Total Despair - While The Flesh Decays
Rebirth the Metal Productions CD 2013
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01 Breakfast By Human Flesh 04:11
02 Mental Infection 03:41
03 Sacrifice 03:25
04 Inside The Abyss Of Human Souls 03:09
05 New Religion 02:07
06 Disgusting Embodiment 02:54
07 Self-Disfigured 03:11
08 Gorgeous Butcher 03:15
Alexander Schupletsov - Bass
Alexander Pavlovich - Guitars
Igor Kochetkov - Vocals
Sepertinya nama Total Despair ini bisa menjadi pertimbangan tersendiri untuk konsep Brutal Death Metal yang menarik saat ini Coy ! perpaduan antara Gaya bermain Cannibal Corpse era " Tomb Of The Mutilated ", Deicide, Suffocation, Dying Fetus Hingga Monstrosity era " Imperial Doom " yang dikombinasikan lagi dengan karakter Modern telah menciptakan komposisi Racikan Gaya Modern Death Metal brutal yang ciamik ditawarkan oleh Trio band asal Penza, Russia, meskipun baru terbentuk tahun 2010 lalu, skill member band ini patut diwaspadai untuk dapat menciptakan karakter musik Metal yang Fresh ! meski Tidak memiliki Drummer manusia, namun maksimalitas sounding Drum masih terasa sangat begitu manusiawi untuk menjadi Amunisi keren mereka ! apalagi lirik2 Nge-Gore sadis masih menjadi Imej Sadis untuk konsep musik yang mereka mainkan. Track " Breakfast By Human Flesh " mencabik perdana setelah dimulai dengan sebuah Intro, sebuah sentuhan progresi Musik awal yang menjadi Foreplay sebelum menyantap Hidangan utamanya. dan kemudian barulah kita rasakan hentakan Yang mengingatkan dengan sayatan Cannibal Corpse konsep kental, Raungan Style Grunted Growl yang kadang Terdengar Gaya Pig Snoring-nya dari Vocalis Igor Kochetkov rasanya cukup mantap menemani Riffing sadis Alexander Pavlovich yang cukup piawai mengaransemen Riffing dasyat ! dengan partisi Riffing yang sinkron banget pada setiap perpindahan Refrain dan Chorus, memang terdengar Variatif tapi pembawaannya simple dan Matching hampir disetiap sentuhannya. Good work making Riffing Concept ! They could do a whole concept album of songs about people dying inside due to boredom and ennui. Ironically, that would be way more interesting than every song being about a sadist describing his nightly activities. There's so much that can be done with the horror genre, and yet song-in, song-out, it's all about entrails and graves and bodily waste. Yeah, I get it, you shit down the throat of a dead teenager before copulating with said throat. It was darkly funny the first time, now it's just annoying. Actually, does all this even matter? Because you can't understand a damn Alexander Pavlovich is Conception here. kemudian " Mental Infection " menjadi sajian berikutnya semakin menampilkan komposisi musik yang cool as fuck banget ! beberapa kali sentuhan slam Groovy keren dimainkan dengan lancar diantara fast Part intense-nya. dan berangkat dari 2 lagu awal saja gw sudah berani menyimpulkan potensi bermain bagus Total Despair ! is talked about amongst metalheads and some non metalheads. There is a very good reason for this, it is amazing. Extremely heavy opening riff that sounds as if you are actually about to have your face smashed by a hammer. Very few songs can bring up a feeling of death but this is one of those songs. The chorus is surprisingly catchy and has some awesome thrashing going on here. atau mungkin saja lebih mudahnya gw mengatakan konsep musik yang dimainkan sangat mengingatkan dengan karakter bermainnya Soils Of Fate Banget ! Khususnya era " Crime Syndicate " itu. hmmmmm ...... dan " New Religion " lebih coba mengingatkan gw akan Dying Fetus era " Stop At Nothing " banget sentuhannya. dimana pada track ini gaya Vokal-nya lebih variatif memasukkan gaya emosional ala Jason Netherton-nya Misery Index. They are ridiculously guttural and mostly indecipherable. You get a few words out of there occasionally but hey, that’s what lyric sheets are for. The bass performance is flawless. Follows the insane riffs but manages to stand out at all times. " Disgusting Embodiment " lebih mencoba lagi gaya Teknikal in the Vein Death era " Sound of ... " wuihhh kian keren aja deh komposisi yang Total Despair tawarkan disini. terlebih lagi " Self-Disfigured ", dasyat dan luar biasa menghajar berikutnya. sepertinya 8 lagu berdurasi sekitar 25:53 ini siap membuat Imej Baru band2 berpotensial dimasa mendatang, so Gw rekomendasikan buat Kalian Fans Death Metal Variatif dengan gaya bermain keren jauh dari kesan membosankan ! sebuah karya perdana yang siap juga mengguncangkan Death Metal Movement ditahun 2013. In a sense, “While The Flesh Decays” could be seen as an essential listen from both a historical and stylistic standpoint, but as an overall listen it really comes up short in comparison to a lot of other albums put out at the time in this style, and also compared to later works out of this band’s own creative well of decrepit corpse fodder. BUY OR KILLED !!!
It looks like the name of Total Despair can be a separate consideration to the concept of Brutal Death Metal Coy interesting today! blend between style play era Cannibal Corpse "Tomb Of The Mutilated", Deicide, Suffocation, Dying Fetus, Monstrosity Until the era of "Imperial Doom" combined again to create a composite character has Racikan Modern Style Modern Death Metal brutality of the good offered by Trio band from Penza , Russia, although newly formed in 2010, this skill should be wary of the band members to be able to create characters that Fresh Metal music! despite not having human drummer, but maksimalitas sounding drum so it still feels very human to be cool Ammunition them! Nge-Gore lirik2 especially sadistic Sadistic The image is still a concept for the music they play. Track "Breakfast By Human Flesh" premiere after tearing begins with an intro, a touch of early music progression into foreplay before eating the main course. and then allows us to feel the beat That reminds incision Cannibal Corpse thick concept, Roar Growl Style grunted sometimes sounds Snoring Pig his style of vocalist Igor Kochetkov feels solid enough to accompany Alexander Pavlovich sadistic riffing is pretty good at arranging riffing terrible! to partition the synchronous really riffing on every shift Refrain and Chorus, but it sounds Variatif simple demeanor and Matching almost every touch. Good work making riffing Concept! They could do a whole concept album of songs about people dying inside due to boredom and ennui. Ironically, that would be way more interesting than every song being about a sadist describing his nightly activities. There's so much that can be done with the horror genre, and yet-in song, song-out, it's all about the entrails and graves and bodily waste. Yeah, I get it, you shit down the throat of a dead teenager before copulating with said throat. It was Darkly funny the first time, now it's just annoying. Actually, does all this even matter? Because you can not understand a damn Conception Alexander Pavlovich is here. then "Mental Infection" into the next dish featuring musical compositions really cool as fuck! several times a touch of cool Groovy slam played smoothly between intense Part of his fast. and depart from the beginning only 2 songs i have the potential to play good dare to conclude Total Despair! is talked about amongst some metalheads and non-metalheads. There is a very good reason for this, it is amazing. Extremely heavy opening riff that sounds as if you are actually about to have your face smashed by a hammer. Very few songs can bring up a feeling of death but this is one of those songs. The chorus is surprisingly catchy and has some awesome thrashing going on here. or it may be more easily gw said the concept is very reminiscent of the music played by the character playing Soils Of Fate Banget! Especially the era of "Crime Syndicate" it. hmmmmm ...... and "New Religion" will be trying to remind gw era Dying Fetus "Stop At Nothing" really touch. where on the track of his vocal styles incorporate more varied emotional style ala Jason Netherton his Misery Index. They are ridiculously guttural and mostly indecipherable. You get a few words out of there occasionally but hey, that's what lyric sheets are for. The bass performance is flawless. Follows the insane riffs but manages to stand out at all times. "Disgusting Embodiment" style over another try in the Vein Technical Death era "Sound of ..." wuihhh increasingly cool aja deh composition Total Despair offer here. moreover, "Self-Disfigured", terrible and unbelievable next beat. 8 songs seem to be about 25:53 The image is ready to make New band2 potential future, so Gw guys recommend for Death Metal Fans Variatif cool play style far from boring! a pioneering work that is ready to shake also Death Metal Movement in 2013. In a sense, "While The Flesh decays" could be seen as an essential listen from both a historical and stylistic standpoint, but as an overall listen it really comes up short in comparison to a lot of other albums put out at the time in this style, and also Compared to later works out of this band's own creative well of decrepit corpse fodder. BUY OR KILLED!!! 
