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Tampilkan postingan dengan label #Sweden. Tampilkan semua postingan

Rabu, 04 November 2015

Amon Amarth - Deceiver of the Gods CD 2013



























Amon Amarth - Deceiver of the Gods
Metal Blade Records CD 2013

01 Deceiver of the Gods 04:19    
02 As Loke Falls 04:38    
03 Father of the Wolf 04:19    
04 Shape Shifter 04:02    
05 Under Siege 06:17    
06 Blood Eagle 03:15    
07 We Shall Destroy 04:25    
08 Hel 04:09    
09 Coming of the Tide 04:16    
10 Warriors of the North 08:12

Ted Lundström - Bass
Olavi Mikkonen - Guitars
Johan Hegg - Vocals
Fredrik Andersson - Drums
Johan Söderberg - Guitars

Akhirnya Materi paling Fresh milik Viking Melodic Death Metal Populer asal Stockholm Swedia yang eksis sejak 1992 ini termuncratkan juga setelah gw cukup terpukau dengan track " Deceiver of the Gods " yang mereka Luncurkan lebih dulu sebagai Single Pertama album full ke 9 mereka ini masih bareng Metal Blade Records, adalah Track Fantastic dengan gaya Khas melodius Amon Amarth cukup bikin gw interest Menunggu Full album " Deceiver of the Gods ". Amon Amarth is, and has been, undoubtedly one of the iconic Melodeath bands, the band has pioneered the use of their lyrical theme; they’re one of the first bands to write lyrics that revolve around the Norse mythology (having been preceded by Bathory). The guys deserve credit for converting many metal fans to die-hard melodic death-metal fans. secara resmi dilempar di kepasaran pada 24 Juni untuk Eropa dan 25 Juni untuk Amerika. selain tersedia dalam format CD, Pihak label juga merilis dalam Jewelcase CD, 2 CD digipak, Boxset includes, Picture LP dan LP yang versi 500 Kopi warna Biru dilisensi ke Nuclear Blast Records. 10 lagu Fresh Melodic Death Metal ini dikerjakan di Backstage Studios di Derbyshire, U.K untuk pertama kalinya bersama Produser dan Enjiner terkenal Andy Sneap yang sudah mengantar sukses album2 band top seperti Arch Enemy, Accept, As I Lay Dying, Benediction, Caliban, Cradle of Filth, Chimaira, DevilDriver, Dimmu Borgir, Exodus, Killswitch Engage, Kreator, Lock Up, Machine Head, Megadeth, Napalm Death, Testament dan masih banyak sekali hasil tangan dinginnya sukses dipasaran. menambah poin plus untuk kredit album ini, Amon Amarth berharap sekali album ke-9 ini bakalan sukses ditangannya. an album that sadly remains much underappreciated among fans due to its admittedly simple, yet in my opinion, amazingly catchy compositions. When it came out I thought it was their strongest offering so far, well balanced and with zero point zero filler tracks. However, even though I was confident the Vikings would release a worthy successor, I didn’t expect it to blow away the preceding album like dust upon a sleeve. Masih tangguh dengan Konsep dan Skill yang mengedepankan elemen melodius-nya, Amon Amarth masih untuk kesekian kalinya eksis dengan konsep musik sejak materi album awal. This is pretty much the most cookie-cutter modern metal you can ask for, with little that is creative or interesting about it. The lyrics are pretty simple Viking gimmick-stuff and are delivered by the rather restrained and bland growls of Johan Hegg, worshiped the world over for reasons I’ll never get. He doesn’t have a bad voice but he just never lets loose and really puts his whole self into the performance, making it sound like he’s just restraining himself so as to not scare anyone. He’s very listenable in general, but why bother having harsh vocals if you’re going to do it so tamely and unimpressively? I think this stuff would work just fine with clean vocals. It’s not like this is really that extreme or anything, and the growls are just boring as it is. " Deceiver of the Gods " masih menjadi andalan Kuat di album ini sehingga pantas memang dipajang di urutan terdepan Album ini, bagaimana Amon Amarth masih memukau dengan gaya Catchy headbang nang Melodius itu. beberapa sentuhan klasik Heavy Metal melodius ala Iron Maiden serta gaya Power metal yang begitu kuat masih menjadi elemen kuat pada struktur bermusiknya. dan tentunya masih membawa Aroma fresh album sebelumnya era " Surtur Rising " atau " Twilight of the Thunder God ", namun bagi Gw ga ada yang banyak berubah dengan konsep band sendiri. Gw suka track ini saat memasuki part Refrain " Asgard's always been my home / But I'm of different blood / I will / overthrow their throne / Deceiver of the gods " Middle Screamin Vokalis Johan Hegg seperti menyatu dan meresapi feel -nya, dan beberapa part Thrash Ryhtym-nya Johan Söderberg memang mantap mengiring beberapa solo Gitar Olavi Mikkonen. memang menjadi sesuatu yang teramat sulit bagi seorang musisi untuk menciptakan pembawaan lagu dengan lirik yang begitu menyatu sehingga menjadi komposisi yang " Masuk " banget feel-nya. "  As Loke Falls " masih tetap terus duet gitarus Olavi dan Johan kerja keras menciptakan Melodic Riffing yang mendayu dayu menjadi Bius yang mematikan dari para Kesatria Viking ini. mungkin juga banyak yang mengenal jika Karakter Musikal Amon Amarth ini adalah perpanjangan gaya lama " Heartwork " nya Carcass hingga Gaya lama In Flames masih dengan Gothenburg sound sebagai sajian tak terpisahkan. The music itself is also very tame, with mostly midpaced songs that occasionally lapse into ‘fast’ sections, though never anything truly unhinged or passionate-sounding like they actually give a crap about the music they're playing. The songs are all well written and contain some decent riffs and melodies, but none of them ever break out of the stodgy and unimpressive restraint they have going. There’s very little, if any, atmosphere on this, and that’s largely due to the dry production job, but the rather redundant songwriting also plays a part. The riffs are tightly played, but they're also pretty unexciting on the whole. " As Loke Falls " probably have the highest quotient of riffs that didn't bore me, but even those are only decent, not really any more than that. lalu " Father of the Wolf " sentuhan hangat Gaya Heavy dan Power metal padat masih menjadi komposisi yang mengalir deras dalam setiap aransemennya. begitu juga dengan " Shape Shifter ", " Under Siege " yang Melodius sekali sejak track awal, dan " We Shall Destroy " semakin mantap terus mengajak kita untuk Headbang dan headbang !! menjadi yang lebih Fresh lagi pada track " Hel ", Vokalis Messiah Marcolin ( nama aslinya " Bror Jan Alfredo Marcolin " ) ikut bernyanyi ditrack keren ini, selain menikmati gaya Rythym yang Headbanging abis, kita akan merasakan gaya agak2 Power dan Soprano vokal Messiah Marcolin menjadi bagian " Hidup " track ini terdengar Epic sekali ! Messiah Marcolin tentunya sudah ga asing lagi jika kalian pernah mendengarkan lagu2nya Candlemass, Colossus, Memento Mori, Mercy hingga Requiem adalah Penampilan sebelumnya selain sebagai seorang Komedian di Mini TV seri di Swedia " V som i viking " tahun 1991 lalu. 10 lagu berdurasi 47:52 ini masih menjadi teman yang asyik kala sore menjelang dengan segelas Teh Panas dan sebungkus rokok Mild hehehe ... spesial banget buat kalian fans gitar musik melodius yang berceceran mendominasi hampir semua part musik. apalagi sajian tema lagu tentang Mitologi Bangsa Viking menjadi pelengkap karakteristik band sudah sejak awal band ini terbentuk. Everything about this just sounds so small and average. I'm not asking for ornate prog-isms and complex songwriting, but With Deceiver of the Gods just sounds meager. The songs' scope is small, the melodies are small, the riffs are small, the vocals are small. Nothing here aspires to greater heights; it is all very by-the-numbers and stale. The songwriting does not inspire me to bang my head or sing along, which is what it was going for, so I guess that makes it kind of a failure to me. The band seems very much content to just keep marching along and achieving only the barest minimum of quality possible, which isn't a good thing. They never do anything wrong on this, but very little right, either, and mostly I was just bored as hell listening to this. Amon Amarth have a lot of fans, and I'm sure no matter what I say, those fans won't be deterred, but me, this isn't my kind of thing, and I find it too unimaginative and uncreative to really get into. This album is great because it appeals to basically anyone, including those who have never heard of death metal. If you haven’t heard of Amon Amarth yet this is the ideal album to start with, and if you have you probably already own a copy.

