Savagely Tortured - Promo 2015

Savagely Tortured - Promo 2015

Pure Hate Management & Subterran Booking CD-R 2015

https://www.facebook.com/pages/Savagely-Tortured/349192318596595

01 Remorseless (Unmastered) 02:39    

02 Subjugate (Unmastered) 02:26    

03 Diabolical Truth (Unmastered) 03:07

Wira Rastara - Vocals

Matnorh - Bass

Black - Drums

Esei - Guitars

Meski masih banyak Anggapan yang salah Kaprah untuk Membedakan Karakter Slamming BDM dengan Slam Groovy DM, karena memang Penikmat Genre Metal hanya melihat hanya dari Imej, logo band, dll, sebenarnya memang BBT (Beda Beda Tipis) aja jika kita coba Pahami Karakter masing-masingnya, apalagi setiap Individu pasti punya Persepsi tersendiri. Karena Ga banyak banget Band yang konsis untuk Memainkan Style " Slam Groovy DM ", karena meski terdengar sederhana, Konseptual Genre Nyentrik ini adalah perpaduan Match & Harmonisasi yang lebih enjoy, sehingga Typical-nya memang tidak asal Cepat, brutal, atau Berat, Slam Groovy DM banyak menekankan Struktur yang simple namun sanggup membakar lagi "Adrenalin " pendengar-nya untuk larut dalam Setiap beat dan Aransemennya. dengan permainan Musik yang lebih " Variatif " lagi, Komposisi inilah yang lebih secara pasti membedakan 2 Ungkapan diatas. When Total Fucking Slam Crush the Guttural Slam Chick Ass, Savagely Tortured Come !!! Scene Negeri Malasya ga nyangka kalo punya Band yang tergolong keren Konseptual-nya, Brutal Slam Groovy DM perpaduan enerjik antara Internal Bleeding, Dying Fetus, Entorturement Hingga Soils Of Fate ! Komposisi Nakal mereka dalam 3 Track yang Masih Belum pada Proses Mastering siap mematahkan Stigma Malasya Scene yang terlalu Minoritas untuk Genre Death Metal Berdarahnya. dan kebetulan banget gw bisa mendengar sendiri Komposisi " Natural " dari materi Promo ini, sehingga gw bener-bener menikmati sesungguhnya Skill bermain Band ini sebelum " Terlibas " Teknologi Digital, but, walau begitu Gw percaya juga jika Malasya Metal band lebih Jujur dengan Karakter musikal-nya. the drumming is almost inaudible at times, and the bass might as well not even be on the album. The production is simply awful, and comes damn near close to making the album unbearable to listen to. Well, Kita Cicipi Track Pertama " Remorseless ", Seperti singa kelaparan yang langsung terlepas dari Kandang-nya, memburu mangsa secara kejam menghantam, Riffing awal-nya sangat mengingatkan sekali dengan Cannibal Corpse Tradition, sayang hanya beberapa Detik saja sebelum Savagely Tortured mencincang-nya kemudian dengan Fast Part yang diakhiri dengan groovy slam part yang ciamik untuk menggoyang Badan kita lebih respectfully. Kerja keras team antara Gitaris dan Drummer untuk tetep konsis pada Karakter band lumayan berhasil melahirkan Pemicu Dramatis. The technical elements are still very much present, along with the varied mixture of indecipherable guttural vocalizations and semi-intelligible hard core barks, but there is a heavier emphasis on mid paced breakdowns and even a few dragging slow sections that give the album a slightly sludge-like character at times. " Subjugate " bahkan lebih liar menghajar lagi dengan Blastbeat, tidak dominan ketukan yang selalu Monoton cepat, Band ini masih punya Trik untuk terus memanjakan Mospit Area dengan Hentakan Breakdown beat yang Ajojing bawaannya. meski terdengar dinamis aransemennya, sebenarnya Lick dan Bar terdengar simple, cuman Band ini lebih berhasil menyusun sebuah Track yang Powerfully ! resist the temptation to blast, the songwriting is extremely strong and memorable. dan Menu penutupnya " Diabolical Truth ", masih bakalan terus menggoyang dengan Stamina enerjik mereka, Ya mendengarkan Materi dalam promo ini seakan kita mendengarkan sendiri mereka bermain " Sebenarnya " diatas Panggung. dengan beberapa kali ada tempo yang kurang Match juga break part yang kadang tidak terdengar clean, Persis performa Band On Stage Banget rasanya. Ketukan Drummer Black yang Up-Down Powernya serta Raungan Low Grunted vocalis Wira Rastara yang hampir kerap terdengar Kedodoran. meski begitu Gw sangat menikmati sekali Komposisi Musikal band yang " Cool " ini, ga sabar rasanya mendengar Materi " Clean " Savagely Tortured suatu hari nanti. Fans Fanatis Total Fucking Slam in the Vein Internal Bleeding, Dying Fetus, Entorturement hinggaSoils Of Fate, Gw rekomendasikan untuk mencicipi Hidangan Renyah berbisa ini ! scores major points for what might be the Material best Sonicblaster, just absolutely devastating work here and makes for a cool song overall.

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Unveiled - Endless Extreme Hate CD 2015

Unveiled - Endless Extreme Hate

Grundar Production CD 2015

https://www.facebook.com/Unvieled

01 ... The Upcoming 01:01    

02 Doomed to Hellfire 04:18    

03 Curse of the Predator 05:10    

04 Inherited Decimation 05:25    

05 Human Synthetic Killer 04:29    

06 Cataclysmic Disease 05:44    

07 Cannibalistic Manglement 04:50    

08 Sadistic Annihilation 04:05    

09 Into Oblivion 01:36

Chal - Vocals

Jake - Guitar

Onesoul - Bass

Ah Fad - Drums

Sudah beberapa tahun sebelumnya gw mengenal nama UNVEILED, ketika salah satu Death Metal unggulan Scene Negeri Jiran, Malasya melakukan Split dengan Godfather Death Metal tanah air, Trauma ! yang ke-2 nya berbagi Pita rilis dalam Album split yang dirilis oleh Psychic Scream Entertainment pada tahun 2000. Unveiled sendiri memang menjadi Pioner Death Metal Genre sejak terbentuk tahun 1997, yang mana scene Negeri mereka saat itu (dan) sekarang masih didominasi oleh Genre Metal Lain, sehingga pertumbuhan Death Metal memang tidak terlalu subur untuk diamati dari waktu ke waktu. Meski menjadi sangat terlambat dalam ber-produksi, Akhirnya Unveiled berhasil juga memuntahkan Full album pertama-nya dalam jeda yang begitu panjang, ini sebagai pembuktian juga bagi Eksistensi band setelah hampir 15 tahun tidak Berkarya. Usia Bagi Mereka tentu sudah tidak Muda lagi untuk tetap menggebu dengan Emosi musikal yang menuntut enerji lebih powerfully seperti sebelumnya. sementara ada Proses Pergantian Formasi menyebabkan terjadi " pergeseran " Konsep band. meski tidak terlalu jauh keluar jalur, Unveiled masih kokoh berdiri digarda Terdepan Death Metal. mungkin disini gw akan lebih sedikit membandingkan aja dengan Karakter Materi era Split dengan Trauma, masih sentuhan Old School Death Metal era Avulsed, Fleshgrind, Cannibal Corpse serta Demolition Hammer tercium Mempesona hampir disetiap Komposisi-nya. giving them a crushing but not very heavy aesthetic songs stick to a formula of punishing riffs interspersed with lead breaks interspersed with barked vocals interspersed with gang shouts.

