The Portals: #Israel

Eksistensi One Man Project masih sekali terlihat dari Mood and Challenge, menjadi Ungkapan yang mungkin sedikit tidak terbantahkan meski ini hanya luapan emosional dirinya atas nama Idealisme. bekerja keras sendirian dan secara Ekploratif menuangkan semua idenya tanpa banyak tendensi Pemikiran dalam sebuah kerjasama. Yes, You're the sickos ! sebelumnya gw sudah pernah menulis Materi Album Ke-2 " Disembodied Remnants " tahun 2012, One Man Project Slamming Guttural Brutality Asli Haifa, Israel, Morbid Crucifixion kembali memuntahkan album ke-3 nya " Decaying Human Flesh " dibawah Roster Morbid Generation Records kali ini. masih dengan Konsep Signifikan dengan Ketukan Total Slamming Guttural sebelumnya, Sepertinya materi " Decaying Human Flesh " cukup menampilkan sentuhan yang lebih modern lagi pada beberapa aransemen-nya dengan memasukkan elemen2 Metal Modern, But for Morbid Crucifixion it totally works - it brings out the simplicity in their music. None of the fun riffs are obscured to the point where the whole thing sounds incredibly watered down. komposisi slam yang masih terdengar sederhana, cukup memanjakan sekali bagi fans fanatis-nya, penggarapan struktur musikal-nya lebih menekan pada Breakdown Jump beat untuk terus menggoyang kepala yang sesekali Hyperblast snare siap merobek usus. Masih membawa Pengaruh warna kuat Screwrot, Putrid Pile, Cephalotripsy, Extermination Dismemberment, Carnal Disfigurement, Guttural Engoregment, hingga Vulvectomy. meski sound-nya rada terdengar clean, namun beberapa Kekurangan masih terletak pada Faktor balance serta Level audio-nya masih membelenggu ledakan Ekplosif, artinya Proses Mixing serta Mastering nya kurang ter-handle begitu maksimal. Guttural Gurgling Snore-nya seperti orang mendengkur kurang terpoles secara Baik, sehingga mencuatkan persepsi karakter Goregrind Vokal. he had a tendency to use the same vocal pattern over and over again which created a very monotonous feel to his voice. sejak dari Track " Gastrectomy Bash ", Sound Riff yang masih " tipis " menyapa kurang memberikan Pukulan Keras selain Intense heavy Drum Programming-nya yang mendominasi. mungkin karena Rot Screwrot hanya ingin membakar Enjoy Adrenalin untuk Keep Headbang saja, sehingga komposisi lagu menjadi terasa simple serta cenderung membosankan, namun tidak untuk " Jdarasa " yang memiliki durasi 10 Menitan menjadi Track paling panjang yang pernah Gw denger. jangan lewatkan juga komposisi asyik pada opening track " Vile Sector ", dengan mengadopsi Gaya " Nu Metal " Riffing Style menjadi Kombinasi yang menampar banget Karakter-nya. its predecessor is that there are more fast sections used in-between their fist-dragging slams.Total Mengusung 10 Track yang menelan durasi 50 Menitan, Morbid Crucifixion lebih tampil dengan karakter fresh jika kita bandingkan dengan sebelumnya. meskipun kayaknya masih belum menampilkan Konsepsional menarik, cenderung biasa saja, " Decaying Human Flesh " masih menjadi Mesin Penggilas Mengerikan dari Bumi Israel. Hey Slam Freak, Are you ready to break fucking slam moshpit? certainly aren't reinventing anything with this release, this is still a pretty fun release !

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Kamis, 02 Juli 2015

Viscera Trail - Treats Of Torture CD 2013

Viscera Trail - Treats Of Torture
Pathologically Explicit Recordings EP 2013
http://www.vtrail.deathgrind.com
http://www.myspace.com/visceratrail
http://www.facebook.com/pages/VISCERA-TRAIL/155500558709
http://www.visceratrail.bigcartel.com
Signocain@gmail.com

01 Face Removal 04:15
02 Ripping of the Sack 04:56
03 Gargling for Help 04:40

Tuval Refaeli - Drums
Tomer Hasenfratz - Guitars, Vocals
Shahaf Ostfeld - Vocals
Oz Shmuel - Bass

