros and brilliant keyboard solos of The intensification of both guitars and strings makes it the most powerful statement to date of the haunting gothic metal sound they Began to Delve into on Chaotic Beauty. and that makes the mood more troubled when gw romantic tracks like "Sound of Silence", Eternal Tears Of Sorrow still exist featuring Female Vocals Miriam Elisabeth Renvåg better known as "Sfinx" is the band's avant-garde Vocalis Black / Gothic Metal from Norway, Ram-Zet, the silence of the night let alone incision menenggelamnkan solo guitarist Jarmo Puolakanaho so shady and beautiful hanging together with the atmosphere, AWESOME!!! and indeed if i listen to, the concept of Eternal Tears Of Sorrow music is more complex in the style of Gothic, Doom, Melodic until very folky, so the impression would seem fitting fun relaxed atmosphere, so so i recommend as anti troubled hahahaha ..... Let's just start by saying this is one of the greatest releases for this band. They've waited a long time to release this album. True, but I can guarantee it's worth the waiting. The work they've put through in this album is really worth mentioning. They've managed to improve their performance and live up to their legacy. So this album is a must buy.

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Rabu, 08 April 2015

Cannibal Accident - Omnivorous CD 2012

Cannibal Accident - Omnivorous
Nailjar Records 2012
http://www.myspace.com/cannibalaccident
http://www.facebook.com/cannibalaccident
http://www.youtube.com/user/CannibalAccident
http://www.reverbnation.com/cannibalaccident
cannibalaccident@gmail.com

01 Intro Sewerectal Entrance 01:35
02 Hurts and Happens 00:47
03 Vegenocide 01:33
04 Fist Things First 00:58
05 Wuornos 01:48
06. Rectal Rape Reflux 01:01
07 Heather the Edible 01:58
08 First Person Eater 01:41
09 Fingerfood 02:12
10 B-Rappu 01:50
11 Aborted to a Dildo 01:43
12 Arid Alveoli Abrasion 00:58
13 Canniballs to the Wall 02:10
14 Kurwa Doktor Recommends 01:57
15 Re-Beat After Me 01:52
16 Bukkake Baptism 01:45
17 Dawn of the Dead 00:30
18 Facebook 01:53
19 Kuolema Huutaa 01:37

P. Kolkka - Guitars, Bass, Backing Vocals
Kurwa Doktor - Vocals
Cumman Wank - Vocals
J. Lenets - Drums

Biarpun Finlandia masih menjadi Scene Metal dengan Populasi Band Power dan Gothic Metal, namun jangan lupa masih banyak Bibit2 Genre Metal lain yang lebih Cadas dari Negeri ini. Seperti biasa Gw bakalan terus mengenalkan band2 Metal dari Scene yang ga begitu populer dengan band2 Grindcore atau Death Metal sangarnya, kali ini kenalin band asal Turku yang eksis sejak 2007 yang menampilkan Konsep musik Death/grind yang unik dengan gaya Klasik ala Impetigo, Repulsion, Carcass, Napalm Death, Rotten Sound ampe gaya Ugal ugalannya S.O.D ! dengan gaya Sound yang Raw dan Old School Banget, Band dengan nama yang lumayan sadis ini, Cannibal Accident memang siap melumat apa yang ada dengan Kekejaman musik yang mereka tawarkan di album barunya ini. masih dengan sentuhan Old School Grindcore yang dipenuhi dengan Mosh Part ini, Sounding Album ini masih bergaya Raw banget yang dipadukan dengan Typical permainan jahat. dan paling uniknya lagi dimateri album ini, Cannibal Accident juga sengaja menampilkan Berbagai Karakter Vokal dari beberapa Vokalis Keroyokan disetiap Track-nya, layaknya gangbang terhadap seorang Pelacur laknak, Maniak2 sinting ini tampil dengan gaya Humor Vulgar namun tetap terjaga Brutalitasnya menggeber setiap lagu. dari track pertama " Hurts and Happens ", Band ini langsung seperti kesetanan Menghajar dengan dentuman Grindcore kejam lewat durasi yang singkatnya. terdengar jelas sentuhan gaya lama Napalm Death dan S.O.D ditampilkan kembali dengan kemasan yang liar, Raw Sound As Fuck tetap menjadi Tradisi Grindcore yang vulgar. 18 Nasty Old School Grindcore yang siap memporak porandakan Seisi kamar elo saat menikmatinya, jelas ini bukan konsumsi asal asalan jika elo bukan Grindcorizer yang maniak dengan tema2 berdarah2, karena Cannibal Accident akan menjadi terlalu Manis dan berakhir menjadi Mimpi buruk musik2 Metal membosankan lainnya. Karakter Musik Grindcore yang Simple namun selalu dipenuhi dengan enerji yang spontan selalu menjadi Ritual tersendiri untuk para Mosher Venue !! buruan cari nih CD yang kataknya cuman rilis Limit banget sekitar 500 kopi dengan artwork Gory keren karya Olli Hihnala buat elo pecinta lukisan sadis berdarah darah.