Fresh material eventually owned most Melodic Death Metal Viking origins Popular Stockholm Sweden that existed in 1992, after gw termuncratkan also quite impressed with the track "Deceiver of the Gods" that their Launches as First Single first full album to 9 they are still with Metal Blade Records, is a Fantastic Track melodic style typical Amon Amarth enough interest to make gw Waiting Full album "Deceiver of the Gods". Amon Amarth is, and has been, Undoubtedly one of the iconic Melodeath bands, the band has pioneered the use of their lyrical theme; they're one of the first bands to write lyrics that revolve around the Norse mythology (having been preceded by Bathory ). The guys deserve credit for converting many metal fans to die-hard melodic death-metal fans. officially thrown in to the market on June 24 and June 25 for Europe to America. than is available in CD format, Party Jewelcase label also released in CD, 2 CD digipak, includes boxset, LP and Picture LP 500 Coffee Blue color version licensed to Nuclear Blast Records. 10 Fresh Melodic Death Metal song was performed at Backstage Studios in Derbyshire, UK for the first time with renowned Producer and Engineer Andy Sneap who has led successful album2 top bands like Arch Enemy, Accept, As I Lay Dying, Benediction, Caliban, Cradle of Filth , Chimaira, DevilDriver, Dimmu Borgir, Exodus, Killswitch Engage, Kreator, Lock Up, Machine Head, Megadeth, Napalm Death, Testament, and still a lot of success in the market results of cold hands. add plus points to the credit of this album, Amon Amarth hope all 9th ??album is going to hit his hand. an album that sadly remains much underappreciated among fans due to its simple Admittedly, yet in my opinion, amazingly catchy Compositions. When it came out I thought it was their strongest offering so far, well balanced and with zero point zero filler tracks. However, even though I was confident the Vikings would release a worthy successor, I did not expect it to blow away the dust upon the preceding album like a sleeve. Still tough with Concept and Skill that puts its melodic elements, Amon Amarth still exist for the umpteenth time with the concept of music since the beginning of the album material. This is pretty much the most cookie-cutter modern metal you can ask for, with little that is creative or interesting about it. The lyrics are pretty simple-Viking gimmick stuff and are delivered by the rather restrained and bland growls of Johan Hegg, worshiped the world over for but could be better I'll never get. He does not have a bad voice but he just never lets loose and really puts his whole self into the performance, making it sound like he's just restraining himself so as to not scare anyone. He's very listenable in general, but why bother having harsh vocals if you're going to do it so tamely and unimpressively? I think this stuff would work just fine with clean vocals. It's not like this is really that extreme or anything, and the growls are just boring as it is. "Deceiver of the Gods" is still a mainstay Strong in this album so it deserves is displayed in the forefront of this album, how Amon Amarth still amaze with headbang nang Catchy melodic style it. a touch of classic Heavy Metal Iron Maiden's melodic style and the style is so strong Power metal is still a strong element in the musical structure. and of course it still brings fresh scent of the previous era album "Surtur Rising" or "Twilight of the Thunder God", but for Gw ga there are a lot of changes with the concept of the band itself. I like this track while entering the part Refrain "Asgard's always been my home / But I'm of different blood / I will / overthrow their throne / Deceiver of the gods" Screamin Middle Vocalist Johan Hegg as fused and impregnating her feel, and some Thrash her part Ryhtym Johan Söderberg was steady mengiring some solo guitar Olavi Mikkonen. indeed be something very difficult for a musician to create a song with lyrics that nature is so fused that into the composition of the "Log" really feel it. "As Loke Falls" still continues duet gitarus Olavi and Johan Melodic riffing hard work creating the mendayu dayu a deadly anesthetic from the Viking Warriors. may also plenty who know if this character Amon Amarth musical style is an extension of the old "Heartwork" by Carcass his old style with In Flames still Gothenburg sound as an integral dish. The music itself is also very tame, with mostly midpaced songs that occasionally lapse into 'fast' sections, though never anything truly passionate-sounding unhinged or like they actually give a crap about the music they're playing. The songs are all well written and contain a some decent riffs and melodies, but none of them ever break out of the stodgy and unimpressive restraint they have going. There's very little, if any, atmosphere on this, and that's largely due to the dry production job, but the rather redundant songwriting also plays a part. The riffs are tightly played, but they're also pretty unexciting on the whole. "As Loke Falls" probably have the highest quotient of riffs that did not bore me, but even those are only decent, not really any more than that. and "Father of the Wolf" warm touch of style Heavy and Power is still a solid metal composition flowing in any arrangements. as well as the "Shape Shifter", "Under Siege" is melodic track once since the beginning, and "We Shall Destroy" continues to bring us more determined to Headbang and headbang!! become more Fresh again on track "Hel", vocalist Messiah Marcolin (real name "Alfredo Marcolin January Bror") ditrack sing this cool, besides enjoying the style Rythym Headbanging abis, we will feel the force agak2 Power and Soprano vocal Messiah Marcolin be the "Life" this track sounds so Epic! Messiah Marcolin ga course, already familiar if you've ever listened to lagu2nya Candlemass, Colossus, Memento Mori, Requiem is a Mercy to look earlier than as a comedian in the TV mini series in Sweden "V som i viking" 1991 years ago. 47:52 10 song length is still a friend a fun time with a late afternoon glass of hot tea and a pack of cigarettes Mild hehehe ... really special for you fans scattered melodic guitar music dominates almost all parts of music. theme song let alone presentation on Viking mythology to complement the characteristics of the band has been since the beginning of the band was formed. Everything about this just sounds so small and average. I'm not asking for ornate prog-isms and complex songwriting, but With Deceiver of the Gods just sounds meager. The songs' scope is small, the melodies are small, the riffs are small, the vocals are small. Nothing here aspires to greater heights; it is all very by-the-numbers and stale. The songwriting does not inspire me to bang my head or sing along, roomates is what it was going for, so I guess that makes it kind of a failure to me. The band seems very much content to just keep marching along and Achieving only the barest minimum of quality possible, roomates is not a good thing. They never do anything wrong on this, but very little right, either, and mostly I was just bored as hell listening to this. Amon Amarth have a lot of fans, and I'm sure no matter what I say, those fans will not be deterred, but me, this is not my kind of thing, and I find it too unimaginative and uncreative to really get into. This album is great Because it appeals to basically anyone, Including those who have never heard of death metal. If you have not heard of Amon Amarth yet this is the ideal album to start with, and if you have you probably already own a copy.














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Deranged - Morgue Orgy EP 2013



























Deranged - Morgue Orgy
Sevared Records EP 2013
http://www.myspace.com/stabandhack
https://www.facebook.com/derangedband
http://www.reverbnation.com/deranged

01 Morgue Orgy 03:03    
02 Symphony of Screams 04:17    
03 Machine Built to Kill 04:24    
04 Hello from the Gutters 05:09    
05 Milk (S.O.D. cover) 02:28


Andreas Johansson - Bass
Rikard Wermén - Drums
Thomas Ahlgren - Guitars
Anders Johansson - Vocals


Mengalami Evolusi Musik yang semakin signifikan, Salah satu Veteran Brutal Death Metal Asal Swedia ini terus eksis sejak band ini dibentuk tahun 1991. melejit untuk pertama kalinya lewat Album CD pertama mereka " Rated-X " tahun 1995, band ini sempat disebut sebagai salah satu band " Paling " Brutal di Jagad metal saat itu. telah beberapa kali mengalami bongkar pasang formasi saat ini hanya menyisakan Rikard Wermén sebagai frontman Orisinil dalam band dianggap sebagai salah satu pemicu beberapa perubahan gaya bermusik Deranged. meskipun terdengar semakin matang, namun sentuhan2 karakteristik yang begitu mendarah daging satu persatu mulai tertinggalkan. It’s got a little groove here and there, and it’s at least little catchy and memorable. A few of the riffs that you can actually pick out on some other songs are a little groovy if not the least bit technical. Overall though, the album is just brainless blasting alongside generic death metal riffs with cookie monster vocals. apalagi gw terkejut mendengarkan materi Mini Album ini, Deranged lebih tampil simple death Metal dengan sentuhan dominan Catchy Headbang part, sehingga jangan terlalu berharap banyak jika band ini akan tampil meledak ledak seperti sebelumnya meskipun EP ini masih menyimpan kadar Brutality-nya. " Morgue Orgy ", masih membuka penampilan band dengan hentakan hyperfast snare standard dengan sayatan simple Riffing Harmonizing dan breakdown Stomp ! dengar bagaimana gitaris Thomas Ahlgren akan lebih banyak menyematkan permainan Thrash Catchy Riffing dengan sentuhan Harmonizing Solo Gitar-nya. Sound Snare Drumming-nya masih mempertahankan karakteristik drummer Rikard Wermén. Part awal " Symphony of Screams " lumayan memberikan Teknikal Riffing dengan Sweep Picking Style ciamik ! dan kalau elo demen nuansa yang Headbanging banget, kayaknya track " Machine Built to Kill " lebih banyak menaburkan elemen kekerasan pada beat-nya. delivers slow to mid paced riffing that’s simplistic yet effective. Ahlgren creates a violent, grim atmosphere, while Rikard Wermen’s steady drumming reminds me of a machine gun blasting through your speakers. You can hear how he’s changing up the tempos numerous times on many songs. Wermen may be categorized as just a blast beat drummer, but his ability to become artistic with the brutality is refreshing. apalagi " Hello from the Gutters " pembawaannya masih ingin terus menawarkan Headbanger part yang terasa Stoner metal banget sentuhan Gloomy sludging-nya. dan yang keren lagi, pada akhir track, Deranged coba membawakan track lawas kembali " Milk " nya S.O.D dengan gaya Deranged tentunya. menjadi komponen tersendiri bagaimana adrenalin Deranged begitu Terkuras Powerfully membawakan kembali Gaya Thrash Cross Over S.O.D menjadi lebih cepat lagi aransemennya. Artwork Kover garapan seniman extensive gruesome yang terkenal dengan gaya Black & White nya ini sangat dikenal dengan beberapa lukisan Tangannya menghiasi Cover EP ini. meski tidak ada yang lagi (lagi) baru dalam konsep bermusik Deranged di EP ini, fans blastbeat dengan hentakan Catchy Headbang Beat Park, akan menyukai rilisan ini untuk kalian coba sendiri. Certain parts of the album have an old school Swedish death metal vibe circa 1992. showcases a melodic side to the musicianship and especially the drumming. The guitars groove while the drumming and bass grind endlessly, destroying all that listen. Beneath the brutality of these songs, there are so many hooks that are real infectious. Using pinch harmonics throughout the album, this adds further interest to these songs. Deranged balances technicality, aggression and fiery energy that gives their macabre, gory lyrics a different perspective is a milestone of brutal death metal for all you sick bastards who enjoy exhuming the tombs and smelling dead bodies decomposing. It may work for normal people with serious jobs too, the only requirement is the inconditional love for grinding savageness herein included.