Salah Satu Band Brutal Death Metal/Grindcore dengan sentuhan Slamming element yang kental asal Hasharon, Hazafon, Israel yang sudah eksis sejak 2002 tentu sudah memikat hati gw sejak Ep pertama mereka " Piled Up Dead " Tahun 2005 yang kemudian disusul dengan full album Pertama " Humiliation-Ridden Evisceration " tahun 2009 Via Epitomite Productions, cukup mengangkat reputasi mereka sebagai band Brutal berpotensi dan berbahaya dari Israel Scene, apalagi Karakter Musikal yang mereka tawarkan ini juga banyak dibicarakan oleh Editor Musik Media Internasional. cukup sukses dengan sepak terjang tersebut, kembali tahun 2013 ini mereka menawarkan materi baru 3 lagu dalam format Ep yang memperkenalkan drummer baru mereka, Tuval Refaeli dari band Equilibrium dan Krampus menggantikan drummer sebelumnya, Yinon Tal serta bassis baru Oz Shmuel yang juga ikutan cuap cuap bersama gitaris Tomer, kian Variatif aja style yang disuguhkan dialbum ini hehehe .... sebuah Dinamika Musikalitas memang sering terjadi seiring terjadinya pergantian formasi, hal ini sangat berarti sekali jikalau kita coba membandingkan dengan materi sebelumnya. Komposisi Brutal Death Metal-nya menjadi lebih menarik dan Kompleks ! at least on this debut, provides a definitive blueprint for brutal slam death techniques, albeit a generic one that's about as interesting as arranging vocabulary blocks in kindergarten. Though the production levels are nothing to scoff at, and the musicianship is about as taut as you'd expect, there are simply no ideas here which haven't been lifted off ! Track Awal " Face Removal " cukup menggambarkan Tema Artwork Cover Ep ini, bagaimana kita mendengarkan Raungan Menyakitkan akibat penyiksaan kejam, dan memang kejam pulalah sajian berikutnya yang kita terima dengan hentakan musik berirama berat ! brutal death breakdowns, and then rendered down to the simple principle of palm muted belligerence entirely devoid of melody or truly interesting chord progressions. Take a few Suffocation, Cannibal Corpse or Earth Crisis chugs ! sajian Brutal Death Metal dengan gaya Breakdown Groovy Part slamming yang terinfluence oleh band2 genre Hardcore Old School !, Karakter Guttural Vocalis Shahaf Ostfeld yang terkadang terasa seperti orang bersendawa ini semakin lebih variatif dengan karakter Growling emosional dari Bassis Oz Shmuel dan Gitaris Tomer Hasenfratz saling mengisi Pattern Vokal secara Variatif, sementara drummer Tuval dengan begitu Powerfully menghentakkan setiap ketukan mantapnya dengan Skill Improving yang teknikal punya. are necessarily bad at carving out their niche on this debut, it's just that there are too few unexpected dressings, glimmers of hope or individual songs that distinguish themselves from one another (with one exception). dan kadang memang karakter bermusiknya gw teringat banget dengan gayanya Band TON era " Blind Follower " banget ! Once in a blue moon they'll break out some wilder, open chords, or even a small handful of more clinical harmonic patterns to the notation, but the lion's share of the material here is moving at a mid-paced groove and then occasionally lapsing into some slower chug, very often embellished with the same end-phrase squealing that has become so uninspired and drone-like to the genre. bagaimana gaya emosional Growling kerap Bersama berteriak bagaikan sebuah Anthemic Style untuk mengajak Audience melebur bersama dengan setiap ketukan musik yang ditawarkannya ini. " Ripping of the Sack ", semakin tajam menggerinda terus ! nothing in terms of atmospheric flourish, and I can only imagine, for example, just how much a little of that immediate, wondrous industrial resonance of the titular outro track would have improved the central songwriting if it had been induced to several of the bridges. Or what some eerie leads or melodies might have accomplished above the churning, fist-balling flesh of the rhythm guitars. The bass is clearly felt through the recording, but it never does anything besides cling to the guitar patterns...even a few fifths or individualistic runs could have dramatically upped the ante. Drums are mixed with an almost mechanical din to them, but otherwise they offer the proper balance of muscular double-bass rolls and grooves, and heavily favor the kicks and toms to the weaker cymbal strikes. dan track Keren bagi Gw " Gargling for Help " semakin memantapkan opini gw tentang Visceral Trails ini, memang aransemen bermusik yang semakin jauh dari kesan boring terlunasi dengan permainan yang variatif dan dinamis, Brutal Death Metal bertemu dengan New School Hardcore ! so Bagaimana kalian bisa bayangkan itu?? These chugging slamming death metal songs lurch and shift, fluidly, but inscrutably, with what seems like little regard for entertainment or the rock foundation of metal. But this is clearly the design of its authors, not a flaw. There is so much muted chugging and rhythmic shifting that whenever a slightly catchy riff or a sustained chord appears, it feels like a luxurious anomaly compared to its bleak, relentless surroundings. A lot of these tunes yield one really memorable hook, such as those heard in the concluding portions of EP highlights !! sayang sekali sajian berdarah ini cuman memuat 3 lagu aja, karena gw masih ingin menikmati lagi sajian dasyat mereka lainnya, Btw, sangat Gw rekomendasikan Bagi Fans TON, Abominable Putridity era " In the End of Human Existence ", Suffocation, Cannibal Corpse hingga Dying Fetus, siap siap untuk mencicipi hidangan mengerikan asal Israel Scene ini ! and as a result they seem to waste the opportunity. The drums aren't doing anything interesting stylistically, but they do sound annoyingly mechanical, not to mention they echo throughout the production job whereas everything else is muted like a brick slamming on a table. Apart from those precious few moments there is little here worth your time. Sure the production is good, but when the music is just a pointless chugfest with a bunch of breakdowns and some idiot gurgling incessantly over the top of it then the production doesn't really add anything to the experience. FUCKIN THE SLAM !!