IN ENGLISH (Sorry, Use This Google Translate)

Although Finland is still a population Band Scene with Power Metal and Gothic Metal, but do not forget there are many other Metal Genre Bibit2 over Rocks of this State. As usual Gw going to continue to introduce band2 Metal Scene of the ga so popular with band2 Grindcore or Death Metal sangarnya, this time kenalin band from Turku that exists since 2007 which featured musical concepts Death / grind with a unique style of Classical style Impetigo, Repulsion, Carcass , Napalm Death, Rotten Sound ampe ugalannya SOD reckless style! Sound style that Raw and Old School Banget, band by the name of the rather sadistic, Cannibal Accident is ready to pulverize what they offer music Atrocities on this new album. still with a touch of Old School Grindcore Mosh filled with this Part, Sounding The album is still very stylish Raw Typical combined with a wicked game. The most unique and again dimateri album, Cannibal Accident also deliberately showing various characters from several Vocalist Vocal Track every keroyokan her, like a whore gangbang on laknak, Maniak2 this crazy show with vulgar humor style but still awake brutality menggeber each song. from the first track "Hurts and Happens', direct band Beat with a bang like crazy cruel Grindcore through a short duration. audible touch of old-style Napalm Death and SOD displayed again with a wild pack, Raw As Fuck Sound remains a tradition Grindcore vulgar. 18 Nasty Old School Grindcore ready brought disorder Seisi elo room while enjoying it, obviously this is not a random home consumption if elo not Grindcorizer a maniac with tema2 berdarah2, because Accident Cannibal will be too sweet and end up being a nightmare musik2 Metal boring others. Grindcore music character that Simple yet always filled with spontaneous energy that has always been a ritual of its own to the Mosher Venue! hunted look that toad ya CD releases Limit cuman really around 500 copies with artwork cool Gory work Olli Hihnala for sadistic bloody ell painting lovers of blood.

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Children Of Bodom - Holiday at Lake Bodom (15 Years of Wasted Youth) CD 2012

Children Of Bodom - Holiday at Lake Bodom (15 Years of Wasted Youth)
Spinefarm Records 2012
http://www.cobhc.com
http://www.myspace.com/childrenofbodom
http://www.facebook.com/childrenofbodom?ref=ts
http://twitter.com/cobhc
http://www.youtube.com/user/cobofficial
http://www.relentlessrecklessforever.com

01 Hate Crew Deathroll 03:36
02 Shovel Knockout 04:04
03 Hate Me 04:45
04 Everytime I Die 04:01
05 Needled 24/7 04:09
06 I'm Shipping up to Boston (Dropkick Murphys cover) 02:50
07 Sixpounder 03:24
08 Warheart 04:01
09 Roundtrip to Hell and Back 03:48
10 Trashed, Lost & Strungout 04:02
11 Living Dead Beat     04:57
12 Deadnight Warrior 03:21
13 Blooddrunk 04:06
14 Follow the Reaper 03:38
15 Are You Dead Yet? 03:55
16 Silent Night, Bodom Night 03:13
17 Jessie's Girl (Rick Springfield cover) 02:58
18 In Your Face 04:16
19 Angels Don't Kill 05:14
20 Downfall 04:34