Dimulai seperti biasa dengan Intro " ... The Upcoming " yang lumayan memberikan Nuansa Horror Mencekam mungkin akan menambah penasaran kita tentang bagaimana sebenarnya materi terbaru mereka setelah 14 tahun absen, langsung terjawab dengan " Doomed to Hellfire ", However it works perfectly to compliment the infectiously catchy riffing and provide a headbang inducing listening experience. Masih Menggeram dengan Curious Pummeling Riffing mantap-nya yang diimbangi dengan Vokal Growl Ringan, gempuran Drumming yang masih klop dengan hampir lick Gitar mencoba tampil mengimbangi meski Intensitas-nya masih tergolong Ringan-ringan saja terdengar. there's plenty of relentless double bass work that helps propel the grooves forward. Rasanya Gw masih terlalu menikmati Powerfully drum style era Drummer Yusmira sekali dibandingkan dengan Ah Fad disini, kurang menampilkan pukulan yang " heavy ", meski Ah Fad sendiri mampu mengembangkan beberapa Skill Dimensional-nya membentuk Konseptual Track Unveiled Lebih Dinamis. Karakter Riffing Jake lagi lagi memang lebih Menyita Perhatian Gw, takes no prisoners and the speed and aggression department continuing with Touching thrash bite revival might possess. Sentuhan Old School Death/Grind nya kerap terdengar mengingatkan era " Eminence in Putrescence " dengan " Tortured Existence " nya Demolition Hammer dengan Death/Thrash yang lebih Enviromental. " Curse of the Predator ", seakan lebih memacu Adrenalin dengan mengoyak Gendang telinga kita. The riffs are sloppy on the rhythmic session, in order to be even more obscure and perverted. There are a lot of breaks in which some more melodic parts enter to create a great balance between the gore elements and the more accessible passages. Pengkomposisi Lagu dikerjakan dengan Attitude Musikal yang masih Idealis dengan Karakteristik era Band memulai karir-nya, terdengar Catchy serta Full Headbang Passion ! Serangan Death Metal Catchy yang cepat dan Harmonis terus melaju di " Inherited Decimation " tetap dengan aransemen dinamis. Breaking First Part Riffing " Human Synthetic Killer " mengejutkan memang Emosional-nya, ketika Track ini melaju garang mengingatkan dengan Cannibal Corpse era " Eaten Back To Life ", level audio-nya lebih " Up " lagi ketimbang sebelumnya, sehingga Warna Death Metal Liar tercium tajam. pushing that machine gun sounding guitar tone that since came to exemplify extreme thrash and death metal in the early 90s. raungan makin mencakar sekali kemudian adalah " Cataclysmic Disease " serta " Cannibalistic Manglement ", lebih melumuri suasana dengan Banjir darah segar pembantaian Musikal Unveiled. Level audio kembali " Down " saat " Sadistic Annihilation " dilepas seperti pada track 1 hingga 4, rasanya ini mengurangi Kenikmatan kita ketika lagi asyik Bernostalgia dengan Death Metal era 90-an, meskipun begitu terbakarnya adrenalin kita seakan tidak memperdulikan " kekurangan " Kecil ini. this time period will find this one wanting a tiny bit in terms of overall execution, thought that by no means diminishes the enjoyment factor here, Stay prepare to be crushed by another incredible mid-paced riff section which carries on throughout most of the song !

" Endless Extreme Hate " masih menjadi Artefak terpendam Unveiled selama Kurun waktu mereka tidak produktif merekam karya bertuah-nya, seperti sebuah Kebencian yang tidak pernah Berakhir, Inilah Eksistensi musikal yang masih mereka Pertahankan  selama 18 tahun berkarir. Secara Keseluruhan Materi disini sudah tersusun sangat rapi meski Intensitas Sound masih menjadi Kendala berarti yang tidak bisa diremehkan, Proses Mixing dan Mastering-nya menurut gw masih seada-nya, meski Terdengar Clean, namun Balance level beberapa Instrumen-nya masih memerlukan Polesan Maksimal lagi demi faktor perfect. Buat yang masih terlalu merindukan sekali dinamis-nya Death Metal era 90-an dengan tema lirik yang masih Berdarah-darah dan Beraroma Penuh Kematian, kayaknya gw rekomendasikan banget Karya Bagus dari Pioner Death Metal Unveiled ini. the well-written riffs in it to become a catchy and memorable release are spring-loaded with competent and comprehensive fist-balling belligerence respectable.

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Sickness - Necrosymphonies Of Necropsy CD 2013

Sickness - Necrosymphonies Of Necropsy
Grundar Production CD 2013
http://www.myspace.com/gore2sickness
http://www.facebook.com/sicknessgoredeath
http://www.reverbnation.com/gore2sickness

01 Post Autopsy Decomposition 03:47    
02 Cadaveric Putrefaction Necropsy 03:59    
03 Pungent Reek of Incinerated Carnage 02:56    
04 Congenital Carnal Abuse 03:14    
05 Psychopathology 02:27    
06 Urogenital Evisceration 02:49    
07 Virulent Jugular Mass 01:57    
08 Disgorgement of Innards 02:50    
09 Endoparasitical Maggot Infestation 03:56    
10 Dismemberment - A Forensic Obscurity 01:22

Aizal - Bass
Ah Fad - Drums
Shah - Guitars
Jake - Guitars, Vocals

Carcass Era " Reek Of Putrefaction " serta " Symphonies of Sickness " rupanya masih menjadi salah satu Spirit tersendiri dalam perkembangan Genre Death Metal dengan sentuhan Goregrind Element pada awal perkembangannya sehingga menumbuhkan genre selanjutnya yang kemudian dipopulerkan oleh Haemorrhage, The County Medical Examiners, General Surgery, etc dengan karakter sounding yang lebih modern namun ga terlepas dari konsep utama 2 album fenomenal Carcass bagi perkembangan Genre Goregrind. paired in a sonic attack with the highest throaty gurgles you'll ever hear, both delivering the most complicated and medically accurate information about forensics and autopsies. This is true goregrind, none of that sloppy intestines, maggots and faeces muck, they spent time on these lyrics. Time and effort. nah Saat ini Gw menemukan Perkembangan Old School Genre ini setelah mendengarkan Materi Full Album band asal Johor, Malasya yang eksis sejak tahun 1995, Sickness, kendati nama Sickness sendiri terhitung sudah banyak band yang menggunakannya, tapi Sickness Asal Negeri Tetangga Malasya ini memainkan Konsep Yang Lebih Membawa kita Nostalgia era kejayaan The Mighty Goregrind Carcass era " Reek Of Putrefaction " serta " Symphonies of Sickness " dalam full album pertama " Necrosymphonies Of Necropsy " yang dirilis oleh Grundar Production, Label Metal independen sekampung dengan Sickness. Surprise juga saat pertama kali gw mendapatkan CD ini dan kemudian mendengarkannya, Musically, think a re-arranged version of "Reek" + "Symphonies of Sickness", with a new sound based off the old sound. The guitar is more distorted and the bass is cleaner, and the burping vocals placed sickeningly in the foreground. Expect grind, groove and guts - oh, so much guts. I haven't seen artwork as artistically repulsive like this since I opened Reek for the first time. Collages galore. " Post Autopsy Decomposition " yang dimulai dengan sebuah Intro yang Sedikit " Horror " selama 01:15 barulah kita disuguhkan dengan karakteristik Carcass Abis !! yeah Carcass is Back Reincarnation on Sickness !! sebuah Opening track yang cukup untuk memanaskan Moshpit Gigz area pada setiap performance untuk Audience terhipnotis Headbang !! Downtuned Sound Riff yang simple cukup memang kita merasakan Imej Kuat Gaya Bermain Carcass di 2 album Bersejarah itu. Raungan Guttural Gurgling Gitaris dan Vokalis Jake bagi Gw kurang membawa Kekuatan tersendiri walao kerap dibantu dengan Vocal Harmonizer sekalipun, mungkin Jake juga masih terlalu memperhitungkan dan terlalu Konsentrasi dengan instrumen Guitarnya, tapi salut untuk usaha kerasnya sebagai Mastermind Musik dan Lirical Band ini. Komposisi Musik yang lebih menawarkan atmosfir Riffing yang gelap adalah pencampuran karakter Old Morbid Angel, sementara Drummer Ah Fad Gw rasa kurang memberi sentuhan yang powerfully dengan ketukannya apalagi Twin Pedal yang Jarang digunakan pada Hypersnare-nya, sehingga Gw merasakan Typical yang simple Art saja. Fascinating Thrash Riffing memang menjadi kekuatan tersendiri pada Imej Sickness agar tidak terlalu menjadi Kloning tajam Nama Besar Carcass ! ... Komposisi Keren dan Kuat yang kerap dimulai dengan sebuah Intro " Warning " ini " Pungent Reek of Incinerated Carnage, Urogenital Evisceration, Disgorgement of Innards serta Endoparasitical Maggot Infestation " cukup untuk menggambarkan karakteristik Band yang Simple en Catchy dalam mengkomposisi Sebuah Track. beberapa sentuhan Synthesizer yang cukup Bikin Nuansa Horror dan Gelap kerap beberapa kali menyelimuti. Of course, the undeniable tribute factor plays a major part in the album, calling in on Reek's nostalgia value for replayability. Ignoring the blatant song rip-offs (which is acceptable, since they are an open tribute band) and the demo-like production, this album is a worthy predecessor of the significantly superiour Olidous Operettas. If you're a new listener, try this one out first, the second will sound even better in comparison. If you hear that one first, there's a high chance this one will seem unbearably primitive. Materi Recording Album ini ditangani oleh Bob "Morgue Keeper" Agigi, yang kita kenal sebagai Mantan Member band Demisor dan kini Juga eksis di 2 band terkenal Scene Malasya, Castigate dan Damokis, sementara Drummer Ah Fad kebagian Tugas lain untuk mendesain Artwork Kover yang masih ga jauh dari Tema2 Medical Gore konsep, semakin merasakan kuat sekali Imej Kuat Carcass ! Sickness serve up some good grind on their first album, but if you're looking for something groundbreaking, go look elsewhere. You won’t find anything that’s new, and that’s what Sickness want. This is pure Carcass-worship, and they do not claim to be otherwise. The production is much better than both those releases, although it doesn’t make them a better band. The problem is, the songs aren’t memorable at all. On subsequent listens, the album lost some of its fun minimalist charm. The Examiners probably didn’t have longevity in mind while recording this.