One band Brutal Death Metal / Grindcore with a strong touch of origin Slamming element Hasharon, HaZafon, Israel, which has existed since 2002, would have captured the heart gw since their first Ep "piled Up Dead" in 2005 which was followed by the first full album "Humiliation -Ridden Evisceration "Epitomite Via Productions in 2009, simply pick up their reputation as a band and potentially dangerous Brutal Scene of Israel, let alone a musical character that they offer is also widely spoken by the International Media Music Editor. quite successful with the lunge, back in 2013 they offer new material in a format Ep 3 songs that introduce their new drummer, Tuval Refaeli from the band Equilibrium and Krampus replace previous drummer, Yinon new bassist Tal and Shmuel Oz who also picked burble burble along Tomer guitarist, increasingly Variatif aja style that served this dialbum hehehe .... a dynamic musicality is often the case as the change of formation, it really means a lot if we try to compare with the previous material. Brutal Death Metal Composition its become more interesting and complex! at least on this debut, provides a definitive blueprint for brutal slam death techniques, albeit a generic one that's about as interesting as arranging blocks in kindergarten vocabulary. Though the production levels are nothing to scoff at, and the musicianship is about as hard disk as you'd expect, there are simply no ideas here roomates have not been lifted off! Early track "Face Removal" Cover Artwork adequately describe the theme this Ep, how we listen to the roar of the cruel pains due to torture, cruel, and indeed also the next dish we receive with heavy rhythmic beat of the music! breakdowns brutal death, and then rendered down to the simple principle of palm muted belligerence entirely devoid of melody or truly interesting chord progressions. Take a few Suffocation, Cannibal Corpse or Earth Crisis chugs! Brutal Death Metal with a dish style Groovy Breakdown Part slamming the terinfluence by genre band2 Hardcore Old School!, Character Guttural Shahaf Ostfeld vocalist who sometimes feels like a burp is getting more varied with the emotional character of Growling Bassist and Guitarist Oz Shmuel Tomer Hasenfratz complementary Pattern Variatif vocal, while drummer Tuval so Powerfully stomping beats any steadiness with the Technical Skill Improving had. are necessarily bad at carving out their niche on this debut, it's just that there are too few unexpected dressings, glimmers of hope or individual songs that distinguish Themselves from one another (with one exception). and sometimes i think of her musical character is really in style TON Band era "Blind Follower" really! Once in a blue moon they'll break out some wilder, open chords, or even a small handful of more clinical harmonic patterns to the notation, but the lion's share of the material here is moving at a mid-paced groove and then occasionally lapsing Chug into some slower, very often embellished with the same end-squealing phrase that has Become so uninspired and drone-like to the genre. how often emotional style Growling like an anthemic shout Joint Style to invite Audience fused together with each beat of the music that is offered. "Ripping of the Sack", the sharper the grind continues! nothing in terms of atmospheric flourish, and I can only imagine, for example, just how much a little of that immediate, wondrous resonance of the titular industrial outro track would have improved the central songwriting if it had been induced to several of the bridges. Or what some eerie leads or melodies might have accomplished above the churning, fist-balling flesh of the rhythm guitars. Clearly the bass is felt through the recording, but it never does anything besides cling to the guitar patterns ... even a few fifths or individualistic runs Dramatically could have upped the ante. Drums are mixed with an almost mechanical din to them, but otherwise they offer the proper balance of muscular double-bass rolls and grooves, and Heavily favor the kicks and toms to the cymbals Weaker strikes. and track Cool for Gw "Gargling for Help" has established gw opinion on this Trails Visceral, musical arrangement is increasingly far from being boring repaid with varied and dynamic game, Brutal Death Metal meets with the New School Hardcore! so How can you imagine that?? Chugging these slamming death metal songs lurch and shift, fluidly, but inscrutably, with what seems like little regard for entertainment or the rock foundation of metal. But this is Clearly the design of its authors, not a flaw. There is so much muted Chugging and that shifting rhythmic Whenever a slightly catchy riff or a chord Appears sustained, it feels like a luxurious anomaly Compared to its bleak, Relentless surroundings. A lot of these tunes yield one really memorable hook, such as those heard in the concluding portions of the EP highlights!! unfortunately this bloody dish contains 3 songs cuman wrote, because I still want to enjoy the rest of their terrible dish again, btw, highly recommend Gw For Fans TON, Abominable Putridity era of "In the End of Human Existence", Suffocation, Dying Fetus, Cannibal Corpse up , ready to taste dishes prepared from Israel's terrible this Scene! and as a result they seem to waste the opportunity. The drums are not doing anything interesting stylistically, but they do sound annoyingly mechanical, not to mention they echo throughout the production job whereas everything else is muted like a brick slamming on a table. Apart from those few precious moments there is little here worth your time. Sure the production is good, but when the music is just a pointless chugfest with a bunch of breakdowns and some idiot gurgling incessantly over the top of it then the production does not really add anything to the experience. THE FUCKIN SLAM!!