Experienced a significant evolution of the music, One Veterans Brutal Death Metal Origin Sweden continues to exist since the band formed in 1991. jumped for the first time through their first CD album "Rated-X" in 1995, the band was known as one of the band's "Most" Brutal metal in the Universe at that time. have several times experienced assembling the current lineup, leaving only Rikard Original Wermén as frontman in the band is considered as one of the triggers several musical style changes Deranged. although it sounds more mature, but sentuhan2 so ingrained characteristics one by one starting forgotten by. It's got a little groove here and there, and it's at least little catchy and memorable. A few of the riffs that you can actually pick out on some other songs are a little groovy if not the least bit technical. Overall though, the album is just brainless blasting alongside generic death metal riffs with cookie monster vocals. moreover i was surprised to listen to this album Mini materials, Deranged more simple look with a touch of death metal Headbang Catchy dominant part, so do not expect much if the band will perform explosive as before although the EP is still keeping its levels Brutality. "Morgue Orgy", is still open to the beat of the band's performance with a standard snare hyperfast simple incision breakdown riffing harmonizing and Stomp! hearing how the guitarist Thomas Ahlgren will be more pinning Thrash games Catchy riffing with a touch of harmonizing his Solo Guitar. Sound Snare Drumming it still retains the characteristics of drummer Rikard Wermén. Part early "Symphony of Screams" middling provide Technical riffing with Sweep Picking Style ciamik! and if elo Amendment Headbanging feel really, I think the track "Machine Built to Kill" more violent elements sprinkled on the beat. delivers slow to mid paced riffing that's simplistic yet effective. Ahlgren creates a violent, grim atmosphere, while Rikard Wermen's steady drumming reminds me of a machine gun blasting through your speakers. You can hear how he's changing up the tempos numerous times on many songs. Wermen may be categorized as just a blast beat drummer, but his ability up to become artistic with the brutality is refreshing. especially "Hello from the gutters" demeanor still want to continue to offer Headbanger Stoner metal part that feels really touch her Gloomy sludging. and cool again, at the end of the track, Deranged try to bring back the old track "Milk" with his SOD Deranged style of course. a separate component of how adrenaline Deranged brought back so drained Powerfully Thrash Style Cross Over SOD becomes faster again arrangements. Coverage Artwork Gruesome extensive arable artist known for his style of Black & White is very well known with some hand paintings adorn this EP Cover. even though no one else (again) in the new musical concepts Deranged in this EP, fans blastbeat with Catchy beat Headbang Beat Park, will love this release for you try it yourself. Certain parts of the album have an old school Swedish death metal vibe circa 1992. Showcases a melodic side to the musicianship and especially the drumming. The guitars groove while the drumming and bass grind endlessly, destroying all that listen. Beneath the brutality of these songs, there are so many that are real infectious hooks. Using pinch harmonics throughout the album, this adds further interest to these songs. Deranged balances technicality, aggression and fiery energy that gives their macabre, gory lyrics a different perspective is a milestone of brutal death metal for all you sick bastards who enjoy exhuming the tombs and smelling dead bodies decomposing. It may work for normal people with serious jobs too, the only requirement is the love for grinding savageness inconditional Herein included.


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Entombed / Evile - Drowned ' Vinyl 2013





















Entombed / Evile - Drowned
Earache Records ' Vinyl 2013

01 Entombed - Drowned        
02 Evile - Drowned


Entombed
L-G Petrov - Vocals
Ulf "Uffe" Cederlund - Guitars, Bass
Alex Hellid - Lead Guitars
Nicke Andersson - Drums


Evile
Matt Drake - Vocals, Guitars
Ol Drake - Lead Guitars
Joel Graham - Bass
Ben Carter - Drums


Dan Entah apa maksudnya Digby Pearson, Boss dari Earache Records ini untuk pertama kalinya coba merilis Album dalam format vinyl ini ( Bentuk sebagai Piringan hitam yang Kemudian menjadi khas dan menawan sebagai hasil dari bentuk biasa dan desain yang inovatif memiliki Bentuk Fisik yang lebih besar dari penerusnya ( 30 cm ) dan Keunggulan lain dari Format Klasik ini adalah menghindari Bentuk pembajakan dengan cara Reproduksi, apalagi hanya menuangkan 2 konten track yang sama namun oleh 2 band hehehe ( 1 Pembawa lagu asli, 1 Band yang Mencover ulang ) seperti mencoba cara klasik ini Earache Records coba menghadirkan kembali format yang masih digemari oleh beberapa fans pendengar musiknya. track pertama dimulai lebih dulu oleh Pioner Swedish Death Metal Populer, ENTOMBED yang mengambil materi " Drowned " ini dari Track Klasik sejak Band ini berevolusi awal dengan Nama Nihilist Tahun 1987 sebelum akhirnya menjadi Entombed Tahun 1989, yang ini sendiri adalah versi dari album pertama fenomenal sepanjang masa bagi perkembangan Swedish Death Metal Sound " Left Hand Path " Tahun 1990 via Earache Records masih begitu nyaring terdengar kekuatan dasyatnya walau hanya menjadi rekaman Klasik. Standing out from much of the death metal of the early 90's, before technicality became standard in the genre, many of the songs featured here have wild patterns of ascending and descending riffs, abrupt transitions, and a general tendency to not dwell in one place for too long. Sure, those things are shared by most death metal to one degree or another, but it's often done just for the sake of sounding crazy. Here, it's done with purpose. Everything on the record is done with purpose. For twenty-two years this album has stood up to all scrutiny it has ever faced. Not even one thing is out of place. kemudian track Ke-2 nya oleh EVILE, Youngest Thrasher Huddersfield, England, UK coba membawakan Track ini dengan masih begitu kuat Sound Khas Swedish-nya, padahal kita tau kalo band ini adalah Fans Berat-nya Metallica ! dengan aransemen yang ga begitu jauh mengalami Improvisasi ala Evile, " Drowned " ini masih tajam menusuk Karakternya, termasuk juga gaya bernyanyi Vokalis/Gitaris Matt Drake menjadi lebih Nge-growl khas ala L-G Petrov dan bukan James Hetfield hehehe .... ngomong2 ini seperti sebuah " Comparing Track " aja dan jadi sesuatu idealis bagi Digby pearson pribadi deh, orang suka atau Ga, yang penting menyenangkan bagi Seorang Dig kayaknya hehehe .... Without doubt one of the most important, respected, influential and downright amazing albums you will ever come across in the entirety of the death metal genre an astounding experience to listen to. Fully deserving of all the plaudits bestowed upon it, it is Entombed’s definitive masterwork, and all faithful warriors of the metal cause would do well to walk it’s dark track to see what hellish wonders are in store for them.

And I wonder what he meant Digby Pearson, Earache Records Boss of this for the first time try to release the album in vinyl format (Form as LPs which then become distinctive and captivating as a result of regular shapes and innovative design has a larger physical form of successor (30 cm) and the other advantages of this classic format is a way to avoid piracy Shape Reproduction, let alone pour 2 content the same track, but by 2 bands hehehe (1 Bearer original song, one band that re mencover) as a way to try this classic Earache Records try to bring back the format is still favored by some fans of music listeners. tracks first started by the first pioneers Popular Swedish Death Metal, Entombed who took the material "Drowned" from Track Classic this band evolved since the beginning of the name Nihilist of 1987 before finally being Entombed 1989, which itself was a phenomenal version of the first album of all time for the development of Swedish Death Metal Sound "Left Hand Path" in 1990 via Earache Records was so loud sound power dasyatnya though only a classic recording. Standing out from much of the death metal of the early 90's, before technicality Became standard in the genre, many of the songs featured here have wild patterns of ascending and descending riffs, abrupt transitions, and a general tendency to not dwell in one place for too long. Sure, those things are shared by most death metal to one degree or another, but it's Often done just for the sake of sounding crazy. Here, it's done with purpose. Everything on the record is done with purpose. For twenty-two years this album has Stood up to all scrutiny it has ever faced. Not even one thing is out of place. then his 2nd track by EVILE, Youngest Thrasher Huddersfield, England, UK to try to bring this track is so powerful its Sound Typical Swedish, but we know if this band is Metallica Fans its weight? with the arrangements so far experienced Improvisation ga ala Evile, "Drowned" is still sharp stabbing character, as well as singing style vocalist / guitarist Matt Drake became more distinctive growl Nge-style LG Petrov and not James Hetfield hehehe .... ngomong2 this as a "Comparing Track" and so wrote something for Digby Pearson idealistic personal deh, people like it or Ga, which is important fun for A Dig seems hehehe .... Without doubt one of the most important , respected, Influential and downright amazing albums you will ever come across in the entirety of the death metal genre an astounding experience to listen to. Fully deserving of all the plaudits bestowed upon it, it is Entombed's definitive Masterwork, and all the faithful warriors of the cause metal would do well to walk it's dark Hellish track to see what wonders are in store for them.