Era Carcass "Reek Of putrefaction" and "Symphonies of Sickness" apparently is still one of their own in the development of Spirit Genre Death Metal with a touch of goregrind Element in early development, so grow the next genre later popularized by Haemorrhage, The County Medical Examiners, General Surgery, etc with a more modern sounding character but ga apart from 2 main concepts for the development of phenomenal album Carcass goregrind genre. paired in a sonic attack with the highest throaty gurgles you'll ever hear, both delivering the most complicated and medically accurate information about forensics and autopsies. This is true goregrind, none of that sloppy intestines, maggots and faeces muck, they spent time on these lyrics. Time and effort. nah Currently I Development Old School Genre find this after listening material Full Album band from Johor, Malasya which exists since 1995, Sickness, Sickness own name although many bands are starting to use it, but the State of Origin Sickness Neighbors Malasya plays Concepts More Nostalgia brought us a golden era of The Mighty goregrind era Carcass "Reek Of putrefaction" and "Symphonies of Sickness" in the first full length album "Of Necrosymphonies Necropsy" which was released by Grundar Productions, an independent label Metal compatriot with Sickness. Surprise was also the first time I get this CD and listen to it later, Musically, think a re-arranged version of "Reek" + "Symphonies of Sickness", with a new sound based off the old sound. The guitar is more distorted and the bass is cleaner, and the burping vocals sickeningly placed in the foreground. Expect grind, groove and guts - oh, so much guts. I have not seen artwork as artistically repulsive like this since I opened Reek for the first time. Collages galore. "Post Autopsy Decomposition" which starts with a little intro "Horror" for 1:15 then we are presented with Carcass characteristics Abis!! yeah Carcass on Sickness Reincarnation is Back! Opening a track which is enough to heat Gigz moshpit area at each performance for the audience hypnotized Headbang!! Sound downtuned riff is simple enough we feel The image Strong Play Style 2 Carcass in the Historic album. Guttural roar gurgling guitarist and vocalist Jake for Gw less carry its own power walao often assisted with Vocal Harmonizer though, maybe Jake is still too much account and concentration with Guitarnya instrument, but as a salute to her hard work and Lirical Band Music Mastermind's. Music Composition offering an atmosphere that is more dark riffing is mixing Old Morbid Angel character, while drummer Ah Fad Gw gives less sense powerfully touch with his knock which moreover Twin Pedal Rarely used in his Hypersnare, so Gw feel Typical Art only that simple. Fascinating indeed Thrash riffing into force Sickness The image separately in order not to be a sharp Cloning Carcass Great Name! ... Cool and Strong composition which often starts with an Intro "Warning" is "Pungent Reek of incinerated Carnage, Urogenital Evisceration, disgorgement of Innards and Endoparasitical Maggot Infestation" is enough to describe the characteristics of a Simple Band en Catchy in composing a Track. some pretty touches Synthesizer Makes Horror and Dark shades often several times envelop. Of course, the undeniable tribute factor plays a major part in the album, calling in on Reek's nostalgic value for replayability. Ignoring the blatant song rip-offs (which is acceptable, since they are an open tribute band) and the demo-like production, this album is a worthy predecessor of the superiour Significantly Olidous Operettas. If you're a new listener, try this one out first, the second will sound even better in comparison. If you hear that first one, there's a high chance this one will seem unbearably primitive. Recording this album material handled by Bob "Morgue Keeper" Agigi, which we know as the former Member Demisor band and now also exist in 2 Scene Malasya famous band, Castigate and Damokis, while Drummer Ah Fad gets another task to design a Coverage Artwork is still not away from Gore Medical themes concept, the very strong feeling Strong Carcass The image! Sickness serve up some good grind on their first album, but if you're looking for something groundbreaking, go look elsewhere. You will not find anything that's new, and that's what Sickness want. This is pure Carcass-worship, and they do not claim to be otherwise. The production is much better than both those releases, although it does not make them a better band. The problem is, the songs are not memorable at all. On subsequent listens, the album lost some of its fun minimalist charm. The Examiners probably did not have longevity in mind while recording this.

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Scent Of Carnage - Scent Of Carnage EP 2014

Scent Of Carnage - Scent Of Carnage
Self Released EP 2014
https://www.facebook.com/pages/Scent-of-Carnage
http://www.reverbnation.com/ScentOfCarnage
scentofcarnagesoc@gmail.com

01 Consumed By Hate
02 Darkness Prevail
03 Warplague

Filly - Vocal
Aziz Ahmad - Guitar
Adi Halim - Guitar
Necroslaughter - Bass
Alid Covenant - Drum

Ada yang menggelitik memang untuk Debut Independent Kuala Lumpur Surreal Unique and Pulverizing Death Metal ini, SCENT OF CARNAGE, memadukan Konsep Old Death Metal menggerus ala Vital Remains, Deicide serta Morbid Angel dengan terjangan Death metal yang lebih agresif lagi dari 3 nama yang gw sebutin diatas, mungkin typical Brutal Death pantas untuk diberikan pada konsep musik mereka. Meski menyuguhkan permainan yang menggaruk Biji peler, sayang banget kalo Hal ini kurang diimbangi dengan Kualitas rekaman yang maksimal, sehingga Kesan " Raw " lebih terasakan banget disini. The unrelenting ferocity and percussive brutality on display here could be very effectively tempered with an original melodic sense, creating something very powerful and noteworthy. Pemilihan Track " Consumed By Hate " adalah yang paling tepat memulai Penyiksaan mereka, dibuka dengan Ketukan Drummer mantap Alid Covenant dan diikuti dengan Pummeling Riffing yang Terdengar Gelap dan raw, gw seperti mendengarkan sendiri bagaimana Kualitas aksi mereka seperti didepan mata saja (front Stage), ya rekamannya yang raw juga masih kurang terasa balance antara satu sama lain, sehingga lebih mirip rekaman Rehearsal aja meski semua instrumen masih terdengar begitu jelas, High Middling Level Bass Guitar yang terlalu Cempreng, kemudian Telinga gw masih kerap mendengar Break Part yang kadang tidak bersamaan tempo-nya tumpang tindih. padahal gw menikmati Karakteristik Death Metal Gelap-nya yang kerap dilapisi dengan solo2 melodius ciamik. and on That Track were successful in creating truly infernal atmospheres mainly because their personal melodicism was, at times, so bizarre. sementara menikmati secara cermat aransemennya kayaknya masih perlu pematangan Konsep lagi. " Darkness Prevail " lebih menghimpun Tempo yang lebih cepat dari sebelumnya, meski masih banyak gw temuin kekurangan didalamnya, seandainya Konsep rekaman ini ditangani lebih Maksimal, Gw berani menjamin akan potensi Unggul Mereka. varied and dynamic performance blasting tempos, melancholy respites, a towering chorus and their own trademark brutality, this is one for the ages ! diakhiri kemudian EP ini dengan " Warplague " masih buas menanamkan Death Metal Barbarik lebih intens lagi dari 2 track lainnya, " Warplague " seperti menjadi Ultimate power mereka. Sekali lagi Banyak kekurangan yang mesti dibenahi kembali untuk mempertajam Progres Musikal mereka kedepannya. EP ini pun menjadi pembuktian yang makin berani dari Scent Of Carnage. And it's fucking awesome when you have it backed up against the brutality on display.