Scorned Deity - Adventum
Self Released CD 2013
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01 Adventum 03:03
02 The Hand of Will 05:18
03 Preserver 04:02
04 Ritus 01:38
05 From a Lion of Gold 04:16
06 A Screever in our Midst 04:21
07 Pantastic 05:52
08 Colors Shed 04:53
09 Slowlamaka 04:50
10 Bread Trails 01:51
11 A Spectacle in Red 05:04
Jason Tountas - Guitars
Eric Kempa - Guitars, Keyboards, Vocals
Brian "Batman" Sheehan - Vocals
Ingred "Widowmaker" Boochnips - Additional Drums
Sarah Hall - Additional Female Vocals
Detroit, Michigan Black / Death Metal Immaculate !! I think we can all agree that this album and this band was simply black / Death metal in the loosest sense that was made and marketed for the masses. There’s really no substance behind the bombastic orchestral arrangements, and the sense of “evil” that the band tries to portray with the music and in the booklet is actually just ludicrous and quite silly. Debutan Ke-2 ini gw rasakan semakin dasyat jika coba gw ingat album pertama mereka " The Monarchy Memoirs " Tahun 2011 lalu. The main focus of the music is obviously the orchestration, and in my opinion, it should never be that way. In most cases, the guitars on the album are merely a support instrument instead of a driving force. Riffs are pretty simple and nothing you’ve ever heard before. sengatan kegelepan memang nyata dasyat mereka suntikkan disini. sebuah pertemuan Hitam dan kelam antara Gaya bermain Dimmu Borgir Era " Death Cult Armageddon ", Cradle Of Filth, Diabolical Masquerade dengan Kebengisan gelap Hate Eternal serta Fleshgod Apocalyspe. Memang Sepengetahuan Gw lagi, kalau Scene Amerika kurang menjadi ladang pertumbuhan Subur Genre Black Metal selain Genre lainnya, tapi sapa sangka hal ini memang kerap terlupakan oleh gw hehehe, Amerika penuh dengan musisi2 bertalenta untuk terjun dalam kancah extreme metal apapun ! Trio Black/Death Keren ini siap membuat hamparan Bumi ini menjadi Hitam dengan ramuan kegelapannya, dimulai dengan sebuah Intro " Adventum " rasanya cukup untuk menjadi sebuah eksplanasi tentang sebuah Legenda dan perjalanan hitam kehidupan manusia di lirik2 lagunya selama 3 menit dengan suasana yang rada mencekam ! lalu " The Hand of Will " langsung membuka Kegelapan itu dengan Hentakan Hypersnare konstan bersama Dark Riffing dan Keyboard Synthesizer hitam membalut kelam akan harmonisasi yang mereka ciptakan ini. pertemuan antara Dimmu Borgir, Fleshgod Apocalyspe, Vader hingga Hate Eternal sangat terasakan menyengat tajam ! pukulan drummer additonal Ingred "Widowmaker" Boochnips rupanya lebih semakin banyak menambah dasyatnya karakter Scorned Deity ! Frontman Eric Kempa here are very distinctive from the average frostbitten howl, but his rasp feels a little underwhelming and cold, thanks in large part to the sense of overproduction that runs throughout the album. A clear sounding production can work without robbing black metal of its atmosphere or ferocity- look no farther than Watain for an example- but there is very little left to the imagination here. sajian komposisi musik yang dewasa memang membuat gw terlena akan megahnya Kesan Epic dan Darkness-nya. apalagi tarian Horror Synthesizer horror semakin membayangi setiap deru beat kencangnya, mengingatkan memang dengan Karakteristik Fleshgod Apocalyspe sekarang. Nice Trapped Hallucination ! Until now, this record is the band's climax but I'm pretty confident that the band can even top this effort with a little bit more focus, organisation and time. This record is a bleak horror metal symphony. It may offend black metal hardliners but please to any fan of atmospheric gothic and symphonic metal styles. The band has not entirely the class of The Vision Bleak, Therion or Moonspell but they get pretty much close and anybody that likes those band should put his prejudices aside and check this record out. 10 lagu keren lumayan fenomenal pembawaannya siap menjadi Hidangan pelarut sepi-nya malam kala kita ingin bersekutu dengan Indahnya Kegelapan ! wish to attract a new audience: the symphonic metal audience, but the problem is that they don't realize that they're slowly starting to become too cheesy and corny for their own good. For God's sake! rekomendasi banget buat kalian yang sempat menyukai gaya bermain dasyatnya Dimmu Borgir, Diabolical Masquerade, Cradle Of Filth dengan cepatnya pukulan Hate eternal berbalut Symphony Hitam Fleshgod Apocalypse !
Detroit, Michigan Black / Death Metal Immaculate!! I think we can all agree that this album and this band was simply black / Death metal in the loosest sense that was made and marketed for the masses. There's really no substance behind the Bombastic orchestral arrangements, and the sense of "evil" that the band Tries to portray with the music and in the booklet is actually just ludicrous and quite silly. All 2 Debutants this increasingly feel terrible if i try i remember their first album "The Monarchy Memoirs" 2011 years ago. The main focus of the music is obviously the orchestration, and in my opinion, it should never be that way. In most cases, the guitars on the album are merely a support instrument instead of a driving force. Riffs are pretty simple and nothing you've ever heard before. kegelepan real shock was terrible they inject here. a meeting between the Black and dark style of play Dimmu Borgir Era "Death Cult Armageddon", Cradle Of Filth, Diabolical Masquerade with dark cruelty and Fleshgod Apocalyspe Hate Eternal. Indeed, knowledge Gw again, if less American Scene Fertile ground for growth Genre Black Metal than other genre, but sapa thought this is often forgotten by gw hehehe, America is full of talented musisi2 to engage in any extreme metal scene! Trio Black / Death Cool Earth is ready to make the overlay is to be Black with a mixture of darkness, begins with an Intro "Adventum" it was enough to be an explanation of a black legend and journey of human life in lirik2 song for 3 minutes with a rather eerie atmosphere! and "The Hand of Will" The darkness that opens directly to the constant pounding Hypersnare with Keyboard Synthesizer Dark riffing and dark black bandage would they create this harmonization. meeting between Dimmu Borgir, Fleshgod Apocalyspe, Vader really be felt until Hate Eternal sharp sting! Ingred additonal drummer blow "Widowmaker" Boochnips seems more the more adds character dasyatnya Scorned Deity! Frontman Eric Kempa here are very distinctive from the average frostbitten howl, but his rasp feels a little underwhelming and cold, thanks in large part to the sense of overproduction that runs throughout the album. A clear sounding production can work without robbing black metal of its atmosphere or ferocity-look no farther than Watain for an example-but there is very little left to the imagination here. serving adult musical composition would indeed make a magnificent impression gw complacent and Darkness Epic her. let alone dance Synthesizer horror Horror increasingly overshadow every beat toned roar, with characteristics reminiscent indeed Fleshgod Apocalyspe now. Nice Trapped Hallucination! Until now, this record is the band's climax but I'm pretty confident that the band can even top this effort with a little bit more focus, organization and time. This record is a bleak horror metal symphony. It may offend black metal hardliners but to please any fan of atmospheric gothic metal and symphonic styles. The band has not entirely the class of The Vision Bleak, Therion or Moonspell but they get close and pretty much anybody that likes those bands should put his Prejudices aside and check this record out. 10 phenomenal tracks fairly cool demeanor ready to dish the night solvent deserted when we want to fellowship with Beautiful Darkness! wish to Attract a new audience: the symphonic metal audience, but the problem is that they do not Realize that they're slowly starting up to become too cheesy and corny for their own good. For God's sake! recommendations that could really make you like the style of play dasyatnya Dimmu Borgir, Diabolical Masquerade, Cradle Of Filth with Hate Eternal quickly blow clad Symphony Black Fleshgod Apocalypse! 