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Minggu, 11 Oktober 2015

Deathening - Chained In Blood CD 2013



























Deathening - Chained In Blood
Rakamarow CD 2013
http://www.deathening.se
http://www.myspace.com/deathening
http://www.facebook.com/Deathening
http://open.spotify.com/artist/4yzW2mFQwSV3tSbYCn9Yed
pal@deathening.se

01 Self Impaled 02:32    
02 Slave To The Kill 04:03    
03 Bleed 07:16    
04 Terminal Retribution 04:01    
05 Beast Inside 04:58    
06 The Living Burn 04:07    
07 Ether 00:53    
08 Prepare To Die 04:24    
09 Lights Out 03:45    
10 Butchered Souls Of No Tomorrow 06:05    
11 Final Pearce Disdain02:54    
12 Cease 01:16


Pär Hallgren - Bass
Arnold Lindberg - Drums
Niklas Fridh - Guitars
Pål Callmer - Guitars
Kalle Johansson - Vocals


Deathening uses both brutal and melodic influences of old-school death and thrash to perform a mix of in-your-face, technical riffs and harmonic chords and solos. Debutan Ke-2 Band Melodic Death Metal asal Malmö/Gothenburg,Swedia ini begitu memorable dengan Konsep yang ditawarkan oleh Dedengkot Scene-nya Dark Tranquillity Era " Character " banget serta Gaya Harsh Vokal Jerman Melodic Death Metal, Night in Gales, Björn Gooßes era " Towards the Twilight " sekali. iya memang sentuhan Permainan Type Dark Tranquillity Era " Character " sudah sangat Gw rasakan begitu mendengarkan track pertama " Self Impaled ",  I see "Gothenburg metal" as an alloy of thrash and death metal fundamentally, then stacked with loads of melody, so that it mutates into something different again. The present trend pop does not, luckily, raise its ugly head here. The band hit their fastest here, I believe, but fluently changing the pace throughout the album. It can be viciously angry, but also enchantingly inviting, so it is very well balanced indeed. The album's bening characteristic is its way to open up quite slowly, thanks to its quite curvy song material. bagaimana Metallic Riffing Duo Gitaris Niklas Fridh dan Pål Callmer telah menyatu menjadi Kolaborasi yang Kompak masih kental so pasti dengan Gaya Swedish Sound yang Era kini menjadi Kembali begitu Populer ga hanya di Scene Swedia namun sudah Internasional. komposisi musik yang Lebih memang bergaya Modern Style seperti yang sekarang juga banyak menjadi Influence Band2 Metallic Hardcore, terdengar simple namun penuh dengan elemen2 Catchy Riffing yang melodius pada setiap sentuhannya. One can expect a lot of riffs and fantastic memorable leads. At times the guitars are surprisingly ripping. The drumming is pounding and full of nice tricks. Synths aren't as sweet anymore, which is a good thing in my ears. The synths have slightly smaller part, but it's more planned. Generally, it can be heard, that the band had joy recording the album. Terbentuk sejak tahun 2008 adalah side Project dari member band Murderplan dan Supraload menjadi bukti keseriusan mereka mencari " Udara segar " diband sebelumnya. meski tidak ada sesuatu yang terbilang baru 12 Track berdurasi sekitar 46:14 adalah Bukti eksistensi mereka sejak album Pertama " Open Up and Swallow " tahun 2011, Deathening tetap ingin menunjukkan Kreasi dan Ekspresi yang mereka miliki dan pertahankan. The playing is accomplished, and many a listener will be drawn in by the flashy guitar work and pragmatic heaviness, as the dedication to writing no-nonsense music will lead them to think that this has some kind of sophistication. There is a poppy sensibility about this, and it makes the whole thing sound just that much more accessible. One could quite easily summarise this album as having a few good riffs hidden sparsely about the landscape of intrusive, badly disfigured Iron Maiden riffs and double bass drumming, I always seem to be really rough on Dark Tranquillity but I can't help it, their claim to fame seems to hinge on the fact that in a time where their closest contemporaries began, they decided to simply homogenise their sound and still successfully appear more 'true' to the metal community. Hail Swedish Melodic Death Metal damn do they create atmosphere!

Deathening uses both brutal and melodic Influences of old-school death and thrash to perform a mix of in-your-face, technical riffs and harmonic chords and solos. 2nd Debutante Melodic Death Metal Band origin Malmö / Gothenburg, Sweden is so memorable with concept offered by its dedengkot Scene Dark Tranquillity Era "Character" really and Style Harsh Vocals German Melodic Death Metal, Night In Gales, Björn Gooßes era " Towards the Twilight "once. yes indeed touch Game Type Dark Tranquillity Era "Character" is very Gw feel so listening to the first track "Self Impaled", I see "Gothenburg metal" as an alloy of thrash and death metal fundamentally, then stacked with loads of melody, so that it mutates into something different again. The present trend of pop does not, luckily, raise its ugly head here. The band hit their fastest here, I believe, but fluently changing the pace throughout the album. It can be viciously angry, but also enchantingly inviting, so it is very well balanced indeed. The album's clear characteristic is its way to open up quite slowly, thanks to its quite curvy song material. how Metallic riffing guitarist Niklas Duo Fridh and Pål Callmer have fused into a Collaboration Compact is still thick so definitely with Swedish Style Era Sound that has become so Popular ga Back just in Sweden but has International Scene. More music compositions Modern Style is a stylish as it is now also much to Influence band2 Metallic Hardcore, sounds simple but full of elemen2 Catchy melodic riffing on every touch. One can expect a lot of fantastic memorable riffs and leads. At times the guitars are surprisingly ripping. The drumming is pounding and full of nice tricks. Synths are not as sweet anymore, roomates is a good thing in my ears. The synths have slightly smaller part, but it's more planned. Generally, it can be heard, that the band recording the album had joy. Formed since 2008 is side project of the band members and Supraload Murderplan be looking for evidence of the seriousness of their "Fresh Air" earlier diband. although there is something fairly new 12 Track lasted about 46:14 is evidence of their existence since the first album "Open Up and Swallow" in 2011, Deathening wanted to show creation and expression they have and keep. The playing is accomplished, and many a listener will be drawn in by the flashy guitar work and pragmatic heaviness, as the dedication to writing no-nonsense music will lead them to think that this has some kind of sophistication. There is a poppy sensibility about this, and it makes the whole thing sound just that much more accessible. One could quite Easily summarise this album as having a few good riffs hidden sparsely about the landscape of intrusive, badly disfigured Iron Maiden riffs and double bass drumming, I always seem to be really rough on Dark Tranquillity but I can not help it, their claim to fame seems to hinge on the fact that in a time where their closest contemporaries Began, They decided to simply homogenise their sound and still successfully Appear more 'true' to the metal community. Hail Swedish Melodic Death Metal damn do they create atmosphere!











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Dark Tranquillity - Construct CD 2013


























Dark Tranquillity - Construct
Century Media Records CD 2013
http://www.darktranquillity.com
http://www.myspace.com/dtofficial
http://www.facebook.com/dtofficial
http://twitter.com/dtofficial
http://www.youtube.com/dtofficial
http://www.ultimatemetal.com/forum/dark-tranquillity-61/

01 For Broken Words 04:34      
02 The Science of Noise 03:45    
03 Uniformity 05:31      
04 The Silence in Between 03:32    
05 Apathetic 03:29    
06 What Only You Know 04:01    
07 Endtime Hearts 03:59      
08 State of Trust 04:06    
09Weight of the End 04:56    
10 None Becoming 04:31


Martin Henriksson - Guitars, Bass
Anders Jivarp - Drums
Niklas Sundin - Guitars
Mikael Stanne - Vocals
Martin Brändström - Keyboards