ENGLISH VERSION (Use Google Translate Only)

There are intriguing indeed to Debut Independent Kuala Lumpur Surreal Death Metal Unique and pulverizing this, SCENT OF Carnage, combining Old Concept Death Metal grind ala Vital Remains, Deicide and Morbid Angel with the brunt of more aggressive Death metal more than three names above I Called , may be typical Brutal Death deserve to be given to the concept of their music. Although presenting a game that scratched Seeds Cock, really love if It is less balanced with maximum recording quality, thus Impression "Raw" more really be felt here. The unrelenting ferocity and percussive brutality on display here could be very Effectively tempered with an original melodic sense, creating something very powerful and Noteworthy. Election Track "Consumed By Hate" is the most appropriate start their torture, opened with a steady knock Drummer Alid Covenant and followed by pummeling riffing that sounds dark and raw, i like to listen to themselves how they like the quality of the action in front of the eyes only (front Stage), yes the raw tape is still less felt balance between each other, so it is more like recording Rehearsal wrote despite all the instruments still sound so clear, High Level Middling Bass Guitar is too shrill, ear then I still often hear Break Part are sometimes not at the same tempo it overlaps. when i enjoy the characteristics of his Death Metal Darkness are often coated with melodic good solos. and on That Track were successful in creating truly infernal atmospheres mainly Because Reviews their personal melodicism was, at times, so bizarre. while enjoying the carefully Arrangement think still needs maturation concept again. "Darkness Prevail" Tempo collect much more quickly than before, although there are still many shortcomings I Find therein, if the concept is handled more Maximum recording, I guarantee the potential Winning Them. Blasting varied tempos and dynamic performance, Melancholy respites, a towering chorus and their own trademark brutality, this is one for the ages! terminated then this EP with "Warplague" still savage Death Metal barbaric embed more intense than the other two tracks, "Warplague" such as Ultimate power into them. Once again Many shortcomings that must be addressed back to sharpen their musical progress in the future. This EP became increasingly bold proof of Scent Of Carnage. And it's fucking awesome when you have it backed up against the brutality on display.

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Rehearse - Chaos Reign CD EP 2013

Rehearse - Chaos Reign
Uprising Music Society EP 2013
https://www.facebook.com/RehearseOfficial
http://www.reverbnation.com/rehearse
http://instagram.com/rehearseband
https://vimeo.com/rehearseofficial
https://twitter.com/RehearseBand
rehearseband@gmail.com

01 Bloody Mess 03:01    
02 My Hammer, Your Face 03:30    
03 I Am Genocide 03:43    
04 Beyond Vengeance 05:41

Stereotype Kita dengan Band cadas asal Negeri Jiran, Malasya kerap terpatahkan dengan Asumsi Melodic & Black Metal Stuff selama ini, well kayaknya perlahan coba gw tepis dengan Geliat Death Metal Movement-nya, mungkin nama REHEARSE kurang begitu populer untuk kita sebutkan, dari Serdang / Selangor ini mungkin akan menjadi Playlist baru kalian penikmat Komposisi yang jauh dari kesan monoton, bagaimana Rehearse ini lebih coba memadukan warna baru dengan metal, hardcore, rock, hingga jazz yang terdengar unik memang, bagaimana gw mendengar Daath, Vital Remain digabungkan dengan Old School Dinamis ala Death, rasanya ini menjadi hiburan menarik saat mendengarkannya. Technical Riffing-nya cukup menyita kuping gw saat mengkonsumsi-nya, penuh dengan Lick yang Gelap dan menantang, sayang karakter Multiple Vokal-nya seharusnya ga menunggunakan Typical Deep Windgrowl, Low grunted Vocal-nya lebih keren menghiasi komposisi-nya. They really add a depth to the atmosphere that many bands couldn't touch with Some songs are more traditionally oriented, such as subterfuge and ovum. Yuk kita coba mendengarkan " Bloody Mess " sebagai track pertamanya, penampilan Blastbeat ringan menawan cukup menjadi Dominasi yang kemudian disusul dengan Groovy Riff in The Vein Waking The Cadaver cukup untuk menggoyang leher kepala kita stay headbang ! would be more enjoyable than hearing this bowel movement again, and that’s total honesty. Memang agak garuk-garuk kepala jika mendengar apa yang mereka mainkan disini, meski tidak dengan part musik yang rumit, Setiap Aransemennya lebih catchy untuk dinikmati, Death metal touches have been forced unwillingly into a melting pot of nu-metal and electronica among other lame things. " My Hammer, Your Face " rasanya lebih menantang komposisi-nya kali, dengan Sentuhan Death Metal extreme yang terbalut dengan harmonisasi yang Hitam dengan Raungan Screamin Insane, mencoba mengingatkan dengan gaya Vital Remains era " Icons of Evil ", kemudian pada Chorus Part-nya sentuhan Jazzy sederhana mencoba memberikan sentuhan Unik, sehingga Track ini bagi gw sangat menarik sajiannya. modernize, incorporating an even more exaggerated style where elements of Techical death metal found themselves merged with an even longer version of the already epic songwriting that this band has long exemplified of notes and occasional incoherence. berbeda lagi sentuhannya pada Track " I Am Genocide ", lebih catchy Riffing dengan Multiple Vocal Dominan menjadi part yang berisik mengisi, to wander about in no discernible order, often times hitting a very cliche sounding melodic passage, but never really managing to make anything stick. berbeda lagi dengan " Beyond Vengeance ", kita seperti kembali ke Alur Karakter Track Pertama " Bloody Mess ", dimana Olah riffing-nya seperti terpanggang kembali Obsesi-nya, massively impressive yet quite forgettable ! Memang secara keseluruhan Materi EP ini akan banyak membawa Karakteristik tersendiri, dimana hampir track-nya di komposisi masing-masing dengan racikan berbeda, sebagai Langkah pencarian Konsep yang lebih tepat bagi band kedepannya. every song is based off the exact same handful of notes, leaving no track with any sort of personality. All imagination is sucked dry by the machine-press songwriting, totally overmixed production, and absolute lack with immediate string bounces being used to provide the illusion of variation.

IN ENGLISH (Sorry, Google Translate Use)

Stereotype We are the original Extreme band the neighbor country, Malaysia is often broken by Assumption Melodic & Black Metal Stuff for this, well I think slowly try gw tepis by wriggling his Death Metal Movement, perhaps less popular name rehearse for us mention, from Serdang / Selangor This might be your new playlist audience composition far from being monotonous, how this Rehearse more try new colors combine with metal, hardcore, rock, to jazz that sounds unique indeed, how do i hear Daath, Remain Vital Dynamic coupled with Old School style Death, it's become interesting when listening entertainment. Technical riffing his ear consuming enough gw when consuming her, full of the Dark Lick and challenging, dear Multiple Vocal his character should ga menunggunakan Typical Deep Windgrowl, Low grunted his more cool Vocal adorn her compositions. They really add a depth to the atmosphere that many bands could not touch with Some songs are more traditionally oriented, Reviews such as subterfuge and ova. Let us try to listen to the "Bloody Mess" as the first track, the appearance of light Blastbeat be captivating enough dominance was followed by Groovy riffs in the vein Waking the cadaver enough to shake our heads stay neck headbang! would be more enjoyable than hearing this bowel movement again, and that's total honesty. It is rather scratch their heads when they hear what they play here, although not with elaborate musical parts, each more catchy arrangements to be enjoyed, Death metal touches have been forced unwillingly into a melting pot of nu-metal and electronica Among other lame things . "My Hammer, Your Face" feels more challenging compositions of his time, with a touch of extreme death metal clad with harmonization Screamin Insane Black with a roar, trying to remind the style of the era Vital Remains "Icons of Evil", then on his Part Chorus Jazzy touch of simple try to provide unique touch, making this Track for I very attractive grain. modernize, incorporating an even more exaggerated style where elements of death metal Techical found Themselves merged with an even longer version of the already epic songwriting that this band has long exemplified of notes and occasional Incoherence. different again touch on the track "I Am Genocide", more catchy riffing with Multiple Vocal Dominant become part noisy filling, to wander about in no discernible order, Often times hitting a very cliche sounding melodic passage, but never really managing to the make anything stick . different again with "Beyond Vengeance", we like back to Flow Character First Track "Bloody Mess", where his Sports riffing like parched back his obsession, a massively impressive yet quite forgettable! Indeed, the overall material EP will be a lot to bring its own characteristics, which almost track in the composition of each with different blends, as a step search more precise concept for the band in the future. every song is based off the exact same handful of notes, leaving no tracks with any sort of personality. All imagination is sucked dry by the machine-press songwriting, totally overmixed production, and absolute lack bounces with immediate string being used to provide the illusion of variation.