Abdicate - Fragmented Atrocities
Sevared Records CD 2013
http://www.myspace.com/abdicate666
http://www.facebook.com/AbdicateNY
http://www.reverbnation.com/abdicate
01 Mass Disillusion 02:32
02 Engorged Repugnance 03:04
03 Cranial Collapse 03:25
04 Rejoice in Depredation 02:59
05 Burning Ascendance 02:46
06 Foreseen Abomination 02:58
07 Assumption of Catastrophe 04:30
08 Ground Zero Brooklyn (Carnivore cover) 04:31
Brian Young - Guitars
Buzz - Bass
Alex Perez - Drums
Lewis McDonald - Guitars
Yeti - Vocals
Amazing My expectations for brutal death metal are about as high as my expectations for fast food, just don't mess it up, and this album does just that! ... Mengejutkan banget gempuran fresh Brutal Death Metal Killer asal Rochester, New York yang pernah beberapa waktu lalu Gw Interview saat mereka mempromosikan album full ke-2 nya " Transcend Through Sacrifice ". dan secara memang mengejutkan sajian Fresh Brutal musik mereka mulai kian matang begitu pertama kali gw mendapatkan CD baru mereka " Fragmented Atrocities " yang Full Intense Blastbeat Powerfully !! The formula is pretty basic for brutal death metal, and the whole album kind of lacks any deviation but it's not bad. Like just about every brutal death metal band from 2000 and on, its more about the slams then anything. However the only thing wrong with this album is the production. That's what always kills just about every death metal bands nowadays in my eyes. The drums and vocals are so overbearing they drown everything. The snare is compressed so much that its all you hear when the drum does blasts and it sounds terrible when he does his gravity blasts. The guitars and bass is pushed back and hard to hear expect during the slams. perpaduan antara konsep dasar Suffocation, Cannibal Corpse, Vader hingga Misery Index memang sangat begitu terasa disetiap sengatan Track Kejamnya !! Wuihhhhhh Goodjob buat Drummer Alex yang semakin Mantap Pukulan Serta hentakan Rapat berat twin pedal-nya. menjadi rekaman terakhir bagi bassis Buzz, Materi ini 100% menawarkan intense brutality beat yang mendominasi hampir keseluruhan track ! " Mass Disillusion " yang dimulai dengan Spoking kenegaraan lengkap dengan Tepukan Massa Intro selama 47, kemudian barulah kita dihujam dengan serangan angin tornado Blastbeater killer !!! sekilas memang gw merasakan hawa kejam Vader era album " Litany ", karena memang level Bass drum yang paling mendominasi Level sound menjadi karakteristik materi kali ini lebih terdengar liar dan Brutal !!!! Dinamika struktur musiknya boleh gw bilang variatif dan tidak membosankan walau di penuhi dengan gempuran Hyperblast snare sana sini, namun masih kerap memainkan komponen drumming yang atraktif. Ranging from fast tremolo picks, palm muted breakdowns and fast death thrash type riffs. There is a good variety, and the songs have a good variety in them. They aren't just fast part-faster part-slam repeat until they get bored and end the song. And the vocals aren't annoying after 10 seconds like more death metal bands nowadays. For a guy like the Yeti you can only expect the best. I wish he had some variation but it doesn't take away from the music. Karakter Vokal Grunted Yeti semakin terdengar serius mencoba gaya tajam Frank Mullen nya Suffocation abis. " Engorged Repugnance " kian mematikan saja komposisi-nya. sebuah Brutal Death Album yang sangat megah sekali jika kalian konsumsi sendiri 8 lagu berdarah disini selama kurang setengah jam-an termasuk cover song milik Speed/Thrash Metal/Crossover Veteran lawas asal New York, Carnivore " Ground Zero Brooklyn " dari album fenomenalnya " Retaliation " yang mungkin karakternya agak lebih berbeda dengan lagu mereka sendiri, tapi cukup cool buat kita dengarkan bagaimana, Carnivore akan tampak lebih Ngebut n brutal tanpa banyak menghilangkan sentuhan asli lagunya hahahaha, sound yang siap membinasakan segala angkara murka hasil garapan enjiner Doug White yang kita kenal sebagai Gitaris band Brutal Death Metal sekampung Abdicate, Fledgling Death, yang pernah menggarap banyak album dari Avulsion, Brutal Truth " Evolution Through Revolution ", Warblade, Within, etc rupanya telah berhasil memberi sentuhan dan warna baru pada sound Abdicate jika Gw bandingkan dengan sebelumnya. Dasyat abis deh nuansa yang dilahirkan materi " Fragmented Atrocities ", sangat benar benar keji abis !!! semakin menambah Poin Plus juga, Abdicate menggunakan artwork gory Karya seniman sakit Jonzig, sebuah keseriusan yang siap mereka petik sukses sebagai band potensial di masa depan !! Ancaman baru siap ditebarkan album ini. Its a good CD. It's what you come to expect from this band. The artwork is really nice and really captures the album title.
Amazing My expectations for brutal death metal are about as high as my expectations for fast food, just do not mess it up, and this album does just that! ... Shocking really fresh onslaught Brutal Death Metal Killer origin Rochester, New York who had some time ago when they promote Gw Interview 2nd full album his "Transcend Through Sacrifice". and it was surprising dish Fresh Brutal their music began to increasingly mature so the first time I get their new CD "Fragmented atrocities" that Full Blastbeat Powerfully Intense!! The formula is pretty basic for brutal death metal, and the whole album lacks any kind of deviation but it's not bad. Like just about every brutal death metal band from 2000 and on, its more about the slams then anything. However the only thing wrong with this album is the production. That's what always kills just about every death metal bands nowadays in my eyes. The drums and vocals are so overbearing they Drown everything. The snare is compressed so much that its all you hear when the drum does blasts and it sounds terrible when he does his gravity blasts. The guitars and bass is pushed hard back and expect to hear during the slams. blend of basic concepts Suffocation, Cannibal Corpse, Vader until Misery Index is very much less pronounced in each shock Track Cruelly!! Drummer Alex Wuihhhhhh Goodjob for which the steady beat of Meetings heavy blow And his twin pedal. be the last recording for bassist Buzz, this material offers a 100% intense brutality beats dominated almost the entire track! "Mass disillusion" which begins with a complete state Spoking Intro to Mass pat for 47, and then we dihujam with Blastbeater killer tornado attack!!! i sense the fleeting indeed cruel era Vader album "Litany", because it levels the most dominating bass drum sound level into characteristic material this time sounded wild and Brutal!!!! Structural dynamics should i say the music varied and not boring even in the meet with Hyperblast snare strikes here and there, but still often play an attractive component of drumming. Ranging from fast tremolo picks, palm muted breakdowns and fast death thrash type riffs. There is a good variety, and the songs have a good variety in them. They are not just fast-faster parts part-slam repeat until they get bored and end the song. And the vocals are not annoying after 10 seconds like more death metal bands nowadays. For a guy like the Yeti you can only expect the best. I wish he had some variation but it does not take away from the music. Character Vocal grunted the Yeti sounds seriously try his sharp style Frank Mullen of Suffocation abis. "Engorged Repugnance" increasingly lethal course of his composition. Brutal Death Albums a very grand at all if you consume it himself 8 songs bleed here for about a half hour late, including a cover song belongs Speed ??/ Thrash Metal / Crossover old veteran from New York, Carnivore "Ground Zero Brooklyn" from his phenomenal album "Retaliation" which may be somewhat different character with their own songs, but pretty cool for how we listen, Carnivore will look more speeding n brutal without eliminating many original touches song hahahaha, sounds ready to destroy all the claim outcomes insolence Engineer Doug White that we know as Brutal Death Metal band guitarist compatriot Abdicate, Fledgling Death, who had worked on many albums of Avulsion, Brutal Truth "Evolution Through Revolution", Warblade, Within, etc seems to have succeeded in giving a new touch to the sound and color Abdicate if compare with previous Gw. Abis deh feel terrible material born "Fragmented atrocities", so really really nasty abis!!! further adds Points Plus also, Abdicate using gory artwork artist's work sick Jonzig, a seriousness that is ready to succeed as a band they learned of potential in the future! New threat ready to be sown this album. Its a good CD. It's what you come to expect from this band. The artwork is really nice and really captures the album title.