One of the earliest pioneers of the Gothenburg melodic death metal style, Dark Tranquillity Comeback Again !! Pasca menjajal Rilisan Sebelumnya, EP " Zero Distance " tahun 2012, salah satu Jawara Penting perkembangan Genre Melodic Death Metal asli Gothenburg yang eksis terbentuk sejak Tahun 1989 Sebagai Septic Broiler dan Tahun 1991 kemudian menjadi Dark Tranquillity memang selamanya bakalan dikenang sebagai Pioner Melodic Death Metal dengan rilisan terbaik sepanjang masa-nya " Skydancer (1993) " dan " The Gallery (1995) " juga masuk dalam Playlist album penting berpengaruh. dan seperti halnya EP " Zero Distance ", warna musik band ini sendiri masih mengacu pada sentuhan gaya Modernnya, is a fairly standard song, with futuristic, industrial guitar chugs standing in for the serrated guitar lines of a few years ago. memang agak rada bergeser mungkin sentuhannya tidak sekental era kejayaan mereka, tapi sentuhan yang begitu Avant Garde ini lumayan memicu Genre Anyar pada dekade ini. less interesting guitars, some repetition on the part of the keyboards, but with a more solid atmosphere and better vocals this makes for a fulfilling 42:24. dan mungkin untuk pertama kalinya, Dark Tranquillity menggandeng Enjiner muda berbakat Jens Peter Daniel Bogren yang lebih dikenal sebagai Jens Bogren untuk Me-mixing album full ke-10 ini. Jens Bogren yang juga sukses menggarap album2nya Amon Amarth, Borknagar, Daylight Dies, Devin Townsend Project, Dionysus, Eluveitie, Enslaved, God Forbid, Grand Magus, Ihsahn serta masih banyak lagi deretan Band2 Populer Kelas Internasional menjadi alasan Kuat Dark Tranquillity mempercayakan Materi baru ini untuk mendapat sentuhan Beda dan Baru. dimulai dengan " For Broken Words ", sentuhan Industrial dengan Gaya Alternative Avant Garde sudah begitu mulai terasa yang kemudian disambung dengan Melodius Riffing Harmony. is more of the same, but with a more soaked and captivating atmosphere than the previous song; beautiful lead work and all. meskipun tidak hadir selalu dengan beat2 yang meledak ledak, Atmosfir nuansa Khas-nya begitu memenuhi ruangan kamar gw terasa Cool banget, sehingga gw terbawa Hanyut dalam Dimensi Khayalan aja cieeeee ..... Kharakter Musik metal yang kian melankolis menjadi sebuah sentuhan Universal yang bisa menembus semua penikmat Musik-nya, Dark Tranquillity tetap menunjukkan kematangan walo dengan gaya yang ga seliar sebelumnya. " The Science of Noise " ketukan beat nya agak lumayan memanas dari Gebrakan awalnya, masih tetap tampil begitu melankolis yang terasa Alternative banget, lagi2 terasa " Kalem " komposisinya tanpa distorsi yang menusuk. begitu pula dengan " Uniformity ", bahkan " The Silence in Between " malah terasa Gaya Alternative Gothic metal-nya. ada banyak yang bergeser dari konsep awal, penawaran konsep yang simple dan ga terlalu berat untuk dikonsumsi setiap hari, band ini bagi gw tetap Berkualitas dengan Karya fenomenal-nya. is an acoustic song of celestial atmospherics, and leads into the still heavier and more oppressive, which has a bit of a Norther feeling going on and doesn't really hold the attention like its forebears. but if you ask me the industrial, cold and dystopian progression of their Gothenburg sound that record tried to portray is better captured on this scant collection of B-sides, and it makes for a pretty cool listen if you were able to dig both their experimental works ! Komposisi yang agak sedikit berat bisa kita rasakan pada " Apathetic " dengan beberapa cakaran nyata Metallic Riffing cantik. " What Only You Know " masih begitu menusukkan irama Epic dan Harmonic pada setiap sentuhannya yang memorable.  total 10 lagu berdurasi sekitar 42:24 cukuplah untuk memberikan sentuhan baru dalam belantika Musik metal yang semakin tampil modern harus beberapa kali melebur Idealisme bermusik musisinya untuk melakukan hal semua orang sukai, klise. inilah memang perjalanan sebuah musik jika memang telah berbaur dengan Industri musik dengan segala tuntutan pasar-nya. Artwork Simple bergaya Futuristik karya seniman Niklas Sundin memang terkadang akan mengacaukan pandangan Fans Mereka di Toko Musik sekalipun hehehe... tetap tegar masih dengan formasi aslinya sejak 1991, Dark Tranquillity tetap memberikan sentuhan tersendiri pada perkembangan Melodic Death Metal yang semakin Modern dan Kompleks. Optimistically speaking, a lackluster but good album is still a good album, unless of course they decide to sit down and keep writing the same thing over and over again, which will erase any positive outlook even from the most diehard fans. Let’s all hope for the best. Despite the negatives, this is still a very solid release nonetheless. Dark Tranquillity is indeed a band excellent at delivering you melancholic songs to your mind, ever.

One of the earliest pioneers of the Gothenburg melodic death metal style, Dark Tranquillity Comeback Again!! Post-tested release Previously, EP "Zero Distance" in 2012, one of the important developments Jawara Genre original Gothenburg Melodic Death Metal in existence since 1989, formed as Septic Broiler and in 1991 later became Dark Tranquillity is forever going to be remembered as pioneers with Melodic Death Metal releases his best of all time "Skydancer (1993)" and "The Gallery (1995)" is also included in the album Playlist important influence. and like the EP "Zero Distance", the band's musical color itself still refers to a touch of modern style, is a fairly standard song, with futuristic, industrial guitar chugs Serrated standing in for the guitar lines of a few years ago. Rada is somewhat shifted his touch may not be as thick as their golden era, but the touch is so Avant Garde Genre Recent sizable lead in this decade. less interesting guitars, some repetition on the part of the keyboards, but with a more solid vocals better atmosphere and this makes for a fulfilling 42:24. and perhaps for the first time, Dark Tranquillity took talented young Engineer Peter Daniel Jens Bogren, better known as Me-Jens Bogren to mix full album this 10th. Jens Bogren who also successfully worked album2nya Amon Amarth, Borknagar, Daylight Dies, Devin Townsend Project, Dionysus, Eluveitie, Enslaved, God Forbid, Grand Magus, Ihsahn and many more rows band2 Popular International Class is the reason Strong Dark Tranquillity entrust this new material for a touch of difference and the New. begins with "For Broken Words", Industrial touch with Avant Garde Style Alternative already so starting to feel that then spliced ??with melodic riffing Harmony. is more of the same, but with a more soaked and captivating atmosphere than the previous song; beautiful lead work and all. although not always present with the explosive beat2, its atmosphere so typical shades fill the room Cool room i felt really, so i brought Drifting in Fantasy Dimension cieeeee aja ..... Kharakter increasingly melancholic metal music into a universal touch that can penetrate all the music lovers, Dark Tranquillity continued to show maturity ga walo with style as wild as ever. "The Science of Noise" beats beat her somewhat tolerable heat of breakthrough initially, still look so melancholy that feels Alternative buildup lagi2 feels "Kalem" composition without piercing distortion. as well as the "Uniformity", even "The Silence in Between" instead noticeably Alternative Gothic style of his metal. there are many who shifted from the initial concept, the concept offers a simple and ga is too heavy to be consumed every day, this band for fixed gw Qualified with his phenomenal work. is an acoustic song of celestial atmospherics, and leads into the still heavier and more oppressive, roomates has a bit of a Norther feeling going on and does not really hold the attention like its forebears. but if you ask me the industrial, cold and dystopian progression of their record Gothenburg sound that tried to portray is better captured on this scant collection of B-sides, and it makes for a pretty cool listen if you were Able to dig both their experimental works! The composition is a bit heavy we can feel on the "Apathetic" with some obvious scratches pretty Metallic riffing. "What Only You Know" still so stuck Epic and Harmonic rhythm at every touch is memorable. 10 tracks total duration of about 42:24 suffice to provide a new twist in the metal music scene that increasingly appears to be some times fused modern musical idealism musicians to do all those things like, cliché. This is indeed a musical journey if it had been mingled with the music industry with all the demands of its market. Simple Futuristic style artwork by artist Niklas Sundin is going to mess up sometimes Fans They view in Music Store though hehehe ... still stand tall with its original formation since 1991, Dark Tranquillity still played on the development of an increasingly Melodic Death Metal Modern and complex. Optimistically speaking, a lackluster but good album is still a good album, unless of course they decide to sit down and keep writing the same thing over and over again, roomates will erase any positive outlook even from the most diehard fans. Let's all hope for the best. Despite the negatives, this is still a very solid release Nonetheless. Dark Tranquillity is indeed a band you excellent at delivering melancholic songs to your mind, ever.