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Selasa, 30 Juni 2015

Morbid Crucifixion - Disembodied Remnants CD 2012

Morbid Crucifixion - Disembodied Remnants
Wretched Decay Records CD 2012
http://www.morbidcrucifixion.com
http://www.myspace.com/555662193
http://www.facebook.com/pages/Morbid-Crucifixion/133995919956845
http://www.reverbnation.com/morbidcrucifixion

01 Fistfucked to Death 02:59
02 Rectal Torture Delivery 03:27
03 Disfigured Souls 02:40
04 Profanation of Christ (Scattered Remnants cover) 05:54
05 Disembodied Remnants 03:22
06 Infinite Excruciation 03:15
07 Left to Dissect 03:51
08 Systematic Derangement 03:24
09 Cranial Delivery 03:21
10 Pathological Summoning 03:41

Rot Screwrot - Vocals, Guitars, Effects, Drum programming

Brutal and Brutal Death Stuff again I Written Now here !!! Arrggghhhh errrghhhh urrghhhhh ... hehehehe, ya akhir2 ini gw memang lagi " Mood " untuk memulai terus menulis stuff2 Brutal hehehe ... The main idea, was to combine satanic lyrical themes in Brutal Death Metal music, & create something unique & original. The bands style changed & it is influenced by the slamming brutality style with sick growls. ini yang dilakukan oleh One Man Project bernama Rot Screwrot, salah satu metalhead serius asal Haifa, Israel yang sebelumnya pernah berkarir diband brutal seperti Screwrot, To Decay, Xezbeth, dan Gastrectomy. tetap membawa Idealisnya untuk bermain Genre Death Metal, " Disembodied Remnants " adalah Full album ke-2 nya ditahun yang sama setelah Album full pertama " Refinery of Humanity ", yup karena saking Kreatif dan produktif, ditahun 2012 aja Morbid Crucifixion udah merilis 2 album lohhh... Slam isn't a death metal sub-genre that is known for good production - the bad production often brings out the brutality that the bands are attempting to portray. This dragged down an otherwise gurgling release. But for Morbid Crucifixion it totally works - it brings out the simplicity in their music. None of the fun riffs are obscured to the point where the whole thing sounds incredibly watered down. Dengan pengaruh kuat dari sentuhan gaya Slamming Brutal Death Metal dari Screwrot, Putrid Pile, Cephalotripsy, Extermination Dismemberment, Carnal Disfigurement, Guttural Engoregment, Vulvectomy, serta beberapa Karakter Riffing In The Vein-nya Impaled Nazarene lumayan terasakan dalam 10 track berdurasi 35:54 yang sound produksinya lumayan terasa Raw pada Gitar dutiesnya. permainannya terus terang masih belum gw temukan karakter istimewanya sehingga gw anggap konsep one man project ini agak membosankan karena masih " Mengulang " dari yang sudah ada. sekilas kadang sounding album ini membawa kembali aroma demo " Impaled "nya Devourment banget ! Lets be honest. Brutal death/slam is by no means the thinking-man's metal. It has a reputation for being rather retarded. So, lets not delve too deeply into the smarts of this album, and get to what the true fans are wondering about (if you still haven't heard the album by the time this review came out): The slams! As far as originality goes Though it's not the best slam release that I've heard, it definitely separates itself from the heard of mindless bands that are churning this stuff out. For a frame of reference as to what shitty slam sounds like, I suggest The Slamburglars. But I digress. What else, if anything, makes this album worth your time? bagi fans Cephalotripsy, Extermination Dismemberment, Carnal Disfigurement, Guttural Engoregment, Vulvectomy dengan sentuhan komposisi yang lebih " Gelap " lagi dengan suntikan aroma Penghujatan hitam, ga ada dosanya banget kalo elo coba sendiri debutan Israel Slamming Brutal death metal ini. The final verdict on this album: Go get it. It's definitely a noteworthy contribution to the genre of brutal death/slam, and can definitely be listened to multiple times.