Revel In Flesh - Manifested Darkness
F.D.A. Rekotz CD 2013
http://revelinflesh.jimdo.com
http://www.myspace.com/revel_in_flesh
http://www.facebook.com/pages/Revel-in-Flesh/304228902958414
http://www.reverbnation.com/revelinflesh
http://www.fda-rekotz.com
revel-in-flesh@gmx.de
01 Revel in Flesh 04:04
02 Dominate the Rotten 04:26
03 Deathmarch 06:01
04 Manifested Darkness 03:36
05 Torment in Fire 05:10
06 The Maggot Colony 02:44
07 Operation Citadel 06:44
08 Warmaster 03:56
09 Rotting in the Void 06:02
Maggesson - Drums, Lead Guitars
Haubersson - Guitars, Bass, Vocals
the incessant Swedish-style death metal revival of the 21st century !! Yeahhh ... Meskipun Band ini sendiri asli berasal dari Schwäbisch Gmünd, Baden-Württemberg, Jerman yang eksis sejak 2011 lalu lebih mencoba condong untuk mempopulerkan kembali gaya Old School Death Metal dengan Sentuhan Kuat Gothenburg Sound In the Vein Dismember era " Like an Ever Flowing Stream ", Entombed, Carnage, Grave hingga sentuhan Doomy Death Metal-nya Autopsy. hanya di motori oleh 2 frontman saja pada proses rekamannya, ada Maggesson yang memainkan posisi Drum dan Lead Guitar serta Haubersson yang merangkap 3 alat musik Guitars, Bass, dan Vocals. " Manifested Darkness " ini menjadi Full album ke-2nya sejak Album pertama " Deathevokation " Tahun 2012 lalu. On an atmospheric level, Manifested Darkness is actually quite successful, and this comes largely through the contrast of the churning low end guitar patterns and the economy of melody which hovers alluringly below the monolithic crush. Leads are minimalistic zips and zags that often erupt over a groove, but I did not feel as if anything were missing by leaving out the impulse to shred ceaselessly. meskipun tidak mengalami kesulitan pada proses rekamannya yang ditangani oleh Enjiner kawakan dan kondang, Dan Swanö, Revel in Flesh kembali melahirkan masterpiece mereka di tahun 2013 ini dengan konsis mengusung irama Old School Death Metal awal 90-an dalam komposisi sound yang lebih modern. " Revel in Flesh " menjadi Hit Anthemic untuk diluncurkan pada urutan awal lagu langsung tampil cepat pada elemen beat yang dipadukan dengan Gothenburg Sound kental pula dengan sentuhan melodiusnya. Low Growl Haubersson mendominasi hampir menjadi karakter Growling tajam dan sesekali Melengkingkan Middle Scream Insane-nya. Pukulan Drummer Maggesson yang mengkomposisi Aransemen Guitar Utama-nya cukup menjalankan tugasnya dengan baik pula. The atmosphere worked for me, and occasionally I found my neck trembling against the voluminous force of the production, but little outright headbanging ensued. Ultimately, while I think this is a marginal improvement over Deathevokation, it still doesn't have the songwriting chops to really make a difference. walau tidak banyak melakukan permainan riffing yang menantang, Band ini cukup sukses menampilkan kembali era kemegahan Old School Death Metal era 90-annya..... beberapa elemen piano semakin menambah atmosfir kegelapan mencekam hadir dibeberapa track. beat musik yang rancak tetap memberikan kontribusi tersendiri bagaimana band ini idealis meramu apa yang menjadi Konsep dasar band. It's an album content to forever dwell in the mighty shadows of those that have come before it, and suited best to those who love their old school death metal steeped in a saucier, contemporary production. I've heard this stuff before, and while Revel in Flesh don't make a mockery of their influences by any means, they'd do well to loosen their grasp on those festering coattails and fly free. 9 lagu berdurasi total 42:43 ini lebih akan membawa kita ke dimensi Root Death Metal 90-an pokoknya. sehingga buat kalian yang mulai menggemari kembali Komposisi era Death Metal awal, bisa mencicipi sendiri sajian menyenangkan ini. the chord progressions don't often feel like ripoffs of anyone in particular; simply average and lacking the inspiration that their forebears so clearly felt when they were issuing discs like Fans Dismember, Entombed, Nihilist, Grave, Carnage, Enthrails hingga Autopsy, layak gw rekomendasikan konsepsional band ini dah. is a near-flawless album that tops any death metal that came before it. For a music genre governed by core instruments, there is no better example of pushing the genre beyond its limitations. With perfection reached, the band surpassed even that to create the most dejected, dynamic death metal album. The production is fantastic, with thickness ripe from the pounding double bass to the bubbling bass booms to the coarse, frenzied riffs. It's a beastly album in nature and classy in execution while remaining doomy without sacrificing the compositional strength. 90ies Death Metal Styled - The way it was meant to be!!!
the incessant Swedish-style death metal revival of the 21st century!! Yeahhh ... Although the original band itself comes from Schwäbisch Gmünd, Baden-Württemberg, Germany which exists since 2011 and is more inclined to try to popularize back Old School Death Metal style with a touch of Gothenburg Sound Strong In the Vein era Dismember "Like an Ever Flowing Stream", Entombed , Carnage, Grave to touch his doomy Death Metal Autopsy. only 2 hatched by frontman just in the process of recording, there Maggesson who plays the position of Lead Guitar and Drum and Haubersson musical instrument that doubled 3 Guitars, Bass, and Vocals. "Manifested Darkness" is a full-length album to-2nya since the first album "Deathevokation" 2012 last year. On an atmospheric level, manifested Darkness is actually quite successful, and this comes largely through the contrast of the churning low end guitar patterns and the economy of melody roomates alluringly hovers below the monolithic crush. Leads are minimalistic Often Zips and zags that erupt over a groove, but I did not feel as if anything were missing by leaving out the impulse to shred ceaselessly. although no difficulty in recording process is handled by a seasoned Engineer and famous, Dan Swanö, Revel In Flesh gives birth to their masterpiece in the year 2013 with a consistent rhythm brings Old School Death Metal in the early 90's a more modern sound compositions. "Revel in Flesh" a Hit for the anthemic song launched at the beginning of the sequence immediately appear quickly in the elements that combined to beat Gothenburg Sound too thick with a touch melodiusnya. Low Growl Haubersson dominated almost become characters and occasional sharp Growling Middle sharpen his Insane Scream. Punch Drummer Guitar Arrangement Maggesson who composed his main duties quite well too. The atmosphere worked for me, and occasionally I found my neck Trembling voluminous against the force of the production, but little outright headbanging ensued. Ultimately, while I think this is a marginal improvement over Deathevokation, it still does not have the songwriting chops to really make a difference. although not many do the game challenging riffing, this band successful enough to show the splendor of the era back Old School Death Metal 90 of his era ..... some elements of the piano adds to the dark atmosphere of tense is present in some tracks. beat music that smart how to keep a separate contribution to this band gathering idealistic what the basic concept of the band. It's an album content to dwell forever in the mighty shadows of those that have come before it, and best suited to those who love their old school death metal steeped in a saucier, contemporary production. I've heard this stuff before, and while Revel In Flesh do not make a Mockery of their Influences by any means, they'd do well to grasp their Loosen festering on those coattails and fly free. 9 tracks 42:43 total duration of this more will bring us to a dimension Root 90's Death Metal anyway. so for you who started back fond Death Metal Composition earlier era, could taste this delightful dish itself. the chord progressions do not often feel like ripoffs of anyone in particular; simply average and lacking the inspiration that their forebears so Cleary felt when they were issuing discs Fans like Dismember, Entombed, Nihilist, Grave, Carnage, Enthrails to Autopsy, worth gw dah conceptual recommend this band. is a near-flawless album that tops any death metal that came before it. For a music genre governed by core instruments, there is no better example of pushing the genre beyond its limitations. With perfection reached, the band surpassed even that to create the most Dejected, dynamic death metal album. The production is fantastic, with thickness ripe from the pounding double bass to the bubbling bass booms to the coarse, frenzied riffs. It's a beastly album in nature and classy in execution while remaining doomy without sacrificing the compositional strength. Styled Death Metal 90ies - The way it was meant to be!!!