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Chasing Wells - Die Die Beautiful EP 2014

Chasing Wells - Die Die Beautiful
Self Release EP 2014
https://www.facebook.com/chasingwillsband
http://www.reverbnation.com/chasingwills
www.twitter.com/chasingwillsMY

01 Intro So Let We Go
02 Losing You Part 2 (Our Song Third Year Redemption)
03 Betrayal From Promises
04 Gaza We Will Come
05 Have You Choose Your Side (Remember Who We Are ' Demo)
06 Losing You (Remember Who We Are ' Demo)
07 I Will Forget (Remember Who We Are ' Demo)

" Falling rise together, never ever surrender, stand strong together, stand strong forever " sepertinya menjadi Spirit tersendiri memang bagi Kuala Lumpur Melodic Metalcore ini, CHASING WELLS ! setelah mengenalkan Demo " Remember Who We Are " lewat Situs Reverbnation tahun 2012, Band ini Kembali melempar EP pertamanya " Die Die Beautiful " yang sebagian materi-nya ditambahkan Demo tersebut menjadi Rilisan Fisik pertama Band sejak terbentuk Tahun 2012. Mungkin jujur saja kalo Gw masih terlalu terlambat untuk mengikuti perkembangan Genre Metalcore dari Negeri ini, sehingga mungkin nama Mereka hampir tidak gw tahu eksistensi-nya. menjadi saat yang tepat memang untuk gw kulik EP menarik Pertama Chasing Wells yang menjadi perpaduan Karakter antara  Unearth, As I Lay Dying, All That Remain, serta Parkway Drive cukup memberi Hiburan menarik tersendiri bagi Gw apalagi Melodic Metalcore Fans. The vocals on this track aren't as good, with weird breaks in-between shouts that don't quite fit. The guitars are cool, but everything else is a little below my expectations. Ya meski komposisi musik yang ditawarkan band ini lebih menghanyutkan dengan Lick Melodic Riffing-nya, namun pada Sesi Vokal bagi gw masih harus di Kembangkan lebih maksimal dengan karakter yang Powerfully ! " Intro So Let We Go " menjadi Foreplay yang hangat sebelum Moshpit area pecah teraduk oleh Bising Melodic Metalcore dengan Hentakan Kuat Breakdown Beat diantaranya. All contains a focus on the environment, which is a nice change in pace from the usual metalcore genre subject matter. " Losing You Part 2 (Our Song Third Year Redemption) " penampilan Menarik mencoba mengusik dengan karakter Kuat Melodius dengan terjangan Kuat Metalcore Anthemic Style. The band will then proceed to repeat the riff for 2 bars. Then the riff will be repeated two more times but with the vocals jumping in the second time around. Then the bridge to the chorus comes or maybe you get a chugging riff played for two bars to announce the coming of a breakdown. Sajian Solo Melodius-nya lebih menembus Insting sekali, terkemas lebih Maksimal bersama Instrumen lainnya. " Betrayal From Promises " semakin Membungkam Naluri dengan sentuhan melodius yang makin kental lagi, the melody and flow of the songs and guitar parts carries the band through and maintains their status as one of the premier metalcore bands of today. Spoken Intro " Gaza We Will Come " rasanya memberi Attitude tersendiri hingga Kita menikmati Sajian Track ini begitu Mendalam dengan The True Melodic Metalcore yang lebih Agresif Esensi-nya, Nice Track the ability to pull of some kick ass thrash riffs and grooves but these are set against saccharine sweet melodies and come too far apart to save the Track seems slightly less reliance on telegraphed breakdowns which will upset the Hot Topic crowd ! 3 Track selanjutnya adalah dari materi Demo Sebelumnya, dengan karakter Vokal yang jauh lebih berbeda dengan sekarang, more Emotional Type kental sentuhan Kuat Parkway Drive, meski Beberapa Karakter Shriek Vokalnya disini lebih Harsh, tapi sayang Beberapa Clean Vokal-nya malah bikin " Kacau " karakter Musik yang sudah tertata lebih garang. Mungkin secara keseluruhan Chasing Wells Punya karakter Musik yang Asyik, namun untuk beberapa Vocal Duties-nya masih perlu adanya pengembangan maksimal untuk Musikal Perfect band. throwing out phrases like ‘one dimensional’ and ‘derivative’ while disappearing into the latest obscure release. In reality, while hardly reinventing the wheel, no one can hold a candle anywhere near them. They’re just better than everyone else, and after all, Falling rise together, never ever surrender, stand strong together, stand strong forever !!!

IN ENGLISH (Sorry, Google Translate Use)

"Falling rise together, never ever surrender, stand strong together, stand strong forever" seems to be a separate Spirit does for Kuala Lumpur's Melodic metalcore, chasing Wells! after introducing Demo "Remember Who We Are" through Reverbnation site in 2012, this band Back throws his first EP "Die Die Beautiful" that most of his material is added Demo became the first physical release since the band formed in 2012. It may be honest if Gw still too late to follow the development of the metalcore genre of this State, so perhaps the name they hardly i know its existence. be a good time is to draw gw kulik First EP Chasing Wells who become characters blend between Unearth, As I Lay Dying, All That Remain, and Parkway Drive Entertainment interesting enough to give pleasure for Gw especially Melodic metalcore fans. The vocals on this track are not as good, with weird breaks in-between shouts that do not quite fit. The guitars are cool, but everything else is a little below my expectations. Yes, although the composition of music offered the band a more immersive with melodic riffing Lick her, but at the Vocal Session for I still have more leverage in Develop Powerfully with character! "Intro So Let We Go" became warm foreplay before rupture area moshpit stirred by Noisy Melodic metalcore with Beat Breakdown Strong beat them. All contains a focus on the environment, the which is a nice change in pace from the usual metalcore genre subject matter. "Losing You Part 2 (Our Song Third Year Redemption)" Attractive appearance of trying to disturb the character of the brunt Strong Strong melodic metalcore anthemic style. The band will then proceed to repeat the riff for 2 bars. Then the riff will be repeated two more times but with the vocals jumping in the second time around. Then the bridge to the chorus comes or maybe you get a chugging riff played for two bars to announce the coming of a breakdown. Serving Solo his melodic instincts once more penetrating, more packed together Maximum other instruments. "Betrayal From Promises" increasingly Silence Instinct with increasingly strong melodic touch again, the melody and flow of the songs and guitar parts carries the band through and maintains Reviews their status as one of the premier metalcore bands of today. Spoken Intro "Gaza We Will Come" Attitude own tastes give up We enjoy this track so Deep Dish with The True Melodic metalcore more Aggressive its essence, Nice Track the ability to pull of some kick ass thrash riffs and grooves but These are set against saccharine sweet melodies and come too far apart to save the track seems slightly less reliance on breakdowns telegraphed the which will upset the Hot Topic crowd! 3 is the next track of the material Demo Previously, the vocal character much different from now, more viscous touch Strong Emotional Type Parkway Drive, although some characters Harsh Shriek more vocal here, but unfortunately some of its Clean Vocal even make "Chaotic" character The music has been arranged more ferocious. Perhaps overall Chasing Wells Have Fun music character, but for some of his Duties Vocal still need the maximum development for Perfect Musical band. throwing out phrases like 'one-dimensional' and 'derivative' while disappearing into the latest release obscure. In reality, while hardly reinventing the wheel, no one can hold a candle anywhere near them. They're just better than everyone else, and after all, Falling rise together, never ever surrender, stand strong together, stand strong forever !!!