Brutal and Brutal Death Stuff Written Now again I here!!! Arrggghhhh errrghhhh urrghhhhh ... hehehehe, yes i did again akhir2 "Mood" to start keep writing stuff2 Brutal hehehe ... The main idea, was to combine satanic lyrical themes in Brutal Death Metal music, and create something unique and original. The bands style changed and it is influenced by the slamming Brutality style with sick growls. This is done by One Man Project named Rot Screwrot, one serious metalhead origin of Haifa, Israel that previously had a career as Screwrot diband brutal, To Decay, Xezbeth, and gastrectomy. keep bringing idealist to play Death Metal Genre, "Disembodied Remnants" is the second full album in the same year as his first full album "Refinery of Humanity", yup because it was so creative and productive, in 2012 wrote Morbid Crucifixion already released 2 albums lohhh ... Slam is not a death metal sub-genre that is known for good production - Often the bad production brings out the Brutality that the bands are Attempting to portray. This dragged down an otherwise gurgling release. But for Morbid Crucifixion it totally works - it brings out the simplicity in their music. None of the fun riffs are Obscured to the point where the whole thing sounds incredibly watered down. With the strong influence of a touch of style slamming Brutal Death Metal from Screwrot, Putrid Pile, Cephalotripsy, Extermination Dismemberment, Carnal Disfigurement, Guttural Engoregment, Vulvectomy, as well as some riffing Character In The Vein her pretty Impaled Nazarene felt a 10-track duration 35:54 a Raw feels pretty sound production on guitar dutiesnya. game frankly i still find special characters so i think the concept of one-man project is a bit boring because there are "repeat" of existing ones. glance occasionally sounding album brings back aroma demo "Impaled" her Devourment really! Lets be honest. Brutal death / slam is by no means the thinking-man's metal. It has a reputation for being rather retarded. So, lets not Delve too deeply into the smarts of this album, and get to what the true fans are wondering about (if you still have not heard the album by the time this review came out): The slams! As far as originality goes Though it's not the best slam releases that I've heard, it definitely separates itself from the heard of mindless bands that are churning this stuff out. For a frame of reference as to what sounds like shitty slam, I suggest The Slamburglars. But I Digress. What else, if anything, makes this album worth your time? for fans Cephalotripsy, Extermination Dismemberment, Carnal Disfigurement, Guttural Engoregment, Vulvectomy composition with a touch more "Dark" again with a shot of black Blasphemy aroma, there is no sin if elo really try yourself debutant Israel's slamming brutal death metal. The final verdict on this album: Go get it. It's definitely a noteworthy contribution to the genre of brutal death / slam, and can definitely be Listened to multiple times.