Psychotic Despair - Words For Empty Spaces
Buil2Kill Records CD 2013
http://www.myspace.com/psychoticdespair
http://www.facebook.com/pages/PSYCHOTIC-DESPAIR/101821349937607
http://bandzone.cz/psychoticdespair
http://www.buil2kill.com
info@buil2kill.com
01 Ruins of Humanity 01:32
02 Km 0 02:46
03 Greed 02:37
04 The Room of Wrong Dreams 02:34
05 Normality for Sale 03:23
06 Words for Empty Spaces 03:23
07 World Behind the Door 02:52
08 Apathy 03:19
09 False Philosophy 03:49
10 Ariadne's Thread 01:57
11 FreeDoom 02:18
12 Professional Disease 02:06
13 Killing Innocence 02:16
14 Lost Words 02:51
15 Carnicero 02:33
Adriano Neri - Bass
Štefy - Drums
Prewith - Guitars
Brain - Guitars
Lubos - Vocals
Pengen Dengerin Konsep Musik Dismember yang lebih Cepat dan Brutal Lagi ??.... Nih gw kasih rekomendasi untuk mencicipi Sajian dari Czech Republik, Psychotic Despair ! ini seperti perkawinan silang haram antara Dismember dengan Behemoth atau Vader, yang gw tangkap disini adalah karakter Kental Gothenburg Sounding Dismember era " Massive Killing Capacity " banget dengan Gempuran Blastbeat Rapat Band2 Ngebut Polandia Scene. Blastbeat and Blastbeat awesome Attacking everywhere ! selain itu masih gw rasakan sedikit kental style grinding ala Ingrowing-nya disini. Track pertama " Ruins of Humanity " yang menjadi Opening ini sedikit mengingatkan sekali gw dengan " Dreaming In Red " Rythym Guitar-nya Dismember, dengan slowdown part yang despair banget atmosfirnya, gw mendengarkan banget Sounding Riff gitar memang Bener2 Swedish Sound beuddss hehehehe, cukup menghentak selama 01:32, band asal Kota Prague yang eksis sejak tahu 2002 dengan nama awal sebagai Anal Grinder yang setelah itu langsung menerjang dengan " KM 0 " dengan serangan Kencang Blastbeat Snare Rapat menggerinda ! rupanya beberapa band bentukan member masih menjadi sentuhan tak tertinggalkan diband ini, seperti gw masih sedikit mengingat karakter band Czech sebelumnya seperti Jig-Ai, Negligent Collateral Collapse, EarDelete serta Flying Brains tertanam pula dalam setiap komposisi Old School Death Metal dengan pembawaan yang lebih Nge-Blastbeat ini. karakter Vocalis Lubos disini lebih tetap mengingatkan gw dengan Matti Kärki-nya Dismember. Music always has been and always will be more than just shallow notes and words accompanied by rhythmic drums. Are those giant chainsaws as arms with all-round gunfire? Ohhh yes. waste no time in getting straight to damn Grinding rules ! Aransemen Riffing yang lebih menonjolkan distorsi sehingga kurang terdengar jelas struktur harmonisasinya saat digeber dengan speed selain beberapa Sentuhan Melodius yang terasa dan Jumping Breakdown Part-nya. Komposisi musik yang simple lebih didominasi dengan part yang cepat cukup menobatkan band ini terdengar ngebut dan cepat saja. tend to calm down a bit, most of them are simply marvellous aggression explosions. "Greed" is a good example on how to be brutal and melodic at the same time, but this is a fairly rare trait of Psychotic Despair, but you can still see the parallels to modern day clones who repeat the whole note/open string/major second lower/open string/minor second lower/open string... etc. It is hard to say which band I like more, both are amazing slabs of Swedish farmer death metal and that is a quality you must learn to cherish. 16 Track selama durasi total 40:16 cukuplah untuk membumi hanguskan setiap moshpit audience performance band ! With The riffs are catchy but always brutal, monolithic and essential. The title track shows far heavier riffs and a different structure that points of the speed of the guitars and the less fast drums patterns. Here too we find catchy rhythmic guitars lines and more melodic solos but everything remains extreme, because the tremolo picking has more melody on it and has the privilege of remaining stuck in your head for lots of day. This song also shows the very first up tempo parts. among a forest of grooving riffs. Fantastic.
Want to Hear Music concept Dismember more Fast and Brutal Again?? .... Ya i love to taste a dish recommendations of the Czech Republic, Psychotic Despair! marriage is like a cross between Dismember forbidden by Behemoth or Vader, which i catch here is the character Lumpy Gothenburg Sounding Dismember era "Massive Killing Capacity" really with Onslaught Blastbeat band2 Meeting Scene Speeding Poland. Attacking awesome Blastbeat Blastbeat and everywhere! other than that i still feel a little lumpy style Ingrowing his grinding style here. The first track "Ruins of Humanity" is a bit reminiscent of the Opening once gw with "Dreaming In Red" his Rythym Guitar Dismember, with the slowdown part that really despair atmosphere, I listen to the guitar riff is really Sounding Swedish bener2 Sound beuddss hehehehe, upbeat during the 1:32, the band from the city of Prague that existed since the beginning of 2002 with the name know as Anal Grinder who then immediately hit with "KM 0" to attack Blastbeat Toned Snare Meeting grind! apparently some of the band members are still being formed not touch diband forgotten by this, as I still remember the little character Czech band before like Jig-Ai, Negligent Collateral Collapse, and Flying Brains EarDelete also embedded in each composition Old School Death Metal with a more nature-Nge This Blastbeat. Lubos vocalist character here more i keep reminding her with Matti Karki Dismember. Music always has been and always will be more shallow than just notes and words accompanied by rhythmic drums. Are those giant arms with chainsaws as an all-round gunfire? Ohhh yes. waste no time in getting straight to Grinding damn rules! Riffing arrangements so that further highlight the lack of audible distortion incorporation structure when lauched with speed than a melodic touch that feels and Jumping Part Breakdown her. Simple musical compositions are dominated by fast enough spare crowned this band sounds and fast speeding alone. growing niche to calm down a bit, most of them are simply marvelous aggression explosions. "Greed" is a good example on how to be brutal and melodic at the same time, but this is a fairly rare trait of Psychotic Despair, but you can still see the parallels to modern day clones who repeat the whole note / open string / major second lower / open string / minor second lower / open string ... etc. It is hard to say roomates band I like more, both are amazing slabs of Swedish death metal farmer and that is a quality you must learn to cherish. 16 Track for a total duration of 40:16 suffice for scorched earth every audience moshpit performance band! With The riffs are catchy but always brutal, monolithic and essential. The title track shows far heavier riffs and a different structure that points of the speed of the guitars and the drums patterns less fast. Here too we find a catchy rhythmic guitars are more melodic lines and solos but everything remains extreme, Because The tremolo picking has more melody on it and has the privilege of remaining stuck in your head for lots of day. This song also shows the very first up tempo parts. among a forest of grooving riffs. Fantastic.