Add to Cart More Info

Jumat, 03 Juli 2015

Skineater - Dermal Harvest CD 2013



























Skineater - Dermal Harvest
Pulverised Records CD 2013
http://www.skineater.se
http://www.myspace.com/skineater
http://www.facebook.com/Skineater666
http://www.reverbnation.com/skineater
http://twitter.com/Skineater1
http://www.youtube.com/user/SkineaterSweden
info@skineater.se
skineater666@hotmail.com

01 He Was Murdered 03:56    
02 Dismantling 03:40    
03 Your Life Is Mine 03:12    
04 Made of Godsick 03:22    
05 Through the Empire 03:23    
06 Stab 05:15    
07 Drifting 02:55    
08 Thousand Dead Faces 04:04    
09 Bring Them 04:16    
10 Solitude Discord 03:23


Matte Modin - Drums
Jörgen Ström - Vocals
Håkan Stuvemark - Guitars
Stefan Westerberg - Bass


In other words, its a harried and intricate mesh of extreme USDM influences like Morbid Angel, Deicide and Cannibal Corpse with 90s Swedes like At the Gates, Dark Tranquillity, and In Flames. While purists of the former grouping might not take kindly to Dermal Harvest's use of dual harmonies and driving melodic tremolo riffs that hearken back to titles like Slaughter of the Soul and The Jester Race, you have to give them some credit that they can balance them off so effortlessly against the harsher churning, clinical chugging that weighs down more of the prevalent grooves. Strangely enough, though, Skineater never really sounds like an 'old soul'. The clean, bludgeoning production seems sleek and modern, the drums played at almost a mechanical level of perfection, the bass oozing and thuggish and constantly adding a depth due to its swerving note progressions that never adhere too strictly to the rhythm guitar. But most importantly, the band is backed up its riffs, riffs, a thousand riffs. Not all of them are amazing, and few of them are unique, but you will simply never run cold on their flurried variation and intensity. itu menjadi yang pertama kali gw tangkap dari esensialisme Musikal band ini sejak pertama kali mengenalnya, meskipun terhitung sebagai nama Baru di belantika Death Metal Scene Swedia, Nama Skineater ternyata ga bisa diremehkan loh !, coz disini terselip beberapa nama Band Penting dan Populer, ada Frontman Skineater sejak dibentuknya tahun 2008 Pasca Keluar dari Band Vicious, Hakan Stuvemark, kita kenal sebagai mantan Gitaris Band In Thy Dreams, Wombbath, dan Vicious, yang kemudian bergabung selanjutnya adalah Jeramie Kling ( Infernaeon, Ninety Minute Reflex, The Absence ) namun tahun 2011 Jeramie Cabut dan tergantikan oleh Matte Modin ( ex-Defleshed, ex-Sportlov, Raised Fist, ex-Dark Funeral, ex-Nonexist, ex-Embalmed, ex-Infernal ), Bass/Vocal Stefan Westerberg ( Leech, Steel Attack, Wasteland Skills, ex-In Thy Dreams, ex-Asperity, ex-8 Foot Sativa, ex-Carnal Forge, ex-World Below, ex-Kryptillusion, ex-Mayer's Eve ), Lead Gitaris Kari Kainulainen ( ex-Mourning Sign, Pavlovian Dogs, Sibliance, ex-Amaran ) tentunya bukan nama Omong kosong jika band baru ini memiliki Performa yang Keren abis !! While these sorts of 'supergroups' pop up all over the place in a country so thick with signed metal musicians, here is one you might pay some special attention to, because the diversity of their prior acts plays a huge role in the dual-nature of their sound. No, good readers, Dermal Harvest is not another increasingly futile exercise in aping the old Sunlight Studios guitar tone and kneeling at the shrine of the country's old school heritage so much as it's a highly functional fusion of the melodic and brutal extremes of death metal, in equal measure. tersentak kaget banget begitu track pertama " He Was Murdered " menghantam begitu kejam dengan gempuran Hyperblast Tajam dan Beringas dengan Multiple Vokal yang saling mengisi, tetap membawa karakteristik Sound Recording ala Sunlight Studios, so tentunya masih ingat bagaimana karakternya? ( Old Dismember, Entombed, Defleshed, In Flames, etc ) selain permainan dengan tempo yang cepat, Skineater masih menambahkan lagi sentuhan melodius Riffing yang kental dalam setiap aransemennya sehingga terasa begitu syahdu Atmosfirnya ! ini memang sebuah perpaduan keras antara At The Gates, Dark Tranquillity dan In Flames plus sentuhan Hyperblaster Suffocation ! deliver a pretty substantial array of bludgeoning breakdowns, primal rhythm guitar patterns and elegant glazes of harmony that often encapsulate these excellent, surgical muted melody progressions that shine alongside the bulk of the beat. The vocals aren't all that distinct or impressive !!! " He Was Murdered " adalah track yang sangat tepat berada di urutan terdepan album Full pertama mereka yang mengalami Dinamika perkembangan yang pesat setelah materi " Rot " single Tahun 2010 mereka. " Dismantling " tetap diawali dengan part yang Hyperblaster ! tetap menawarkan sentuhan melodius yang cantik pada setiap lick-nya, apalagi Vocalis Jörgen Ström berbagi Pattern Vokal saling mengisi dengan bassis Stefan Westerberg memberikan warna tersendiri pada setiap sentuhan demi sentuhan, This is like a Brutal Melodic Gothenburg Death Metal Invasion !! " Your Life Is Mine " part awalnya sejenak bakalan menggoyang Leher kepala kita untuk menikmati alunan sebelum terjangan cepat kembali menjadi menu utamanya hehehe .... Komposisi Skill Drummer Matte Modin memang semakin lebih variatif terbius akan setiap Lick permainan Riffing Håkan Stuvemark yang Melodis dan Agresif ! sentuhan kian Brutal karakternya adalah pada track " Through the Empire ", cepat dan Menggerinda !!! sama halnya dengan " Thousand Dead Faces ", " Drifting " terasa sekali Nuansa Old School -nya. dan Final kekejamannya diakhiri oleh " Solitude Discord " telah melengkapi Deraan kejam tak bertuan dari New Roster Death Metal Dynamics ini. sebuah Masterpiece sadis telah berhasil dipersembahkan buat fans Swedish Death Metal sound Modern hasil tangan Dingin Enjiner Pelle Saether di Underground Studio, Swedia. dan Jika Kalian adalah Fans Berat gaya Death Metal Cepat, Swedish Sound dan Sentuhan Kental yang melodius, Sangat Gw rekomendasikan untuk mencicipi sendiri sajian Cool ini dengan Materi 10 lagu berdurasi 37:26 ini ! Skineater gets extra points for binding these two extremes in death metal successfully, and this is one solid ass start. Sometimes the skin is the best tasting part, after all. Tracks are kept quite focused and concise, only occasionally breaching the 4 minute barrier, and in this span of time they deliver a pretty substantial array of bludgeoning breakdowns, primal rhythm guitar patterns and elegant glazes of harmony that often encapsulate these excellent, surgical muted melody progressions that shine alongside the bulk of the beat.

In other words, its a harried and intricate mesh of extreme USDM Influences like Morbid Angel, Deicide and Cannibal Corpse with 90s Swedes like At the Gates, Dark Tranquillity, and In Flames. While purists of the former grouping might not take kindly to Dermal Harvest's use of dual harmonies and driving melodic tremolo riffs that hearken back to titles like Slaughter of the Soul and The Jester Race, you have to give them some credit that they can balance them off so effortlessly against the harsher churning, clinical Chugging down that weighs more prevalent of the grooves. Strangely enough, though, Skineater never really sounds like an 'old soul'. The clean, bludgeoning seems sleek and modern production, the drums played at almost a mechanical level of perfection, the bass oozing and thuggish and constantly adding a depth due to its swerving note progressions that never adhere too strictly to the rhythm guitar. But most importantly, the band is backed up its riffs, riffs, a thousand riffs. Not all of them are amazing, and few of them are unique, but you will simply never run cold on their flurried variation and intensity. it being the first time I caught this band of musical essentialism since it was first known, though counted as a new name in the Scene Swedish Death Metal scene, apparently Skineater name can not be underestimated loh!, tucked a few names here coz Important and Popular Band, there Frontman Skineater since establishment in 2008 Post Out of Band Vicious, Hakan Stuvemark, known as the former guitarist Band In Thy Dreams, Wombbath, and Vicious, who later joined next is Jeramie Kling (Infernaeon, Ninety Minute Reflex, The Absence), but in 2011 Jeramie Unplug and replaced by Matte Modin (ex-Defleshed, ex-Sportlov, Raised Fist, ex-Dark Funeral, ex-Nonexist, ex-embalmed, ex-Infernal), Bass / Vocals Stefan Westerberg (Leech, Steel Attack, Wasteland Skills, ex-In Thy Dreams, ex-Asperity, ex-8 Foot Sativa, ex-Carnal Forge, ex-World Below, ex-Kryptillusion, ex-Mayer's Eve), Lead Guitarist Kari Kainulainen (ex-Mourning Sign, Pavlovian Dogs, Sibliance , ex-The Warning) is certainly not nonsense to say the name of the new band had a performance that coolest!! While these sorts of 'supergroups' pop up all over the place in a country so thick with signed metal musicians, here is one you might pay some special attention to, Because The diversity of their prior acts plays a huge role in the dual-nature of their sound. No, good readers, Dermal Harvest is not another increasingly Futile exercise in Aping the old Sunlight Studios guitar tone and kneeling at the shrine of the country's old school heritage so much as it's a highly functional fusion of the melodic and brutal extremes of death metal, in equal measure. so really startled the first track "He Was Murdered" hit so cruel with sharp and violent onslaught Hyperblast with Multiple Vocal complementary, still carries the characteristic style of Sunlight Sound Recording Studios, so of course, still remember how his character? (Old Dismember, Entombed, Defleshed, In Flames, etc) in addition to the game with a fast tempo, Skineater still add a touch of melodic riffing again strong in any arrangements that feels so serene atmosphere is! This is a hard mix between At The Gates, Dark Tranquillity and In Flames plus touch Hyperblaster Suffocation! deliver a pretty substantial array of bludgeoning breakdowns, primal rhythm guitar patterns and elegant glazes of harmony that encapsulate these excellent Often, surgical muted melody progressions that shine alongside the bulk of the beat. The vocals are not all that distinct or impressive!!! "He Was Murdered" is a very appropriate track is at the forefront of their first full album that experienced rapid growth dynamics after the matter "Rot" their single of 2010. "Dismantling" begins with a fixed part that Hyperblaster! still offers a beautiful melodic touch on every lick her, especially vocalist Jörgen Vocal Pattern Strom share complementary with bassist Stefan Westerberg given its own color on every touch after touch, This is like a Brutal Gothenburg Melodic Death Metal Invasion!! "Your Life Is Mine" Part originally going moment Neck shake our heads for enjoying the brunt quickly before returning to the main menu hehehe .... Skill Composition drummer Matte Modin is getting more varied would stupor every game Lick Håkan Stuvemark the melodic riffing and Aggressive! Brutal character is getting a touch on the track "Through the Empire", fast and Grinding!!! as well as "Dead Thousand Faces", "Drifting" was once the Old School Feel. Final cruelty and terminated by "Solitude Discord" has completed the no-man's cruel Horsing New Roster of Death Metal Dynamics is. a sadistic Masterpiece has managed dedicated for the fans of Modern Swedish Death Metal sound outcome Cold hands Engineer Pelle Saether at Studio Underground, Sweden. and If You are a Fan Weight Fast Death Metal style, sound and touch Condensed Swedish melodic, very Gw recommend to taste the dish itself is the Cool Material lasted 10 37:26 this song! Skineater gets extra points for binding these two extremes in death metal successfully, and this is one solid ass start. Sometimes the skin is the best tasting part, after all. Tracks are kept quite focused and Concise, only occasionally breaching the 4 minute barrier, and in this span of time they deliver a pretty substantial array of bludgeoning breakdowns, primal rhythm guitar patterns and elegant glazes of harmony that encapsulate these excellent Often, surgical muted melody progressions that shine alongside the bulk of the beat.