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Farasu - Menongkah Arus CD 2010

Farasu - Menongkah Arus
Neo Chronicles 2010
http://www.myspace.com/farasutheruly
https://www.facebook.com/farasuthetruly
http://amp.channelv.com/farasu
farasu2010@gmail.com

01 Keris Songsang        
02 Tangisan Malam        
03 Akustika Jiwa        
04 Patrasari        
05 Bayangan Hidup        
06 Gempita Mastika        
07 Bisikan Suara Halus        
08 Manifestasi Kedangkalan

Arm - Vocal
Nahak - Guitar
Bull - Bass
Mus Fidaiyyin - Drums

Malasya Metal Scene memang menjadi salah satu Pertumbuhan subur Genre Death, Thrash dan Black Metal Dinamis-nya, ya memang rata2 Scene Negeri Jiran ini memiliki Talenta2 bagus Musisinya untuk memainkan alat musik. dan genre Progressive Melodic Death/Thrash Metal mungkin adalah salah satu yang paling diminati band2nya. seperti halnya band asal Seri Serdang, Selangor yang eksis sejak terbentuk tahun 2002 lalu yang 1 tahun kemudian mengenalkan rilisan pertamanya Ep " A Millenium of Madness " tahun 2003 sebagai karya perdana potensial band. dibentuk oleh beberapa Mantan member band Destheria dan Halun, Farasu beberapa tahun kemaren Gw kenal namanya namun baru album full pertama " Menongkah Arus " ini gw dapat menikmatinya hehehehe .... dengan Produksi yang lebih baik dan profesional, materi ini melewati proses mastering di Saffmastering, Chicago, USA, sementara proses rekamannya dikerjakan selama Desember 2008 hingga September 2009, yup memang materi agak lama sih, tapi ga ada dosanya koq kalo gw kenalkan ke Scene Tanah air ini, apalagi band ini mempunyai komposisi musik yang bagus yang terkemas dalam 8 track berkualitas dan dimulai dengan " Keris Songsang ", perpaduan Gaya Bahasa Melayu yang mirip2 dengan bahasa Indonesia ini sebelumnya bikin gw bingung mengerti arti kata yang dimaksud hahahaha .. tapi interest gw tetap tertuju kepada musik band saja. " Keris Songsang " menawarkan permainan Melodic Death/Thrash Metal yang terasa juga elemen Proggressive-nya seperti yang sebelumnya dimainkan oleh Sil Khannaz, Langsuyr atau Athotorgh. dengan nuansa Thrash Metal melodius yang begitu kental pada struktur lagu seperti kayaknya begitu mengingatkan lagi dengan beberapa Death/Thrash metal Indonesia sekali. Eastern Melodic Metal kayaknya memang lebih tepat untuk menggambarkan track ini, kekuatan riffing melodius yang sedikit Raw cukup apik diaransemen oleh Gitaris Nahak, Gaya Old School Death/Thrash Vokal pun menjadi pilihan Bijak Arm untuk menyempurnakan karakter Farasu sendiri dan permainan Drummer Mus Fidaiyyin memiliki Pukulan mantap, well mungkin ada sedikit kemajuan konsep dari materi sebelumnya deh. dan lebih keren lagi balutan solo Gitar dari Ameer band Symbiotic In Theory " disumbangkan cantik disini. " Tangisan Malam " pun masih menawarkan Sentuhan Melodic Death/Thrash yang semakin kental saja, kemudian solo Gitar dari Ameer band Symbiotic In Theory tetap di kontribusikan kembali plus Female Vocal dari Aca-nya Band Vermillion dan Blind Terror memberikan Nuansa yang Gothic Metal. Headbanger lagi? so Pasti itu ! .... " Akustika Jiwa ", tampil sebagai Instrumen Track dengan memainkan akustik Gitar yang begitu Epic dan Klasik nuansanya dimainkan oleh Drummer Mus Fidaiyyin, wew jago juga nih orang selain mantap menghajar Perangkat Drum-nya. lalu " Patrasari " sentuhan Old School Death Metal era Obituary dengan era " Slowly We Rot " menjadi spirit utama track ini tanpa melepas Ornamen kental melodius-nya. with more traditional metal song structures and slightly more melodic lead work. dan memang Nahak lebih banyak berbicara & Bernyanyi lewat jemari Melodiusnya ditrack ini. " Bayangan Hidup " sentuhan Part awalnya lebih mencoba memasuki Karakter yang Familiar dengan genre black Metal hingga memasuki beberapa fast part-nya, sebuah pertemuan antara Dimmu Borgir dengan Beat Riffing Children Of Bodom banget. dan semakin gw rasakan karakter Vokal Arm yang kerap berubah2 setiap lagunya, begitu pula dengan penjiwaannya di track ini yang sound-nya juga sedikit " berbeda " dengan sebelumnya. " Gempita Mastika ", Sounding-nya pun kembali lagi seperti awal, hmmm sebuah Anthemic Thrash Metal Part lebih mengajak ke suasana Headbanger sekali. solo Gitar cantik dipersembahkan oleh Roi Inhumane yang dikenal sebagai Gitaris band Sil Khannaz & Central Disposal menambah poin tersendiri bagi track ini. Simple track yang enjoy banget untuk suasana headbang nih !! lagi deh Sound dan Karakter berubah memasuki Track " Bisikan Suara Halus " ini, lebih coba tampil dengan aransemen Part musik yang dinamis, Track ini bisa dibilang lebih kuat Progressive Melodic Death/Thrash Metal lagi. dan karya perdana ini di sempurnakan oleh Track " Manifestasi Kedangkalan " semakin melengkapi sajian gahar thrash Metal Melodius. debutan Full pertama Farasu yang perlu mendapat respon lebih banyak lagi dari Death/thrash Melodic, " THE TRUE SPIRIT of Farasu " and we will alive with our eastern melodic death thrash music direction. bisa langsung kalian buktikan dengan musikalitas 8 track with more traditional metal song structures and slightly more melodic lead work. Nice To Trying !!!

IN ENGLISH (Sorry, Use This Google Translate)

Malasya Metal Scene has become one of the lush growth Genre Death, Thrash and Black Metal Dynamic him, yes indeed rata2 Scene Talenta2 neighbor country has great musicians to play a musical instrument. and genre Progressive Melodic Death / Thrash Metal is probably one of the most popular band2nya. Series like the band from Serdang, Selangor which exists since 2002 which formed one year later introduced their first release Ep "A Millennium of Madness" in 2003 as a potential prime work of the band. formed by several former band members and Halun Destheria, Farasu years yesterday Gw know his name but only the first full album "Menongkah Flow" is i can enjoy it hehehehe .... with better production and professional, this material through the process of mastering in Saffmastering, Chicago, USA, while the recording process is done during December 2008 to September 2009, yup it's a bit old material, but there is sin ga scar if i introduce to homeland Scene this, let alone the band has a good music composition packed in 8-quality tracks and starts with "Keris Songsang", a fusion of Malay style with Indonesian mirip2 this before i make puzzled to understand the meaning of the word in question hahahaha .. but the interest i still drawn to the band's music only. "Kris Songsang" offer games Melodic Death / Thrash Metal which was also his Proggressive elements as previously played by Sil Khannaz, Langsuyr or Athotorgh. with the nuances of melodic thrash metal is so thick on the structure of the song as I think so reminiscent again with some Death / Thrash metal Indonesia once. Eastern Melodic Metal I think it is more appropriate to describe this track, the power of the little melodic riffing Raw quite nicely arranged by guitarist Nahak, Style Old School Death / Thrash Vocals became wise choice to enhance the character Farasu Arm yourself and the game has a Punch Drummer Mus Fidaiyyin steady , well maybe there is a little progress deh concept of previous material. and more guitar solos cool again swathe of Ameer band Symbiotic In Theory "donated beautiful here." Cry Tonight "still offers a touch of Melodic Death / Thrash the more viscous it, then the guitar solo from the band Ameer Symbiotic In Theory remains in contributing back plus Female Aca her vocals from Vermillion Band and Blind Terror gives Nuance Gothic Metal. Headbanger again? so definitely it! .... "acoustics Soul", featured as Instrument Track by playing acoustic guitar so Epic and Classical nuance played by Drummer Mus Fidaiyyin, wew bruiser too ya people besides The steady beat of his drum. then "Patrasari" a touch of Old School Death Metal era to era Obituary "Slowly We Rot" the spirit of the main track without removing his melodic heavy ornaments. with more traditional metal song structures and slightly more melodic lead work. Nahak and indeed most of the talking and singing through this ditrack Melodiusnya fingers. "Shadow Life" Part touch initially tried to enter the characters are more familiar with the genre of black metal to tap into some part of his fast, a meeting between Dimmu Borgir with riffing Beat Children Of Bodom really., and the more i feel the characters are often vocal Arm berubah2 each song, as well as penjiwaannya the sound on this track is also a bit "different" than before. "Gempita Mastika", Sounding- it was back again as early, hmmm a more anthemic Thrash Metal Part Headbanger once invited to the atmosphere. gorgeous guitar solos presented by Roi inhumane known as guitarist Sil Khannaz & Central Disposal add separate points for this track. Simple track to really enjoy atmosphere headbang ya! deh Sound and Character again turned into the Track "whispers Subtle Sounds" is, more by arrangement Part try performing dynamic music, Track is arguably more powerful Progressive Melodic Death / Thrash Metal again., and perfected the work of this inaugural by Track "Manifestation shallowness" more complete presentation gahar melodic thrash metal. debut first full Farasu to get more responses from Death / Thrash Melodic, "THE TRUE SPIRIT of Farasu" and we will alive with our eastern melodic death thrash music direction . could direct you prove to musicality 8 tracks with more traditional metal song structures and slightly more melodic lead work. Trying To Nice!!!