Viscera Trail - Treats Of Torture
Pathologically Explicit Recordings EP 2013
http://www.vtrail.deathgrind.com
http://www.myspace.com/visceratrail
http://www.facebook.com/pages/VISCERA-TRAIL/155500558709
http://www.visceratrail.bigcartel.com
Signocain@gmail.com
01 Face Removal 04:15
02 Ripping of the Sack 04:56
03 Gargling for Help 04:40
Tuval Refaeli - Drums
Tomer Hasenfratz - Guitars, Vocals
Shahaf Ostfeld - Vocals
Oz Shmuel - Bass
Salah Satu Band Brutal Death Metal/Grindcore dengan sentuhan Slamming element yang kental asal Hasharon, Hazafon, Israel yang sudah eksis sejak 2002 tentu sudah memikat hati gw sejak Ep pertama mereka " Piled Up Dead " Tahun 2005 yang kemudian disusul dengan full album Pertama " Humiliation-Ridden Evisceration " tahun 2009 Via Epitomite Productions, cukup mengangkat reputasi mereka sebagai band Brutal berpotensi dan berbahaya dari Israel Scene, apalagi Karakter Musikal yang mereka tawarkan ini juga banyak dibicarakan oleh Editor Musik Media Internasional. cukup sukses dengan sepak terjang tersebut, kembali tahun 2013 ini mereka menawarkan materi baru 3 lagu dalam format Ep yang memperkenalkan drummer baru mereka, Tuval Refaeli dari band Equilibrium dan Krampus menggantikan drummer sebelumnya, Yinon Tal serta bassis baru Oz Shmuel yang juga ikutan cuap cuap bersama gitaris Tomer, kian Variatif aja style yang disuguhkan dialbum ini hehehe .... sebuah Dinamika Musikalitas memang sering terjadi seiring terjadinya pergantian formasi, hal ini sangat berarti sekali jikalau kita coba membandingkan dengan materi sebelumnya. Komposisi Brutal Death Metal-nya menjadi lebih menarik dan Kompleks ! at least on this debut, provides a definitive blueprint for brutal slam death techniques, albeit a generic one that's about as interesting as arranging vocabulary blocks in kindergarten. Though the production levels are nothing to scoff at, and the musicianship is about as taut as you'd expect, there are simply no ideas here which haven't been lifted off ! Track Awal " Face Removal " cukup menggambarkan Tema Artwork Cover Ep ini, bagaimana kita mendengarkan Raungan Menyakitkan akibat penyiksaan kejam, dan memang kejam pulalah sajian berikutnya yang kita terima dengan hentakan musik berirama berat ! brutal death breakdowns, and then rendered down to the simple principle of palm muted belligerence entirely devoid of melody or truly interesting chord progressions. Take a few Suffocation, Cannibal Corpse or Earth Crisis chugs ! sajian Brutal Death Metal dengan gaya Breakdown Groovy Part slamming yang terinfluence oleh band2 genre Hardcore Old School !, Karakter Guttural Vocalis Shahaf Ostfeld yang terkadang terasa seperti orang bersendawa ini semakin lebih variatif dengan karakter Growling emosional dari Bassis Oz Shmuel dan Gitaris Tomer Hasenfratz saling mengisi Pattern Vokal secara Variatif, sementara drummer Tuval dengan begitu Powerfully menghentakkan setiap ketukan mantapnya dengan Skill Improving yang teknikal punya. are necessarily bad at carving out their niche on this debut, it's just that there are too few unexpected dressings, glimmers of hope or individual songs that distinguish themselves from one another (with one exception). dan kadang memang karakter bermusiknya gw teringat banget dengan gayanya Band TON era " Blind Follower " banget ! Once in a blue moon they'll break out some wilder, open chords, or even a small handful of more clinical harmonic patterns to the notation, but the lion's share of the material here is moving at a mid-paced groove and then occasionally lapsing into some slower chug, very often embellished with the same end-phrase squealing that has become so uninspired and drone-like to the genre. bagaimana gaya emosional Growling kerap Bersama berteriak bagaikan sebuah Anthemic Style untuk mengajak Audience melebur bersama dengan setiap ketukan musik yang ditawarkannya ini. " Ripping of the Sack ", semakin tajam menggerinda terus ! nothing in terms of atmospheric flourish, and I can only imagine, for example, just how much a little of that immediate, wondrous industrial resonance of the titular outro track would have improved the central songwriting if it had been induced to several of the bridges. Or what some eerie leads or melodies might have accomplished above the churning, fist-balling flesh of the rhythm guitars. The bass is clearly felt through the recording, but it never does anything besides cling to the guitar patterns...even a few fifths or individualistic runs could have dramatically upped the ante. Drums are mixed with an almost mechanical din to them, but otherwise they offer the proper balance of muscular double-bass rolls and grooves, and heavily favor the kicks and toms to the weaker cymbal strikes. dan track Keren bagi Gw " Gargling for Help " semakin memantapkan opini gw tentang Visceral Trails ini, memang aransemen bermusik yang semakin jauh dari kesan boring terlunasi dengan permainan yang variatif dan dinamis, Brutal Death Metal bertemu dengan New School Hardcore ! so Bagaimana kalian bisa bayangkan itu?? These chugging slamming death metal songs lurch and shift, fluidly, but inscrutably, with what seems like little regard for entertainment or the rock foundation of metal. But this is clearly the design of its authors, not a flaw. There is so much muted chugging and rhythmic shifting that whenever a slightly catchy riff or a sustained chord appears, it feels like a luxurious anomaly compared to its bleak, relentless surroundings. A lot of these tunes yield one really memorable hook, such as those heard in the concluding portions of EP highlights !! sayang sekali sajian berdarah ini cuman memuat 3 lagu aja, karena gw masih ingin menikmati lagi sajian dasyat mereka lainnya, Btw, sangat Gw rekomendasikan Bagi Fans TON, Abominable Putridity era " In the End of Human Existence ", Suffocation, Cannibal Corpse hingga Dying Fetus, siap siap untuk mencicipi hidangan mengerikan asal Israel Scene ini ! and as a result they seem to waste the opportunity. The drums aren't doing anything interesting stylistically, but they do sound annoyingly mechanical, not to mention they echo throughout the production job whereas everything else is muted like a brick slamming on a table. Apart from those precious few moments there is little here worth your time. Sure the production is good, but when the music is just a pointless chugfest with a bunch of breakdowns and some idiot gurgling incessantly over the top of it then the production doesn't really add anything to the experience. FUCKIN THE SLAM !!