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Kamis, 02 Juli 2015

Festering Remains - Stabbed Beyond All Recognition EP 2012



























Festering Remains - Stabbed Beyond All Recognition
Sevared Records EP 2012
http://www.myspace.com/festeringremains
http://www.facebook.com/FesteringRemains
timisoara@live.se
festeringremainsDM@gmail.com

01 Deformed Hillbilly 04:07      
02 Hatchetfucked 03:14      
03 No God (Bloodsoaked cover) 03:12      
04 Stabbed Beyond All Recognition 02:29


Erik Karlsson - Guitars
Tim Svanberg - Vocals


Kagak ada Capeknya Gw menulis tentang Stuff Brutal Death Metal saat ini. Only Brutal is Real hehehe ... Nih Gw kenalin lagi sajian Brutal Death metal asal Umea, Swedia, Festering Remains yang mencoba mengulik kembali sentuhan Old School Death Metal menjadi karakter yang dimainkan oleh Bloodsoaked, Viral Load, Putrid Pile, Gorgasm, hingga Autopsy ! meski " Stabbed Beyond All Recognition " adalah karya perdana sejak band ini terbentuk tahun 2011 lalu, cukuplah bagi mereka menjadikan Modal serius untuk menancapkan taring tajam ke belantika Brutal Freak, 2 remaja ini tetap antusias menggarap karya terbaik mereka walau tidak memiliki seorang drummer, yang pada akhirnya Pada proses rekaman digunakanlah drum programming, karena pembantaian harus tetap berlangsung, Slaughter Must Go On ! Everything's just working in tandem most of the time: the drum machine blasts or double basses with the occasional bit of syncopated snare (there aren't really any fills at all), the guitars run through sequences of tremolo riffs and Suffocation-type chugging sections, with a fair bit of melody to each, actually, and the vocals alternately gurgle or shriek various socially unacceptable things. The whole thing is structured very sequentially: riff one, riff two, riff three, etc. It's simple and It's also to the album's advantage that all those riffs and screeches are executed well, in the context of good songs, and wrapped up in a pretty bow of bass-heavy and crystal clear production. Ep yang cuman mengandung 4 lagu ini dimulai dengan Track " Deformed Hillbilly ", cukup menggerinda Cantik dengan Harmonisasi Darkless Riffing ala Viral Load Banget, meski ga terdengar Berat, sajian Riffing Erik Karlsson lebih menawarkan aransemen Old School Death Metal yang Manis. sementara karakter Vokal Dinamis Tim Svanberg melengkapi eksekusi mematikan berikutnya. ga terlalu banyak permainan sporadis pada komponen bermusik duo remaja ini, selain melahirkan alunan aransemen musik yang Sinkron. " Hatchetfucked " juga lebih banyak menawarkan komposisi Gaya Death Metal klasik dengan Intensitas tertentu, gaya Brutalitynya memang kadang cenderung mengarah ke gaya bermainnya Bloodsoaked. dan Track selanjutnya, " No God " nya Bloodsoaked mereka aransemen ulang masih dengan sentuhan yang utuh seperti yang dimainkan oleh Peter Hasslebrack of Bloodsoaked. so while you get the feeling you've heard this all before you still can't help but to jerk about in violent libation. Personally, though, I rather preferred the more clinical sounding sequences through the album which focused in on the more delicate, crisp floods of notes. is not just jumping on the current trends in retro death metal. meski bagi Gw belum ada yang terlalu Istimewa buat gw tulis disini, tetap gw nantikan sajian lebih matang lagi dari Swedish The Next Death Metal Generation ini. Artwork sampul Kover yang menarik cukup menambah nilai tersendiri bagi metalhead untuk merasakan sendiri siksaan Festering Remains ! All throughout the album, the riffs are not varied, not dwelling on the same riff for overlong amounts of time, yet not going to ridiculous extremes and changing riffs ever two seconds. Overall, it keeps a nice balance between technicality and simplicity.

No tired writing about Stuff Brutal Death Metal today. Brutal is Real Only hehehe ... Here I Introduce longer serving Brutal Death Metal origin Umea, Sweden, Festering Remains trying play back Old School Death Metal touch to the character played by bloodsoaked, Viral Load, Putrid Pile, Gorgasm, until Autopsy! although "Stabbed Beyond All Recognition" is a pioneering work since the band was formed in 2011, it is enough for them to make serious capital to plug into sharp fangs Freak Brutal scene, 2 teens still enthusiastically working their best work despite not having a drummer, who in In the end the recording process is used drum programming, because the slaughter must go on, Slaughter Must Go On! Everything's just working in tandem most of the time: the drum machine blasts or double basses with the occasional bit of syncopated snare (there are not really any fills at all), the guitars run through sequences of tremolo riffs and Suffocation-type sections Chugging , with a fair bit of melody to each, actually, and the vocals alternately gurgle or Shriek various socially unacceptable things. The whole thing is very structured sequentially: one riff, riff two, three riffs, etc. It's simple and It's also to the album's advantage that all those riffs and screeches are executed well, in the context of good songs, and wrapped up in a pretty bow of a bass-heavy production and crystal clear. Cuman ep contains 4 songs that started with Track "Deformed Hillbilly", simply grind Beautiful with Harmonisation Darkless Viral Load Banget riffing style, despite sounding weight ga, riffing Erik Karlsson serving more offers arrangements Old School Death Metal Manis. while the characters Vocal Dynamic Team completes execution Svanberg next deadly. ga sporadic too many games on teen duo's musical component, in addition to the strains of childbirth Sync musical arrangements. "Hatchetfucked" also offers a more classic death metal style composition with a certain intensity, Brutalitynya style is sometimes tend to lead to his playing style bloodsoaked. and the next track, "No God" re-arrangement of his bloodsoaked they are still with the touch intact as played by Peter Hasslebrack of bloodsoaked. so while you get the feeling you've heard this all before you still can not help but to jerk about in violent libation. Personally, though, I rather preferred the more clinical sounding sequences through the album roomates focused in on the more delicate, crisp floods of notes. is not just jumping on the current trends in retro death metal. although for Gw no one has made Special too I wrote here, i still look forward to serving more mature again from the Swedish Death Metal The Next Generation this. Kover cover artwork is interesting enough to add value to yourself to feel the torment metalhead Festering Remains! All throughout the album, the riffs are not varied, not dwelling on the same riff for overlong amounts of time, yet not going to ridiculous extremes and changing riffs ever two seconds. Overall, it keeps a nice balance between technicality and simplicity.