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The Casket - Rise the Undead CD 2014

The Casket - Rise the Undead
Earblast Records CD 2014

01 Intro: Realm of Chaos 01:24    
02 Rise the Undead 03:08    
03 The Skeletonia 03:20    
04 Virus Kematian 03:44      
05 Zombie Invasion 03:56    
06 Wound That Never Be Heal 03:37    
07 Vaccine for My Blood 02:09    
08 Infected 03:20      
09 Slave to the Grind (Skid Row cover) 03:15

Kangen menikmati Kembali Old School Death Metal Style yang Lebih Melodius Era-nya Old Edge Of Sanity,Old Brutality ato Old Avulsed ? Lengkap dengan Raw Sound-nya? Gw rekomendasikan THE CASKET, Band asal Malasya ini siap membawa kembali Nostalgia di era Old School Death Metal Sound Banget di debut full album " Rise the Undead ", Band Bentukan Gitaris Joby Maglalu Demon (Hellstorm, Carnage (Malasya), ex-Mortuary Ancestor) Mampu bertahan diantara serbuan Modern Metal Sound seiring perkembangan Pesat Teknologi, sebuah bentuk Idealisme yang begitu kuat mempertahankan Konsep band. intense activity resulted pretty fructiferously and have recorded a very interesting debut album that are not really virtuous, but with a certain structure and quality are enough to keep your interest. Struktur Death Metal yang Terasa Cepat dan berisik terasa mempesona dengan Hadirnya Beberapa Solo Gitar yang cantik (sangat Mengingatkan dengan Karakter solo Melodius James Murphy .ed) begitu Mendominasi hampir di Keseluruhan Album ini walo terkadang Raw sound bagi gw banyak mengurangi kenikmatan saat proses menikmatinya. there which result perfectly in order to give a gloomy, dark atmosphere. Anyway, they haven't lost their characteristically rancid sound, although it's way clearer and heavier ! " Rise the Undead " adalah pembuktian Pertama bagaimana Statemen Pertama gw diatas terbukti. Dengan Komposisi musik Death Metal yang Easy Listening, The Casket coba membentuk kembali Persepsi Skill Death Metal tidak selalu identik dengan part2 yang Rumit, The main role for the veiled melodies and the gore atmosphere is by the guitars and the vocals. Sentuhan Clear Solo Gitar yang cukup memberi effect tenang diantara Raw Soud Distortif sound-nya. Tidak menghabiskan durasi Stengah Jam an untuk menikmati 9 Komposisi Raw Sound dengan Briliant Solo Gitar Megah-nya. Yang keren di Akhir Track, The Casket Menyuguhkan Cover song " Slave to the Grind " nya Skid Row dalam Konsep Death Metal-nya cukup bikin Sebastian Bach Cs untuk Ikutan Headbang lebih enerjik Lebih dari Anthem Beat Track Punk Macam " Psycho Therapy " yang kerap mereka andalkan dari Track asli Milik The Ramones. This is simply an almost Obligatory Stopover for those who Appreciate this music and for those who are tired of listening to always with something Sonically Destructive !

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Tussock - Out Of Rhyme CD 2012

Tussock - Out Of Rhyme
Grundar Production CD 2012

01 Adulation, Praise, Affirmation
02 Cuddle The Truth
03 Broken Promises
04 The Day Of Ascending Grey
05 Solely Anguished
06 Out Of Rhyme
07 Infinity And Sour
08 In Ambiguity

" Out Of Rhyme " sebelumnya lebih diketahui sebagai EP pada tahun 2003 dari Muar, Johor Malaysia, Old style of Grind Death Metal a mix of Napalm Death and Terrorizer, TUSSOCK ! yang kemudian Tahun 2012 Menarik Interest Grind Label Produktif asal Negeri Jiran ini, Grundar Production untuk merilis kembali sebagai CD dan Bukan EP meski memiliki Materi yang sama. mungkin persepsi Konsep band ini masih terbawa alunan kuat movement pada era awal 2000-an, dimana Komposisi Musikal mereka tidak banyak mendapat sentuhan teknologi yang ga se-maksimal Saat ini, sehingga kita akan bener2 dibawa kemasa Band ini begitu Enerjik memainkan Death/grind alami dengan teknologi pada waktu itu, meski terasa Depth Kualitas level dan masih terdapat Kendala Balance saja, walau begitu Ini masih bisa menjadi Kelas rekaman Klasik Death/grind yang asyik. Raw Grindcore yang masih begitu Tradisional era Napalm Death " Scum " hingga " From Enslavement to Obliteration " melahirkan Komposisi Musik yang Simple dan Easy Listening bagi Penikmatnya. meski belum mengenal Sentuhan Triggering, Ketukan Tempo Drum kadang terdengar naik turun Power-nya dan Level Vokal yang Sudah Mulai Kelelahan karena Track diambil Mungkin masih secara Live Records. this music was made for completely different purposes and ideas then metal or even typical music in general. Each song is merely a piece of a longer idea. yang cukup mengusik Adrenalin untuk Headbang adalah Track awal " Adulation, Praise, Affirmation ", dengan ketukan masih mencoba mengadopsi Karakteristik Groove Beat Hardcore kerasa kental pada part awal sebelum ketukan Blastbeat Snare yang kuat terpengaruh Era-nya Mick Harris Banget. Meskipun tidak secara Murni Menawarkan Komposisi yang lebih Nge-Grindcore Banget, Tussock memang memadukan Sentuhan Death Metal style seperti halnya pengaruh kuat dari Terrorizer yang mencoba lebih keluar dari Lingkaran Monoton Asumsi Old Grindcore. coba denger " Broken Promises ", Aroma " After World Obliteration " Terrorizer masih menjadi bagian yang menarik bagi Tussock untuk memainkan Part yang Enjoying disela-sela Fast Snaring. are pretty much white noise. Beautiful, heavy, and Fast Raw Noise. Kekuatan Grindcore dari Masa lalu, ND Era " Scum ", akan lumayan terasakan Klasik di " Solely Anguished ", ya memang secara keseluruhan ini adalah Perpaduan antara ND " Scum " dengan " World Down Fall " nya Terrorizer tetap dengan Injeksi enerji Positif Tussock yang ga asal Berisik karena tetap selalu ada Easy Part yang Asyik menggelitik ! It’s not overpowering in the mix but you can definitely tell it’s there, more like feel it’s there lacking the sheer explosiveness !