Sebagai salah satu Fans berat Children Of Bodom, gw pasti selalu mengikuti perkembangan band ini hehehehe, band Melodic Death/Power Metal dengan gaya dan Style yang mempesona melalui sayatan Melodius dan enerjik ini menjadi sebuah alasan kuat Gw menyukai hampir semua Rilisan lama band ini dan gw jujur masih mengesampingkan 2 album " Blooddrunk " dan " Relentless Reckless Forever " yang konsepnya masih belum bisa gw cerna dibanding beberapa masterpiece sebelumnya. sejak dibentuk tahun 1997 dari reinkarnasi Band sebelumnya yang bernama Inearthed pada tahun 1993 dengan telah merilis beberapa demo sampai Band Bentukan Frontman Gitaris & Vokalis Alexi "Wildchild" Laiho bersama dengan 4 rekan setianya, Bassis Henkka T. Blacksmith, Keyboardis Janne Warman, Drummer Jaska W. Raatikainen, namun sayang Gitaris Alexander Kuoppala memutuskan untuk cabut dari band ini sejak 2003 lalu dan digantikan oleh Roope Latvala hingga saat ini masih menebarkan virus kebencian mendalam dengan Musik Melodic Metal dengan beberapa sentuhan Power Metal yang kuat. sejak pertama pasca Bubarnya Inearthed dan lahirnya Children Of Bodom, band ini langsung merilis split bersama band Wizzard dan Cryhavoc sekaligus mengenalkan nama mereka dengan konsep musik yang lebih Fresh sehingga populeritas mereka mulai menanjak dan menjadi perhatian penuh label Berpotensi untuk Scene Finlandia, Spinefarm Records yang langsung buru2 meminang mereka dalam Rosternya. dan ga lama setelah itu Debut Pertama " Something Wild " adalah tiket sukses band ini menembus pasaran Internasional dengan Konsep permainan dasyat dan diterima hangat oleh Fans-nya, Children Of Bodom semakin melaju kencang dengan Track2 fenomenalnya seperti " Deadnight Warrior dan Lake Bodom ", dan perlu menjadi perhatian saja jika Proses rekaman album ini COB masih menggunakan nama Inearthed yang sedianya Album ini akan dirilis oleh Label Kecil Asal Belgia, namun akhirnya label tersebut malah Meng-Rip Off COB hingga akhirnya Spinefarm Records kemudian yang tertarik untuk merilisnya. disusul kemudian Tahun 1999, COB kembali semakin matang melempar album ke-2 " Hatebreeder " yang melanjutkan sukses ke-2 karir COB dengan Hampir semua Track2 disini menjadi andalan band ini dan masih kerap menjadi Playlist Stage COB sampai hari ini, siapa seh yang ga kenal track keren macam " Warheart, Silent Night, Bodom Night, Hatebreeder, Bed of Razors, Children of Bodom ampe Downfall " ?? dengan permainan yang kental Pentatonik Etnis Finlandia banget pada Struktur Riffing Gitarnya terpadu kompak dengan permainan Keyboard yang Menawan itu. dengan beberapa Harmonisasi Orchestral bergaya Mozart, Alexei memang menjadi salah satu kekuatan utama dan Khas bagi Komposisi Riffing COB selain Gaya Pentatonik Folky Finlandia-nya. kemudian yang selang 1 tahun dirilislah sukses karir ke-3 dengan Album " Follow the Reaper " tahun 2000 semakin melambungkan nama COB dikancah musik Metal internasional dengan angka penjualan yang selalu Fantastis dan Merchandise mereka selalu Sold Out Bak Kacang Goreng hehehhee, dan Album ini sangat dikenal sekali dengan Track Fantastis seperti " Everytime I Die " menjadi unggulan pertama sukses album ini selain track2 keren lain seperti " Bodom After Midnight, Hate Me ! dan Kissing the Shadows", dan album pertama kali COB menggandeng Peter Tagtgren dari Hypocrisy sebagai Produser Album yang dikerjakan di studio Rekamannya, Abyss Studio. hmmm memang Trilogi album inilah yang pantas menjadi Tonggak awal kesuksesan COB seperti saat ini. bahkan Komposisi musik COB sendiri menjadi lebih berkembang dan menjadi salah satu Pengaruh terbesar band2 melodic Death Metal di Asia, khususnya Jepang, Korea dan Taiwan, mengingat Banyak label Metal disana lebih melisensi hampir semua rilisan COB berdasarkan Permintaan fans yang tinggi. dan " Holiday at Lake Bodom (15 Years of Wasted Youth) " menjadi Album Kompilasi Hit Track COB yang ke-3 setelah " Bestbreeder from 1997 to 2000 " ( 2003 ) dan " Skeletons in the Closet " ( 2009 ) yang hampir semuanya memiliki Materi yang sama, yakni album 1,2, dan 3 COB menjadi salah satu Konten Track-nya selain beberapa Cover song Track. dan ditahun 2012 ini Spinefarm Records merayakan Usia 15 Tahun COB dengan kembali melepas track2 Terbaiknya serta 2 Lagu Cover version yang belum pernah dirilis sebelumnya, " I'm Shipping up to Boston " Milik Dropkick Murphys dan " Jessie's Girl " milik Rick Springfield. semakin memanjakan kembali para Fans COB yang masih sangat mengagumi karya2 Dasyat awal band ini serta ga lupa 1 lagu baru " Roundtrip to Hell and Back " yang akan menjadi Materi konsep album mereka selanjutnya. So here we are with Holiday at Lake Bodom (15 Years of Wasted Youth), a compilation of songs spanning all of their albums. The easiest way to sum this compilation up is by saying that it’s pretty much a portfolio of pretty much the best the band has to offer. There are tracks that I wish had made it on there, and others that didn’t; but I’m positive that every other listener has that same opinion. Holiday at Lake Bodom offers twenty songs, and I thoroughly believe these twenty are enough to satisfy both long-time fans and people who have never listened to the band before. All in all, a solid compilation that highlights everything good at Children of Bodom. If you’re a long-time fan or just an occasional listener, I recommend it. If you even have a passing interest in Children of Bodom, then I recommend it.