One band Brutal Death Metal / Grindcore with a strong touch of origin Slamming element Hasharon, HaZafon, Israel, which has existed since 2002, would have captured the heart gw since their first Ep "piled Up Dead" in 2005 which was followed by the first full album "Humiliation -Ridden Evisceration "Epitomite Via Productions in 2009, simply pick up their reputation as a band and potentially dangerous Brutal Scene of Israel, let alone a musical character that they offer is also widely spoken by the International Media Music Editor. quite successful with the lunge, back in 2013 they offer new material in a format Ep 3 songs that introduce their new drummer, Tuval Refaeli from the band Equilibrium and Krampus replace previous drummer, Yinon new bassist Tal and Shmuel Oz who also picked burble burble along Tomer guitarist, increasingly Variatif aja style that served this dialbum hehehe .... a dynamic musicality is often the case as the change of formation, it really means a lot if we try to compare with the previous material. Brutal Death Metal Composition its become more interesting and complex! at least on this debut, provides a definitive blueprint for brutal slam death techniques, albeit a generic one that's about as interesting as arranging blocks in kindergarten vocabulary. Though the production levels are nothing to scoff at, and the musicianship is about as hard disk as you'd expect, there are simply no ideas here roomates have not been lifted off! Early track "Face Removal" Cover Artwork adequately describe the theme this Ep, how we listen to the roar of the cruel pains due to torture, cruel, and indeed also the next dish we receive with heavy rhythmic beat of the music! breakdowns brutal death, and then rendered down to the simple principle of palm muted belligerence entirely devoid of melody or truly interesting chord progressions. Take a few Suffocation, Cannibal Corpse or Earth Crisis chugs! Brutal Death Metal with a dish style Groovy Breakdown Part slamming the terinfluence by genre band2 Hardcore Old School!, Character Guttural Shahaf Ostfeld vocalist who sometimes feels like a burp is getting more varied with the emotional character of Growling Bassist and Guitarist Oz Shmuel Tomer Hasenfratz complementary Pattern Variatif vocal, while drummer Tuval so Powerfully stomping beats any steadiness with the Technical Skill Improving had. are necessarily bad at carving out their niche on this debut, it's just that there are too few unexpected dressings, glimmers of hope or individual songs that distinguish Themselves from one another (with one exception). and sometimes i think of her musical character is really in style TON Band era "Blind Follower" really! Once in a blue moon they'll break out some wilder, open chords, or even a small handful of more clinical harmonic patterns to the notation, but the lion's share of the material here is moving at a mid-paced groove and then occasionally lapsing Chug into some slower, very often embellished with the same end-squealing phrase that has Become so uninspired and drone-like to the genre. how often emotional style Growling like an anthemic shout Joint Style to invite Audience fused together with each beat of the music that is offered. "Ripping of the Sack", the sharper the grind continues! nothing in terms of atmospheric flourish, and I can only imagine, for example, just how much a little of that immediate, wondrous resonance of the titular industrial outro track would have improved the central songwriting if it had been induced to several of the bridges. Or what some eerie leads or melodies might have accomplished above the churning, fist-balling flesh of the rhythm guitars. Clearly the bass is felt through the recording, but it never does anything besides cling to the guitar patterns ... even a few fifths or individualistic runs Dramatically could have upped the ante. Drums are mixed with an almost mechanical din to them, but otherwise they offer the proper balance of muscular double-bass rolls and grooves, and Heavily favor the kicks and toms to the cymbals Weaker strikes. and track Cool for Gw "Gargling for Help" has established gw opinion on this Trails Visceral, musical arrangement is increasingly far from being boring repaid with varied and dynamic game, Brutal Death Metal meets with the New School Hardcore! so How can you imagine that?? Chugging these slamming death metal songs lurch and shift, fluidly, but inscrutably, with what seems like little regard for entertainment or the rock foundation of metal. But this is Clearly the design of its authors, not a flaw. There is so much muted Chugging and that shifting rhythmic Whenever a slightly catchy riff or a chord Appears sustained, it feels like a luxurious anomaly Compared to its bleak, Relentless surroundings. A lot of these tunes yield one really memorable hook, such as those heard in the concluding portions of the EP highlights!! unfortunately this bloody dish contains 3 songs cuman wrote, because I still want to enjoy the rest of their terrible dish again, btw, highly recommend Gw For Fans TON, Abominable Putridity era of "In the End of Human Existence", Suffocation, Dying Fetus, Cannibal Corpse up , ready to taste dishes prepared from Israel's terrible this Scene! and as a result they seem to waste the opportunity. The drums are not doing anything interesting stylistically, but they do sound annoyingly mechanical, not to mention they echo throughout the production job whereas everything else is muted like a brick slamming on a table. Apart from those few precious moments there is little here worth your time. Sure the production is good, but when the music is just a pointless chugfest with a bunch of breakdowns and some idiot gurgling incessantly over the top of it then the production does not really add anything to the experience. THE FUCKIN SLAM!!
Amorphis - Circle
Nuclear Blast Records CD 2013
http://www.amorphis.net
http://www.myspace.com/amorphis
http://www.facebook.com/amorphis
http://www.reverbnation.com/amorphis
http://twitter.com/_amorphis
http://www.youtube.com/user/amorphisofficial
http://www.kingfooentertainment.fi/subsites/amorphis/main.php
http://www.bebo.com/Amorphis
01 Shades of Gray 05:27
02 Mission 04:33
03 The Wanderer 04:43
04 Narrow Path 04:23
05 Hopeless Days 05:08
06 Nightbird's Song 05:00
07 Into the Abyss 05:36
08 Enchanted by the Moon 05:32
09 A New Day 06:00
Jan Rechberger - Drums, Keyboards
Esa Holopainen - Guitars
Tomi Koivusaari - Guitars
Santeri Kallio - Keyboards
Niclas Etelävuori - Bass
Tomi Joutsen - Vocals
Gw adalah salah satu Fans berat 2 album pertama mereka " The Karelian Isthmus (1992) " dan " Tales from the Thousand Lakes (1994) " yang mengenalkan gw pertama kali dengan indahnya genre Progressive/Death/Doom Metal yang saat itu gw mendengar dasyatnya single " Exile of the Sons of Uisliu " saat mereka berpartisipasi dalam album kompilasi Bersejarah Nuclear Blast Records, " Death Just Beginning End Part II ", rapes your ears with monolithic, booming chords and frightful, lilting melodies which feel like the shift from autumn to winter, as hope and life is drained from the very earth so that slumber may commence. tapi sayang band ini memasuki album ke-3 mulai melakukan eksperimen gaya baru yang lebih cenderung bergeser konsep menjadi lebih Modern Rock/Melodic Metal, walo kesan " Metal " nya ga begitu hilang hilang amat, komposisi musik yang mereka tawarkan kemudian menjadi New Wave Metal bagi generasi selanjutnya. Amorphis mulai harus menanggalkan gaya bernyanyi yang nge-growl menjadi Clean Vokal biasa, dan balutan melodius Riffing-nya juga tidak sekental 2 album sebelumnya. masih tetap menawarkan konsep album terakhir mereka " The Beginning of Times " Tahun 2011, Amorphis 1 tahun kemudian Vakum merilis materi karena padatnya jadwal tour mereka hingga tahun 2013 untuk pertama kalinya Amorphis mengenalkan single " Hopeless Days " bersamaan dengan Dirilis Video Clip Resminya. kemudian menyusul single ke-2 " The Wanderer " menjadi Start awal perilisan Full album Gress " Circle " ini. " My own initial response to Circle was that it was a middling but tolerable affair which did little to build upon any of their considerable body of work, but nestled safely between the progressive rock and folk metal aesthetics the Finns have been flirting with since the incredible Elegy back in the mid 90s (still a favorite). Further listens have revealed that is in fact an exercise in retread tedium, and even if it avoids the status of an outrageously 'bad' disc, I find it easily the worst of the Tomi Joutsen era, and their least interesting output since Far from the Sun...perhaps it's celebrating a 10 year anniversary of that mediocrity? " menjadi beberapa komentar tentang album baru ini dari berbagai media musik. album yang digarap dan produseri sendiri oleh Peter Tägtgren sebagai Frontman Band terkenal Hypocrisy adalah pertama kali awal kerjasamanya cukup menciptakan konsepsional album ini memiliki karakter sound yang sedikit berbeda. and it really gleams through the