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Goresluts - Divisi Panji Merah CD 2014

Goresluts - Divisi Panji Merah
Grundar Production CD 2014

01 Glorified        
02 Suicide Detonator        
03 Cums on Her Grave        
04 Hellrazor Unleashed        
05 Zombie Sex Slave        
06 Chainsaw Cunt Fucked        
07 Bernoda Bangkai        
08 Bastards        
09 Gorerotic Torture        
10 0.69- Chaotic Toxic Turbulence        
11 Coretan Sundal Ngeri

GOREROTIC DEATH 'N' GRIND Yeahh !!! Kuala Lumpur, Malasya kembali menyematkan Album full ke-2 bermuatan Death/Grind/Gore yang begitu kuat hasil penyilangan Carcass era " Necroticism - Descanting the Insalubrious " banget , perpaduan Thrash elemen dengan Vokal Growl yang Berat diselingi dengan Middle Scream khas Jeff Walker siap menjadi sajian Berdarah mereka di " Divisi Panji Merah ". They played a slightly melodic, surgically grotesque brand of death metal for a time. They were easily and often referred to as gore metal, yet no one would have mistaken them for Regurgitate. They worship at the temple of Reek, and they play a raging, disgusting form of grindcore. sehingga jika elo adalah fans Berat Nuansa Gore Metal yang lebih Komplit, album ini layak menjadi Rekomendasi-nya. Kombinasi Old School Death Metal dengan Bertebaran Grind style melebur lembut melalui sentuhan Melodic Solo-solo ciamik. Ok kita cicipi Hidangan Bangkai pertama mereka dengan " Glorified " sudah tercium aroma anyir Carcass banget, dengan Sedikit sound yang lebih kerasa Raw dan Distortif, Invasi pertama ini. Terjangan beat yang berat dan cepat kerap dibuat nyaman dengan solo2 melodius Cerdas, sehingga kesan tidak asal berisik menjadi Formasi track yang begitu enjoy banget dikonsumsi setiap hari. Perpaduan Growl dan Middle Scream-nya menjadi bagian menarik tersendiri, sehingga terkadang kebutuhan Effect Vokal Seperti Harmonizer tidak mereka butuhkan untuk membangun Gore Metal yang lebih menarik. it’s also that many of those riffs will stick in your head forever. Perhaps even more remarkable is that due to the band’s Nice songwriting skills, the Material never seems like a chaotic jumble of disjointed ideas and everything is in the right place, everything is used to maximum work and it all simply makes sense. Rounded off by the melodic lead work and virtuosic soloing. " Suicide Detonator " digeber dengan lebih cepat dan menjadi Track berdurasi Singkat berbeda diantara durasi track standard lainnya, is a jigsaw that has been perfectly aligned and assembled ! dengan tempo lagu yang menyesuaikan Moody musisinya tetap pada pattern keras, Goresluts lebih sering mengaduk emosional dengan sajian Naik Turun tempo yang tertata cukup rapi cukup menghindarkan kesan boring dari Goreslut sajikan. A weird kind of virtuosic romanticism, sort of reminiscent of 19th century Romantic composers dying for their art as they strove to create impossible concertos while wracked with hacking tubercular coughs, hovers over this track. Solo2 yang cukup gelap mencekam rupanya masih diadopsi dari karakter Old School Death Metal banget. patut menjadi perhatian banget jika Idealisme Band akan Konsep yang mereka usung masih jauh bertahan dari Kikisan Kuat Modern Style, Meski Belum mencapai Sound yang terdengar " Old School ", Setidaknya Goresluts masih menyuguhkan Kualitas Sound dan rekaman yang Siap memanjakan Telinga kapan saja. " Divisi Panji Merah " menjadi Pengembangan Konsep band selangkah lebih matang dari sebelumnya, hal itu terbukti dengan penulisan Musik dan Lirik yang terasa serius sekali dari Eroticizing Gore Syndicate Negeri Jiran. 11 Track yang cukup menjadi Konsentrasi Kalian selama 36 Menitan cukup memberikan Suasana yang lebih terasa rilexs sekali. It's creepy, yet at the same time catchy and highly headbangable with all the while retaining one of the meatiest and most satisfyingly crunching guitar tones ever heard on record.

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Muntah Darah - From Bastard to Bastard EP 2014

Muntah Darah - From Bastard to Bastard
Grundar Production EP 2014

01 Borneo Grind Hunter (Intro)
02 Mentality Bastard
03 Oppa Grindcore Style
04 Joget Grindcore
05 Pantat Pemerintah
06 Protest
07 Antara Dara Dan Maruah
08 Penyembah Setan Yang Baik
09 Protokol Anjing
10 Pencuri Selipar
11 Say No! Bonus Track
12 Kurangkan Harga (Bonus Track)
13 Marco The Happy Man (Bonus Track)

Awal Mendapatkan CD Muntah Darah ini gw sempat beranggapan kalo band ini asal Indonesia, Tapi Akhirnya Gw salah saat Membuka Booklet Cover CD-nya hehehe ... Kalo Staright old school grindcore assault ini ternyata dari North Borneo Grind Hunter, Malaysia yang menjadikan " From Bastard to Bastard " menjadi Debut Mini CD pertama-nya. sebagai salah satu Fans Grind Ngebut sejak Dulu, Gw sangat menikmati hampir semua elementasi Musik Penghancur ini. Dengan Imej Band Misterius lengkap menggunakan Topeng-nya, Muntah Darah bisa jadi adalah Band Funny Grindcore yang cukup Idealis dengan Karya-nya. sejak Meledak Awal dengan " Mentality Bastard " Aroma Kuat Magrudegrind, Old Napalm Death, Nasum, Terrorizer, Damokis, Excreted Torture, sampai Wormrot sudah lebih duluan gw tangkap Aroma-nya. Serbuan Grinding Snare Beat Nakal menjadi Luapan emosional 4 Pria Misterius bertopeng ini untuk Berteriak Sesuka Hati mereka larut dalam Hantaman keras Musik yang cepat. it’s a Energic performance, taking as much from Punk/Hardcore as it does from grindcore, with tons of drum rolls really adding to the energy of the track. Without relying solely on blastbeats, it makes it all the better to hear such a varied and interesting approach. Lirik-lirik Sederhana yang hanya ditulis dalam beberapa Bait saja cukup menjadi Amunisi Emosional terhadap keadaan yang Menginspirasi setiap Kejadian meski Eksplanasi Ringan akan bisa kita Cerna Tujuannya, kecuali beberapa Titel yang bikin Gw harus mengeryitkan Dahi untuk Memahami Makna Katanya hehehe, Seperti " Joged Grindcore Oppa Grindcore Style, Pencuri Selipar atau Penyembah Syaitan yang Baik ", Meski dengan Akronim Khas yang Melayu Banget serumpun dengan Tanah Air Kita, namun ini Gw artikan sebagai Bentuk Joke dari band saja. Unik banget Pas " Joged Grindcore " gw membaca Lirik-nya, ada Kata " Dansa Bersama ", Meski Istilah yang digunakan kurang begitu Match dengan Genre ini, Mungkin hanya sebuah Sinonim Kata saja bagi mereka yang tetap memiliki arti yang sama untuk " Enjoy " bersama. Gw berani Jamin untuk menikmati Hajaran Keras Mereka diatas Panggung, Emosional kita pasti akan langsung tersulut untuk melakukan Kegilaan dengan Moshpit atau Stage Diving diantara Audience, Karena memang Ideal Musikal yang diusung ini adalah sebagai Pembakar Adrenalin Mosphit Area ! Secara Kompositif, Skill masing-masing member harus terasah lagi untuk lebih berani menciptakan Aransemen yang Sinting dan menjadi perhatian gw adalah Kualitas recording materi ini sebenarnya udah cukup mumpuni untuk dinikmati, cuman masalah Kurang Balance Sound-nya akhirnya sedikit mengganggu Konsentrasi Gw sangat mendengarkannya, dimana Level Bass Drum masih terdengar " Mentah " selain menampilkan sisi Low sound-nya, sehingga begitu Hypersnare dimainkan, Otomatis Instrumen lainnya harus rela tenggelam level-nya meskipun Karakter Grindcore masih " Sah " saja dengan elemen sound yang Raw, tapi adakalanya Telinga Kita makin pengen dimanjakan dengan Teknologi yang mumpuni saat ini. Hiburan yang menarik tentunya saat Kita sedang Kalut dan ingin melepaskan Penat yang ada diotak melalui sajian Grinding beat yang Hingar Bingar tentunya. was a thrashy, fun affair with violence aplenty.  they've subtly slipped some Crust/grind-esque tempo changes and structures into the mix, with the result being the most raging everything still sounds extremely raw - the aural equivalent of a rusty hacksaw. take the crown of grindcore really soon as they rip away through the legions of Punk/Hardcore/grind with their primal and punkish, 80’s style grindcore. The way it’s supposed to be!

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