IN ENGLISH (Sorry, Use This Google Translate)

As one of the heavy Fans Children Of Bodom, i would always keep track hehehehe band, band Melodic Death / Power Metal Style style and dazzling melodic and energetic through an incision into a strong reason Gw like almost all the old band and the release gw honestly still ruled 2 album "Blooddrunk" and "Relentless Reckless Forever" is the concept i still can not digest than some previous masterpiece. since it was formed in 1997 from a previous band called reincarnation Inearthed in 1993 to have been released several demos until Notching Band Frontman guitarist & vocalist Alexi "Wildchild" Laiho along with 4 fellow devotee, bassist Henkka T. Blacksmith, keyboardist Janne Warman, drummer Jaska W. Raatikainen, but unfortunately guitarist Alexander Kuoppala decided to pull out of the band since 2003 and was replaced by Roope Latvala is still spread the virus to the deep hatred Music Metal Melodic Power Metal with some strong touches. since the first post-dissolution birth Inearthed and Children Of Bodom, the band released a split with the band directly Wizzard and Cryhavoc well as introducing them to the concept of a name more music populeritas Fresh so they began to climb and become full attention Potential to Scene Finnish label, Spinefarm Records directly buru2 woo them in Rosternya. and ga long after Debut First "Something Wild" was the band's successful flight through the international market with the concept of the game enormously and warmly received by his fans, Children Of Bodom increasingly Track2 speeding with such phenomenal "and the Lake Bodom Deadnight Warrior", and should be a concern only if the process of recording this album COB still use the name that was originally Inearthed album will be released by the Small Label of Origin Belgium, but eventually even the label Meng-Rip Off Records Spinefarm COB until later that keen to release it. followed 1999, COB throw back more mature second album "Hatebreeder" which went on to successful careers COB-2 with almost all Track2 here is a mainstay of the band and is still often a Playlist Stage COB today, anyone know seh a ga cool track kind of "Warheart, Silent Night, Bodom Night, Hatebreeder, Bed of Razors, Children of Bodom ampe Downfall"?? the game is thick Finnish Ethnic pentatonic riffing His guitar really integrated in a compact structure with a charming game that keyboard. Harmonization with some stylish Mozart Orchestral, Alexei has become one of the main strengths and Typical Composition pentatonic riffing style folky COB than its Finnish. then the interval 1 year successful career dirilislah-3 with the album "Follow the Reaper" in 2000 further catapulted the name COB international arena Metal music sales figures are always fantastic and they always Sold Out Merchandise Bak hehehhee Edible Nuts, and this album is very well known Track all with fantastic like "Everytime I Die" became the first successful seed this album other than cool Track2 like "Bodom After Midnight, Hate Me!, and Kissing the Shadows", and the first album COB took Peter Tagtgren of Hypocrisy as a Producer album Working The record in the studio, Abyss Studio. hmmm does this album trilogy that deserves to be a milestone early success as COB today. COB own musical compositions and even a more evolved and become one of the biggest influence band2 melodic Death Metal in Asia, particularly Japan, Korea and Taiwan, given many labels over licensing there Metal releases almost all COB fans based on high demand. and "Holiday at Lake Bodom (15 Years of Wasted Youth)" a Compilation Album to Hit the Track COB-3 after "Bestbreeder from 1997 to 2000" (2003) and "Skeletons in the Closet" (2009), most of whom have a material Similarly, the album 1.2, and 3 COB to be one of his Track Content other than some Cover song Track. and in 2012 Spinefarm Records is celebrating 15 Years of Age COB Track2 best to back off and 2 songs Cover version are previously unreleased, "I'm Shipping up to Boston" Dropkick Murphys Owned and "Jessie's Girl" Rick Springfield property. Fans spoil the return of the COB is still greatly admired the band's early karya2 terrible and ga forgot one new song "Roundtrip to Hell and Back" will be their next album concept material. So here we are with Holiday at Lake Bodom (15 Years of Wasted Youth), a compilation of songs spanning all of their albums. The easiest way to sum up this compilation is by saying that it's pretty much a portfolio of pretty much the best the band has to offer. There are tracks that I wish had made it on there, and others that did not; but I'm positive that every other listener has that same opinion. Holiday at Lake Bodom offers twenty songs, and I thoroughly believe these are enough to satisfy twenty both long-time fans and people who have never Listened to the band before. All in all, a solid compilation that highlights everything good at Children of Bodom. If you're a long-time fan or just an occasional listener, I recommend it. If you even have a passing interest in Children of Bodom, then I recommend it.