speakers with its overabundance of melodies, but it seems that a great deal of riff writing has been sacrificed in the name of accessibility and atmosphere. The rhythm guitars are tremendously boring throughout the record. Mindless amateur chugs like the nearly nu-metal bounce. " Shades of Gray ", kita akan sedikit dibawa ke karakter kuat era album " Elegy " dengan Raungan Growling Powerfully vocalis Tomi Joutsen, hentakan demi hentakan komposisi musiknya memang tetap megah Amorphis ciptakan. Pesona Nu-Metal padat digabungkan dengan gaya Modern Rock yang dipadukan dengan elemen melodius. yang pasti komposisi musik Amorphis semakin dewasa dalam mengaransemen musik yang berkualitas, simple namun berpower ! These are but a distant memory, replaced by the simulacra of banal grooves and background chord patterns which almost seem subservient to the vocals and brazen synthesizer melodies which strike like a dawn's early light over a grassland plain upon which nothing much is happening. Lead-like melodies are likewise ineffectual, cleaner guitars or proggy Tuonela-style picking just there to further flesh out the atmosphere rather than author some memorable note progressions. " Mission " menawarkan Gaya melodius yang ciamik diawal part lagu masih menjadi konsep Amorphis. " The Wanderer " terdengar lebih Nge-Beat dan Melodius sentuhannya. lalu " Narrow Path " sentuhan Tradisi Etnik Finlandia dan Folky-nya terasa begitu kental. Amorphis was once so excellent at weaving together the 70s rock, blues, folk instrumentation into the harder rhythm guitars and melodies, but this all seems like a phoned in par for the course, reinforced only by a pretty sweet engineering job. The bass and drums are pristine in the mix, but rarely does either do anything interesting except rock along to the rather standard riffing construction while the keys flutter through the pennants above. " Hopeless Days " tentunya udah ga asing jika kalian pernah melihat Video Clip garapanVideo editor dan Produser, Patric Ullaeus yang sudah menggarap video Clip-nya Children Of Bodom, Dimmu Borgir, Arch Enemy, In Flames, Hammerfall, Sonic Syndicate, Sirenia, etc. " Nightbird's Song " terasa Hitam dan Gelap Atmospheric yang diciptakannya, mungkin terdengar keras track ini disini. total 9 lagu yang berdurasi 46:22 ini kembali kita akan dibawa buaian Amorphis dalam Dimensi tak berseberang dan penuh dengan Khayalan dan Mitos yang masih diyakini manusia didunia ini. especially these terribad boring palm mute chugging elements that are about as bland as week old diet white bread. Another frustration was that every time I was mentally imagine some series of rhythm guitar chords or one of Tomi's chorus melodies reaching an expected climax, it always seemed to misfire into some vapid configuration. Completely unexciting stuff... The record is all about patience, perspective and context, I suppose. About getting comfy in that same fucking eponymous circle and accepting the wisdom of catchy leads and cool singing while puffing on your new peace pipe. And I would argue that if you listened to everything from Eclipse's first song through to the last of Circle, in one go, this would seem like a noble continuation of the saga and a great bookend to the colorful adventures of the noughties. Amorphis Fans?? Get In Touch Now release !!
Really is My one heavy Fans 2 of their first album "The Karelian Isthmus (1992)" and "Tales from the Thousand Lakes (1994)" which was first introduced with the beautiful gw genre Progressive / Death / Doom Metal at that time i heard incredible single "Exile of the Sons of Uisliu" when they participated in the compilation album Historic Nuclear Blast Records, "Death Just Beginning End Part II", rapes your ears with monolithic, booming chords and frightful, lilting melodies roomates feel like the shift from autumn to winter , as hope and life is drained from the very earth so that slumber may commence. but unfortunately the band enters 3rd album began to experiment a new style that is more likely to shift the concept became more Modern Rock / Melodic Metal, walo impression of "Metal" missing, lost her ga so very, musical compositions they offer later became New Wave Metal for the next generation. Amorphis began to put off your singing style jamming Clean Vocals growl became commonplace, and bandage his melodic riffing also not as thick as 2 previous albums. still offers the concept of their latest album "The Beginning of Times" in 2011, Amorphis released 1 year later Vacuum material because of the tight schedule of their tour until 2013 for the first time introduce Amorphis single "Hopeless Days" along with Video Clip Released Officially. then following the 2nd single "The Wanderer" Start early to release full album Gress "Circle" is. "My own initial response to Circle was that it was a middling affair but tolerable roomates did little to build upon any of their a considerable body of work, but safely nestled between the progressive rock and folk metal aesthetics the Finns have been flirting with since the incredible Elegy back in the mid 90s (still a favorite). Further listens have revealed that is in fact an exercise in tedium Retread, and even if it avoids the status of an Outrageously 'bad' discs, I find it easily the worst of the Tomi Joutsen era, and their least interesting output since Far from the Sun ... perhaps it's celebrating a 10 year anniversary of that mediocrity? "be some comments on this new album of music from a variety of media. directed and produced the album himself by Band frontman Peter Tägtgren as famous Hypocrisy is the first time early enough cooperation creates conceptual album has a slightly different sound character. and it really gleams through the speakers with its overabundance of melodies, but it seems that a great deal of riff writing has been Sacrificed in the name of accessibility and atmosphere. The rhythm guitars are tremendously boring throughout the record. Mindless amateur chugs like the nu-metal nearly bounce. "Shades of Gray", we will be a little strong character brought to the era of the album "Elegy" with vocalist Tomi roar Growling Powerfully Joutsen, beat by beat of musical composition is still magnificent Amorphis created. Nu-Metal charm combined with the solid Rock Modern style combined with melodic elements. Amorphis is definitely more mature musical compositions in arranging quality music, simple but berpower! These are but a distant memory, replaced by the simulacra of banal background grooves and chord patterns roomates almost seem subservient to the vocals and synthesizer melodies roomates brazen strike like a dawn's early light over a grassland plain upon roomates nothing much is happening. Lead-like melodies are likewise ineffectual, cleaner or proggy guitars Tuonela-picking style just there to further flesh out the atmosphere rather than author some memorable note progressions. "Mission" offers a melodic style of the early part of the good song is still a concept Amorphis. "The Wanderer" sounds more Nge-Beat and melodic touch. and "Narrow Path" touch Ethnic Traditions Finland and its folky was so thick. Amorphis was once so excellent at weaving together the 70s rock, blues, folk instrumentation into the harder rhythm guitars and melodies, but this all seems like a phoned-in par for the course, reinforced only by engineering a pretty sweet job. The bass and drums are pristine in the mix, but rarely does either do anything interesting except rock along to the rather standard construction riffing while the keys through the pennants flutter above. "Hopeless Days" ga ve certainly strange if you ever see Video Clip garapanVideo editor and producer, Patric Ullaeus are already working on his video Clip Children Of Bodom, Dimmu Borgir, Arch Enemy, In Flames, Hammerfall, Sonic Syndicate, Sirenia, etc. "Nightbird's Song" Black and Dark Atmospheric felt it created, this track may sound harsh here. that lasted a total of 9 tracks 46:22 we will take this back in the crib Amorphis there is just one dimension and full of delusion and myth is still believed to be human in this world. especially palm mute these boring terribad Chugging elements that are about as bland as week old white bread diet. Another frustration was that every time I was Mentally imagine some series of rhythm guitar chords or one of Tom's chorus melodies reaching an expected climax, it always seemed to misfire into some vapid configuration. Completely unexciting stuff ... The record is all about patience, perspective and context, I suppose. About getting comfy in that same fucking eponymous circle and accepting the wisdom of catchy leads and cool singing while Puffing on your new peace pipe. And I would argue that if you listened to everything from Eclipse's first through to the last song of Circle, in one go, this would seem like a noble continuation of the saga and a great bookend to the colorful adventures of the noughties. Amorphis Fans?? Get In Touch Now release!! 
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