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Selasa, 30 Juni 2015

Soilwork - The Living Infinite CD 2013

























Soilwork - The Living Infinite
Nuclear Blast Records CD 2013
http://www.soilwork.org
http://www.myspace.com/soilwork
http://www.facebook.com/soilwork
http://www.reverbnation.com/soilwork
http://www.twitter.com/_soilwork
http://www.youtube.com/user/soilwork
http://www.bebo.com/Soilwork

CD 1

01 Spectrum of Eternity 04:01      
02 Memories Confined 03:25    
03 This Momentary Bliss 03:46      
04 Tongue 04:17    
05 The Living Infinite I 03:50    
06 Let the First Wave Rise 02:52    
07 Vesta 04:18    
08 Realm of the Wasted 04:29    
09 The Windswept Mercy 04:14      
10 Whispers and Lights 05:09
     
  
CD 2

01 Entering Aeons 02:34      
02 Long Live the Misanthrope 05:26    
03 Drowning With Silence 04:28    
04 Antidotes in Passing 04:16    
05 Leech 04:20      
06 The Living Infinite II 05:39    
07 Loyal Shadow 02:34    
08 Rise Above the Sentiment 04:03    
09 Parasite Blues 05:17    
10 Owls Predict, Oracles Stand Guard 05:24
   

Björn "Speed" Strid - Vocals
Ola Flink - Bass
Sven Karlsson - Keyboards
Dirk Verbeuren - Drums
Sylvain Coudret - Guitars
David Andersson - Guitars


" The Living Infinite “ marks the first double album in the history of melodic death metal and received raving reviews worldwide !! Yesss ... Metalcore/Modern Rock Populer asal Helsingborg, Swedia yang eksis sejak Tahun 1996 sebagai Inferior Breed kemudian berganti menjadi Soilwork ini bikin prestasi yang luar biasa produktif dalam sejarah Melodic Death Metal, genre yang pertama kali dalam karir mereka usung, kini lebih mendapat sentuhan yang berbau Metalcore/Modern Rock ini tahun 2013 ga tanggung tanggung langsung melepas Rilisan Double CD dengan 20 lagu berdurasi total 01:24:25 fansSoilwork benar2 akan dimanjakan dengan karya fresh mereka. ckckckckckck ... " MEMORABLE MELODIES, CRUSHING RHYTHMS, PHENOMENAL SINGING! THE BEST SWEDISH MELODIC DEATH METAL BAND IS BACK! " salah satu Pujian dari beberapa Media Musik Internasional. Album pertama bersama gitaris baru mereka, David Andersson yang juga masih eksis diband Mean Streak & The Night Flight Orchestra, mendapat kesempatan untuk menggarap materi full fenomenal band ini dengan kualitas yang matang dari segi aransemen dan skill ! There have been a fair share of oddities to grace the metal stage of late, but Soilwork's latest offering in "The Living Infinite" definitely ranks as one of the more outlandish contenders for the title. For anyone not familiar with their history, they were of a similar style of accessible melodic death metal as that of their Swedish compatriots In Flames, and made a similar switch to a modern metalcore variant on the style in the early 2000s, much to the chagrin on many core fans of the Swedish scene of the mid to late 90s. And much like their often maligned counterparts, they've had a difficult time putting forth a terribly compelling album in this style, though they've carried it a bit better and have avoided becoming too similar to the dregs of recent American screamo outfits such as Trivium and Killswitch Engage. Ok langsung aja kita mulai dari CD pertama yang dimulai dengan " Spectrum of Eternity ", Soilwork secara mengejutkan menyerang dengan fast Drumming serta Harmonisasi Cruchy Riffing yang masih melodic dengan Cakaran nyata Fast Stream Finger asli powerfully attitude-nya ! komposisi musik cerdas masih dimainkan secara dewasa pula kali ini. raungan Harsh Vokill Björn "Speed" Strid, member Asli Soilwork ini tetep bawaannya enerjik dan sesekali dengan karakter Clean Vokal-nya. Along with it is a smattering of low-end chug grooves, consonant and woeful guitar melodies of moderate flair consistent with the style's Iron Maiden influences, and ambient keyboard layering to give off a slight industrial edge to things. kata lainnya, Soilwork, masih terlalu " Sakti " untuk terus mengaransemen kedasyatan musikalitasnya. sentuhan kental gaya Modern Rock dengan metalcore terasa pada track ke-2 " Memories Confined ", walo ga menusuk feeling gw, track ini lebih menggambarkan evolusi musikal Soilwork hari ini. " This Momentary Bliss " masih begitu kental sentuhan Melodius Riffing part-nya. it listens like a fairly orthodox middle-of-the-road meeting point between metalcore and melodeath. The familiar assortment of shouted and clean vocals paint the landscape, bearing some similarity ! Fans In Flames sekarang pasti bakalan menyukai Tracking Soilwork tentunya. secara keseluruhan 20 lagu disini adalah sebuah komposisi Matang hasil kerja keras nyata member band untuk tetap menyuguhkan karakter Melodic Death Metal dengan sentuhan gaya Metalcore/Modern Rock yang Aktif, sehingga hampir kesemua materi ini lebih banyak mempersembahkan permainan yang berkualitas. a song like this manages to find itself in sing-along territory when the chorus hits. For the most part, what keeps this album particularly interesting in spite of all the predictable elements is the energy level, as 85% of these songs speed along quite nicely and make decent use of the guitars in spite of the heavy emphasis on drums, keyboards and vocals. so hampir pada endingnya gw kehabisan kata2 untuk menggambarkan panjang semua Track disini, coz bagi gw karya berkualitas tetap akan memberikan mindset penting dalam dunia musik sendiri. rugi banget kalo ga elo coba sendiri untuk mahakarya dasyat mereka ini deh. When squaring the scale of the album as a whole with the shorter chapters that are contained within, what ultimately emerges is a longer version, or perhaps a 2 in 1 package deal on what would otherwise be a good yet highly standard modern metalcore offering. REACHING MATURITY WITH THE MOST EPIC & COMPLETE RECORD THEY HAVE EVER WRITTEN! CLEARLY THEIR MASTERPIECE!

"The Living Infinite" marks the first double album in the history of melodic death metal and received raving reviews worldwide!! Yesss ... Metalcore / Modern Rock Popular origin of Helsingborg, Sweden in existence since 1996, the Inferior Breed then turned into this Soilwork make remarkable achievements in the history of productive Melodic Death Metal, the genre the first time in their careers stretcher, now over a touch-smelling Metalcore / Modern Rock this year 2013 ga bear responsibility immediately release Releases Double CD with 20 songs total duration 01:24 : 25 fansSoilwork benar2 will be pampered with their fresh work. ckckckckckck ... "MEMORABLE melodies, rhythms CRUSHING, PHENOMENAL SINGING! THE BEST SWEDISH Melodic Death Metal BAND IS BACK! "One of the few Media Praise Music International.'s First album with their new guitarist, David Andersson who also still exist diband Mean Streak & The Night Flight Orchestra, had the opportunity to work full phenomenal band's material with a mature quality in terms of arrangement and skill ! There have been a fair share of oddities to grace the metal stage of late, but Soilwork's latest offering in "The Living Infinite" definitely ranks as one of the more Outlandish contenders for the title. For anyone not familiar with their history, they were of a Similar style of accessible melodic death metal as that of their Swedish compatriots In Flames, and made a switch to a modern Similar metalcore variant on the style in the early 2000s, much to the chagrin on many core fans of the Swedish scene of the mid to late 90s. And much like their counterparts Often maligned, they've had a difficult time putting forth a terribly compelling album in this style, though they've Carried it a bit better and have avoided too Becoming Similar to the Dregs of recent American screamo outfits such as Trivium and Killswitch Engage. immediately wrote Ok we start from the first CD begins with "Spectrum of Eternity", Soilwork a surprise attack with fast Drumming and Harmonization cruchy still melodic riffing with real Scratches Fast Stream powerfully original Finger attitude her! intelligent musical composition is still played today as well this time. roar Harsh Vokill Björn "Speed" Strid, Soilwork's original members tetep innate energetic and occasionally with Clean Vocals his character. Along with it is a smattering of low-end Chug grooves, consonant and Woeful guitar melodies of moderate flair consistent with the style's Iron Maiden Influences, and ambient keyboard layering to give off a slight industrial edge to things. said another, Soilwork, still too "Way" to continue arranging kedasyatan musikalitasnya. touch viscous Modern Rock with metalcore style was on track to-2 "Confined Memories", walo gw ga stabbing feeling, this track better describe the evolution of musical Soilwork today. "This Momentary Bliss" is still so strong touch of melodic riffing his part. it listens like a fairly orthodox middle-of-the-road meeting point between metalcore and melodeath. Shouted the familiar assortment of clean vocals and paint the landscape, bearing some similarity! Fans In Flames now definitely going to like Soilwork Tracking course. overall 20 songs here are a composition Ripe real hard work for the band members still presenting characters Melodic Death Metal with a touch of style Metalcore / Modern Rock On, so almost all of the material presented is more quality games. a song like this manages to find itself in sing-along territory when the chorus hits. For the most part, what keeps this album particularly interesting in spite of all the predictable elements is the energy level, as 85% of these songs speed along quite nicely and the make decent use of the guitars in spite of the heavy emphasis on drums, keyboards and vocals. gw so close to ending a long run kata2 to describe every track here, coz for quality work i will still provide an important mindset in the music itself. loss really kalo ga elo yourself to try them this terrible masterpiece deh. When squaring the scale of the album as a whole with the shorter chapters that are contained within, what ultimately Emerges is a longer version, or perhaps a 2 in 1 package deal on what would otherwise be a good standard yet highly modern metalcore offering . Reaching Maturity WITH THE MOST EPIC & COMPLETE RECORD THEY HAVE EVER WRITTEN! Clearly THEIR MASTERPIECE!







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